Pub Date : 2023-01-01DOI: 10.51391/trva.2023.01.02
A. Ionescu
In this article I will focus on three major intersections between Samuel Beckett’s and E. M. Cioran’s works, irrespective of the fact that Beckett chose mainly the medium of prose and theatre, while Cioran chose the philosophical essay. Starting from several biographical encounters mentioned in Beckett’s Letters and Cioran’s Cahiers and the section on Beckett from Anathemas and Admirations, I will first explore autobiography as a “figure of reading” (Paul de Man), and use my role as a reader to become a sort of judge who looks into the different ways in which Beckett and Cioran wrote a type of autobiography always veiled through what I will call Facing / Defacing / Figuring / Disfiguring, also searching for possible reasons why they insisted on believing that in life one must keep on trying against all odds. The second comparison will delve into Beckett’s and Cioran’s “absentheism” (a concept I borrow from Jean-Luc Nancy) and negative theology. The third analogy will deal with the way in which Beckett and Cioran performed failure in their works.
{"title":"Samuel Beckett and E. M. Cioran: The Passion for Ruins","authors":"A. Ionescu","doi":"10.51391/trva.2023.01.02","DOIUrl":"https://doi.org/10.51391/trva.2023.01.02","url":null,"abstract":"In this article I will focus on three major intersections between Samuel Beckett’s and E. M. Cioran’s works, irrespective of the fact that Beckett chose mainly the medium of prose and theatre, while Cioran chose the philosophical essay. Starting from several biographical encounters mentioned in Beckett’s Letters and Cioran’s Cahiers and the section on Beckett from Anathemas and Admirations, I will first explore autobiography as a “figure of reading” (Paul de Man), and use my role as a reader to become a sort of judge who looks into the different ways in which Beckett and Cioran wrote a type of autobiography always veiled through what I will call Facing / Defacing / Figuring / Disfiguring, also searching for possible reasons why they insisted on believing that in life one must keep on trying against all odds. The second comparison will delve into Beckett’s and Cioran’s “absentheism” (a concept I borrow from Jean-Luc Nancy) and negative theology. The third analogy will deal with the way in which Beckett and Cioran performed failure in their works.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.01.04
Alessandro Ghignoli
In Spain during the second half of the twentieth century a certain type of poetry was born that did not find the place and the space for the debate that it undoubtedly deserved given its high linguistic and literary value. In this sense, the poetry of the Spanish poet Ignacio Prat deals with those types of writings that flank with experimentalism and with the true avant-garde itself. In this piece of work and through the study of a text entitled “Lineamenta” we will endeavor to show how the presence of a universal poet such as Dante can be perceived in the making and editing of the very text of such a poet. The proximity between literary creation and translation is proven here with the analysis of the poem, which, as we shall see, is influenced by the presence of Dante by a game of intertextual cross-references that achieve to offer us a poem of high communicative content adorned with diachronic literary materials that the Spanish poet can reuse for a text of contemporary poetry.
{"title":"Ignacio Prat y la transducción dantesca","authors":"Alessandro Ghignoli","doi":"10.51391/trva.2023.01.04","DOIUrl":"https://doi.org/10.51391/trva.2023.01.04","url":null,"abstract":"In Spain during the second half of the twentieth century a certain type of poetry was born that did not find the place and the space for the debate that it undoubtedly deserved given its high linguistic and literary value. In this sense, the poetry of the Spanish poet Ignacio Prat deals with those types of writings that flank with experimentalism and with the true avant-garde itself. In this piece of work and through the study of a text entitled “Lineamenta” we will endeavor to show how the presence of a universal poet such as Dante can be perceived in the making and editing of the very text of such a poet. The proximity between literary creation and translation is proven here with the analysis of the poem, which, as we shall see, is influenced by the presence of Dante by a game of intertextual cross-references that achieve to offer us a poem of high communicative content adorned with diachronic literary materials that the Spanish poet can reuse for a text of contemporary poetry.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.02.04
Teona Farmatu
Following the theories about the author’s posture, my paper aims both to reconstruct the path of Mariana Marin’s mythologization and to deconstruct it by establishing two main postures: the tragic posture, congealed mainly post-mortem, and the ethical one, originating in a specific ethos, identifiable in the poet’s biographical-artistic trajectory. Having become a mythologised figure of the 1980s generation, due to the fatalistic correspondences between poems and biography or to the legitimisation of her value by comparison with poets of the same framework, but from the mainstream of world literature (Sylvia Plath, Anne Sexton, Else Lasker-Schüler), Madi – the famous nickname – tends to penetrate abusively, sometimes unjustifiably, into the reception of Mariana Marin’s texts, hence the empirical persona which becomes strongly than the poetic work.
