Pub Date : 2022-02-10DOI: 10.51391/trva.2022.01-02.01
Zoltán Rostás
In this introductory article, it is emphasized that Professor Henri H. Stahl’s birthday is an opportunity to deepen the knowledge of his work and to identify new ways of researching unclear periods. An innovator in both village research and its social history, Henri H. Stahl became well known in the international scholalrly circles too. Research into his work, activity and environment should not only be an act of respect, but a contribution to the modernization of the social sciences.
{"title":"Henri H. Stahl și mediul lui","authors":"Zoltán Rostás","doi":"10.51391/trva.2022.01-02.01","DOIUrl":"https://doi.org/10.51391/trva.2022.01-02.01","url":null,"abstract":"In this introductory article, it is emphasized that Professor Henri H. Stahl’s birthday is an opportunity to deepen the knowledge of his work and to identify new ways of researching unclear periods. An innovator in both village research and its social history, Henri H. Stahl became well known in the international scholalrly circles too. Research into his work, activity and environment should not only be an act of respect, but a contribution to the modernization of the social sciences.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42982120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-10DOI: 10.51391/trva.2022.01-02.02
Ionuț Butoi
In this paper, I highlight mostly ignored aspects of the work of H. H. Stahl: his stance on the issue of “national specificity,” on village culture, and on the modernization of Romanian villages through “culturalization”. Reviewing some of his popularization and scientific texts from the 1930, but also his late contributions from the 1980, show a remarkable continuity and consistency of Stahl’s vision on these subjects. And it is not the kind of vision someone would expect from a socialist or Marxist social scientist. For Stahl, the village culture was the true (and unique) Romanian culture, a peasant culture that he was very fond of. In some respects, and, in fact, not so surprisingly, Stahl, what regards “national specificity” and village culture, is much closer to (the reactionary, traditionalist, autochthonous) Mircea Vulcănescu, his monographist fellow and personal friend, than any other leftist thinker in interwar Romania.
{"title":"Recitindu-l pe Stahl","authors":"Ionuț Butoi","doi":"10.51391/trva.2022.01-02.02","DOIUrl":"https://doi.org/10.51391/trva.2022.01-02.02","url":null,"abstract":"In this paper, I highlight mostly ignored aspects of the work of H. H. Stahl: his stance on the issue of “national specificity,” on village culture, and on the modernization of Romanian villages through “culturalization”. Reviewing some of his popularization and scientific texts from the 1930, but also his late contributions from the 1980, show a remarkable continuity and consistency of Stahl’s vision on these subjects. And it is not the kind of vision someone would expect from a socialist or Marxist social scientist. For Stahl, the village culture was the true (and unique) Romanian culture, a peasant culture that he was very fond of. In some respects, and, in fact, not so surprisingly, Stahl, what regards “national specificity” and village culture, is much closer to (the reactionary, traditionalist, autochthonous) Mircea Vulcănescu, his monographist fellow and personal friend, than any other leftist thinker in interwar Romania.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47995627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-10DOI: 10.51391/trva.2022.01-02.04
Ioana Repciuc
The paper presents the book of Henri H. Stahl, The Technique of the Sociological Monograph (1934) and delineates the author’s main achievements within the fieldwork methodology from the point of view of Romanian ethnology and folklore studies. As an important member of the interwar sociological school of Bucharest led by D. Gusti, Stahl was thoroughly interested in developing a comprehensive research methodology ready to be applied by the new members of the large research teams of the monographic campaigns. His method includes the attention devoted to getting in touch with the life of the village and the peasants while building psychological trust and empathy between interviewer and interviewee; this complex protocol of accommodation proves to be one of the first and the most sympathetic strategy in the history of anthropological fieldwork. Another aspect of primary interest in Stahl’s methodology is the fact it is drafted simultaneously with the development of peasant studies and rural sociology in the U.S., and the challenges that western anthropology faces in having to adapt its methods to studying peasant societies. Though Stahl often opposes in his studies the sociological school and the Romanian folklore studies, his contribution to Romanian folklore research was undoubtedly acknowledged and appreciated.
