Pub Date : 2018-08-21DOI: 10.1163/18750176-13101002
Jaap van der Veen
{"title":"De allegorische familiegroep van een echtpaar met twee kinderen door Gerard de Lairesse: De Amsterdamse apotheker Christoffel Sprongh en zijn gezin","authors":"Jaap van der Veen","doi":"10.1163/18750176-13101002","DOIUrl":"https://doi.org/10.1163/18750176-13101002","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75320760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-21DOI: 10.1163/18750176-13101004
Lieke van Deinsen
The authenticity of the portrait of the Amsterdam poet Roemer Pieterszoon Visscher (1547-1620)-depicted as an old man with a beard and distinctive hat-has been a subject of debate ever since it was printed in Jacobus Scheltema's Anna en Maria Tesselschade, de dochters van Roemer Visscher (1808).Although the portrait formed the basis for the likeness of Roemer Visscher in popular nineteenth-century depictions of the mythical Muiderkring,its accuracy was quickly put into question.In 1887, the matter resulted in a heated argument between Joseph Alberdingk Thijm (1820-1889) and Nicolaas de Roever (1850-1893) in the journal De Amsterdammer. The latter suspected that the iconic portrait was one of many historical falsifications of Jan Stolker (1724-1785) and was thereafter falsely incorporated into contemporary images that featured literary and intellectual frontrunners of the nation's Golden Age. According to De Roever,a far more likely representation of the seventeenth-century poet and his coat of arms was included on the militia piece Schutters van de compagnie van kapitein Egbert Vinck (1586).Unfortunately,the painting was lost and the composition survived only through a drawing by Jacob Colijn from almost a century later.By that time only a sketchy en profil portrait of Roemer Visscher was available. Due to a lack of conclusive evidence, the dispute eventually ended in an impasse.Although later research supported De Roever's suspicions and rejected the well-known portrait of Roemer Visscher as an accurate likeness, knowledge about the real portrait of the popular poet was still limited. However,a long lost early eighteenth-century portrait by Arnoud van Halen (1683-1732) sheds new light on the subject matter. The small oval painting was part of the so-called Panpoeticon Batavum,an eighteenth-century collection of author's portraits placed in a wooden cabinet,which features the highlights of Dutch literary and intellectual history. By presenting this portrait of Roemer Visscher,we can now,for the first time, connect the face with the words of one of the leading early modern Dutch poets.
{"title":"Achter het masker van de Muiderkring: Een nieuw portret voor Roemer Visscher (1547-1620)","authors":"Lieke van Deinsen","doi":"10.1163/18750176-13101004","DOIUrl":"https://doi.org/10.1163/18750176-13101004","url":null,"abstract":"The authenticity of the portrait of the Amsterdam poet Roemer Pieterszoon Visscher (1547-1620)-depicted as an old man with a beard and distinctive hat-has been a subject of debate ever since it was printed in Jacobus Scheltema's Anna en Maria Tesselschade, de dochters van Roemer Visscher (1808).Although the portrait formed the basis for the likeness of Roemer Visscher in popular nineteenth-century depictions of the mythical Muiderkring,its accuracy was quickly put into question.In 1887, the matter resulted in a heated argument between Joseph Alberdingk Thijm (1820-1889) and Nicolaas de Roever (1850-1893) in the journal De Amsterdammer. The latter suspected that the iconic portrait was one of many historical falsifications of Jan Stolker (1724-1785) and was thereafter falsely incorporated into contemporary images that featured literary and intellectual frontrunners of the nation's Golden Age. According to De Roever,a far more likely representation of the seventeenth-century poet and his coat of arms was included on the militia piece Schutters van de compagnie van kapitein Egbert Vinck (1586).Unfortunately,the painting was lost and the composition survived only through a drawing by Jacob Colijn from almost a century later.By that time only a sketchy en profil portrait of Roemer Visscher was available. Due to a lack of conclusive evidence, the dispute eventually ended in an impasse.Although later research supported De Roever's suspicions and rejected the well-known portrait of Roemer Visscher as an accurate likeness, knowledge about the real portrait of the popular poet was still limited. However,a long lost early eighteenth-century portrait by Arnoud van Halen (1683-1732) sheds new light on the subject matter. The small oval painting was part of the so-called Panpoeticon Batavum,an eighteenth-century collection of author's portraits placed in a wooden cabinet,which features the highlights of Dutch literary and intellectual history. By presenting this portrait of Roemer Visscher,we can now,for the first time, connect the face with the words of one of the leading early modern Dutch poets.","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78737443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-21DOI: 10.1163/18750176-13101005
Patrick Larsen