{"title":"Mariana Marin: facerea și desfacerea unui mit. Postura tragică (I)","authors":"Teona Farmatu","doi":"10.51391/trva.2023.02.04","DOIUrl":"https://doi.org/10.51391/trva.2023.02.04","url":null,"abstract":"Following the theories about the author’s posture, my paper aims both to reconstruct the path of Mariana Marin’s mythologization and to deconstruct it by establishing two main postures: the tragic posture, congealed mainly post-mortem, and the ethical one, originating in a specific ethos, identifiable in the poet’s biographical-artistic trajectory. Having become a mythologised figure of the 1980s generation, due to the fatalistic correspondences between poems and biography or to the legitimisation of her value by comparison with poets of the same framework, but from the mainstream of world literature (Sylvia Plath, Anne Sexton, Else Lasker-Schüler), Madi – the famous nickname – tends to penetrate abusively, sometimes unjustifiably, into the reception of Mariana Marin’s texts, hence the empirical persona which becomes strongly than the poetic work.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.05-06.13
Iulia-Maria Vîrban
The intention of the present work is to demonstrate how an author can rescale himself in the local space thanks to literary agents (publishing houses, festivals, translations etc.), which have the role of emphasizing the value of his work that is willing to (re)win a literary bet precisely in the source culture, relying on a case study around the prose of Tatiana Țibuleac. The novelist gains symbolic capital abroad, on the one hand, because she gravitates between two peripheral spaces, Romania, respectively the Republic of Moldova, the second being subordinated to the first which has become a launching pad to the West, and, on the other hand, through the lens of its actual naturalization in France. What popularizes Tatiana Țîbuleac is not the reception of her novels in Romania, but the post-translation success justified by the attention later paid to the author by the Romanian press, considering the large volume of interviews mapped, most likely, in the wake of her journalistic career. The predilection for a writing of memory doubled by a hypersensitive dimension of an atrophied self or by the toxic frameworks of the relationship with a dysfunctional family – emergencies resolved only under the sign of the pathological, the case of the first novel. At the same time, the ideological panorama of a marginal culture, such as the Republic of Moldova, constrained between Soviet inflections, never completely purified, and the definition of an identity (not only national), as in the Glass Garden, but all of these are also possible causes of Tatiana Tîbuleac’s enrollment among international writers.
{"title":"De la marginal la central: cartografii ale exportului în proza Tatianei Țîbuleac","authors":"Iulia-Maria Vîrban","doi":"10.51391/trva.2023.05-06.13","DOIUrl":"https://doi.org/10.51391/trva.2023.05-06.13","url":null,"abstract":"The intention of the present work is to demonstrate how an author can rescale himself in the local space thanks to literary agents (publishing houses, festivals, translations etc.), which have the role of emphasizing the value of his work that is willing to (re)win a literary bet precisely in the source culture, relying on a case study around the prose of Tatiana Țibuleac. The novelist gains symbolic capital abroad, on the one hand, because she gravitates between two peripheral spaces, Romania, respectively the Republic of Moldova, the second being subordinated to the first which has become a launching pad to the West, and, on the other hand, through the lens of its actual naturalization in France. What popularizes Tatiana Țîbuleac is not the reception of her novels in Romania, but the post-translation success justified by the attention later paid to the author by the Romanian press, considering the large volume of interviews mapped, most likely, in the wake of her journalistic career. The predilection for a writing of memory doubled by a hypersensitive dimension of an atrophied self or by the toxic frameworks of the relationship with a dysfunctional family – emergencies resolved only under the sign of the pathological, the case of the first novel. At the same time, the ideological panorama of a marginal culture, such as the Republic of Moldova, constrained between Soviet inflections, never completely purified, and the definition of an identity (not only national), as in the Glass Garden, but all of these are also possible causes of Tatiana Tîbuleac’s enrollment among international writers.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.01.01
Eugen Ciurtin, Andreea Apostu
The present series of contributions critically edits in Romanian and English, with concordances and commentary, a string of unpublished, multilingual manuscripts written by the young Mircea Eliade, Indologist and historian of religions in South Asia, from 1929 to 1931. Previously unknown, the manuscripts were purchased by a private collector, who most graciously contacted the editors in February 2023 and bequeathed them for the present publication. The series complements ECCE | The Complete Critical Edition of Mircea Eliade’s Scholarly Works before 1945, under the auspices of the Institute for the History of Religions in Bucharest (first two volumes forthcoming).
