Pub Date : 2022-01-01DOI: 10.51391/trva.2022.06-07.06
Olga Grădinaru
The study analyses A. Fadeyev’s novel The Young Guard (1946, 1951), a political command in Stalinist era, inspired by historical events of the Second World War. Although included in the Socialist Realism canon, the novel had a difficult destiny, as it was rewritten under A. Zhdanov’s close assistance after Stalin’s critical reaction to the 1947 film adaptation. The novel may be regarded as a victim of the Soviet myth-making machine and a case of ideological fictionalization, imbued with the main Stalinist motives. The article unveils the tension between the initial creative project inspired by the anti-fascist movement in Krasnodon (1946) and the imposed party direction reflected in the second edition of the novel (1951), which became the official version of the actual events.
{"title":"Rewriting under Ideological Pressure: A. Fadeyev’s The Young Guard","authors":"Olga Grădinaru","doi":"10.51391/trva.2022.06-07.06","DOIUrl":"https://doi.org/10.51391/trva.2022.06-07.06","url":null,"abstract":"The study analyses A. Fadeyev’s novel The Young Guard (1946, 1951), a political command in Stalinist era, inspired by historical events of the Second World War. Although included in the Socialist Realism canon, the novel had a difficult destiny, as it was rewritten under A. Zhdanov’s close assistance after Stalin’s critical reaction to the 1947 film adaptation. The novel may be regarded as a victim of the Soviet myth-making machine and a case of ideological fictionalization, imbued with the main Stalinist motives. The article unveils the tension between the initial creative project inspired by the anti-fascist movement in Krasnodon (1946) and the imposed party direction reflected in the second edition of the novel (1951), which became the official version of the actual events.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.06-07.08
Daniel Coman
Drawing on theoretical developments from cognitive sciences and the literary field, more specifically on concepts such as mind style, literary categorization, and prototypical distortion, in the present article, I set out to explore the relationship between literary characters and psychological deviance. In so doing, I analyze G. Călinescu’s 1938 novel Enigma Otiliei (Otilia’s Riddle) and, in the wake of several literary critics’ shared view that the novel’s characters are individuals driven by much more complex internal mechanisms than simply being based on a single social schema, I suggest that this complexity can be accounted for by the tools provided by psychopathology. Therefore, I point to the maladaptive psychological traits that the characters exhibit and to how these are projected into the character’ language, forming thus idiosincratic linguistic patterns. Finally, I argue that the author employs the narrative device of “prototypical distortion” to lampoon the characters’ deviance.
{"title":"Devianță psihologică și stil cognitiv în Enigma Otiliei de G. Călinescu (1938)","authors":"Daniel Coman","doi":"10.51391/trva.2022.06-07.08","DOIUrl":"https://doi.org/10.51391/trva.2022.06-07.08","url":null,"abstract":"Drawing on theoretical developments from cognitive sciences and the literary field, more specifically on concepts such as mind style, literary categorization, and prototypical distortion, in the present article, I set out to explore the relationship between literary characters and psychological deviance. In so doing, I analyze G. Călinescu’s 1938 novel Enigma Otiliei (Otilia’s Riddle) and, in the wake of several literary critics’ shared view that the novel’s characters are individuals driven by much more complex internal mechanisms than simply being based on a single social schema, I suggest that this complexity can be accounted for by the tools provided by psychopathology. Therefore, I point to the maladaptive psychological traits that the characters exhibit and to how these are projected into the character’ language, forming thus idiosincratic linguistic patterns. Finally, I argue that the author employs the narrative device of “prototypical distortion” to lampoon the characters’ deviance.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.08.01
Andrei Gorzo, Veronica Lazăr
The article offers an in-depth discussion of Radu Jude’s 2016 film Scarred Hearts, adapted from Max Blecher’s autobiographical novel with the same title (1937), as well as other of his writings. The article is structured in four parts. The first references André Bazin’s celebrated essay on Robert Bresson’s Diary of a Country Priest, bringing it to bear on a discussion of the unorthodox relation between Jude’s film and its literary sources. The second section of the article discusses Jude’s decision to foreground the protagonist’s—and the novelist’s—Jewish identity. Set far from home, in France, in an isolated sanatorium for tuberculosis, Blecher’s novel was unconcerned with public events such as the rise of the anti-Semitic far right all over Europe; they didn’t intrude—not even as background noise. Transposing the story to a Romanian sanatorium, Jude decided to have the young Jewish protagonist go through his experiences with terminal sickness and literature, with love and friendship, against an implied background of rising anti-Semitism, of increasingly widespread support for the local Iron Guard, as well as for Hitler. In its third section, the article discusses Radu Jude’s approach to period drama, analyzing his mix of period detail and anachronism. The fourth section discusses Jude’s intermedial game-playing and general artistic playfulness.