{"title":"Laminorul observației. Tehnica cercetării de teren în concepția lui Henri H. Stahl","authors":"Ioana Repciuc","doi":"10.51391/trva.2022.01-02.04","DOIUrl":"https://doi.org/10.51391/trva.2022.01-02.04","url":null,"abstract":"The paper presents the book of Henri H. Stahl, The Technique of the Sociological Monograph (1934) and delineates the author’s main achievements within the fieldwork methodology from the point of view of Romanian ethnology and folklore studies. As an important member of the interwar sociological school of Bucharest led by D. Gusti, Stahl was thoroughly interested in developing a comprehensive research methodology ready to be applied by the new members of the large research teams of the monographic campaigns. His method includes the attention devoted to getting in touch with the life of the village and the peasants while building psychological trust and empathy between interviewer and interviewee; this complex protocol of accommodation proves to be one of the first and the most sympathetic strategy in the history of anthropological fieldwork. Another aspect of primary interest in Stahl’s methodology is the fact it is drafted simultaneously with the development of peasant studies and rural sociology in the U.S., and the challenges that western anthropology faces in having to adapt its methods to studying peasant societies. Though Stahl often opposes in his studies the sociological school and the Romanian folklore studies, his contribution to Romanian folklore research was undoubtedly acknowledged and appreciated.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49179053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.01-02.15
M. Larionescu
This volume is a surprise-gift offered by the informal research and debate group coordinated by Professor Zoltán Rostás, dedicated to Sanda Golopenția. A prestigious researcher, she is the daughter of the well-known sociologist Anton Golopenția, member of the Bucharest Sociological School. The volume brings together fifty-one studies, pieces of research, archive notes, essays, letters, prose, poems, which the editors have gathered from valued members of the global academic community, with whom Sanda Golopenția has exchanged messages. In this comment I have chosen to focus on several of the diverse interests and passions of Sanda Golopenția (S.G.). She brought significant contributions to linguistics, ethnography, semiotics, theater, sociology, and social history, among others. Among these, I will discuss selected aspects that are highly relevant to the Sociological School of Bucharest and to the activity of her parents, Anton Golopenția and Ștefania Cristescu- Golopenția, as also highlighted by the study authors. This short list includes: 1) A comprehensive profile of Sanda Golopenția’s life and career, which sheds light on the history of the Bucharest Sociological School; 2) “The Epistolary Rhapsody” – a benchmark achievement within the frame of modern historiography; 3) The reconstruction of a major chapter in the history of sociology, serving as a window towards a “total editorial fact”; 4) The project of interventionist sociology, comprised in the student campaigns of the Social Service in Romanian villages, aiming for the emancipation of the peasantry, which was also a strategic component in the national mass-media of that time; 5) Sanda Golopenția’s personality, serving as an inspirational model for young and aspiring intellectuals.
{"title":"REVIEW: Zoltán Rostás, Theodora-Eliza Văcărescu, eds. In honorem SANDA GOLOPENȚIA","authors":"M. Larionescu","doi":"10.51391/trva.2022.01-02.15","DOIUrl":"https://doi.org/10.51391/trva.2022.01-02.15","url":null,"abstract":"This volume is a surprise-gift offered by the informal research and debate group coordinated by Professor Zoltán Rostás, dedicated to Sanda Golopenția. A prestigious researcher, she is the daughter of the well-known sociologist Anton Golopenția, member of the Bucharest Sociological School. The volume brings together fifty-one studies, pieces of research, archive notes, essays, letters, prose, poems, which the editors have gathered from valued members of the global academic community, with whom Sanda Golopenția has exchanged messages. In this comment I have chosen to focus on several of the diverse interests and passions of Sanda Golopenția (S.G.). She brought significant contributions to linguistics, ethnography, semiotics, theater, sociology, and social history, among others. Among these, I will discuss selected aspects that are highly relevant to the Sociological School of Bucharest and to the activity of her parents, Anton Golopenția and Ștefania Cristescu- Golopenția, as also highlighted by the study authors. This short list includes: 1) A comprehensive profile of Sanda Golopenția’s life and career, which sheds light on the history of the Bucharest Sociological School; 2) “The Epistolary Rhapsody” – a benchmark achievement within the frame of modern historiography; 3) The reconstruction of a major chapter in the history of sociology, serving as a window towards a “total editorial fact”; 4) The project of interventionist sociology, comprised in the student campaigns of the Social Service in Romanian villages, aiming for the emancipation of the peasantry, which was also a strategic component in the national mass-media of that time; 5) Sanda Golopenția’s personality, serving as an inspirational model for young and aspiring intellectuals.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70869746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.03.12
Ana Grama
The study reviews professor Ioan Opriș’s reconstruction of the diplomat and ambassador Vasile Stoica’s professional trajectory, mainly based on family archive documents, but also relying on adjacent sources. Born in Sibiu, in the Avrig township, Vasile Stoica (1889-1959) worked in diplomacy, having remarkable initiatives for Romania’s destiny before and during the two World Wars, as well as during the interwar period. He was a victim of the communist dictatorship, dying in the political prison in Jilava. Even though his social-professional, civic, political, and citizen existence is representative for the epoch and sometimes has a crucial importance in the understanding of its details, his life has been scarcely examined by historians prior to Ioan Opriș’s monograph using valid sources and scientific approaches.
