Pub Date : 2022-01-01DOI: 10.51391/trva.2022.01-02.18
Gabriela Cătălina Danciu
The recent publication of the volume Condamnare, marginalizare și supraviețuire în regimul comunist. Școala gustiană după 23 august 1944 [Condemnation, marginalization, and survival in the communist regime. The Gustian School after August 23, 1944], surprises the reader from the first moment. The volume is a necessary, inspired, provocative reading, a valuable contribution in the process of rediscovery and reinvention of the Gustian school, in the slump of the communist regime.
{"title":"REVIEW: Zoltán Rostás, ed. Condamnare, marginalizare și supraviețuire în regimul comunist. Școala gustiană după 23 august 1944","authors":"Gabriela Cătălina Danciu","doi":"10.51391/trva.2022.01-02.18","DOIUrl":"https://doi.org/10.51391/trva.2022.01-02.18","url":null,"abstract":"The recent publication of the volume Condamnare, marginalizare și supraviețuire în regimul comunist. Școala gustiană după 23 august 1944 [Condemnation, marginalization, and survival in the communist regime. The Gustian School after August 23, 1944], surprises the reader from the first moment. The volume is a necessary, inspired, provocative reading, a valuable contribution in the process of rediscovery and reinvention of the Gustian school, in the slump of the communist regime.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70870197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.03.05
Denisa Bud
The present paper aims to provide an overview of the evolution of the Romanian novel from the publication perspective between 1965-1989. Through the employed methodology, the quantitative analysis, it will be observed in which measure the events and the regulations from the political system influence the dynamic of the Romanian novel production. In addition to this, it will be observing the geographical distribution of the publishing houses and the modifications which appears about their editorial hierarchy as a consequence of the newly implemented rules of the political system.
{"title":"Dinamici ale producției editoriale a romanului românesc între 1965 și 1989\u0000Articole RTR","authors":"Denisa Bud","doi":"10.51391/trva.2022.03.05","DOIUrl":"https://doi.org/10.51391/trva.2022.03.05","url":null,"abstract":"The present paper aims to provide an overview of the evolution of the Romanian novel from the publication perspective between 1965-1989. Through the employed methodology, the quantitative analysis, it will be observed in which measure the events and the regulations from the political system influence the dynamic of the Romanian novel production. In addition to this, it will be observing the geographical distribution of the publishing houses and the modifications which appears about their editorial hierarchy as a consequence of the newly implemented rules of the political system.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70871891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.05.01
Andrei Gorzo, Veronica Lazăr
The article discusses four Radu Jude films – the shorts Alexandra (2008) and It Can Pass Through the Wall (2014), the never released, 60-minute long A Film for Friends (2011), and Jude’s official second feature, Everybody in Our Family (2012) – grouping them together as satirical studies of male rage and self-pity, with elements of psychodrama.
{"title":"Radu Jude’s Satirical Studies of Male Rage and Self-Pity","authors":"Andrei Gorzo, Veronica Lazăr","doi":"10.51391/trva.2022.05.01","DOIUrl":"https://doi.org/10.51391/trva.2022.05.01","url":null,"abstract":"The article discusses four Radu Jude films – the shorts Alexandra (2008) and It Can Pass Through the Wall (2014), the never released, 60-minute long A Film for Friends (2011), and Jude’s official second feature, Everybody in Our Family (2012) – grouping them together as satirical studies of male rage and self-pity, with elements of psychodrama.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.06-07.05
Emanuel Lupașcu
The present study aims to map the links between posthumanist theory and contemporary Romanian poetry, as well as the socio-political, economic and philosophical contexts that have made possible the emergence of a “new sensibility”, since the generation 2000 exhausts its transitive, violent-existential poetics, focused on radically biographical writing. In order to understand the dynamics of posthuman coordinates in contemporary poetry, I will analyse the two poetic trends that have evolved from a focus on the posthuman environment and from close links with digital culture to an assumed critical perspective on the exclusionary forms of humanism. My analysis is meant to highlight the posthumanist (empathetic and supportive) viewpoint, in the volumes that address identity issues both in relation to the tradition of dehumanization exercised by the canonical, white, male and heteronormative man, but also in relation to the new digital existence, and the eco direction, concerned with the ecological crisis, not just the political or social one. My interpretation approaches the way in which the “new sensibility” functions as a legitimizing principle for the posthuman/ist collective, in solidarity with marginalized, sexualized or racialized communities.
