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Comportamentul asociativ – un indicator al calității vieții 联想行为——生活质量的指标
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.02.07
Elisaveta Drăghici
Partnership to achieve common goals is an example of social action. When it is geared towards achieving a high level of quality of life, it is a complex dynamic and therefore of interest to researchers. This study explores the associative phenomenon from the perspective of two dimensions (which define the quality-of-life paradigm), namely quality of society and lifestyles (according to Mărginean and Precupețu’s vision, 2011), but also from the perspective of the community life and social participation dimension (as stated by Fahey et al., 2003). In addition to the theoretical approach on joining organizations for social involvement (in order to achieve a better life), the results of empirical research based on the administration of a questionnaire are presented. The empirical research highlights perceptions of action in society, the determinants of associational behavior oriented towards social involvement, the motivations behind the establishment of non-governmental organizations and their relation to the concern to improve the quality of life. The present study is one section of a larger ongoing research on motivations for setting up NGOs and the development of the non-profit sector. The topic is of interest in that, thirty years after freedom of association was achieved in Romania, the exploration of the motivations for setting up an NGO has been sporadic, the study showing current aspects of association for involvement in society.
实现共同目标的伙伴关系是社会行动的一个例子。当它旨在实现高水平的生活质量时,它是一个复杂的动态,因此引起了研究人员的兴趣。本研究从两个维度(定义生活质量范式)的角度探讨了联想现象,即社会质量和生活方式(根据m和Precupețu的愿景,2011年),也从社区生活和社会参与维度的角度(如Fahey et al., 2003年)。除了对社会参与组织(为了实现更好的生活)的理论方法外,本文还提出了基于问卷管理的实证研究结果。实证研究强调了对社会行动的看法、面向社会参与的结社行为的决定因素、建立非政府组织背后的动机及其与改善生活质量的关系。本研究是正在进行的关于建立非政府组织的动机和非营利部门发展的更大研究的一部分。令人感兴趣的是,在罗马尼亚实现结社自由三十年后,对建立非政府组织动机的探索一直是零星的,研究显示了结社参与社会的当前方面。
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引用次数: 0
Poezia energiei scăzute. O lectură (peri)termodinamică a interpretării lui G. Bacovia via E. Lovinescu 低能量的诗歌。E.Lovenescu对G.Bacovia解释的(围)热力学解读
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.03.04
Teodora Dumitru
The purpose of this essay is to map the energetic and (peri)thermodynamic background of theories about poetry from the second half of the 19th century and the beginning of the 20th century, also included in the horizon of interest of Romanian critics. In the present essay, I trace the route by which the literary critic E. Lovinescu arrives at his unique stylistic and conceptual approach to the poetry of G. Bacovia from the article he dedicates to him in 1922 and from the sequence reserved for the same poet in the study Poezia nouă (1923), both capitalized, further, in his literary histories. It is about the interpretation or even the definition of Bacovian poetry as an “expression” of “a neurosis,” as a “poetry” of “(deeply animalistic) kinesthesia,” as an “almost direct expression” of a “sick kinesthesia” or, even more abruptly, as “secretion of a sick organism, as moisture is the tear of damp walls.”
