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The Palermitan ceramic production from the ninth to the eleventh century 九世纪到十一世纪的巴勒米坦陶瓷生产
Q1 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.1017/lis.2020.18
V. Sacco
Abstract This paper aims to show a general panorama of the Palermitan ceramic products circulating from the end of the ninth to the eleventh century. During this period Palermo was the capital of Islamic Sicily and covered an important role in the Mediterranean from a political, economic and cultural point of view. This has also impacted on pottery production. A new morphologic, technologic and decorative panorama is present during this phase, to face the new needs of a crescent population. Palermo developed a proper pottery language which is the result in part of the previous traditions and in part of the new contributions from the Islamic lands. The volume of Palermitan ceramic production increased considerably, not only to meet the metropolitan demand but also for the growing extra-urban (insular and extra-insular) requests.
摘要本文旨在展示从九世纪末到十一世纪流通的Palermitan陶瓷产品的全貌。在此期间,巴勒莫是伊斯兰西西里岛的首都,从政治、经济和文化角度来看,它在地中海发挥着重要作用。这也影响了陶器生产。在这一阶段,一个新的形态、技术和装饰全景出现了,以满足新月形种群的新需求。巴勒莫发展了一种恰当的陶器语言,这是以前传统的一部分和伊斯兰土地新贡献的一部分的结果。Palermitan陶瓷生产量大幅增长,不仅满足了大都市的需求,也满足了日益增长的城市外(岛屿和岛屿外)需求。
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引用次数: 1
The introduction of the glaze in al-Andalus: Technological waves and Oriental influences 安达卢斯釉的引进:技术浪潮和东方影响
Q1 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.1017/lis.2020.8
Elena Salinas, T. Pradell
Abstract This research develops a much-needed approach to the study of glazed ware production in al-Andalus (Muslim Spain and Portugal) during the early Middle Ages. The introduction of glaze to the Iberian Peninsula was a long and complex process involving three waves of technology transfer arriving from the eastern Islamic regions between the ninth and eleventh centuries. In this paper, the main glaze workshops of each technological wave have been characterised in order to understand how the medieval technological transmission took place and how political and economic factors influenced this gradual dissemination.
本研究开发了一种急需的方法来研究中世纪早期安达卢斯(穆斯林西班牙和葡萄牙)的釉面器皿生产。釉料传入伊比利亚半岛是一个漫长而复杂的过程,涉及9世纪至11世纪期间从东部伊斯兰地区传入的三波技术转移。本文对每一波技术浪潮的主要釉作坊进行了表征,以了解中世纪技术传播是如何发生的,以及政治和经济因素是如何影响这种逐渐传播的。
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引用次数: 4
Ceramics in transition: ceramics from the first Islamic period in the western Mediterranean – the example of al-Andalus 转型中的陶瓷:西地中海第一伊斯兰时期的陶瓷——以安达卢斯为例
Q1 Arts and Humanities Pub Date : 2020-09-07 DOI: 10.1017/lis.2020.19
Victoria Amorós Ruiz, Sonia Gutiérrez Lloret
Abstract This paper updates the present knowledge of ceramic productions in the Western Mediterranean in the early Middle Ages through the example of al-Andalus. The study of pottery production is a key element for recognizing the process of Islamization, the formation of al-Andalus, and the important social and economic changes that took placed in the Mediterranean between the seventh and ninth centuries. From a historical point of view, the early Middle Ages is a transcendental moment of change: patterns and socioeconomic models of the ancient world began to fade, and the evolution towards the development of feudal societies and, in parallel, the emergence of Islamic culture started. In the Iberian Peninsula, the arrival of the Arab-Berber army in AD 711 and its rapid conquest over a few years generated a process of social change know today as Islamization, which encompasses two centuries (eighth and ninth), and culminates in the tenth century with the standardization of a culture that is recognized from that moment on as Islamic culture. In this paper, the central elements of ceramic production in early al-Andalus are analysed, including the coexistence of diverse manufacturing techniques, the gradual disappearance of standardized productions, regionalization of production centres, and the incorporation of new forms and techniques such as glaze.
