Pub Date : 2023-08-23DOI: 10.1080/10509208.2023.2248865
Yining Zhou
{"title":"Gender Fantasies in American Western and Chinese Wuxia Films: The Violence and Non-Domesticity of Heroic Gunfighters and Female Knights-Errant","authors":"Yining Zhou","doi":"10.1080/10509208.2023.2248865","DOIUrl":"https://doi.org/10.1080/10509208.2023.2248865","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46471949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-23DOI: 10.1080/10509208.2023.2249373
S. Kaliazhdarova, S. Ashenova, S. Velitchenko, Anarkhan Zhumabayeva, B. Serdali
{"title":"Issues and Prospects of Innovative Development Management of Single-Industry Towns of the Republic of Kazakhstan","authors":"S. Kaliazhdarova, S. Ashenova, S. Velitchenko, Anarkhan Zhumabayeva, B. Serdali","doi":"10.1080/10509208.2023.2249373","DOIUrl":"https://doi.org/10.1080/10509208.2023.2249373","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42741813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.1080/10509208.2023.2250977
D. Sterritt
Well now, Johnny-O, was it a ghost? – Midge in Vertigo The protagonist of Vertigo suffers a severe trauma in the first scene, tips into catatonic madness around the midway point, and doesn’t fully recover until the final moments of the story, if indeed he recovers at all. Scottie is a haunted character throughout – haunted first by the memory of witnessing a colleague’s violent death and later by his attraction to Madeleine, who herself pretends to be haunted by a ghostly presence and is actually haunted by perilous love for the man she has been deceiving since the beginning. More broadly, the film mirrors these perplexities by cultivating a powerful aura of detachment from the realm of reason and rationality, generating a dreamlike atmosphere fostered by its implausible events and eccentric structure as well as such secondary elements as its hypnotic titles and destabilizing music. All of these factors point to hauntology as a useful tool for illuminating this resonant and elusive work. As posited by Jacques Derrida, hauntology contests and displaces its near-homonym ontology, imagining the figure of the specter as an unfathomable intruder that is, as the philosopher Colin Davis puts it, “neither present nor absent, neither dead nor alive,” presenting an otherness that is both manifestly present and ultimately inexplicable (Davis 2005, 373). Fredric Jameson sees a strong charge of irony in this Derridean idea, but that aside, I find it a suggestive and productive analytical concept. A major reference point for Derrida’s hauntology is Hamlet’s complaint that “time is out of joint,” suggesting that the esthetics of hauntology are characterized by a temporal displacement through which, in the words of the philosopher Liam Sprod, “the past invades, or haunts, the present with its return,” bringing back “the ideas, images and ideals of a past age, which now grate and creak against the joints of the present” (Shakespeare 2012, I:5; Sprod 2012). Time is very much out of joint for Scottie Ferguson, whose well-ordered life has been disrupted by forced retirement, allowing him to spend increasingly long periods discovering and inhabiting a delusive situation designed to persuade him that the spirit of a woman long dead has taken possession of a woman who is now haunting him – “available Ferguson,” as he whimsically calls himself – in turn. Madeleine’s unearthly beauty seduces him into
{"title":"Hauntological Perplexities: Spectrality, Theodicy, and Vertigo","authors":"D. Sterritt","doi":"10.1080/10509208.2023.2250977","DOIUrl":"https://doi.org/10.1080/10509208.2023.2250977","url":null,"abstract":"Well now, Johnny-O, was it a ghost? – Midge in Vertigo The protagonist of Vertigo suffers a severe trauma in the first scene, tips into catatonic madness around the midway point, and doesn’t fully recover until the final moments of the story, if indeed he recovers at all. Scottie is a haunted character throughout – haunted first by the memory of witnessing a colleague’s violent death and later by his attraction to Madeleine, who herself pretends to be haunted by a ghostly presence and is actually haunted by perilous love for the man she has been deceiving since the beginning. More broadly, the film mirrors these perplexities by cultivating a powerful aura of detachment from the realm of reason and rationality, generating a dreamlike atmosphere fostered by its implausible events and eccentric structure as well as such secondary elements as its hypnotic titles and