{"title":"Forty Years On: The Funding Conundrum at The Finborough","authors":"S. Healy","doi":"10.1353/cdr.2022.0007","DOIUrl":"https://doi.org/10.1353/cdr.2022.0007","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"56 1","pages":"179 - 198"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48046233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1619: The Dramatic Performance Traditions of North America's First Enslaved Africans","authors":"J. Dewulf","doi":"10.1353/cdr.2021.0032","DOIUrl":"https://doi.org/10.1353/cdr.2021.0032","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"417 - 442"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48983407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cold War Femininities in China and America: National Ideals and Uncontainable Performances in Tennessee Williams's A Streetcar Named Desire and Yang Lüfang's Cuckoo Sings Again","authors":"Zhang Ranran (张冉冉)","doi":"10.1353/cdr.2021.0034","DOIUrl":"https://doi.org/10.1353/cdr.2021.0034","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"464 - 489"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49531206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"King Lear 'After' Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby (review)","authors":"P. Holland","doi":"10.1353/cdr.2021.0030","DOIUrl":"https://doi.org/10.1353/cdr.2021.0030","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"562 - 565"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49212455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Brechtian AlienAsian: Socialist ex Machina from Brecht's The Good Woman of Setzuan and David Hare's Fanshen","authors":"Sheng-mei Ma","doi":"10.1353/cdr.2021.0033","DOIUrl":"https://doi.org/10.1353/cdr.2021.0033","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"443 - 463"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42626481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Coronada y el toro by Francisco Nieva (review)","authors":"Casey Kasten","doi":"10.1353/cdr.2021.0036","DOIUrl":"https://doi.org/10.1353/cdr.2021.0036","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"528 - 530"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43847962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"I am underneath and oxygen is running out\": Suicide as Genetically Inherited or as the Melancholy Identification with the Suicidal Mother in Alice Birch's Anatomy of a Suicide","authors":"A. Fakhrkonandeh, Y. Sümbül","doi":"10.1353/cdr.2021.0035","DOIUrl":"https://doi.org/10.1353/cdr.2021.0035","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"490 - 527"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41950540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this distinctive study of the Chester Plays, one of whose strengths lies in its minutely detailed observation of text, Matthew Sergi recommends that readers have a copy of the text at their elbows. The book is, however, much more than a “companion” to the plays. Sergi approaches criticism from the point of view of one familiar with the practical realization of early play texts in performance. His study focuses on the extra-verbal cues for action which singularly abound in the Chester Plays, and he opens by contending that these cues are “crucial symbols in themselves, around which the texts’ verbal meaning is often organised” (1), that is “the primary bearers of meaning framed by (and evidently fossilized in) insubstantial poetry” (2). The declared approach has far-reaching implications for reading the plays beyond what-happened-on-stage. Notably also Sergi convincingly proposes new ways of approaching the extant manuscripts, all of which post-date the final performance, that can cut through simple chronology via Cestrian cultural memory, including that of the scribes—Bourdieu’s theory of “habitus”—to authenticate records of actual performance. In the fifth chapter Sergi offers a reprise of the work’s agenda:
{"title":"Practical Cues and Social Spectacle in the Chester Plays by Matthew Sergi (review)","authors":"P. King","doi":"10.1353/cdr.2021.0025","DOIUrl":"https://doi.org/10.1353/cdr.2021.0025","url":null,"abstract":"In this distinctive study of the Chester Plays, one of whose strengths lies in its minutely detailed observation of text, Matthew Sergi recommends that readers have a copy of the text at their elbows. The book is, however, much more than a “companion” to the plays. Sergi approaches criticism from the point of view of one familiar with the practical realization of early play texts in performance. His study focuses on the extra-verbal cues for action which singularly abound in the Chester Plays, and he opens by contending that these cues are “crucial symbols in themselves, around which the texts’ verbal meaning is often organised” (1), that is “the primary bearers of meaning framed by (and evidently fossilized in) insubstantial poetry” (2). The declared approach has far-reaching implications for reading the plays beyond what-happened-on-stage. Notably also Sergi convincingly proposes new ways of approaching the extant manuscripts, all of which post-date the final performance, that can cut through simple chronology via Cestrian cultural memory, including that of the scribes—Bourdieu’s theory of “habitus”—to authenticate records of actual performance. In the fifth chapter Sergi offers a reprise of the work’s agenda:","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"540 - 543"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46551954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gaming the Stage: Playable Media and the Rise of the English Commercial Theater by Gina Bloom (review)","authors":"R. Bushnell","doi":"10.1353/cdr.2021.0029","DOIUrl":"https://doi.org/10.1353/cdr.2021.0029","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"559 - 561"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48912168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diversifying Greek Tragedy on the Contemporary US Stage by Melinda Powers (review)","authors":"Karelisa V. Hartigan","doi":"10.1353/cdr.2021.0023","DOIUrl":"https://doi.org/10.1353/cdr.2021.0023","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"535 - 537"},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44436429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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