{"title":"Literature, Jewishness, and Period Drama in Radu Jude’s Scarred Hearts","authors":"Andrei Gorzo, Veronica Lazăr","doi":"10.51391/trva.2022.08.01","DOIUrl":"https://doi.org/10.51391/trva.2022.08.01","url":null,"abstract":"The article offers an in-depth discussion of Radu Jude’s 2016 film Scarred Hearts, adapted from Max Blecher’s autobiographical novel with the same title (1937), as well as other of his writings. The article is structured in four parts. The first references André Bazin’s celebrated essay on Robert Bresson’s Diary of a Country Priest, bringing it to bear on a discussion of the unorthodox relation between Jude’s film and its literary sources. The second section of the article discusses Jude’s decision to foreground the protagonist’s—and the novelist’s—Jewish identity. Set far from home, in France, in an isolated sanatorium for tuberculosis, Blecher’s novel was unconcerned with public events such as the rise of the anti-Semitic far right all over Europe; they didn’t intrude—not even as background noise. Transposing the story to a Romanian sanatorium, Jude decided to have the young Jewish protagonist go through his experiences with terminal sickness and literature, with love and friendship, against an implied background of rising anti-Semitism, of increasingly widespread support for the local Iron Guard, as well as for Hitler. In its third section, the article discusses Radu Jude’s approach to period drama, analyzing his mix of period detail and anachronism. The fourth section discusses Jude’s intermedial game-playing and general artistic playfulness.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70873803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.09.06
D. Baron
This article aims to identify the various mechanisms used by the Romanian-born French writer Cioran (1911-1995) in his works and notebooks, with regard to the ways of conveying emotion into words. Starting from the theories of Michel Collot, Gaston Bachelard, Roland Barthes, Gilles Deleuze and Félix Guattari, we will attempt to identify the main coordinates of Cioranian thought who tries to replicate in a poetic and fragmentary writing (hence the similarities to haikus) the different strata of the perceived reality, often engaging in a real exercise of material imagination on elements such as wood, water, fire ou stone. Keywords: material-emotion, image, haiku, Cioran, Roger Caillois.
本文旨在探讨罗马尼亚裔法国作家乔沆(1911-1995)在其作品和笔记中运用的各种情感表达方式。从Michel Collot, Gaston Bachelard, Roland Barthes, Gilles Deleuze和f lix Guattari的理论出发，我们将尝试确定乔拉尼思想的主要坐标，他试图在诗歌和碎片写作(因此与俳句相似)中复制感知现实的不同层次，经常对诸如木材，水，火或石头等元素进行实际的物质想象练习。关键词:物质情感，意象，俳句，乔沆，罗杰·卡伊洛斯
{"title":"Fascination du matériel. Cioran et le travail poétique de la matière-émotion","authors":"D. Baron","doi":"10.51391/trva.2022.09.06","DOIUrl":"https://doi.org/10.51391/trva.2022.09.06","url":null,"abstract":"This article aims to identify the various mechanisms used by the Romanian-born French writer Cioran (1911-1995) in his works and notebooks, with regard to the ways of conveying emotion into words. Starting from the theories of Michel Collot, Gaston Bachelard, Roland Barthes, Gilles Deleuze and Félix Guattari, we will attempt to identify the main coordinates of Cioranian thought who tries to replicate in a poetic and fragmentary writing (hence the similarities to haikus) the different strata of the perceived reality, often engaging in a real exercise of material imagination on elements such as wood, water, fire ou stone. Keywords: material-emotion, image, haiku, Cioran, Roger Caillois.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"38 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70874447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.10.01
Maria Chiorean
This paper discusses Manuela Boatcă and Anca Parvulescu’s recent volume, Creolizing the Modern, in relation to the debates surrounding the adequacy of the postcolonial framework for the analysis of East European and, more specifically, Romanian literature. It argues that the authors manage to signal, introduce and put into practice some of the most important methodological updates in the fields of postcolonialism, dependency studies and World Literature. Through a discussion of each of these milestones, Boatcă and Parvulescu’s inter-imperial reading method is shown to provide a highly rigorous and productive world-systemic perspective on modern canonical literature.