destabilizing music. All of these factors point to hauntology as a useful tool for illuminating this resonant and elusive work. As posited by Jacques Derrida, hauntology contests and displaces its near-homonym ontology, imagining the figure of the specter as an unfathomable intruder that is, as the philosopher Colin Davis puts it, “neither present nor absent, neither dead nor alive,” presenting an otherness that is both manifestly present and ultimately inexplicable (Davis 2005, 373). Fredric Jameson sees a strong charge of irony in this Derridean idea, but that aside, I find it a suggestive and productive analytical concept. A major reference point for Derrida’s hauntology is Hamlet’s complaint that “time is out of joint,” suggesting that the esthetics of hauntology are characterized by a temporal displacement through which, in the words of the philosopher Liam Sprod, “the past invades, or haunts, the present with its return,” bringing back “the ideas, images and ideals of a past age, which now grate and creak against the joints of the present” (Shakespeare 2012, I:5; Sprod 2012). Time is very much out of joint for Scottie Ferguson, whose well-ordered life has been disrupted by forced retirement, allowing him to spend increasingly long periods discovering and inhabiting a delusive situation designed to persuade him that the spirit of a woman long dead has taken possession of a woman who is now haunting him – “available Ferguson,” as he whimsically calls himself – in turn. Madeleine’s unearthly beauty seduces him into","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"40 1","pages":"801 - 806"},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45255326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-18DOI: 10.1080/10509208.2023.2246866
Abhik Mukherjee
{"title":"Lawrence in India: Reading Lady Chatterley’s Lover through the Films of Satyajit Ray","authors":"Abhik Mukherjee","doi":"10.1080/10509208.2023.2246866","DOIUrl":"https://doi.org/10.1080/10509208.2023.2246866","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59791645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-18DOI: 10.1080/10509208.2023.2247312
A. Utterson
{"title":"Software, Self, Society: The Computer Histories of Adam Curtis","authors":"A. Utterson","doi":"10.1080/10509208.2023.2247312","DOIUrl":"https://doi.org/10.1080/10509208.2023.2247312","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47663039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-16DOI: 10.1080/10509208.2023.2246865
Shivalika Agarwal, Nagendra Kumar
{"title":"Do I Exist: Deconstructing the Mother-Daughter Relationship in Anvita Dutt’s Qala","authors":"Shivalika Agarwal, Nagendra Kumar","doi":"10.1080/10509208.2023.2246865","DOIUrl":"https://doi.org/10.1080/10509208.2023.2246865","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45734719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-11DOI: 10.1080/10509208.2023.2245319
C. Albarrán-Torres, L. Burke
{"title":"Postcolonial Superheroes: Unmasking Black Panther: Wakanda Forever and Namor, Its Mesoamerican Antihero","authors":"C. Albarrán-Torres, L. Burke","doi":"10.1080/10509208.2023.2245319","DOIUrl":"https://doi.org/10.1080/10509208.2023.2245319","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47667117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-10DOI: 10.1080/10509208.2023.2243571
Nenad Jovanovic
{"title":"The Show about the Show as a Brechtian Text","authors":"Nenad Jovanovic","doi":"10.1080/10509208.2023.2243571","DOIUrl":"https://doi.org/10.1080/10509208.2023.2243571","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49381603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-08DOI: 10.1080/10509208.2023.2243573
Yang Li
{"title":"Tracking on the “Edge” of Chinese Discourses: Drawing the Trajectories of Pema Tseden’s “Tibetan” Filmmaking in the PRC","authors":"Yang Li","doi":"10.1080/10509208.2023.2243573","DOIUrl":"https://doi.org/10.1080/10509208.2023.2243573","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47792824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-04DOI: 10.1080/10509208.2023.2243572
R. James, Maria John Paul
{"title":"The Events of De(Con)Struction: Plasticity in P. Padmarajan’s Innale and Nombarathi Poovu","authors":"R. James, Maria John Paul","doi":"10.1080/10509208.2023.2243572","DOIUrl":"https://doi.org/10.1080/10509208.2023.2243572","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45862382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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