摘要本文通过安达卢斯的例子,更新了中世纪早期西地中海陶瓷生产的现有知识。对陶器生产的研究是认识伊斯兰化过程、安达卢斯的形成以及7世纪至9世纪地中海地区发生的重要社会和经济变化的关键因素。从历史的角度来看,中世纪早期是一个超越性的变革时刻:古代世界的模式和社会经济模式开始消退,向封建社会的发展演变,与此同时,伊斯兰文化开始出现。在伊比利亚半岛,阿拉伯-柏柏尔军队在公元711年的到来,并在几年的时间里迅速征服,产生了今天被称为伊斯兰化的社会变革过程,这一过程持续了两个世纪(8世纪和9世纪),并在10世纪达到高潮,一种文化的标准化从那一刻起被认为是伊斯兰文化。在本文中,分析了早期安达卢斯陶瓷生产的核心要素,包括多种制造技术的共存,标准化生产的逐渐消失,生产中心的区划化,以及釉等新形式和技术的结合。
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引用次数: 2
Notes from Libya 利比亚笔记
Q1 Arts and Humanities Pub Date : 2020-09-07 DOI: 10.1017/lis.2020.20
P. Bennett
Abstract ‘Notes from Libya’ is a new regular feature of Libyan Studies, and follows the reports of the Society's Head of Mission. These reports were previously concerned with the organization of fieldwork and administrative matters connected to obtaining permissions, visas and so on, and were recorded in the minutes of the Council meetings. However, they have recently taken on a new form, outlining the alarming developments in Libya, largely focusing on its heritage but also on the political and economic situation, which impacts on the management of Libya's ancient monuments and artefacts. The importance and historical interest of these reports now, however, merits a wider audience and a more formal record, so these accounts are now published in Libyan Studies.
“来自利比亚的笔记”是《利比亚研究》的一个新的常规专题,它遵循了该学会使团团长的报告。这些报告以前是关于实地工作的组织和与获得许可、签证等有关的行政事项,并记录在理事会会议记录中。然而,它们最近采取了一种新的形式,概述了利比亚令人震惊的事态发展,主要关注其遗产,但也关注政治和经济局势,这些局势影响到利比亚古迹和文物的管理。然而,这些报告的重要性和历史意义现在值得更广泛的读者和更正式的记录,因此这些叙述现在发表在《利比亚研究》上。
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引用次数: 0
An integrated methodology for the documentation and protection of cultural heritage in the MENA region: a case study from Libya and Tunisia 中东和北非地区文化遗产记录和保护的综合方法:以利比亚和突尼斯为例
Q1 Arts and Humanities Pub Date : 2020-08-27 DOI: 10.1017/lis.2020.11
A. Leone, W. Wootton, Corisande Fenwick, M. Nebbia, Hiba Alkhalaf, Gaygysyz Jorayev, Ammar Othman, Muftah A. Alhddad, Morgan Belzic, Ahmad Emrage, Ziad Siala, Patricia Voke
Abstract This paper presents the methodology and overall outcomes from the Training in Action project (TinA), funded by the British Council's Cultural Protection Fund between 2017 and 2019, which has built capacity among 72 employees of the Department of Antiquities of Libya (DoA) and the Institut National du Patrimoine de Tunisie (INP). It highlights the integrated and comprehensive nature of the training based on an innovative approach designed to increase value and impact. The integrated methodology, combining documentation, conservation and management, serves as a reproducible and sustainable model for other capacity-building projects. TinA was developed and carried out collaboratively by academics at Durham University, King's College London and University College London, and in partnership with the DoA and INP.
本文介绍了行动培训项目(TinA)的方法和总体成果,该项目由英国文化协会文化保护基金于2017年至2019年资助,对利比亚古物部(DoA)和突尼斯国家文物研究所(INP)的72名员工进行了能力建设。它突出了以旨在增加价值和影响的创新方法为基础的培训的综合和全面性质。综合方法结合了文件、养护和管理,可作为其他能力建设项目的可复制和可持续的模式。TinA由杜伦大学、伦敦国王学院和伦敦大学学院的学者共同开发和实施,并与DoA和INP合作。
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引用次数: 5
amator concordiae, ornator patriae. The Latinisation of Punic titles in early imperial Lepcis Magna 康科德的情人,国家的象征。罗马帝国早期布匿头衔的拉丁化
Q1 Arts and Humanities Pub Date : 2020-06-18 DOI: 10.1017/lis.2020.7
C. Barron
Abstract The translation of so-called ‘honorific’ titles from Punic to Latin, and their deployment in a number of public monumental inscriptions in Lepcis Magna, have often been promoted as evidence for successful Romanisation in the cities of Tripolitania. Titles such as amator concordiae and ornator patriae have been understood as affirmations that the local Lepcitan community had engaged with Augustan ideological concepts and were using them to demonstrate loyalty and support for the principate. This paper argues that a more likely influence on the translation of the titles into Latin came from the notions of philia exhibited by the Greek-speaking communities of the eastern Mediterranean in their interactions with Rome.