{"title":"REVIEW: Ioan Opriș, Vasile Stoica. O emblemă națională în pușcărie","authors":"Ana Grama","doi":"10.51391/trva.2022.03.12","DOIUrl":"https://doi.org/10.51391/trva.2022.03.12","url":null,"abstract":"The study reviews professor Ioan Opriș’s reconstruction of the diplomat and ambassador Vasile Stoica’s professional trajectory, mainly based on family archive documents, but also relying on adjacent sources. Born in Sibiu, in the Avrig township, Vasile Stoica (1889-1959) worked in diplomacy, having remarkable initiatives for Romania’s destiny before and during the two World Wars, as well as during the interwar period. He was a victim of the communist dictatorship, dying in the political prison in Jilava. Even though his social-professional, civic, political, and citizen existence is representative for the epoch and sometimes has a crucial importance in the understanding of its details, his life has been scarcely examined by historians prior to Ioan Opriș’s monograph using valid sources and scientific approaches.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70871905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.03.06
Teona Farmatu
Set within the frame of World Literature, and dwelling on the multifaceted concept of networking, this paper aims to provide a temporal pattern concerning the transfer/import of postwar North American poetic trends within the Romanian poetry of the 1980s. By relating the aestheticized model of Romanian (neo)modernism to the more direct, biographical discourse of the Beat poetry, the influence of which emerged upfront in Romanian poetry starting from the late 1970s, as well to the Confessional model the paper explores overlapping temporalities within the two literary systems, whereby the paradigms of (neo)modernism and postmodernism, respectively, clashed, due to the homogenizing effect of the communist context. Along these lines, I outline the notion of diachrony in synchrony of the Romanian poetry of the early 1980s, when several poetic patterns pertaining to different stages of North American poetry exerted a simultaneous influence during a very short time interval. The attempts made by Romanian poets to synchronize with, or borrow from Anglo-American literature, also involved relaying certain attitudes, views, and values – both aesthetic and largely ideological – that were specific to the source culture.
{"title":"Network Temporalities and North American Influence in the Romanian Poetry of the Early 1980s","authors":"Teona Farmatu","doi":"10.51391/trva.2022.03.06","DOIUrl":"https://doi.org/10.51391/trva.2022.03.06","url":null,"abstract":"Set within the frame of World Literature, and dwelling on the multifaceted concept of networking, this paper aims to provide a temporal pattern concerning the transfer/import of postwar North American poetic trends within the Romanian poetry of the 1980s. By relating the aestheticized model of Romanian (neo)modernism to the more direct, biographical discourse of the Beat poetry, the influence of which emerged upfront in Romanian poetry starting from the late 1970s, as well to the Confessional model the paper explores overlapping temporalities within the two literary systems, whereby the paradigms of (neo)modernism and postmodernism, respectively, clashed, due to the homogenizing effect of the communist context. Along these lines, I outline the notion of diachrony in synchrony of the Romanian poetry of the early 1980s, when several poetic patterns pertaining to different stages of North American poetry exerted a simultaneous influence during a very short time interval. The attempts made by Romanian poets to synchronize with, or borrow from Anglo-American literature, also involved relaying certain attitudes, views, and values – both aesthetic and largely ideological – that were specific to the source culture.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70871959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.05.04
Adina Hulubaș, Ioana Repciuc
The paper aims to explain the concept of “identity” by drawing the intricate cultural and political history of an important piece of the Romanian peasant attire. Involved and instrumentalized within various political and cultural identity programs, traditional clothing was exhibited by ethnographers, anthropologists, cultural activists for a long time as an identity landmark meant to display racial differences, national stereotypes, and social hierarchies. The Romanian peasant attire was thus transformed from a community internal practical and symbolical object to an ethnic and then national identity tool. More recently, the national project of inscribing the traditional Romanian female blouse with embroidery on the shoulder on the UNESCO Representative List of the Intangible Cultural Heritage is an opportunity for various stakeholders and promoters to reuse and commodify this clothing piece within their own cultural and commercial programs and to redefine and redesign the concept of “heritage community”.