{"title":"Postumanismul și poezia română contemporană","authors":"Emanuel Lupașcu","doi":"10.51391/trva.2022.06-07.05","DOIUrl":"https://doi.org/10.51391/trva.2022.06-07.05","url":null,"abstract":"The present study aims to map the links between posthumanist theory and contemporary Romanian poetry, as well as the socio-political, economic and philosophical contexts that have made possible the emergence of a “new sensibility”, since the generation 2000 exhausts its transitive, violent-existential poetics, focused on radically biographical writing. In order to understand the dynamics of posthuman coordinates in contemporary poetry, I will analyse the two poetic trends that have evolved from a focus on the posthuman environment and from close links with digital culture to an assumed critical perspective on the exclusionary forms of humanism. My analysis is meant to highlight the posthumanist (empathetic and supportive) viewpoint, in the volumes that address identity issues both in relation to the tradition of dehumanization exercised by the canonical, white, male and heteronormative man, but also in relation to the new digital existence, and the eco direction, concerned with the ecological crisis, not just the political or social one. My interpretation approaches the way in which the “new sensibility” functions as a legitimizing principle for the posthuman/ist collective, in solidarity with marginalized, sexualized or racialized communities.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.06-07.06
Olga Grădinaru
The study analyses A. Fadeyev’s novel The Young Guard (1946, 1951), a political command in Stalinist era, inspired by historical events of the Second World War. Although included in the Socialist Realism canon, the novel had a difficult destiny, as it was rewritten under A. Zhdanov’s close assistance after Stalin’s critical reaction to the 1947 film adaptation. The novel may be regarded as a victim of the Soviet myth-making machine and a case of ideological fictionalization, imbued with the main Stalinist motives. The article unveils the tension between the initial creative project inspired by the anti-fascist movement in Krasnodon (1946) and the imposed party direction reflected in the second edition of the novel (1951), which became the official version of the actual events.
{"title":"Rewriting under Ideological Pressure: A. Fadeyev’s The Young Guard","authors":"Olga Grădinaru","doi":"10.51391/trva.2022.06-07.06","DOIUrl":"https://doi.org/10.51391/trva.2022.06-07.06","url":null,"abstract":"The study analyses A. Fadeyev’s novel The Young Guard (1946, 1951), a political command in Stalinist era, inspired by historical events of the Second World War. Although included in the Socialist Realism canon, the novel had a difficult destiny, as it was rewritten under A. Zhdanov’s close assistance after Stalin’s critical reaction to the 1947 film adaptation. The novel may be regarded as a victim of the Soviet myth-making machine and a case of ideological fictionalization, imbued with the main Stalinist motives. The article unveils the tension between the initial creative project inspired by the anti-fascist movement in Krasnodon (1946) and the imposed party direction reflected in the second edition of the novel (1951), which became the official version of the actual events.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.08.01
Andrei Gorzo, Veronica Lazăr
The article offers an in-depth discussion of Radu Jude’s 2016 film Scarred Hearts, adapted from Max Blecher’s autobiographical novel with the same title (1937), as well as other of his writings. The article is structured in four parts. The first references André Bazin’s celebrated essay on Robert Bresson’s Diary of a Country Priest, bringing it to bear on a discussion of the unorthodox relation between Jude’s film and its literary sources. The second section of the article discusses Jude’s decision to foreground the protagonist’s—and the novelist’s—Jewish identity. Set far from home, in France, in an isolated sanatorium for tuberculosis, Blecher’s novel was unconcerned with public events such as the rise of the anti-Semitic far right all over Europe; they didn’t intrude—not even as background noise. Transposing the story to a Romanian sanatorium, Jude decided to have the young Jewish protagonist go through his experiences with terminal sickness and literature, with love and friendship, against an implied background of rising anti-Semitism, of increasingly widespread support for the local Iron Guard, as well as for Hitler. In its third section, the article discusses Radu Jude’s approach to period drama, analyzing his mix of period detail and anachronism. The fourth section discusses Jude’s intermedial game-playing and general artistic playfulness.