这篇文章的目的是描绘19世纪下半叶和20世纪初诗歌理论的能量和(近似)热力学背景,也包括罗马尼亚评论家的兴趣范围。在本文中,我追溯了文学评论家e·洛维内斯库从1922年献给g·巴科维亚的文章和1923年研究《新诗》中为同一位诗人保留的顺序中得出他对巴科维亚诗歌的独特风格和概念方法的途径,两者都在他的文学史中进一步大写。它是关于对Bacovian诗歌的解释甚至定义,作为一种“神经症”的“表达”,作为一种“(深度动物的)动觉”的“诗歌”,作为一种“病态动觉”的“几乎直接的表达”,或者更突然地,作为“病态有机体的分泌物,就像湿气是湿墙的撕裂”。
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引用次数: 0
În arhiva lui: Eliade (I) 在他的档案中:Eliade(I)
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.04.07
Eugen Ciurtin
The present series offers an anthology of excerpts from all types of Mircea Eliade’s writings, either unpublished or published as journals, reminiscences, memoirs, articles, essays, and shorter pieces, which may as a whole describe his own production and continual re/use of personal manuscripts. There is at present no systematic inquiry into the nature, form, quantity, and scope of his lost Bucharest archive. The rather large amount of Eliade Bucharest manuscripts sold through auctions since 2017 has already lethally interfered with the integrity of Eliade’s archive, as he bid farewell in August 1942 and the subsequent material owners offered after Eliade’s death no public catalogue or minimal listing of identified manuscripts, no indices, and almost no proper clues regarding its very size. Meanwhile, some manuscripts from this archive were sold directly by Eliade estates to public institutions in Romania (1986-1989) or sold directly to two public libraries in Bucharest by the sole material owner (and for his own personal benefit), in March-December 1989. Eliade’s published and especially unpublished manuscripts auctioned since 2017 are extraordinarily diverse, and only a part have been rescued by public institutions (17 manuscripts by the Library of the Romanian Academy in 2021, 67 manuscripts by the donors of the Institute for the History of Religions of the Romanian Academy in 2002, and several others at present under critical scrutiny, in 2023 and by the donors of the same Institute). All these manuscripts are only a fragment from the full archive Eliade left for good in Bucharest in 1942. Synoptic re-reading may thus help indeed improve our knowledge of that very archive, its content being a source of endless litigious intervention. The series complements ECCE | The Complete Critical Edition of Mircea Eliade’s Scholarly Works before 1945, under the aegis of the Institute for the History of Religions, as well as MEUM | Mircea Eliade’s Unpublished Manuscripts from Private Collections, published by Eugen Ciurtin and Andreea Apostu in Transilvania 51 [155] (2023), no. 1, pp. 1-22 (Critical edition), no. 2, pp. 1-16 (Concordances A-E), and no. 3, pp. 1-16, with forthcoming instalments in 2023.
本系列提供了米尔切·埃利亚德所有类型作品的选集,无论是未发表的还是以期刊、回忆录、回忆录、文章、散文和短篇作品的形式发表的,这些作品可能作为一个整体描述了他自己的作品和不断重复使用的个人手稿。目前还没有对他丢失的布加勒斯特档案的性质、形式、数量和范围进行系统的调查。自2017年以来,通过拍卖出售的大量埃利亚德·布加勒斯特手稿已经致命地干扰了埃利亚德档案的完整性,因为他于1942年8月告别,随后的材料所有者在埃利亚德去世后没有提供公开目录或最少量的已识别手稿清单,没有索引,几乎没有关于其大小的适当线索。与此同时,1989年3月至12月,该档案中的一些手稿由Eliade estates直接出售给罗马尼亚的公共机构(1986-1989年),或由唯一的材料所有者直接出售给布加勒斯特的两个公共图书馆(并为其个人利益)。伊利亚德自2017年以来拍卖的已发表和未发表的手稿非常多样化,只有一部分被公共机构拯救(2021年罗马尼亚学院图书馆的17份手稿,2002年罗马尼亚学院宗教历史研究所的捐助者的67份手稿,以及目前正在接受严格审查的其他几份手稿,在2023年和同一研究所的捐助者)。所有这些手稿只是埃利亚德1942年留在布加勒斯特的完整档案中的一小部分。因此,概括性重读可能确实有助于提高我们对这些档案的了解,其内容是无休止的诉讼干预的来源。该丛书补充了ECCE |《米尔恰·埃利亚德1945年前学术著作完整批判版》,由宗教史研究所赞助,以及MEUM |《米尔恰·埃利亚德私人收藏未出版手稿》,由欧根·库尔廷和安德烈亚·阿普斯图在特兰西瓦尼亚出版51 [155](2023),no. 5。第1-22页(评论版),第2号。2,第1-16页(索引A-E)。第3页,第1-16页,2023年将陆续出版。