{"title":"Niet Jürgen Ovens (1623-1678), maar een onbekende oude man in Houbrakens Groote Schouburgh (1718)","authors":"Patrick Larsen","doi":"10.1163/18750176-13101005","DOIUrl":"https://doi.org/10.1163/18750176-13101005","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90866084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304003
X. V. Eck
{"title":"Charity in the audience of John the Baptist","authors":"X. V. Eck","doi":"10.1163/18750176-1310304003","DOIUrl":"https://doi.org/10.1163/18750176-1310304003","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83876041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304006
Editors Oud Holland
{"title":"The list of paintings of Isabella Van Laer with an introduction","authors":"Editors Oud Holland","doi":"10.1163/18750176-1310304006","DOIUrl":"https://doi.org/10.1163/18750176-1310304006","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138532093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304008
T. Meedendorp, Y. Vasseur
Oud Holland 2018 3/4 volume 131 1 John Peter Russell, Portrait of Vincent van Gogh, 1886, oil on canvas, 60.1 x 45.6 cm, Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation), inv. s0273V/1962. What did Vincent van Gogh (1853-1890) actually look like? We have self-portraits dating back to his time in Paris, when he was already thirty-three, but these ‘selfijies’ do not always give a consistent impression of the person depicted. The painterly aspect proved more important to Van Gogh than a faithful likeness. All the same, there are certain constants: the ginger hair and beard, a high and slightly sloping forehead, and somewhat deep-set green eyes.1 Interestingly, Van Gogh’s contemporary Archibald Standish Hartrick felt that the most faithful resemblance was found not in one of the self-portraits, but in the portrait that John Peter Russell made of Van Gogh toward the end of 1886, in which he looks searchingly over his shoulder at the viewer (fijig. 1).2 TEIO MEEDENDORP & YVES VASSEUR
乌德荷兰2018年3/4卷131 1约翰·彼得·罗素，文森特·梵高肖像，1886年，布面油画，60.1 x 45.6厘米，阿姆斯特丹，梵高博物馆(文森特·梵高基金会)，编号0273v /1962。文森特·梵高(1853-1890)到底长什么样?我们有他在巴黎时的自画像，当时他已经33岁了，但这些“自拍照”并不总是给人留下一致的印象。事实证明，对梵高来说，绘画方面比忠实的肖像更重要。尽管如此，还是有一些不变之处:姜黄色的头发和胡子，高而微斜的前额，还有一双深陷的绿眼睛有趣的是，与梵高同时代的阿奇博尔德·斯坦迪什·哈特里克(Archibald Standish Hartrick)认为，最忠实的相似之处并不是在其中一幅自画像中，而是在约翰·彼得·罗素(John Peter Russell) 1886年底为梵高画的肖像画中，在这幅画中，梵高从肩膀上搜索地看着观众(图1)。1)。2这是我最喜欢的，我最喜欢的
{"title":"A case of mistaken identity: Concerning the photographic portrait of Vincent van Gogh, age thirteen","authors":"T. Meedendorp, Y. Vasseur","doi":"10.1163/18750176-1310304008","DOIUrl":"https://doi.org/10.1163/18750176-1310304008","url":null,"abstract":"Oud Holland 2018 3/4 volume 131 1 John Peter Russell, Portrait of Vincent van Gogh, 1886, oil on canvas, 60.1 x 45.6 cm, Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation), inv. s0273V/1962. What did Vincent van Gogh (1853-1890) actually look like? We have self-portraits dating back to his time in Paris, when he was already thirty-three, but these ‘selfijies’ do not always give a consistent impression of the person depicted. The painterly aspect proved more important to Van Gogh than a faithful likeness. All the same, there are certain constants: the ginger hair and beard, a high and slightly sloping forehead, and somewhat deep-set green eyes.1 Interestingly, Van Gogh’s contemporary Archibald Standish Hartrick felt that the most faithful resemblance was found not in one of the self-portraits, but in the portrait that John Peter Russell made of Van Gogh toward the end of 1886, in which he looks searchingly over his shoulder at the viewer (fijig. 1).2 TEIO MEEDENDORP & YVES VASSEUR","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83035661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304007
A. Graciano
{"title":"A Dutch connection: Re-identifying a sitter at the National Portrait Gallery in London","authors":"A. Graciano","doi":"10.1163/18750176-1310304007","DOIUrl":"https://doi.org/10.1163/18750176-1310304007","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90348885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304004
R. Landsman
{"title":"Caspar van Wittel's family ties","authors":"R. Landsman","doi":"10.1163/18750176-1310304004","DOIUrl":"https://doi.org/10.1163/18750176-1310304004","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83876602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304001
D. Heesch
{"title":"Out of Bosch’s shadow: A rediscovered altarpiece by Jan Mandijn","authors":"D. Heesch","doi":"10.1163/18750176-1310304001","DOIUrl":"https://doi.org/10.1163/18750176-1310304001","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89431856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.1163/18750176-1310304005
H. Deceulaer, A. Diels
{"title":"On the losing side of history: The vanished art collection of Isabella Van Laer, ‘Belgian’ lady-in-waiting of Mary of Modena, Queen of England (1688)","authors":"H. Deceulaer, A. Diels","doi":"10.1163/18750176-1310304005","DOIUrl":"https://doi.org/10.1163/18750176-1310304005","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73735232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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