{"title":"Dincolo de un fenomen social: ia și valorificarea unui tipar identitar","authors":"Adina Hulubaș, Ioana Repciuc","doi":"10.51391/trva.2022.05.04","DOIUrl":"https://doi.org/10.51391/trva.2022.05.04","url":null,"abstract":"The paper aims to explain the concept of “identity” by drawing the intricate cultural and political history of an important piece of the Romanian peasant attire. Involved and instrumentalized within various political and cultural identity programs, traditional clothing was exhibited by ethnographers, anthropologists, cultural activists for a long time as an identity landmark meant to display racial differences, national stereotypes, and social hierarchies. The Romanian peasant attire was thus transformed from a community internal practical and symbolical object to an ethnic and then national identity tool. More recently, the national project of inscribing the traditional Romanian female blouse with embroidery on the shoulder on the UNESCO Representative List of the Intangible Cultural Heritage is an opportunity for various stakeholders and promoters to reuse and commodify this clothing piece within their own cultural and commercial programs and to redefine and redesign the concept of “heritage community”.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70872398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.08.05
Carmen Oprișor
The present article is based on information from the fields of cultural anthropology and folk literature. In the beginning, details about the main characteristics of the people with special powers are given. Then the features of Rohmans from the Romanian beliefs have been synthesized. Their image combines concrete data from the novel Alexandria with elements from the autochtonous cult of the ancestors. The way Romanians perceive Solomonians gathers components from several layers: mythical, religious and historical. The fairy tale characters who traveled to the other world are either helped by other beings with miraculous powers, or return to their world because they cannot overcome their mortal condition.
{"title":"Figuri mitologice și călători în lumea de dincolo. Incursiune în universul credințelor și basmelor românești","authors":"Carmen Oprișor","doi":"10.51391/trva.2022.08.05","DOIUrl":"https://doi.org/10.51391/trva.2022.08.05","url":null,"abstract":"The present article is based on information from the fields of cultural anthropology and folk literature. In the beginning, details about the main characteristics of the people with special powers are given. Then the features of Rohmans from the Romanian beliefs have been synthesized. Their image combines concrete data from the novel Alexandria with elements from the autochtonous cult of the ancestors. The way Romanians perceive Solomonians gathers components from several layers: mythical, religious and historical. The fairy tale characters who traveled to the other world are either helped by other beings with miraculous powers, or return to their world because they cannot overcome their mortal condition.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70873571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.09.04
Teodora Dumitru
In this essay I show that the picture of universal extinction in the poem Satire I of the Romantic poet Mihai Eminescu (1850-1889) is deeply and rigorously inspired by a theory of thermodynamics from the 1870s, more precisely by the theory of universal “death” launched in the second part of 19th century by physicists William Thomson and Rudolf Clausius. My interpretation addresses competing interpretations, from literary-centric scenarios claiming that Eminescu’s representation of the extinction is inspired by or approaches models of the mythological-Christian tradition or universal literature, to scenarios that also launch hypotheses in the field of science, but other than thermodynamics. I am also interested in producing here, in the alternative, a critique of the thesis – widespread not only in popular culture but also in the most serious academic circles – according to which many of the discoveries of modern and even contemporary science would have been “announced,” “contained,” or “coded” in literary fiction, mythology, religious narratives etc., from ancient times (Indian, Judeo-Christian mythology etc.) to modern authors. Keywords: classical mechanics, cosmology, termodinamics, entropy, poetry, Immanuel Kant, William Thomson (Lord Kelvin), Rudolf Clausius, Spiru Haret, Mihai Eminescu, Scrisoarea I, G. Călinescu, Ion Heliade Rădulescu.