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引用次数: 0
Overview of Penitence Law in the Kingdom of Bohemia in the Middle Ages 中世纪波西米亚王国的忏悔法概述
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.04.09
Pavel Krafl
In the study, the author focuses on penitence law in the medieval Kingdom of Bohemia, and specifically on the territory of the Prague ecclesiastical province, i.e. in the Prague and Olomouc dioceses. Confession also became the subject of normative regulation in medieval ecclesiastical law, taking on the character of a legal institution. The decree Omnis utiusque sexus, promulgated at the Fourth Lateran Council in 1215, made it compulsory for each resident in a parish to make a confession to his or her parish priest once a year. The provisions of the conciliar decree were taken into the papal code Liber extra in 1234. Confession thus became an institution of canon law. Confession was regulated more closely at ecclesiastical province and diocese level by provincial and diocesan statutes, the most important of these being the provincial statutes of Arnošt of Pardubice from 1349. A certain set of sins was reserved for the diocesan bishop or the Pope to absolve. Numerous manuals for administering the Sacrament of Penance (summae confessorum, poenitentiale) were used for the theoretical instruction and practical needs of confessors. The most widespread in the Czech lands were Summa de casibus poenitentiae by Raymond of Peñafort and Summa Pisana by Bartholomaeus de Sancto Concordio. Several such penitentials were also created in Bohemia, written by Bishop Robert of Olomouc, Hermann of Prague, Štěpán of Roudnice, Sander Rambow, Matthew of Cracow, Štěpán of Kolín, and Václav of Dráchov.
在这项研究中,作者着重于中世纪波希米亚王国的忏悔法,特别是布拉格教会省的领土,即布拉格和奥洛穆茨教区。忏悔也成为中世纪教会法规范规范的主体,具有法律制度的特征。1215年第四次拉特兰大公会议(Fourth Lateran Council)颁布的法令Omnis unique sexus规定,每个教区的居民必须每年向他或她的教区神父忏悔一次。大公会议法令的规定在1234年被纳入《教皇法典》。忏悔因此成为教会法的一项制度。告解在教会省和教区层面更严格地受到省和教区法规的规范,其中最重要的是1349年帕尔杜比斯省法规Arnošt。某些罪是留给教区主教或教皇来赦免的。许多手册管理忏悔圣礼(summae confessorum, potentientiale)被用于理论指导和忏悔的实际需要。在捷克土地上最广泛的是Peñafort的Raymond的Summa de casibus poenitentiae和bartholomeus de Sancto Concordio的Summa Pisana。几个这样的忏悔也创造了在波西米亚,写主教罗伯特的奥洛穆茨,赫尔曼的布拉格,Štěpán的Roudnice,桑德·兰博,马修的克拉科夫,Štěpán的Kolín, Václav的Dráchov。
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引用次数: 1
Periferia ca supracondiție a existenței în literatură: Ileana Negrea și supraabundența identitară 边缘性是文学存在的前提:伊莉安娜·内格里亚与身份的过度丰富
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.05-06.02
Geanina Giuhat
The main aim of this paper is the analysis of how the multi-peripheral position in Ileana Negrea’s poetry is recontextualized in the geotemporality of contemporary Romanian culture, acknowledging her formation in a different language and through the reception and the application of feminist theories and praxis from other spaces, especially from the South American one, that are stratified and inserted in her texts. The analysis focuses on how the inflexion point of her marginal identity, gender-queerness-madness, is recomposed in the actual Romanian cultural and geopolitical circumstances and how her texts are perceived accordingly with these. At the same time, it will be explored how Negrea’s texts enrol in the world literature system via her registering in the worldly queer-feminist literary scheme.
