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« Faire la traversée ensemble », échange avec Fabienne Kanor à propos de la performance Paroles de Revenante (Ouidah, février 2020) “Faire la traverse ensemble”,与Fabienne Kanor就表演Paroles de Revenante进行交流(Ouidah, 2020年2月)
Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0013
Lucile Combreau, Rocío Munguía Aguilar, Marjolaine Unter Ecker
Abstract:Cet entretien retranscrit un échange mené avec Fabienne Kanor à Ouidah (Bénin), en marge du colloque « Les mémoires de l'esclavage dans la littérature, les arts et les musées », organisé par l'Université d'Abomey-Calavi et l'Université du Mans en février 2020. L'autrice y revient sur sa performance Paroles de Revenante, qu'elle a présentée dans le cadre de cette manifestation scientifique.
摘要:本文记录了2020年2月由阿波美-卡拉维大学和勒芒大学组织的“文学、艺术和博物馆中的奴隶制记忆”研讨会期间与Fabienne Kanor在Ouidah(贝宁)进行的交流。作者回顾了她在这次科学活动中展示的表演《归来者的话语》。
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引用次数: 0
Monuments, Tombs, and Texts in Zahia Rahmani's Moze 扎伊亚·拉赫马尼摩斯中的纪念碑、坟墓和文字
Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0008
K. B. Madsen
Abstract:In this article, the author analyzes Zahia Ramani's Moze, published in 2003, both as a literary monument to the author's father (a harki who later committed suicide in France) and as a text which explores the politics of memorialization. Commemorative imagery recurs throughout Moze, with the most prominent example being the monument aux morts that Moze visits before his suicide on November 11. Such World War I memorials—and the date of November 11—also came to commemorate the dead of later wars; when Moze returns to the source of contemporary memorialization to salute the dead, he underscores his absence from the sacralized ranks of those generations of morts pour la France. The narrator also explores the echoes between ancient Berber and Roman burial sites, contemporary hidden tombs for harkis, and Moze's own final resting place in a French terrain vague. I concentrate on the esthetic and political implications of Moze's dialogue with other commemorative modes. Drawing on studies of physical countermonuments, I argue that Moze functions as a textual countermonument due to its fragmented style and its tendency to unsettle (rather than glorify) representations of the national past.
摘要:本文对2003年出版的扎伊亚·拉马尼的《莫兹》进行了分析,既将其作为作者父亲(一名后来在法国自杀的哈奇人)的文学纪念碑,又将其作为一篇探讨纪念政治的文本。纪念意象在莫泽随处可见,最突出的例子是莫泽在11月11日自杀前参观的纪念碑。这样的第一次世界大战纪念——日期定在11月11日——也是为了纪念后来战争中的死难者;当莫兹回到当代纪念活动的源头向死者致敬时,他强调了自己在那些世代为法国而献身的神圣行列中的缺席。叙述者还探索了古代柏柏尔人和罗马人的墓地之间的回声,当代哈克人的隐藏坟墓,以及莫兹自己在法国地形模糊的最后安息之地。我主要关注莫泽与其他纪念模式对话的美学和政治含义。根据对实体反纪念碑的研究,我认为莫泽作为文本反纪念碑的功能是由于其支离破碎的风格和对国家过去表现的不安(而不是美化)的倾向。
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引用次数: 0
Book of the Body Politic by Christine de Pizan (review) 克里斯汀·德·皮桑《政体之书》(书评)
Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0023
Lynn R. Wilkinson
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引用次数: 0
From Menstruation to the Menopause: The Female Fertility Cycle in Contemporary Women's Writing in French by Maria Tomlinson (review) 《从月经到更年期:当代法国女性写作中的女性生育周期》作者:玛丽亚·汤姆林森
Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0019
A. Wimbush
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引用次数: 0
We Are Not Born Submissive: How the Patriarchy Shapes Women's Lives by Manon Garcia (review) 《我们并非生来顺从:父权制如何塑造女性生活》作者:玛侬·加西亚(书评)
Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0016
Mariah Devereux Herbeck
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引用次数: 0
La poétique de la menstruation selon Emma Santos et Séverine Daucourt 艾玛·桑托斯和severine·道库尔的月经诗学
Pub Date : 2021-10-26 DOI: 10.1353/wfs.2021.0002
Mélanie Maillot
Abstract:Dans cet article sont abordées les représentations de la menstruation dans différents textes d'Emma Santos et de Séverine Daucourt, en relation à un contexte social et culturel bridé par des règles implicites que les autrices veulent démanteler. L'objectif principal de cette étude est de mettre en lumière et d'analyser les modalités et processus littéraires utilisés par les autrices pour d'une part exprimer leur position critique face à l'étiquette menstruelle et d'autre part forger un espace littéraire où l'expérience menstruelle est donnée sur un mode affranchi. Cette démarche d'émancipation passe par la construction d'une poétique plurielle permettant d'abolir l'univocité d'un discours qui érige des normes culturelles, menstruelles, et littéraires.
摘要:本文探讨了艾玛·桑托斯(emma Santos)和severine道库尔(severine Daucourt)在不同文本中对月经的表现,并将其与作者想要消除的隐含规则所限制的社会和文化背景联系起来。本研究的主要目的是揭示和分析女性作者所使用的文学方法和过程,一方面表达她们对月经礼仪的批判立场,另一方面创造一个文学空间,在那里月经体验以一种自由的方式被给予。这种解放的过程包括构建多元诗学,以消除建立文化、月经和文学规范的话语的独特性。
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引用次数: 0
Francophone Literature as World Literature ed. by Christian Moraru et al. (review) 《作为世界文学的法语文学》作者:Christian Moraru等人(评论)
Pub Date : 2021-10-26 DOI: 10.1353/wfs.2021.0026
Sara C. Hanaburgh
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引用次数: 0
Women Fight, Women Write: Texts on the Algerian War by Mildred Mortimer (review) 《女人战斗,女人写作:阿尔及利亚战争文本》米尔德里德·莫蒂默著(书评)
Pub Date : 2021-10-26 DOI: 10.1353/wfs.2021.0019
Névine El Nossery
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引用次数: 0
The Crimes of Marguerite Duras: Literature and the Media in Twentieth-Century France by Anne Brancky (review) 《玛格丽特·杜拉斯的罪行:二十世纪法国的文学与传媒》安妮·布兰克著(书评)
Pub Date : 2021-10-26 DOI: 10.1353/wfs.2021.0012
Adrienne Angelo
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引用次数: 1
Charlotte Delbo, A Life Reclaimed by Ghislaine Dunant (review) 夏洛特·德尔博:吉斯兰·杜南《重生》(书评)
Pub Date : 2021-10-26 DOI: 10.1353/wfs.2021.0022
Maria G. Traub
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引用次数: 0
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Women in French Studies
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