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Mary of Guelders and her Book: Prolegomena to the Study of a Remarkable Manuscript 盖尔德斯的玛丽和她的书:一份杰出手稿研究导论
Q4 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.2143/OGE.86.3.3154601
J. V. D. Laan
This article discusses the early fifteenth century prayer book commissioned and owned by duchess Mary of Guelders. This book-which is now divided into two manuscripts, one in Berlin (Staatsbibliothek zu Berlin, MS Germ. qu. 42) and one in Vienna ((Osterreichische Nationalbibliothek, Cod. 1908) -has been known in (art historical) scholarship for more than 150 years. However, this research has been limited to examination of the place of the decoration of the book within the development of manuscript illumination of the Lower-Rhine region and the Netherlands more generally. This publication seeks to provide discussion of current arthistorical and textual aspects of the book and examine the prayer book in its context, which makes clear that the book was adapted to the specific tastes and preferences of the duchess of Guelders and that different cultural influences can be detected. Analysis of the book within this context opens up many lines of enquiry, which promise to reveal more insight into not only the artistic richness of the region, but also the devotional possibilities of a noble laywoman in the early fifteenth century.
这篇文章讨论了15世纪早期的祈祷书,由公爵夫人玛丽委托并拥有。这本书现在分为两份手稿,一份在柏林(柏林国家图书馆,MS Germ)。第42章)和维也纳(Osterreichische Nationalbibliothek, Cod. 1908)的一篇——在(艺术史)学术界已经有150多年的历史了。然而,本研究仅限于考察下莱茵河地区和荷兰手稿照明发展过程中书籍装饰的位置。本出版物旨在对这本书的当前艺术历史和文本方面进行讨论,并在其背景下检查这本祈祷书,这清楚地表明这本书是根据Guelders公爵夫人的特定品味和偏好改编的,并且可以发现不同的文化影响。在这种背景下对这本书的分析开辟了许多探究线,这不仅揭示了该地区艺术的丰富性,而且还揭示了15世纪早期一位高贵的俗家妇女的虔诚可能性。
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引用次数: 0
Scivias. Ken de Wegen, vertaling en inleiding door Mieke Kock-Rademakers. Scivias。了解Mieke Kock-Rademakers的方法、翻译和介绍。
Q4 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.2143/OGE.86.4.3186082
Dinah Wouters
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引用次数: 0
Devout sisters’ aural experiences in the late medieval urban sonic environment : Soundscaping the functional context of oral literature 中世纪晚期城市声音环境中虔诚姐妹的听觉体验:口头文学的功能语境声景
Q4 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.2143/OGE.86.3.3154600
C. D. Morrée
Since medieval literature was mostly consumed by listening, its functioning was influenced by the performance’s sonic surroundings. This is particularly relevant for rethinking the circulations of texts within the Devotio Moderna communities of Sisters of the Common Life, that appear to have been governed by silence, but at the same time were situated within the rich urban sonic environment. Complementing traditional literary research, which relies on visual means of perception, this article explores some of the possibilities offered by sound-based research to oral literature, specifically song, in devout convents. A reconstruction – soundscape – is presented of the events that the Sisters of the Common Life would hear when fulfilling their obligation to visit the parish church on Sundays and feast days. It is demonstrated that sound played a larger part in convent life than is suggested by the Rule of Silence, indicating that the devout concept of silence should be understood as ‘managed sound’. The soundscape also offers a clearer insight into how the sisters’ aural experiences were influenced by their sonic environment. Furthermore, it offers a pathway to come nearer to the oral processes that are essential to the functioning of oral literature – especially song – in religious communities, as is tentatively illustrated by the Middle Dutch song codex Berlin, Staatsbibliothek zu Berlin - Preusischer Kulturbesitz, mgo 185.