{"title":"Mircea Eliade’s Unpublished Manuscripts from Private Collections: Notebooks I & II (Calcutta, 1929-1931). Critical edition","authors":"Eugen Ciurtin, Andreea Apostu","doi":"10.51391/trva.2023.01.01","DOIUrl":"https://doi.org/10.51391/trva.2023.01.01","url":null,"abstract":"The present series of contributions critically edits in Romanian and English, with concordances and commentary, a string of unpublished, multilingual manuscripts written by the young Mircea Eliade, Indologist and historian of religions in South Asia, from 1929 to 1931. Previously unknown, the manuscripts were purchased by a private collector, who most graciously contacted the editors in February 2023 and bequeathed them for the present publication. The series complements ECCE | The Complete Critical Edition of Mircea Eliade’s Scholarly Works before 1945, under the auspices of the Institute for the History of Religions in Bucharest (first two volumes forthcoming).","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.04.05
A. Lazar
The article explores a particular case of negative transfer of the Surrealist artistic project during the early phase of the French-centred movement within the Romanian avant-garde magazines network. Dismissed as “inauthentic” or mediated for its scandalous allure, Surrealism is unsuccessful at making inroads into the Romanian avant-garde press, closely connected to International Constructivism. This process triggers a delayed, albeit impressive, response to the Surrealist aesthetic and political thought, toward the end of the 1920s, and is, initially, largely regarded as a fraught association. Arguing that artistic circulation and transmission is not always a synchronous or symmetrical process in a centre-periphery direction, the article opens an inquiry into the motivations and implications of the Romanian negative response to early Surrealism. Additionally, the article provides insights into the complex interplay between Constructivism and Surrealism in the space of the Romanian avant-garde periodicals, essential for the understanding of Central and Eastern European avant-gardes, and a new perspective on how the periphery moderates the Surrealist label and its artistic project.
{"title":"Troubling Circulation: Early Surrealism as a Case of Negative Transfer","authors":"A. Lazar","doi":"10.51391/trva.2023.04.05","DOIUrl":"https://doi.org/10.51391/trva.2023.04.05","url":null,"abstract":"The article explores a particular case of negative transfer of the Surrealist artistic project during the early phase of the French-centred movement within the Romanian avant-garde magazines network. Dismissed as “inauthentic” or mediated for its scandalous allure, Surrealism is unsuccessful at making inroads into the Romanian avant-garde press, closely connected to International Constructivism. This process triggers a delayed, albeit impressive, response to the Surrealist aesthetic and political thought, toward the end of the 1920s, and is, initially, largely regarded as a fraught association. Arguing that artistic circulation and transmission is not always a synchronous or symmetrical process in a centre-periphery direction, the article opens an inquiry into the motivations and implications of the Romanian negative response to early Surrealism. Additionally, the article provides insights into the complex interplay between Constructivism and Surrealism in the space of the Romanian avant-garde periodicals, essential for the understanding of Central and Eastern European avant-gardes, and a new perspective on how the periphery moderates the Surrealist label and its artistic project.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.03.05
Teona Farmatu
If Mariana Marin’s tragic posture was largely built posthumously by her friends, the ethical one is assumed by the author herself and entitled by a collective ethos in terms of Meizoz. Interdependent, yet with distinct effects, the two categories mentioned – the tragic and the ethical – certify at least two wrong pathways regarding the author’s reception. Firstly, the woman poet becomes a romanticized-heroic fiction. Secondly, the ethical posture, is ambiguous because of a misreading: Mariana Marin’s so-called dissidence – a fake posture that is constructed for her from outside the country (by the two exiled personalities: Monica Lovinescu and Virgil Ierunca, as well as by the American translator Adam J. Sorkin) – versus a social-political engagement, perfectly valid, but which ends up diverting the hermeneutics of the texts towards the univocality of moral strands. So, being a study of the author and tangentially of her poems, I will also discuss the fictionalization of Mariana Marin within some poems by others.