摘要将所谓的“尊称”头衔从布匿语翻译成拉丁语,并在《Lepcis Magna》的许多公共纪念铭文中使用,经常被宣传为的黎波里塔尼亚城市罗马化成功的证据。诸如amator concordiae和ornator patriae等头衔被认为是对当地Lepcitan社区参与奥古斯塔意识形态概念的肯定,并利用这些概念来表达对公国的忠诚和支持。本文认为,东地中海讲希腊语的社区在与罗马的互动中表现出的philia概念更有可能对这些标题的拉丁语翻译产生影响。
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引用次数: 1
Libératus de Carthage, Abrégé de L'Histoire des Nestoriens et des Eutychiens, introd. et note Philippe Blaudeau; trad. François Cassingena et Philippe Blaudeau, Paris, SC. 607, 2019. liberatus de Carthage,《景教和尤提卡的历史摘要》,introd.和注释Philippe Blaudeau;francois Cassingena和Philippe Blaudeau,巴黎,SC. 607,2019。
Q1 Arts and Humanities Pub Date : 2020-06-11 DOI: 10.1017/lis.2020.4
Mohamed-Arbi Nsiri
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引用次数: 0
Pax et Bellum en Tripolitaine occidentale (partie tunisienne) à l’époque vandale 汪达尔时期西的黎波里塔尼亚(突尼斯部分)的和平与战争
Q1 Arts and Humanities Pub Date : 2020-04-14 DOI: 10.1017/lis.2020.1
M. Ellefi
Abstract This paper analyzes a well-defined problem: that of relations between the Moors of Western Tripolitania (Tunisian part) and the Vandals. Notwithstanding the lack of textual sources, the subject will be addressed in an area that is both a border territory and pre-Saharan, namely Western Tripolitania. The period chosen is a poorly understood period and still debated by specialists. This work is based on two essential foundations: first, an attempt is made to demonstrate the main features and approximate boundaries of the Vandal State; and secondly the focus will be on the relations between the pre-Saharan Moors of Western Tripolitania and the Vandals. As a preliminary introduction, the nomadic and semi-nomadic peoples of the Tunisian Chotts, Nefzaoua, the hinterland of Jeffara and Jebel will be discussed. The best known of the tribes in these regions are the Arzuges. They would have circulated, according to Orose, along the limes of Africa. As a result, they developed various relationships with the Arians depending on the political situation and its evolution under the Vandals.
摘要本文分析了一个定义明确的问题:西的黎波里塔尼亚(突尼斯部分)的摩尔人与汪达尔人之间的关系。尽管缺乏文字来源,这个问题将在一个既是边界领土又是撒哈拉前地区,即西的黎波里塔尼亚进行讨论。所选择的时期是一个人们知之甚少的时期,专家们仍在争论。这项工作基于两个基本基础:首先,试图展示汪达尔国家的主要特征和近似边界;其次,重点是西的黎波里塔尼亚的前撒哈拉摩尔人与汪达尔人之间的关系。作为一个初步的介绍,游牧和半游牧民族的突尼斯肖特人,Nefzaoua,腹地的Jeffara和Jebel将讨论。这些地区最著名的部落是阿祖格人。根据罗斯的说法,它们可能沿着非洲的边缘传播。因此,他们与阿里乌派发展了各种关系,这取决于政治局势及其在汪达尔人统治下的演变。
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引用次数: 0
AT THE SANCTUARY 在圣所
Q1 Arts and Humanities Pub Date : 2020-03-30 DOI: 10.2307/j.ctv12pntbw.12
J. Boardman
Our information about the early Greek pottery in Cyrenaica grows apace. The second final report on the excavation at the Demeter sanctuary in Cyrene is devoted to the Archaic pottery found there, excluding, sadly, the Attic and Corinthian — which is saved for other experts — and the local wares. The thoroughness with which the material is here presented makes it the more regrettable that we do not yet have it all and that Schaus, who is admirably suited to making good historical and archaeological sense of such finds, is not surveying it in entirety. It is, I suppose, part of the price paid for employing experts. The pottery is not stratified, but it is plentiful although extremely comminuted: a tantalising challenge to the archaeologist. The natural comparison for the material is with the Archaic finds from Tocra (Taucheira) the settlement along the coast, nearer Benghazi, which was excavated