{"title":"Adapting to Survive: Postcolonial Studies Today and the Emergence of the Interimperial Reading Method","authors":"Maria Chiorean","doi":"10.51391/trva.2022.10.01","DOIUrl":"https://doi.org/10.51391/trva.2022.10.01","url":null,"abstract":"This paper discusses Manuela Boatcă and Anca Parvulescu’s recent volume, Creolizing the Modern, in relation to the debates surrounding the adequacy of the postcolonial framework for the analysis of East European and, more specifically, Romanian literature. It argues that the authors manage to signal, introduce and put into practice some of the most important methodological updates in the fields of postcolonialism, dependency studies and World Literature. Through a discussion of each of these milestones, Boatcă and Parvulescu’s inter-imperial reading method is shown to provide a highly rigorous and productive world-systemic perspective on modern canonical literature.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70874522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.11-12.04
Emanuel Lupașcu
This study deals with three science fiction novels published in the Romanian interwar period, using concepts and theories from the field of posthumanism. My approach will consist of three interconnected but equally important steps. In the first place, these novels are part of a larger cluster of 20th-century art that thematizes technological development and the ‘crisis’ of modern man. Their importance also arises from the need to expand our understanding of world literature beyond the phenomenon of translation and the national canon. In addition, I will examine how posthuman configurations activate different reactions to the dominant ideologies of the age (modern machinism, feminism, species expansion, etc.). A second step will entail reconstructing the scientific, ideological, social and artistic contexts that made the articulation of the three novels. Last but not least, in the background of my study, I will lead a demonstration of the incompatibility between posthumanist ideology and the interwar science fiction novel, which rather features a posthuman imaginary without posthumanism. This result invalidates Simona Micali’s thesis that considers any SF product as a critique of anthropocentrism.
{"title":"Postumanul ca world literature. Cazul SF-ului românesc interbelic","authors":"Emanuel Lupașcu","doi":"10.51391/trva.2022.11-12.04","DOIUrl":"https://doi.org/10.51391/trva.2022.11-12.04","url":null,"abstract":"This study deals with three science fiction novels published in the Romanian interwar period, using concepts and theories from the field of posthumanism. My approach will consist of three interconnected but equally important steps. In the first place, these novels are part of a larger cluster of 20th-century art that thematizes technological development and the ‘crisis’ of modern man. Their importance also arises from the need to expand our understanding of world literature beyond the phenomenon of translation and the national canon. In addition, I will examine how posthuman configurations activate different reactions to the dominant ideologies of the age (modern machinism, feminism, species expansion, etc.). A second step will entail reconstructing the scientific, ideological, social and artistic contexts that made the articulation of the three novels. Last but not least, in the background of my study, I will lead a demonstration of the incompatibility between posthumanist ideology and the interwar science fiction novel, which rather features a posthuman imaginary without posthumanism. This result invalidates Simona Micali’s thesis that considers any SF product as a critique of anthropocentrism.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70875043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.11-12.07
Dragoș Varga
The present article focuses on one of the most interesting Romanian literary epistolary, An Epistolary Novel, by I. Negoițescu and Radu Stanca, both members of Literary Circle of Sibiu. The re-editing of the correspondence of the two writers completes, where possible, the collection of letters, but also passages censored in the first edition. It also offers an interesting research core for Romanian literary studies from the perspective of so-called memory studies and life writing. The epistolary „novel” is, in fact, a „bildungsroman,” as Negoițescu characterized it, and also a fresco of the Romanian literary life from 1943 until 1961, with the related cancans, with the little mischief and chicanery, with the obstacles to be overcome in the editorial and the artistic world.
