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In love with the desert 爱上了沙漠
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.4324/9781315828725-10
R. Wheeler
The Christian desert tradition is undeniably male-centred. How the absent feminine paradoxically “appears” in stories and sayings of the tradition can, however, provide an antidote to the otherwise male-centred character of this literature. This article explores how the author, a female researcher of this tradition, has grappled with the tradition’s male-centred character. It demonstrates a hermeneutic of charity requiring creativity to retrieve value from the literature associated with this tradition. It also acknowledges an inspirational encounter with Carmelite spirituality scholar Kees Waaijman that initiated a deepening of the researcher’s commitments to work that matters personally and to others. This article further shows that reading the literature of the Christian desert tradition, alongside contemporary naturalists, reveals ways in which the desert and women’s lives, in particular, have been used, then and now, to reflect on experiences of vulnerability, loss, and discernment of vocation.
不可否认,基督教的沙漠传统是以男性为中心的。然而,缺席的女性如何矛盾地“出现”在传统的故事和谚语中,可以为这种文学中以男性为中心的特征提供一剂解药。本文探讨了作为这一传统的女性研究者,作者是如何应对这一传统的男性中心特征的。它展示了一种慈善的解释学,需要创造性从与这一传统相关的文学中检索价值。它还承认与加尔默罗会灵性学者基斯·瓦伊曼(Kees Waaijman)的一次鼓舞人心的相遇,这一相遇开启了这位研究人员对个人和他人重要工作的承诺的深化。这篇文章进一步表明,阅读基督教沙漠传统的文学作品,与当代博物学家一起,揭示了沙漠和妇女生活的方式,特别是,从那时到现在,都被用来反思脆弱、失落和职业辨别力的经历。
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引用次数: 0
Religious experience and sacred text 宗教经验和神圣文本
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.2
Arthur Holder
As Kees Waaijman has shown, biblical spirituality engages Holy Scripture in relation to human experience, always with a view toward personal transformation. This article considers various ways in which the relationship between religious experience and sacred text has been construed in the Christian tradition. Beginning with biblical theophanies that represent religious experience in the sacred text, the article moves to early Christian reading practices that foster experience of the text, and then to medieval accounts of mystical revelations that treat experience as a text. Finally, the article turns to the problematic issue of religious experience beyond the sacred text. In some historical instances, experience was supposed to render the text unnecessary, or to sit in judgement over it. But the Book of Revelation implies that the sacred text will no longer be needed, only because its promises have been fulfilled by direct experience of the divine presence.
正如Kees Waaijman所表明的,圣经的灵性将圣经与人类经验联系起来,总是带着个人转变的观点。本文考虑了在基督教传统中宗教经验和神圣文本之间关系的各种解释方式。从圣经中的神显论开始,这代表了神圣文本中的宗教体验,文章转向早期的基督教阅读实践,培养了文本的体验,然后是中世纪的神秘启示,将体验视为文本。最后,文章转向神圣文本之外的宗教体验问题。在一些历史实例中,经验被认为使文本变得不必要,或者对其进行判断。但《启示录》暗示,神圣的文本将不再需要,只是因为它的承诺已经通过直接体验神圣的存在而实现。
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引用次数: 0
The foundational influence of early spiritual experiences on adulthood 早期精神体验对成年的基本影响
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.14
Michael O’Sullivan
This article presents research on spiritual experience in childhood and aims to illustrate the foundational effects of such experience on adult lives, using the qualitative data of several testimonies. The latter highlight that researchers in spirituality need to pay more attention to what is happening at a spiritual level in childhood and to the hermeneutical lens it provides for interpreting the lives of adults, including themselves, who once were children. They will also illustrate the role religious socialisation plays in spiritual experiences in childhood. The stories are explained in terms of the spirituality framework of the foundational desire for authenticity in the subjectivity of the child interacting with the child’s lived historical situation and how this interaction continues to play out in the life of the adult. They are evidence of the self-implicating character of research in spirituality as the researcher was also once a child. The researcher regards authentic subjectivity as a form of mystagogical method, a method about which Kees Waaijman has written eloquently.
