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Brunori Deigan, Federica, Francesco Ciabattoni, and Stefano Giannini, eds. Tradition and the Individual Text. Essays in Memory of Pier Massimo Forni Brunori Deigan, Federica, Francesco Ciabattoni和Stefano Giannini主编。传统与个体文本。纪念Pier Massimo Forni随笔
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41164
Giulia Maria Cipriani
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引用次数: 0
Front Matter 前页
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41147
Author Not applicable
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引用次数: 0
La dimensione cooperativa e collaborativa nell’insegnamento dell’italiano L1/L2/LS in Italia e in Svizzera. Un’indagine esplorativa sulle pratiche didattiche 意大利和瑞士意大利语教学的合作和合作维度L1/L2/LS。对教学实践的探索性调查
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41157
Paolo Nitti, Elena Ballarin, Micaela Grosso, Silvia Gian
L'articolo presenta i risultati di uno studio esplorativo condotto in collaborazione con il personale docente in Italia e in Svizzera sul tema della percezione della dimensione cooperativa e di quella collaborativa nell’insegnamento dell’italiano. L’articolo dapprima inquadra la cooperazione e la collaborazione nel contesto della glottodidattica, e poi presenta le specificità del campione e dello strumento di ricerca. Segue l’analisi dei dati, che porta a una serie di riflessioni e di analisi operative per l’educazione linguistica.
这篇文章介绍了与意大利和瑞士教师合作进行的一项探索性研究的结果,该研究探讨了意大利教学中对合作和合作方面的看法。本文首先将合作与合作放在教学大纲的背景下,然后介绍了样本和研究工具的具体特点。然后是对数据的分析,这导致了对语言教育的一系列思考和操作分析。
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引用次数: 0
Negri, Mario. L’orologio di Dante. Note per un atlante cronografico della Divina Commedia: dalla Selva Oscura al Paradiso Terrestre 黑人,马里奥。但丁的手表。《神曲》计时图集注释:从黑暗森林到地球天堂
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41168
R. Gendre
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引用次数: 0
On the Eastern Woman’s Body: Ethnic Stigma and Complex Trauma in Giuseppe Tornatore’s La sconosciuta (2006) 论东方女性的身体:朱塞佩·托纳托雷(Giuseppe Tornatore)2006年的《女人的身体》(La sconosciuta)中的民族耻辱与复杂创伤
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41152
T. Haaland
This essay discusses the construction of a post-traumatic subjectivity in Tornatore’s La sconosciuta. Following a sex-trafficking survivor’s struggle against ghosts of the past as well as present forms of offences and vulnerabilities, the narrative unfolds through flashbacks and dramatizations of the victim’s precariousness as an Eastern European, irregular, immigrant woman. The nexus that emerges between traumatization and stigmatization circles around the woman’s body and the contrast it personifies between her perceived cultural inferiority and physical desirability. Just as this character exposes the prejudice and discriminatory behaviour that perpetuate exclusion of ethnic minorities as well as systems and structures of injustice and exploitation, the ambivalences she embodies as a diligent and caring but also deceptive and violent nanny questions the victim/criminal paradigm typically present in public discourses concerning irregular immigrants and trafficking victims, especially. The critique of essentialist perceptions and practices merges with a focus on retraumatizing re-experiences that are triggered by sensory impressions and distressful interactions. Critical perspectives on complex trauma will illuminate possible correlations between the acute and protracted abuse represented and the susceptibility the character shows toward revictimization as well as the self-destructive and partly violent tendencies she exhibits. When she eventually starts to articulate past events and acquires a gradual control over her memories, it is largely for the presence of listeners who communicate empathy and detachment. Finally, it is this critical attitude that spectators are encouraged to assume to consider interconnections between essentialist exclusion, acute and protracted exploitation, and structures and systems of global injustice.