在这篇文章中，我表明，在浪漫主义诗人米哈伊·埃米内斯库(1850-1889)的诗歌《讽刺我》中，普遍灭绝的图景是受到19世纪70年代热力学理论的深刻而严格的启发，更准确地说，是受到19世纪下半叶物理学家威廉·汤姆森和鲁道夫·克劳休斯提出的普遍“死亡”理论的启发。我的解释是针对竞争性的解释，从以文学为中心的场景，声称埃米内斯库对灭绝的描述是受到神话基督教传统或普遍文学模型的启发或接近模型，到在科学领域也提出假设的场景，但不是热力学。我也有兴趣在此提出另一种观点，即对这一论点的批判——这一论点不仅在大众文化中广泛存在，而且在最严肃的学术圈子中也很普遍——根据这一论点，从古代(印度、犹太教-基督教神话等)到现代作者，许多现代甚至当代科学的发现都可能在文学小说、神话、宗教叙事等中被“宣布”、“包含”或“编码”。关键词:经典力学，宇宙学，热力学，熵，诗歌，伊曼努尔·康德，威廉·汤姆逊(开尔文勋爵)，鲁道夫·克劳修斯，斯皮鲁·哈雷特，米海·埃米内斯库，斯克里索area I, g·克瑞尔林纳斯库，Ion Heliade ruridulescu
{"title":"Eminescu-thermosof sau cum intră știința în poezie (II)","authors":"Teodora Dumitru","doi":"10.51391/trva.2022.09.04","DOIUrl":"https://doi.org/10.51391/trva.2022.09.04","url":null,"abstract":"In this essay I show that the picture of universal extinction in the poem Satire I of the Romantic poet Mihai Eminescu (1850-1889) is deeply and rigorously inspired by a theory of thermodynamics from the 1870s, more precisely by the theory of universal “death” launched in the second part of 19th century by physicists William Thomson and Rudolf Clausius. My interpretation addresses competing interpretations, from literary-centric scenarios claiming that Eminescu’s representation of the extinction is inspired by or approaches models of the mythological-Christian tradition or universal literature, to scenarios that also launch hypotheses in the field of science, but other than thermodynamics. I am also interested in producing here, in the alternative, a critique of the thesis – widespread not only in popular culture but also in the most serious academic circles – according to which many of the discoveries of modern and even contemporary science would have been “announced,” “contained,” or “coded” in literary fiction, mythology, religious narratives etc., from ancient times (Indian, Judeo-Christian mythology etc.) to modern authors. Keywords: classical mechanics, cosmology, termodinamics, entropy, poetry, Immanuel Kant, William Thomson (Lord Kelvin), Rudolf Clausius, Spiru Haret, Mihai Eminescu, Scrisoarea I, G. Călinescu, Ion Heliade Rădulescu.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70873743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.51391/trva.2022.08.02
Minodora Sălcudean
The relationships between journalism and sustainability are seen as interdependent and mutually beneficial. On the one hand, sustainable development also includes a free, autonomous and strong press that can support itself economically, and on the other hand, responsible journalism brings the problems of the current world to the public and it can also involve experts to talk about the solutions possible to these issues, which generates a media discourse about sustainability and resilience now and in the future. The present paper examines the conceptualization of constructive journalism, interrogating, at the same time, its normative and societal role, as well as the resistance of this alternative direction, in the current context, marked by political instability and post-pandemic economic crisis. In Romania, the DoR experience, its course, but also the announced end of this journalistic project, shows the difficulties that constructive journalism encounters.
{"title":"Jurnalismul constructiv și de soluții – avantaje, critici și dileme. Experiența românească: DoR","authors":"Minodora Sălcudean","doi":"10.51391/trva.2022.08.02","DOIUrl":"https://doi.org/10.51391/trva.2022.08.02","url":null,"abstract":"The relationships between journalism and sustainability are seen as interdependent and mutually beneficial. On the one hand, sustainable development also includes a free, autonomous and strong press that can support itself economically, and on the other hand, responsible journalism brings the problems of the current world to the public and it can also involve experts to talk about the solutions possible to these issues, which generates a media discourse about sustainability and resilience now and in the future. The present paper examines the conceptualization of constructive journalism, interrogating, at the same time, its normative and societal role, as well as the resistance of this alternative direction, in the current context, marked by political instability and post-pandemic economic crisis. In Romania, the DoR experience, its course, but also the announced end of this journalistic project, shows the difficulties that constructive journalism encounters.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70873824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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