这篇文章介绍了关于童年精神体验的研究,目的是利用几个证词的定性数据来说明这种体验对成人生活的基本影响。后者强调,灵性研究人员需要更多地关注儿童时期精神层面上发生的事情,以及它为解释曾经是儿童的成年人(包括他们自己)的生活提供的解释学视角。他们还将说明宗教社会化在儿童精神体验中的作用。这些故事是根据精神框架来解释的,在孩子的主体性中,对真实性的基本渴望与孩子所生活的历史环境相互作用,以及这种相互作用如何在成人的生活中继续发挥作用。他们是灵性研究的自我暗示特征的证据,因为研究人员也曾经是一个孩子。研究者把真实的主体性看作是一种神秘的方法,Kees Waaijman曾雄辩地论述过这种方法。
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引用次数: 0
Mystical handbooks of the late middle ages 中世纪晚期的神秘手册
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.7
B. McGinn
Mystical handbooks, or how-do-it books describing the path to union with God, was a genre that arose in Western Europe in the 12 th century and lasted into the Early Modern period. These works, though rarely original, have often been overlooked, but they played an important role in disseminating mystical teaching to an increasingly broad audience. Many religious writers contributed to the genre: Benedictines, Cistercians, Carthusians, Dominicans, and so on. This article concentrates on the Franciscan friars, who played a major part in the production and spread of the handbooks.
神秘主义手册,或描述与上帝结合之路的如何做的书,是12世纪西欧兴起的一种流派,一直持续到近代早期。这些作品,虽然很少原创,往往被忽视,但他们发挥了重要作用,传播神秘的教学,以越来越广泛的观众。许多宗教作家对这一流派做出了贡献:本笃会、西多会、卡尔图斯、多米尼加等。这篇文章集中在方济会修士身上,他们在手册的制作和传播中发挥了重要作用。
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引用次数: 0
Peace in the spirituality of Thomas á Kempis. An aesthetic perspective on the Imitatio Christi 4.25 托马斯·<s:1>肯皮斯精神上的和平。从美学角度看《模仿基督》4.25
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.11
P. D. De Villiers
The Imitatio Christi of Thomas á Kempis reflects the transformative contribution of the Devotio Moderna as a reform movement from the 14 th to the 16 th century to the religious discourse up to modern times. This contribution focuses on the theme of peace in the Imitatio Christi 4.25 as a key to Thomas’ spirituality and the Devotio Moderna. The first section of this article scrutinises the unique aesthetical nature of the text in terms of its spiritual impact and its contribution to an adequate understanding of the chapter. The article then analyses the two main aspects of peace that emanate from an aesthetic analysis of the chapter, namely its divine nature as spiritual gift. A second section analyses the interiorising of peace as the human response to the divine gift and, finally, examines the mystical quality of the chapter in its discussion about the heart of peace as resting in God.