由于中世纪文学主要是通过聆听来消费的,因此其功能受到表演声音环境的影响。这与重新思考共同生活姐妹的现代奉献社区内的文本循环特别相关,这些社区似乎受到沉默的支配,但同时又位于丰富的城市声音环境中。作为对依赖视觉感知手段的传统文学研究的补充,本文探讨了以声音为基础的研究为虔诚修道院的口头文学,特别是歌曲提供的一些可能性。一个重建-声景-被提出的事件,共同生活的姐妹会听到履行他们的义务时,参观教区教堂在星期日和节日。事实证明,声音在修道院生活中扮演的角色比沉默规则所建议的要大,这表明虔诚的沉默概念应该被理解为“管理声音”。音景也让我们更清楚地了解到姐妹们的听觉体验是如何受到声音环境的影响的。此外,它提供了更接近口头过程的途径,这对口头文学(尤其是歌曲)在宗教社区的功能至关重要,正如中世纪荷兰歌曲手札柏林(Staatsbibliothek zu Berlin - Preusischer Kulturbesitz, mgo 185)所初步说明的那样。
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引用次数: 0
De franciscanen, de leken en de drukpers 方济各会,利肯和德鲁克斯
Q4 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.2143/OGE.85.4.3071292
K. Goudriaan
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引用次数: 0
The Exeter Madonna by Petrus Christus: Devotional Portrait and Spiritual ascent in Early Netherlandish Painting 埃克塞特圣母佩特鲁斯·基督:虔诚的肖像和精神上升在早期荷兰绘画
Q4 Arts and Humanities Pub Date : 2014-01-01 DOI: 10.2143/OGE.86.3.3154602
Ingrid Falque
Depicting a Carthusian monk (identified with Jan Vos, prior of the charterhouses of Bruges and Utrecht) kneeling in prayer in front of the Virgin and Child, Petrus Christus’ Exeter Madonna perfectly illustrates how the structuration of pictorial space endows paintings that include devotional portraits with a dynamic dimension, which bears an essential role in the spiritual meaning and function of such images. The aim of this article is to show that by bringing together the worldly sphere below in the background and the sacred space in the foreground, where the Virgin welcomes the devotee, the Exeter Madonna can be understood as a visualisation of the spiritual ascent of Jan Vos. In order to do so, the visual structure of the painting is closely analysed, before being confronted to devotional texts dealing with the theme of the spiritual ascent (such as De spiritualibus ascensionibus of Gerard Zerbolt of Zutphen) that Jan Vos knew. Secondly, this devotional painting is replaced within its context, namely the charterhouses of Utrecht and Bruges and the Carthusian spirituality in order to demonstrate that together with books, such images played a crucial role in the meditative practices of Carthusian monks.
彼得·基督的《埃克塞特圣母》(Exeter Madonna)描绘了一位卡尔图斯修道士(被认为是Jan Vos,布鲁日和乌得勒支的包修堂之前的修道士)跪在圣母和圣子面前祈祷,完美地说明了图像空间的结构如何赋予包括虔诚肖像在内的绘画以动态维度,这在这些图像的精神意义和功能中起着至关重要的作用。这篇文章的目的是表明,通过将背景中的世俗领域和前景中的神圣空间(圣母欢迎奉献者的地方)结合在一起,埃克塞特圣母可以被理解为Jan Vos精神提升的可视化。为了做到这一点,在面对Jan Vos所知道的关于精神上升主题的虔诚文本(如Zutphen的Gerard Zerbolt的De spiritualibus ascensionibus)之前,对这幅画的视觉结构进行了仔细的分析。其次,这幅虔诚的画作在其背景下被取代,即乌得勒支和布鲁日的特许修道院以及卡尔萨斯的灵性,以证明这些图像与书籍一起在卡尔萨斯僧侣的冥想实践中发挥了至关重要的作用。
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引用次数: 0
Quotation and imitation in Hadewijch's Visioenen the visionary and the vernacular Voice of Christ 引用和模仿hadewijich的Visioenen有远见的和方言的基督的声音
Q4 Arts and Humanities Pub Date : 2012-09-01 DOI: 10.2143/OGE.83.3.2182882
Barbara Zimbalist
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引用次数: 0
Het 39e van de Limburgse sermoenen, de Boengaert van der geesteleker herten en Hadewijchs Brieven 第39位来自林堡的布道者,博恩加特·范·德·格斯特尔克·赫滕和哈德威克的信件
Q4 Arts and Humanities Pub Date : 2012-01-01 DOI: 10.2143/OGE.83.3.2182881
J. Reynaert
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引用次数: 0
Commune à tous par largesse de pure charité: Common Love in Beatrice of Nazareth and Marguerite Porete 纯洁的慈善:拿撒勒的比阿特丽斯和玛格丽特·波雷特的共同之爱
Q4 Arts and Humanities Pub Date : 2012-01-01 DOI: 10.2143/OGE.83.4.2959686
R. Faesen, J. Arblaster
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引用次数: 4
De geschiedenis van de Middelnederlandse psaltervertalingen herzien: de middeleeuwse overzettingen van het psalmboek uit het zuiden van het Nederlandse taalgebied (ca. 1300 - ca. 1550) 修订了荷兰中部psaltertranslation的历史:荷兰南部(约1300 - 1550年)对赞美诗的中世纪改编
Q4 Arts and Humanities Pub Date : 2012-01-01 DOI: 10.2143/OGE.83.1.2152735
Y. Desplenter
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引用次数: 0
Mystiek op schrift in vrouwenkloosters uit de traditie van de Moderne Devotie. Een oriënterende vergelijking van drie collecties: Arnhem, Geldern en Maaseik 神秘主义写在妇女修道院从传统的现代奉献。三个集合的方向比较:阿纳姆,盖尔登和马塞克
Q4 Arts and Humanities Pub Date : 2010-03-31 DOI: 10.2143/OGE.81.1.2049256
J.G.M. Kienhorst
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引用次数: 0
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