本文探讨了托纳托雷的《社会意识》中创伤后主体性的建构。影片讲述了一名性交易幸存者与过去的幽灵以及当前各种形式的犯罪和脆弱性作斗争的故事,通过倒叙和戏剧化的方式展开了受害者作为一名东欧非正规移民妇女的不稳定。创伤和污名之间的联系围绕着女性的身体,以及她感知到的文化自卑和身体可取性之间的对比。正如这个角色暴露了偏见和歧视行为,这些偏见和歧视行为使少数民族被长期排斥,以及不公正和剥削的制度和结构,她所体现的矛盾心理,作为一个勤奋、有爱心、但也具有欺骗性和暴力的保姆,对受害者/罪犯范式提出了质疑,尤其是在有关非正规移民和贩运受害者的公共话语中。对本质主义观念和实践的批判与对由感官印象和痛苦互动引发的再创伤性再体验的关注相结合。对复杂创伤的批判性观点将阐明所代表的急性和长期虐待与角色对再次受害的敏感性以及她所表现出的自我毁灭和部分暴力倾向之间可能存在的相关性。当她最终开始清晰地表达过去的事情,并逐渐控制自己的记忆时,主要是因为有听众在场,他们能表达同情和超然。最后,正是这种批判的态度,鼓励观众去考虑本质主义排斥、急性和长期剥削以及全球不公正的结构和系统之间的相互联系。
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引用次数: 0
Tarabotti, Arcangela. Antisatire: In Defense of Women, against Francesco Buoninsegni. Edited and translated by Elissa B. Weaver Tarabotti Arcangela。反讽刺:为女性辩护,反对弗朗西斯科·博宁塞尼。由Elissa B. Weaver编辑和翻译
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41173
Meghri Doumanian
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引用次数: 0
Colella, Massimo. Il Barocco sabaudo tra mecenatismo e retorica. Maria Giovanna Battista di Savoia Nemours e l’Accademia Reale Letteraria di Torino 科莱拉,马西莫。介于赞助和修辞之间的萨伏依巴洛克风格。Maria Giovanna Battista di Savoia Nemours与都灵皇家文学学院
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41165
Caterina Canneti
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引用次数: 0
Esse, Melina. Singing Sappho: Improvisation and Authority in Nineteenth- Century Italian Opera Esse,Melina。歌唱萨福:19世纪意大利歌剧中的即兴与权威
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41167
Corie Marshall
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引用次数: 0
The Tartar Steppe: A Journey through a Limbo 鞑靼草原:穿越地狱边缘的旅程
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41159
A. Castelli
Dino Buzzati’s most famous text, The Tartar Steppe (1940), is not simply the story of a young officer dispatched to do service in a remote fortress overlooking a vast northern desert, but a continuous oscillation between chronicle and fabulous realism. The narrative elicits a feeling of sharp malaise, a sense of anguish similar to the one conveyed by existentialist philosophy and Kafka’s fiction. By comparing Buzzati’s novel to its progenitors, this essay depicts the central experience of its main character as a journey to the afterlife where people, objects, and landscapes are but projections of a spiritual limbo.
迪诺·布扎蒂最著名的作品《鞑靼草原》(1940)不仅讲述了一个年轻军官被派往俯瞰广袤北部沙漠的偏远堡垒服役的故事,而且是在编年史和神话现实主义之间不断摇摆的故事。这种叙事引发了一种强烈的不安感,一种类似于存在主义哲学和卡夫卡小说所传达的痛苦感。通过将布扎蒂的小说与其前辈作比较,本文将其主人公的中心经历描述为一场通往来世的旅程,在那里,人、物和风景不过是精神地狱的投影。
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引用次数: 0
Donato, Clorinda. The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England Donato Clorinda。卡特琳娜·维扎尼的生平与传奇:18世纪意大利和英国的性别认同、科学与轰动主义
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-06-01 DOI: 10.33137/q.i..v43i2.41166
Wanda Balzano
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引用次数: 0
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QUADERNI D ITALIANISTICA
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