{"title":"Literature, Jewishness, and Period Drama in Radu Jude’s Scarred Hearts","authors":"Andrei Gorzo, Veronica Lazăr","doi":"10.51391/trva.2022.08.01","DOIUrl":"https://doi.org/10.51391/trva.2022.08.01","url":null,"abstract":"The article offers an in-depth discussion of Radu Jude’s 2016 film Scarred Hearts, adapted from Max Blecher’s autobiographical novel with the same title (1937), as well as other of his writings. The article is structured in four parts. The first references André Bazin’s celebrated essay on Robert Bresson’s Diary of a Country Priest, bringing it to bear on a discussion of the unorthodox relation between Jude’s film and its literary sources. The second section of the article discusses Jude’s decision to foreground the protagonist’s—and the novelist’s—Jewish identity. Set far from home, in France, in an isolated sanatorium for tuberculosis, Blecher’s novel was unconcerned with public events such as the rise of the anti-Semitic far right all over Europe; they didn’t intrude—not even as background noise. Transposing the story to a Romanian sanatorium, Jude decided to have the young Jewish protagonist go through his experiences with terminal sickness and literature, with love and friendship, against an implied background of rising anti-Semitism, of increasingly widespread support for the local Iron Guard, as well as for Hitler. In its third section, the article discusses Radu Jude’s approach to period drama, analyzing his mix of period detail and anachronism. The fourth section discusses Jude’s intermedial game-playing and general artistic playfulness.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70873803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.09.06
D. Baron
This article aims to identify the various mechanisms used by the Romanian-born French writer Cioran (1911-1995) in his works and notebooks, with regard to the ways of conveying emotion into words. Starting from the theories of Michel Collot, Gaston Bachelard, Roland Barthes, Gilles Deleuze and Félix Guattari, we will attempt to identify the main coordinates of Cioranian thought who tries to replicate in a poetic and fragmentary writing (hence the similarities to haikus) the different strata of the perceived reality, often engaging in a real exercise of material imagination on elements such as wood, water, fire ou stone. Keywords: material-emotion, image, haiku, Cioran, Roger Caillois.
本文旨在探讨罗马尼亚裔法国作家乔沆(1911-1995)在其作品和笔记中运用的各种情感表达方式。从Michel Collot, Gaston Bachelard, Roland Barthes, Gilles Deleuze和f lix Guattari的理论出发，我们将尝试确定乔拉尼思想的主要坐标，他试图在诗歌和碎片写作(因此与俳句相似)中复制感知现实的不同层次，经常对诸如木材，水，火或石头等元素进行实际的物质想象练习。关键词:物质情感，意象，俳句，乔沆，罗杰·卡伊洛斯
{"title":"Fascination du matériel. Cioran et le travail poétique de la matière-émotion","authors":"D. Baron","doi":"10.51391/trva.2022.09.06","DOIUrl":"https://doi.org/10.51391/trva.2022.09.06","url":null,"abstract":"This article aims to identify the various mechanisms used by the Romanian-born French writer Cioran (1911-1995) in his works and notebooks, with regard to the ways of conveying emotion into words. Starting from the theories of Michel Collot, Gaston Bachelard, Roland Barthes, Gilles Deleuze and Félix Guattari, we will attempt to identify the main coordinates of Cioranian thought who tries to replicate in a poetic and fragmentary writing (hence the similarities to haikus) the different strata of the perceived reality, often engaging in a real exercise of material imagination on elements such as wood, water, fire ou stone. Keywords: material-emotion, image, haiku, Cioran, Roger Caillois.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"38 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70874447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.11-12.07
Dragoș Varga
The present article focuses on one of the most interesting Romanian literary epistolary, An Epistolary Novel, by I. Negoițescu and Radu Stanca, both members of Literary Circle of Sibiu. The re-editing of the correspondence of the two writers completes, where possible, the collection of letters, but also passages censored in the first edition. It also offers an interesting research core for Romanian literary studies from the perspective of so-called memory studies and life writing. The epistolary „novel” is, in fact, a „bildungsroman,” as Negoițescu characterized it, and also a fresco of the Romanian literary life from 1943 until 1961, with the related cancans, with the little mischief and chicanery, with the obstacles to be overcome in the editorial and the artistic world.