by the British School at Athens in 1963-1965 and published in two volumes in 1966 and 1973 (with the second of which the infant Libyan Society was associated). Schaus makes the best of the opportunities offered for comparison, and elsewhere Stucchi has, at least in a roughly statistical manner, done the same for finds from the Italian intramural excavations at Cyrene (in Ancient Greek and related Pottery; Proceedings of the International Vase Symposium Amsterdam 1984, Allard Pierson Series 5, 1985, 139-143). The three groups involved present acutely the problems of such numerical comparisons, which seem to acquire a factual status as soon as their sources are forgotten (which is usually rapidly). The Tocra material is from a nearly fully excavated series of votive deposits and seems fully representative for the years covered, as well as being very rich in near-complete vases, but we can never be sure that, for a while, votives were not disposed of elsewhere. The Demeter material at Cyrene is a disturbed scatter through the excavated area, but the volume makes it reassuring as an index to pottery received in the sanctuary in early years. For the other finds at Cyrene, in the Agora, we have no assurance of their validity as an index to the relative volume of finds, and it is not surprising, nor should it therefore be discouraging, to find that Stucchi is despondent about the value of such comparative statistical studies. Restricted to the non-Attic, non-Corinthian and non-local, Schaus is excluded from deducing anything about two major importers of the sixth century BC, but he makes the very best of what can be done with the material at his disposal. It begins somewhat later than the foundation of Cyrene (and of Tocra), in about 600 BC, and the main classes recognised, using traditional archaeological stylistic analysis aided by a limited amount of clay analysis, correspond very closely with those from Tocra. The quality of the pottery seems generally higher, which is only to be expected of the Cyrenaican metropolis, although its present state is wretched. So
我们对昔兰尼加早期希腊陶器的了解迅速增加。第二份关于昔兰尼德墨忒尔神庙发掘的最终报告专门介绍了在那里发现的古代陶器,遗憾的是,不包括阿提卡和科林斯的陶器——它们被留给了其他专家——以及当地的陶器。这里所呈现的材料的彻底性使我们更遗憾的是,我们还没有拥有全部,而Schaus,这位非常适合对这些发现进行良好的历史和考古意义的人,并没有全面地研究它。我想,这是聘请专家的部分代价。这些陶器不是分层的,但数量丰富,尽管极度粉碎:这对考古学家来说是一个诱人的挑战。将这些材料与托克拉(Taucheira)的古代发现进行比较是自然的,托克拉是靠近班加西的沿海定居点,由雅典的英国学校于1963年至1965年发掘,并于1966年和1973年出版了两卷(第二卷与新生的利比亚社会有关)。Schaus充分利用了提供的机会进行比较,而Stucchi在其他地方,至少以粗略的统计方式,对意大利昔兰尼(Cyrene)内部发掘的发现(古希腊和相关陶器;1984年阿姆斯特丹国际花瓶研讨会论文集,Allard Pierson系列5,1985,139-143)。所涉及的三个小组尖锐地提出了这种数字比较的问题,似乎一旦忘记了它们的来源(通常很快),它们就获得了事实地位。托克拉的材料来自于一个几乎完全挖掘出来的一系列祭坛沉积物,似乎完全代表了所覆盖的年代,而且在几乎完整的花瓶中也非常丰富,但我们永远无法确定,有一段时间,祭坛没有被丢弃在其他地方。昔兰尼的得墨忒耳材料分散在挖掘区域,但其体积使其作为早期在圣殿中收到的陶器的索引而令人放心。对于昔兰尼的其他发现,在阿格拉,我们不能保证它们的有效性,作为一个相对数量的指数,发现Stucchi对这种比较统计研究的价值感到沮丧,这并不奇怪,因此也不应该令人沮丧。由于局限于非阿提克、非科林斯和非本地,绍斯被排除在公元前六世纪的两个主要进口商的推论之外,但他尽其所能地利用他所掌握的材料。它开始于大约公元前600年,比昔兰尼(和托克拉)的建立要晚一些,使用传统的考古风格分析和有限数量的粘土分析,识别出的主要类别与托克拉的非常接近。陶器的质量似乎普遍较高,这只有昔兰尼加大都市才会有,尽管它目前的状态很糟糕。在托克拉展出的一些小岛屿和希腊大陆的织物尚未在昔兰尼被识别出来,其中最令人惊讶的可能是“米利安”(可能是帕里安),特别是考虑到在那里发现的许多“米利安”(很可能是米利安)岛屿宝石,而且时间大致相同,表明基克拉迪人的密切联系。也没有托克提安人的作品,这是在托克提亚的一个相当令人惊讶的发现,而且必须加上一个杰出的黑人托克拉画家的作品,现在被发现是一个移民阿提卡陶工/画家在托克提亚。但这可能只是反映了货物的变幻莫测,以及古代“贸易”中的机会主义因素,这更具有考古意义,而不是历史意义。能找到六世纪的克里特器物,令人放心。通过装饰、形状和分析,人们首先在托克拉发现了它们,尽管在克里特岛还没有发现。可能是锡拉人的陶器在昔兰尼有更好的代表,这是可以理解的,因为锡拉人是殖民者。昔兰尼也有更全面的六世纪东希腊陶器,包括北伊奥尼亚(“克拉苏门尼亚”)和米利都(“菲克勒拉”),几乎完全没有在托克拉。毫无疑问,随着时间的推移,粘土分析将使我们能够适当地调整明显的“罗得亚人”的贡献,这在历史上具有一定的重要性,因为有文献证据表明6世纪来自该岛的移民。陶器来源的整体范围以及它们与托克拉的相似之处,使人们更有信心使用陶器标准来解释远离家乡的希腊城市居民的起源和联系。