{"title":"Mariana Marin: facerea și desfacerea unui mit. Postura etică (II)","authors":"Teona Farmatu","doi":"10.51391/trva.2023.03.05","DOIUrl":"https://doi.org/10.51391/trva.2023.03.05","url":null,"abstract":"If Mariana Marin’s tragic posture was largely built posthumously by her friends, the ethical one is assumed by the author herself and entitled by a collective ethos in terms of Meizoz. Interdependent, yet with distinct effects, the two categories mentioned – the tragic and the ethical – certify at least two wrong pathways regarding the author’s reception. Firstly, the woman poet becomes a romanticized-heroic fiction. Secondly, the ethical posture, is ambiguous because of a misreading: Mariana Marin’s so-called dissidence – a fake posture that is constructed for her from outside the country (by the two exiled personalities: Monica Lovinescu and Virgil Ierunca, as well as by the American translator Adam J. Sorkin) – versus a social-political engagement, perfectly valid, but which ends up diverting the hermeneutics of the texts towards the univocality of moral strands. So, being a study of the author and tangentially of her poems, I will also discuss the fictionalization of Mariana Marin within some poems by others.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.03.06
Ovio Olaru
Drawing on Cristian Cercel’s 2019 contribution Romania and the Quest for European Identity: Philo-Germanism without Germans, the present article pursues the creation of Romanian philo-Germanism following the 1989 Romanian Revolution in the paradoxical absence of the German minority, which all but disappeared during the early ‘90s; the arguments follow an ethnic group which evolved from being an agent of colonial power in the late Middle Ages to becoming an agent of transnational capital in postcommunist times. Additionally, the article discusses the inflated importance of the German civilizational model as a cure for the perceived shortcomings of a semi-peripheral nation for which self-colonialism, imitative capitalism, brain drain, and labor extractivism were seen as the only conceivable ways of preventing demotion to the status of periphery following the revolution. Lastly, the different manifestations of this cultural stance are represented, as well as how sympathy towards one minority was gradually institutionalized and practiced on a large scale to the detriment of others, chiefly the Hungarians and the Roma, in a case of revived nationalism and ethnocentrism on behalf of the vanishing Germans.