托马斯·肯皮斯的《模仿基督教》反映了从14世纪到16世纪的现代信仰改革运动对现代宗教话语的变革性贡献。这篇文章的重点是《基督的模仿》4.25中的和平主题,这是多马灵性和《现代奉献》的关键。本文的第一部分从精神影响和对充分理解本章的贡献两方面审视了文本独特的美学性质。然后,文章分析了和平的两个主要方面,从美学的角度分析了这一章,即和平作为精神礼物的神圣性。第二部分分析了和平的内在化,作为人类对神圣礼物的回应,最后,在讨论和平之心安息于上帝时,检查了这一章的神秘品质。
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引用次数: 0
Contemplation and liturgy: The experience of St. Mary Magdalene De’ Pazzi (Florence, 1566-1607) 沉思与礼拜:圣玛利亚·抹大拉·德·帕齐的经历(佛罗伦萨,1566-1607)
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.10
Míċeál O’Neill
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引用次数: 0
Three influences on the spiritual experience of Titus Brandsma in the Lager 对提图斯·布兰斯玛精神体验的三个影响
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.12
Fernando Millán-Romeral
This article introduces the three main inspirational figures that were very important in the spiritual journey of Titus Brandsma during the last months of his life in the numerous jails and concentration camps where he was imprisoned. These three “models” form the spiritual background of the Carmelite and explain his fraternal, evangelical, and elegant way of dealing with everybody in that hell of the concentration world. The three elements are the spirituality of Teresa of Avila, in which Titus Brandsma was a real expert and the translator of her works into Dutch; the spirituality of the passion of Christ, as expressed in the Way of the Cross of the expressionist Belgian artist Albert Servaes, and the work of Gert Grote, considered founder of the Devotio Moderna. In conclusion, the author links this background with both the Italian novelist Mario Debenedetti and Zoran Muši č ’s famous paintings.
这篇文章介绍了三个主要的鼓舞人心的人物,他们在Titus Brandsma生命的最后几个月里,在他被监禁的众多监狱和集中营里,在他的精神旅程中非常重要。这三种“模式”构成了加尔默罗修士的精神背景,并解释了他在地狱般的集中世界中对待每个人的友爱、福音和优雅的方式。这三个要素是阿维拉的特蕾莎修女的灵性,在这方面,蒂图斯·布兰德斯玛是一位真正的专家,并将她的作品翻译成荷兰语;基督受难的灵性,如表现主义比利时艺术家Albert Servaes的十字架之路所表达的,以及Gert Grote的作品,被认为是Devotio Moderna的创始人。最后,作者将这一背景与意大利小说家马里奥·德贝内代蒂和佐兰Muši的名画联系起来。
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引用次数: 0
Titus Brandsma: Getuige van God 提图斯·布兰斯玛:上帝的见证人
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.13
Anne-Marie Bos
“Can I help it that in all things God gives witness to himself?” This quote of Titus Brandsma shows his concept of God. This article reflects on the way in which Blessed Titus Brandsma gave witness to God from three perspectives: his mystical theology, his social engagement, and his way of the cross. Brandsma defines mysticism as a particular unification of God and man, whereby the latter becomes conscious of God’s presence and, on his part, also unifies himself with God. His writings highlight three key aspects of mysticism that are closely related: mysticism is two-sided, nearby, and embodied. Titus Brandsma was primarily active in the fields of education and journalism. He analysed the contemporary social and political situation and was very critical of national socialism, especially because its basic values were in conflict with the Christian value of love. He regarded the spiritual crisis as more fundamental than the social and economic crises. He offered a new concept of God, which was founded on God’s presence in the core of everybody, as a reply to individualism and social exclusion. Finally, this article gives some examples showing the way in which Brandsma gave witness of God during the final months of his life. Brandsma was imprisoned because of his effort for the resistance of the Catholic press against national socialism. Testimonies show that Brandsma could experience God’s presence nearby. This remain strong spiritually.