{"title":"Un Bildungsroman epistolar","authors":"Dragoș Varga","doi":"10.51391/trva.2022.11-12.07","DOIUrl":"https://doi.org/10.51391/trva.2022.11-12.07","url":null,"abstract":"The present article focuses on one of the most interesting Romanian literary epistolary, An Epistolary Novel, by I. Negoițescu and Radu Stanca, both members of Literary Circle of Sibiu. The re-editing of the correspondence of the two writers completes, where possible, the collection of letters, but also passages censored in the first edition. It also offers an interesting research core for Romanian literary studies from the perspective of so-called memory studies and life writing. The epistolary „novel” is, in fact, a „bildungsroman,” as Negoițescu characterized it, and also a fresco of the Romanian literary life from 1943 until 1961, with the related cancans, with the little mischief and chicanery, with the obstacles to be overcome in the editorial and the artistic world.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70875863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.03.08
Otilia Hedeșan
This article is a synthetic presentation of a field research conducted by the author between 2nd and 18th of August 1991, in the village of Cornova. The research needs to be approached from a multiple perspective imposed by different contexts. The first one is the fact that the research was conducted six decades after the field campaigns of the Sociologic School of Bucharest in Cornova. The second context is given by the fact that the village was included in the Ungheni district of Moldavian SSR, therefore it was a soviet territory at the time. The third context places the research between the first ethnological campaigns outside de Romanian borders in the post-socialist era. The article presents representative excerpts from a series of interviews recorded in the summer of 1991. The topics are: the main lineages of răzeși (free peasants) who had founded villages since legendary times; the deportation to Siberia of some families from Cornova; the random contacts between the Moldavians and their families left on the other side of the Ural Mountains, during the soviet period. Although these topics were intensely studied in the last decades, the value of the excerpts briefly analyzed in this article is given by the nature of the records they belong to – oral testimonies on subjects which could put the interlocutors at risk in the last days of the soviet regime.
{"title":"Cercetări de teren la Cornova, 1991. A puzzle in progress","authors":"Otilia Hedeșan","doi":"10.51391/trva.2022.03.08","DOIUrl":"https://doi.org/10.51391/trva.2022.03.08","url":null,"abstract":"This article is a synthetic presentation of a field research conducted by the author between 2nd and 18th of August 1991, in the village of Cornova. The research needs to be approached from a multiple perspective imposed by different contexts. The first one is the fact that the research was conducted six decades after the field campaigns of the Sociologic School of Bucharest in Cornova. The second context is given by the fact that the village was included in the Ungheni district of Moldavian SSR, therefore it was a soviet territory at the time. The third context places the research between the first ethnological campaigns outside de Romanian borders in the post-socialist era. The article presents representative excerpts from a series of interviews recorded in the summer of 1991. The topics are: the main lineages of răzeși (free peasants) who had founded villages since legendary times; the deportation to Siberia of some families from Cornova; the random contacts between the Moldavians and their families left on the other side of the Ural Mountains, during the soviet period. Although these topics were intensely studied in the last decades, the value of the excerpts briefly analyzed in this article is given by the nature of the records they belong to – oral testimonies on subjects which could put the interlocutors at risk in the last days of the soviet regime.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70871702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.05.02
Raluca Mureșan
All over the world investigative journalism involves tremendous risks. Attacks and aggressions aimed to intimidate, humiliate, or discrediting journalists and even to undermine the credibility of the media are a growing phenomenon in the digital world. Threats to the freedom of press include various types of intimidation, harassment, or attacks, while women journalists often face gender-specific forms of violence. In this study we investigate the most common forms of intimidation and pressure that journalists face in Romania: attacks from the politicians, intimidation through lawsuits, aggressive reactions from the public, various types of digital harassment including hacking, doxing and identity spoofing, online sexual attacks against women, physical violence. Any form of aggression, besides the direct effects on victims, represents threat to the freedom of the press, and must be publicly denounce.
{"title":"Amenințări la adresa libertății presei: intimidarea, hărțuirea și agresarea jurnaliștilor","authors":"Raluca Mureșan","doi":"10.51391/trva.2022.05.02","DOIUrl":"https://doi.org/10.51391/trva.2022.05.02","url":null,"abstract":"All over the world investigative journalism involves tremendous risks. Attacks and aggressions aimed to intimidate, humiliate, or discrediting journalists and even to undermine the credibility of the media are a growing phenomenon in the digital world. Threats to the freedom of press include various types of intimidation, harassment, or attacks, while women journalists often face gender-specific forms of violence. In this study we investigate the most common forms of intimidation and pressure that journalists face in Romania: attacks from the politicians, intimidation through lawsuits, aggressive reactions from the public, various types of digital harassment including hacking, doxing and identity spoofing, online sexual attacks against women, physical violence. Any form of aggression, besides the direct effects on victims, represents threat to the freedom of the press, and must be publicly denounce.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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