{"title":"Colonists, Rulers, Saviors: Philo-Germanism without Germans","authors":"Ovio Olaru","doi":"10.51391/trva.2023.03.06","DOIUrl":"https://doi.org/10.51391/trva.2023.03.06","url":null,"abstract":"Drawing on Cristian Cercel’s 2019 contribution Romania and the Quest for European Identity: Philo-Germanism without Germans, the present article pursues the creation of Romanian philo-Germanism following the 1989 Romanian Revolution in the paradoxical absence of the German minority, which all but disappeared during the early ‘90s; the arguments follow an ethnic group which evolved from being an agent of colonial power in the late Middle Ages to becoming an agent of transnational capital in postcommunist times. Additionally, the article discusses the inflated importance of the German civilizational model as a cure for the perceived shortcomings of a semi-peripheral nation for which self-colonialism, imitative capitalism, brain drain, and labor extractivism were seen as the only conceivable ways of preventing demotion to the status of periphery following the revolution. Lastly, the different manifestations of this cultural stance are represented, as well as how sympathy towards one minority was gradually institutionalized and practiced on a large scale to the detriment of others, chiefly the Hungarians and the Roma, in a case of revived nationalism and ethnocentrism on behalf of the vanishing Germans.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.03.07
Maria Sass
The present volume, German Writers and Scholars from Romania in the eyes of the State Security [Securitate], paints a picture of Romanian society during the communist period by looking at the relationship of some German writers from Romania with the Secret Police. Stefan Sienerth’s volume consists of fifteen extensive studies that provide profiles of cynical and abject members of the State Security but also of some of the writers’ informants, who were blackmailed into collaborating under threat of being arrested. All studies are based on empirical research and on analysing documents from the CNSAS Security Archive, and describe an absurd world dominated by anxiety, fear, betrayal, blackmail, as well as the unscrupulous and cynical operating methods employed by the State Security. These are very rich in information and explicit, with clear statements and very precise terminology, revealing a very experienced researcher, as well as characterizing an era through the prism of a network of destinies, some of which are implacable.
{"title":"REVIEW: Stefan Sienerth, Bespitzelt und bedrängt – verhaftet und verstrickt. Rumäniendeutsche Schriftsteller und Geisteswissenschaftler im Blickfeld der Securitate. Studien und Aufsätzes","authors":"Maria Sass","doi":"10.51391/trva.2023.03.07","DOIUrl":"https://doi.org/10.51391/trva.2023.03.07","url":null,"abstract":"The present volume, German Writers and Scholars from Romania in the eyes of the State Security [Securitate], paints a picture of Romanian society during the communist period by looking at the relationship of some German writers from Romania with the Secret Police. Stefan Sienerth’s volume consists of fifteen extensive studies that provide profiles of cynical and abject members of the State Security but also of some of the writers’ informants, who were blackmailed into collaborating under threat of being arrested. All studies are based on empirical research and on analysing documents from the CNSAS Security Archive, and describe an absurd world dominated by anxiety, fear, betrayal, blackmail, as well as the unscrupulous and cynical operating methods employed by the State Security. These are very rich in information and explicit, with clear statements and very precise terminology, revealing a very experienced researcher, as well as characterizing an era through the prism of a network of destinies, some of which are implacable.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.51391/trva.2023.05.07
Anca Parvulescu, Manuela Boatcă
This article is the authors’ response to the Transilvania journal special issue dedicated to Creolizing the Modern: Transylvania across Empires (Cornell University Press, 2022). The issue (no. 10, 2022) featured articles and review articles on inter-imperiality and decolonial thought, alongside several pieces on world literature and cultural representations of Romania. In response to the critiques formulated by the contributors, Anca Parvulescu and Manuela Boatcă clarify some aspects and offer further insight into their theories. Since its publication, the book has attracted much deserved attention, being awarded the 2023 René Wellek Prize for best monograph from the American Comparative Literature Association (ACLA) and the 2023 Barrington Moore Award from the Comparative and Historical Sociology Section of the American Sociological Association (ASA).
{"title":"Review Symposium: Creolizing the Modern: Transylvania across Empires","authors":"Anca Parvulescu, Manuela Boatcă","doi":"10.51391/trva.2023.05.07","DOIUrl":"https://doi.org/10.51391/trva.2023.05.07","url":null,"abstract":"This article is the authors’ response to the Transilvania journal special issue dedicated to Creolizing the Modern: Transylvania across Empires (Cornell University Press, 2022). The issue (no. 10, 2022) featured articles and review articles on inter-imperiality and decolonial thought, alongside several pieces on world literature and cultural representations of Romania. In response to the critiques formulated by the contributors, Anca Parvulescu and Manuela Boatcă clarify some aspects and offer further insight into their theories. Since its publication, the book has attracted much deserved attention, being awarded the 2023 René Wellek Prize for best monograph from the American Comparative Literature Association (ACLA) and the 2023 Barrington Moore Award from the Comparative and Historical Sociology Section of the American Sociological Association (ASA).","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135987937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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