本文的主要目的是分析Ileana Negrea诗歌中的多边缘地位如何在当代罗马尼亚文化的地理时代性中重新语境化,承认她在不同语言中的形成,并通过接受和应用来自其他空间的女权主义理论和实践,特别是来自南美的女权主义理论和实践,这些理论和实践被分层并插入到她的文本中。分析的重点是她的边缘身份的拐点,性别酷儿-疯狂,是如何在实际的罗马尼亚文化和地缘政治环境中重组的,以及她的文本是如何与这些相适应的。同时,探讨内格蕾的文本如何通过她在世俗的酷儿女权主义文学体系中的注册而进入世界文学体系。
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引用次数: 0
Poezia energiei scăzute. O lectură (peri)termodinamică a interpretării lui G. Bacovia via E. Lovinescu (II) 低能量的诗意。G. Bacovia via E. Lovinescu 的(近)热力学解读 (II)巴科维亚经由 E. 洛维纳斯库 (II)
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.04.04
Teodora Dumitru
The purpose of this essay is an attempt to map the energetic and (peri)thermodynamic background of theories about poetry from the second half of the 19th century and the beginning of the 20th century, also included in the horizon of interest of Romanian critics. In the present essay, I trace the route by which the literary critic E. Lovinescu arrives at his unique stylistic and conceptual approach to the poetry of G. Bacovia from the article he dedicates to him in 1922 and from the sequence reserved for the same poet in the study Poezia nouă (1923), both capitalized, further, in his literary histories. It is about the interpretation or even the definition of Bacovian poetry as an “expression” of “a neurosis,” as a “poetry” of “(deeply animalistic) kinesthesia,” as an “almost direct expression” of a “sick kinesthesia” or, even more abruptly, as “secretion of a sick organism, as moisture is the tear of damp walls.”
这篇文章的目的是试图描绘出19世纪下半叶和20世纪初诗歌理论的能量和(近似)热力学背景,也包括罗马尼亚评论家的兴趣范围。在本文中,我追溯了文学评论家e·洛维内斯库从1922年献给g·巴科维亚的文章和1923年研究《新诗》中为同一位诗人保留的顺序中得出他对巴科维亚诗歌的独特风格和概念方法的途径,两者都在他的文学史中进一步大写。它是关于对Bacovian诗歌的解释甚至定义,作为一种“神经症”的“表达”,作为一种“(深度动物的)动觉”的“诗歌”,作为一种“病态动觉”的“几乎直接的表达”,或者更突然地,作为“病态有机体的分泌物,就像湿气是湿墙的撕裂”。
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引用次数: 0
On Decolonizing Sociology 论非殖民化社会学
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.04.01
J. Itzigsohn
There is a growing interest in decolonizing Sociology. Yet, there is no agreed upon definition of what this entails. In this essay I address two questions related to the decolonizing sociology effort. The first one is whether sociology has a mainstream and, if so, how can we describe it? In discussing this question, I also address the relationship between sociology and science. The second question is how do we go about decolonizing the discipline? I present the outlines of a proposal to decolonize sociology’s methodologies and practices and I also discuss the differences between alternative approaches and the question of what labels should we use. I don’t presume to have definitive answers to these questions. I offer these reflections as a contribution to the effort of rethinking sociology, a process that needs to be a collective endeavor.