{"title":"Un Bildungsroman epistolar","authors":"Dragoș Varga","doi":"10.51391/trva.2022.11-12.07","DOIUrl":"https://doi.org/10.51391/trva.2022.11-12.07","url":null,"abstract":"The present article focuses on one of the most interesting Romanian literary epistolary, An Epistolary Novel, by I. Negoițescu and Radu Stanca, both members of Literary Circle of Sibiu. The re-editing of the correspondence of the two writers completes, where possible, the collection of letters, but also passages censored in the first edition. It also offers an interesting research core for Romanian literary studies from the perspective of so-called memory studies and life writing. The epistolary „novel” is, in fact, a „bildungsroman,” as Negoițescu characterized it, and also a fresco of the Romanian literary life from 1943 until 1961, with the related cancans, with the little mischief and chicanery, with the obstacles to be overcome in the editorial and the artistic world.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70875863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.11-12.09
Andreea Apostu
This paper aims to demonstrate that two previously unknown manuscript folios from Mircea Eliade’s youth, which emerged in 2022, are the drafted summaries of his unfinished editorial project Valkyries in the Library. The two folios are, in fact, two lists of article titles Eliade published in Cuvântul (22), Gândirea (2), and Sinteza (1), in 1926-1928. Arranged differently, the feuilletons address topics such the Romanian intellectual, the dependance towards French culture and literature, philology and synthesis, the lack of heroism in Romanian literature, Beatrice and Don Quixote, young writers, literary criticism, philosophy. The tone is polemical and radical, condemning the current state of Romanian literature, advancing the author’s views, and urging his contemporaries to take action in order to create fundamental and authentic works. Just as Eliade recalls in his diary, the articles from Cuvântul mentioned in the two folios were a whirlwind, a cavalcade meant to take local culture and erudition by surprise and to change it forever.
本文旨在证明米尔恰·埃利亚德(Mircea Eliade)在2022年出现的两个以前不为人知的手稿对开本，是他未完成的编辑项目《图书馆中的女武神》(Valkyries in the Library)的草稿摘要。事实上，这两对开本是Eliade于1926-1928年在cuv ntul(22)、gind(2)和Sinteza(1)上发表的两篇文章的标题列表。以不同的方式排列，这些书的主题是罗马尼亚知识分子，对法国文化和文学的依赖，语言学和综合，罗马尼亚文学中缺乏英雄主义，比阿特丽斯和堂吉诃德，年轻作家，文学批评，哲学。他的语气是激烈而激进的，谴责了罗马尼亚文学的现状，提出了作者的观点，并敦促他的同时代人采取行动，以创造基本和真实的作品。正如埃利亚德在他的日记中回忆的那样，这两本对开本中提到的来自cuv ntul的文章就像一场旋风，一场旨在让当地文化和博学大吃一惊并永远改变它的浩劫。
{"title":"Mircea Eliade’s Virtual Bibliography: Two Manuscript Folios Linked to Valkyries in the Library","authors":"Andreea Apostu","doi":"10.51391/trva.2022.11-12.09","DOIUrl":"https://doi.org/10.51391/trva.2022.11-12.09","url":null,"abstract":"This paper aims to demonstrate that two previously unknown manuscript folios from Mircea Eliade’s youth, which emerged in 2022, are the drafted summaries of his unfinished editorial project Valkyries in the Library. The two folios are, in fact, two lists of article titles Eliade published in Cuvântul (22), Gândirea (2), and Sinteza (1), in 1926-1928. Arranged differently, the feuilletons address topics such the Romanian intellectual, the dependance towards French culture and literature, philology and synthesis, the lack of heroism in Romanian literature, Beatrice and Don Quixote, young writers, literary criticism, philosophy. The tone is polemical and radical, condemning the current state of Romanian literature, advancing the author’s views, and urging his contemporaries to take action in order to create fundamental and authentic works. Just as Eliade recalls in his diary, the articles from Cuvântul mentioned in the two folios were a whirlwind, a cavalcade meant to take local culture and erudition by surprise and to change it forever.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.03.08
Otilia Hedeșan
This article is a synthetic presentation of a field research conducted by the author between 2nd and 18th of August 1991, in the village of Cornova. The research needs to be approached from a multiple perspective imposed by different contexts. The first one is the fact that the research was conducted six decades after the field campaigns of the Sociologic School of Bucharest in Cornova. The second context is given by the fact that the village was included in the Ungheni district of Moldavian SSR, therefore it was a soviet territory at the time. The third context places the research between the first ethnological campaigns outside de Romanian borders in the post-socialist era. The article presents representative excerpts from a series of interviews recorded in the summer of 1991. The topics are: the main lineages of răzeși (free peasants) who had founded villages since legendary times; the deportation to Siberia of some families from Cornova; the random contacts between the Moldavians and their families left on the other side of the Ural Mountains, during the soviet period. Although these topics were intensely studied in the last decades, the value of the excerpts briefly analyzed in this article is given by the nature of the records they belong to – oral testimonies on subjects which could put the interlocutors at risk in the last days of the soviet regime.