神凡事为自己作见证,我岂能不这样行呢?Titus Brandsma的这句话显示了他对上帝的概念。这篇文章从三个角度来反思提图斯·布兰斯玛为上帝作见证的方式:他的神秘神学,他的社会参与,以及他的十字架之路。Brandsma将神秘主义定义为上帝与人的特殊统一,后者由此意识到上帝的存在,并且就他而言,也将自己与上帝统一起来。他的作品强调了神秘主义的三个密切相关的关键方面:神秘主义是双面的,就近的,体现的。Titus Brandsma主要活跃在教育和新闻领域。他分析了当时的社会和政治形势,并对国家社会主义持批评态度,特别是因为它的基本价值观与基督教的爱的价值观相冲突。他认为精神危机比社会和经济危机更为根本。他提出了一个关于上帝的新概念,这个概念建立在上帝存在于每个人心中的基础上,作为对个人主义和社会排斥的回应。最后,这篇文章给出了一些例子,展示了Brandsma在他生命的最后几个月里为上帝作见证的方式。布兰斯玛被监禁是因为他努力抵抗天主教媒体反对国家社会主义。证词显示,布兰斯玛可以在附近体验到上帝的同在。这在精神上保持强大。
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引用次数: 1
Ja, goed te deunen onze machtige (Psalm 147,1): De zoektocht naar een toonzetting van de Psalmen 是的,我们要歌颂我们的大能(诗篇147.1):寻找诗篇的音调
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.3
Ad De Keyzer
This article describes the quest for a composition of the psalms. Vatican II proclaimed a wish in the constitution about liturgy. The hours of prayer had to be renewed, so that not only clergy and monastics, but also laymen would be able to join. Psalms formed the heart of these hours of prayer. After Vatican II, there was no liturgic translation in Dutch, nor any music, in order to sing it. In 1970, Kees Waaijman began putting together prayer celebrations. After roughly 50 years of experimenting, a form of prayer arose in which one psalm is central: the Psalm celebration. By now, the series of 150 Psalm celebrations is nearly completed. For the past ten years, Kees Waaijman and the author have sought a composition of the psalms that does justice to both the individuality of the psalm and the praying people of God. Although initially the psalmic stanza arrangement seemed to be a guidance, this gradually appeared not to work. The music drew too much attention at the expense of praying. It is all about facilitating the saying of the psalm verse, consisting of two half verses that are separated and connected by a meditative caesura.
这篇文章描述了对诗篇组成的追求。梵蒂冈第二次会议在宪法中宣布了一个关于礼拜仪式的愿望。祈祷的时间必须更新,这样不仅神职人员和修士,连平信徒都能参加。赞美诗是这些祷告时间的核心内容。在梵蒂冈第二次会议之后,没有荷兰语的礼仪翻译,也没有任何音乐来演唱它。1970年,Kees Waaijman开始组织祈祷庆祝活动。经过大约50年的试验,一种以赞美诗为中心的祈祷形式出现了:赞美诗庆典。到目前为止,150首赞美诗系列的庆祝活动已经接近完成。在过去的十年里,Kees Waaijman和作者一直在寻找一种既能体现诗篇的个性又能体现上帝的祈祷者的诗篇。虽然最初诗篇节的安排似乎是一种指导,但这逐渐显得不起作用。音乐吸引了太多的注意力,牺牲了祈祷。这一切都是为了促进诗篇的表达,由两个半节组成,它们被分开并通过冥想的停顿连接起来。
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引用次数: 0
Psalm 22 LXX in Origen’s commentary on the Song of Songs 奥利金对《雅歌》的评注中的诗篇22 LXX
IF 0.2 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18820/23099089/actat.sup33.4
P. Decock
This article examines three distinct ways of reading Psalm 23(LXX 22), first in the Targum, then in the liturgy of early Christian initiation, and finally in Origen’s commentary on the Song of Songs. The Targum focuses on God’s protective presence in Israel’s history and looks forward to the salvation to come. Reading the psalm in the context of Christian initiation draws out the contextual possibilities of the text. In his interpretation of the Song of Songs, Origen seeks elements of spiritual progress after the stage of initiation. The “inebriating cup” points to a strongly affective dimension of this process.
这篇文章考察了三种不同的阅读诗篇23(LXX 22)的方式,首先在Targum中,然后在早期基督教入门仪式中,最后在奥利金对《雅歌》的评论中。塔古姆着重于神在以色列历史上的保护,并期待着救恩的到来。在基督徒入门的背景下阅读诗篇,可以引出经文的上下文可能性。在他对《雅歌》的解释中,奥利金寻求启蒙阶段之后精神进步的要素。“醉人的杯子”指出了这一过程中强烈的情感维度。
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引用次数: 0
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Acta Theologica
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