人们对社会学的非殖民化越来越感兴趣。然而,对于这需要什么,还没有达成一致的定义。在这篇文章中,我将讨论与非殖民化社会学努力有关的两个问题。第一个问题是社会学是否有主流,如果有,我们如何描述它?在讨论这个问题时,我也谈到了社会学和科学之间的关系。第二个问题是我们如何去非殖民化这个学科?我提出了一个关于社会学方法论和实践非殖民化的建议大纲,我还讨论了不同方法之间的差异,以及我们应该使用什么标签的问题。我不认为我对这些问题有明确的答案。我提供这些反思,作为对重新思考社会学的努力的贡献,这一过程需要集体努力。
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引用次数: 0
Reinventarea ca scriitor american a lui Norman Manea 美国作家诺曼·马涅亚的重塑
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.05-06.06
Denisa-Corina Bolba
The present research aims to bring into discussion the complex figure of Norman Manea, representative of the studies concerned with the analysis of the globalization strategies of Romanian literature. Relevant in this sense is the process of “reinvention” of a Romanian writer in an American context, through which one can understand the efforts of cultural and literary transplantation, of a constant, non-euphoric revisionism – according to Claudiu Turcuș’s formula –, as an alternative to the necessary political scale of aesthetics, but also the confrontation of clichés coming from the American continent. Throughout this endeavor, attention will be paid to the manner in which Romanian literature allows itself to be shaped, from its (semi)peripheral position, by the effects of a quintessentially transnational culture, such as the American one. What does the integration of Norman Manea entail, formed as an identity in the Eastern European context and as a survivor of some totalitarian regimes, how much of this identity is “saved” or diminished to ensure integration, how is a successful dialogue between the margin and the center formed, remain pillar questions for a profitable discussion for current Romanian studies, concerned with the status of Romanian literature as world literature. Norman Manea’s writings thus facilitate the updating of other themes, in addition to that of dislocation and relocation that migration produces: the contrast between the representation of communism in Eastern European prose and the representations of the West or the international reception of contemporary Romanian literature, subjects through which we aspire to overcome the proposed framework discussion.
本研究旨在探讨诺曼·马尼亚的复杂形象,他是罗马尼亚文学全球化战略研究的代表。在这个意义上,相关的是罗马尼亚作家在美国背景下的“再创造”过程,通过这个过程,人们可以理解文化和文学移植的努力,一种持续的,非愉悦的修正主义-根据克劳迪乌·图库斯特的公式-作为必要的政治尺度美学的替代方案,但也是来自美洲大陆的陈词滥调的对抗。在整个过程中,我们将关注罗马尼亚文学是如何从其(半)边缘位置,被典型的跨国文化(如美国文化)的影响所塑造的。诺曼·马尼亚作为东欧背景下的一种身份,作为某些极权主义政权的幸存者,他的融合意味着什么?为了确保融合,这种身份有多少被“保留”或削弱?边缘与中心之间的成功对话是如何形成的?这些问题仍然是当前罗马尼亚文学研究中有益讨论的支柱问题,与罗马尼亚文学作为世界文学的地位有关。诺曼·马尼亚的作品因此促进了其他主题的更新,除了移民产生的错位和重新安置:东欧散文中共产主义的表现与西方的表现或当代罗马尼亚文学的国际接受之间的对比,我们希望通过这些主题来克服拟议的框架讨论。
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引用次数: 0
Magical Hyperrealism: A Reading of Orbitor through Magical Realism and Maximalism 魔幻超现实主义:从魔幻现实主义和极致主义看《轨道》
Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.05-06.10
Santiago Daniel Gutiérrez Echeverría
In this stylistic study I propose a reading of Orbitor [Blinding] through two literary modes: magical realism and maximalism, as Mircea Cărtărescu’s trilogy contains elements that fit into both literary modes, albeit with some differences. Such a reading would allow the formulation of the term magical hyperrealism as a new literary mode. The understanding of magical realism is based on three features: authorial reticence, amplification of reality through “faith” and social comprehension. Regarding authorial reticence, Beatrice Amaryll Chanady compares magical realism with the fantastic as defined by T. Todorov. Unlike the fantastic, which creates doubt between a real or a supernatural explanation for unlikely events, magical realism allows the ordinary and the marvelous to coexist as two components of a harmonious reality that is given without explanation (authorial reticence). The amplification of reality through faith in the marvelous and the social comprehension of the marvelous are concepts based on Alejo Carpentier’s lo real maravilloso. In Orbitor all of these features appear in many episodes, although unlike traditional magical realism, faith in the marvelous is expressed through personal-intellectual convictions rather than social-collective beliefs. As for maximalism, Orbitor fulfills most of the ten characteristics of this genre as defined by Stefano Ercolino. The main difference is point 10: “hybrid realism.” In this case, maximalism usually distorts reality for representational purposes, but Orbitor distorts it for purely literary purposes or for a psychic-subjective exploration of the author. From comparing Orbitor with both literary modes, magical hyperrealism as a literary mode is defined as follows: a totalizing-encyclopedic vision of reality that, with authorial reticence, harmonizes the real and the marvelous through a strong faith. Some applications and future possibilities are discussed in the conclusions.