{"title":"Cercetări de teren la Cornova, 1991. A puzzle in progress","authors":"Otilia Hedeșan","doi":"10.51391/trva.2022.03.08","DOIUrl":"https://doi.org/10.51391/trva.2022.03.08","url":null,"abstract":"This article is a synthetic presentation of a field research conducted by the author between 2nd and 18th of August 1991, in the village of Cornova. The research needs to be approached from a multiple perspective imposed by different contexts. The first one is the fact that the research was conducted six decades after the field campaigns of the Sociologic School of Bucharest in Cornova. The second context is given by the fact that the village was included in the Ungheni district of Moldavian SSR, therefore it was a soviet territory at the time. The third context places the research between the first ethnological campaigns outside de Romanian borders in the post-socialist era. The article presents representative excerpts from a series of interviews recorded in the summer of 1991. The topics are: the main lineages of răzeși (free peasants) who had founded villages since legendary times; the deportation to Siberia of some families from Cornova; the random contacts between the Moldavians and their families left on the other side of the Ural Mountains, during the soviet period. Although these topics were intensely studied in the last decades, the value of the excerpts briefly analyzed in this article is given by the nature of the records they belong to – oral testimonies on subjects which could put the interlocutors at risk in the last days of the soviet regime.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70871702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.05.02
Raluca Mureșan
All over the world investigative journalism involves tremendous risks. Attacks and aggressions aimed to intimidate, humiliate, or discrediting journalists and even to undermine the credibility of the media are a growing phenomenon in the digital world. Threats to the freedom of press include various types of intimidation, harassment, or attacks, while women journalists often face gender-specific forms of violence. In this study we investigate the most common forms of intimidation and pressure that journalists face in Romania: attacks from the politicians, intimidation through lawsuits, aggressive reactions from the public, various types of digital harassment including hacking, doxing and identity spoofing, online sexual attacks against women, physical violence. Any form of aggression, besides the direct effects on victims, represents threat to the freedom of the press, and must be publicly denounce.
{"title":"Amenințări la adresa libertății presei: intimidarea, hărțuirea și agresarea jurnaliștilor","authors":"Raluca Mureșan","doi":"10.51391/trva.2022.05.02","DOIUrl":"https://doi.org/10.51391/trva.2022.05.02","url":null,"abstract":"All over the world investigative journalism involves tremendous risks. Attacks and aggressions aimed to intimidate, humiliate, or discrediting journalists and even to undermine the credibility of the media are a growing phenomenon in the digital world. Threats to the freedom of press include various types of intimidation, harassment, or attacks, while women journalists often face gender-specific forms of violence. In this study we investigate the most common forms of intimidation and pressure that journalists face in Romania: attacks from the politicians, intimidation through lawsuits, aggressive reactions from the public, various types of digital harassment including hacking, doxing and identity spoofing, online sexual attacks against women, physical violence. Any form of aggression, besides the direct effects on victims, represents threat to the freedom of the press, and must be publicly denounce.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：