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The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual ed. by Sonja Mejcher-Atassi and Robert Myers (review) 《萨达拉·瓦努斯剧院:对叙利亚剧作家和公共知识分子的批判性研究》,作者:索尼娅·梅切尔-阿塔西、罗伯特·迈尔斯
3区 艺术学 0 THEATER Pub Date : 2022-09-01 DOI: 10.1353/cdr.2022.0015
Samar Zahrawi
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引用次数: 0
Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage by Jean I. Marsden (review) 《情感剧场:情感、表演与十八世纪舞台》,作者:让·马斯登
3区 艺术学 0 THEATER Pub Date : 2022-09-01 DOI: 10.1353/cdr.2022.0020
Fiona Ritchie
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引用次数: 0
From Wilder’s Our Town (1938) to Churchill’s Escaped Alone (2016): Mediatization and the Collapse of the Large Into the Local 从怀尔德的《我们的小镇》(1938)到丘吉尔的《独自逃脱》(2016):媒介化和大向地方的崩溃
3区 艺术学 0 THEATER Pub Date : 2022-09-01 DOI: 10.1353/cdr.2022.0014
S. Proudfit
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引用次数: 0
To Remind You Of My Love: London's Love Affair With The American Musical 提醒你我的爱:伦敦与美国音乐剧的爱情
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0004
Laura MacDonald
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引用次数: 0
'Creating Change Where it Matters the Most': Artistic Directorship and Representation in the London Theatre “在最重要的地方创造变化”:伦敦剧院的艺术指导和表现
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0008
Harry Derbyshire
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引用次数: 0
The Resistible Rise of Isli-Crouch Upon-Thames: New Metropolitanism in New British Drama 伊斯利·克劳奇在泰晤士河畔的顽强崛起:新英国戏剧中的新都市主义
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0001
Graham Saunders
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引用次数: 0
Flexibility, Abstraction, Orthodoxy: The Lehman Trilogy and (the) British Capital 灵活、抽象、正统:雷曼三部曲与英国资本
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0003
Alex Ferrone
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引用次数: 0
Introduction: There's No Place Like London: Theatrical Landscapes of a City in Recovery 介绍:没有一个地方像伦敦:一个复苏中的城市的戏剧景观
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0000
Harry Derbyshire, N. Holden, Mark O'Thomas
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引用次数: 0
Rita, Sue and #Metoo: The Royal Court Theatre, London, and Liberalism 丽塔、苏和#Metoo:伦敦皇家宫廷剧院与自由主义
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0006
Mark O'Thomas
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引用次数: 0
'Be Yourself, Inasmuch as it Suits the Job': "Authenticity" in Practice at Berlin's Maxim Gorki and London's Royal Court “做你自己,因为它适合你的工作”:“真实”在柏林马克西姆·高尔基和伦敦皇家宫廷的实践
3区 艺术学 0 THEATER Pub Date : 2022-03-01 DOI: 10.1353/cdr.2022.0002
Emily Goodling, L. Mark
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引用次数: 0
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COMPARATIVE DRAMA
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