在这一文体研究中,我建议通过两种文学模式来解读《轨道》:魔幻现实主义和极致主义,因为米尔恰·克里特雷雷斯库的三部曲包含了适合这两种文学模式的元素,尽管存在一些差异。这样的解读将使“魔幻超现实主义”这一术语成为一种新的文学模式。对魔幻现实主义的理解基于三个特征:作者的沉默、通过“信仰”放大现实和社会理解。关于作者的沉默,Beatrice amaryl Chanady将魔幻现实主义与T. Todorov所定义的幻想进行了比较。奇幻小说对不可能发生的事件的真实或超自然的解释产生怀疑,魔幻现实主义不同,它允许普通和奇妙作为一个和谐现实的两个组成部分共存,而不需要解释(作者的沉默)。通过对不可思议的信仰来放大现实和对不可思议的社会理解是基于阿莱霍·卡彭迪埃的“不真实的不可思议”的概念。在《轨道》中,所有这些特征都出现在许多情节中,尽管与传统的魔幻现实主义不同,对奇迹的信仰是通过个人智力信念而不是社会集体信念来表达的。在极简主义方面,《Orbitor》满足了Stefano Ercolino定义的这一流派的十大特征中的大部分。主要区别在于第10点:“混合现实主义”。在这种情况下,极端主义通常是为了表现的目的而扭曲现实,但Orbitor是为了纯粹的文学目的或作者的心理-主观探索而扭曲现实。通过对两种文学模式的比较,魔幻超现实主义作为一种文学模式被定义为:一种对现实的整体百科全书式的看法,以作者的沉默,通过一种强烈的信仰来协调真实与奇妙。在结论部分讨论了一些应用和未来的可能性。
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引用次数: 0
REVIEW: Petro Rychlo, ed. Mit den Augen von Zeitgenossen. Erinnerungen an Paul Celan 当时的评论这是你留下的记忆
Q1 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.09
Maria Sass
The memoir authored by the Ukrainian Germanist Petro Rychlo, whose first edition was published at Suhrkamp with the occasion of the centennial anniversary of Paul Celan’s birth, includes a chronological selection of 55 texts from all the stations of the poet’s life. The volume pursues a better knowledge of Paul Celan as individual, of his character and his psychology, aspects that could have collectively contributed to the tragic outcome of his troubled life. Paul Celan is revealed as a complex personality, both through his poetic uniqueness and existential tragedy, as well as in his greatness and human vulnerability. The author argues for the importance of getting acquainted with the biographical aspects surrounding Celan – the Holocaust, the great love for his mother, the search for his Jewish identity – and emphasizes their special significance in deciphering the hermetic Celanian poetry.
这本回忆录由乌克兰日尔曼主义者彼得罗·雷奇洛撰写,其第一版在保罗·策兰诞辰一百周年之际在苏尔坎普出版,其中包括从诗人生活的各个阶段按时间顺序挑选的55本文本。这本书试图更好地了解保罗·策兰作为一个个体,他的性格和心理,这些方面可能共同导致了他麻烦生活的悲剧结局。保罗·策兰是一个复杂的人格,既有其诗歌的独特性和存在主义的悲剧,也有其伟大性和人类的脆弱性。作者认为了解策兰的传记方面的重要性——大屠杀、对母亲的挚爱、寻找他的犹太身份——并强调了它们在解读封闭的策兰诗歌中的特殊意义。
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引用次数: 1
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