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引用次数: 1
Pottery and trade at Euesperides in Cyrenaica: an overview 昔兰尼加尤埃斯佩里德斯的陶器和贸易:概述
Q1 Arts and Humanities Pub Date : 2019-11-01 DOI: 10.1017/lis.2019.27
E. Zimi, K. Göransson, Keith Swift
Abstract The excavations conducted at Euesperides between 1999 and 2007 under the auspices of the Society for Libyan Studies, London, and the Department of Antiquities, Libya, and jointly directed by Paul Bennet and Andrew Wilson, brought to light private houses and a building complex, industrial areas related to purple dye production and part of the city's fortification wall. Among the finds was a highly significant body of local, regional and imported pottery (from the Greek and Punic world, Cyprus, Italy and elsewhere), dated between the last quarter of the seventh and the middle of the third century BC, when the city was abandoned. This archaeological project adopted an innovative approach to the study of pottery from the site, based on the total quantification of the coarse, fine wares and transport amphorae. This was supplemented by a targeted programme of petrographic analysis to shed light on production centres and thus questions about the trade and the economy of ancient Euesperides. The pottery study by K. Göransson, K. Swift and E. Zimi demonstrated that although the city gradually developed a significant industry of ceramics, it relied heavily on imports to cover its needs and that imported pottery reached Euesperides’ sheltered harbour either directly from the supplying regions or most often through complex maritime networks in the Mediterranean which changed over time. Cooking pots from Aegina and the Punic world, mortaria, bowls, jugs and table amphorae from Corinth as well as transport amphorae from various centres containing olive oil, wine, processed meat and fish were transported to the city from Greece, Italy/Sicily, Cyprus and elsewhere. The so-called amphorae B formed the majority, while Corinthian, Aegean (Thasian, Mendean, Knidian, etc.), Greco-Italic and Punic were adequatly represented. Regarding fine wares, East Greek, Laconian and Corinthian are common until the end of the sixth century; Attic black-glazed, and to a lesser extend, black-figure and red-figure pots dominate the assemblages between the fifth and the mid-third centuries BC, while Corinthian, Italian/Sicilian and Punic seem to have been following the commodities flow at Euesperides from the fourth century BC onwards. Finally, Cyrenaican pottery and transport amphorae have been also identified at Euesperides implying a considerable volume of inter-regional trade. إن الحفريات التي أجريت بمدينة يوسبريدس بين عامي 1999 و 2007 تحت رعاية جمعية الدراسات الليبية بلندن و مصلحة الآثار الليبية، وبإدارة مشتركة من بول بينيت و أندرو ويلسون، كانت قد كشفت عن عدد من المنازل الخاصة ومجمع مباني، ومناطق صناعية متعلقة بإنتاج الصبغة الأرجوانية و كذلك جزء من جدار تحصين المدينة. من بين هذه الاكتشافات مجموعة كبيرة من الفخار المحلي و الإقليمي والمستورد (من العالم اليوناني والبونيقي و من قبرص وإيطاليا وأماكن أخرى) ، والتي يرجع تاريخها إلى ما بين الربع الأخير من القرن السابع ومنتصف القرن الثالث قبل الميلاد، عندما هُجرت المدينة. هذا المشروع الأثري أتبع نهجاً مبتكراً في دراسة الفخار من ا
根据1999年至2007年期间在伦敦利比亚研究协会和利比亚防疫局的监督下在欧斯彼里德斯进行的调查,保罗·贝内特和安德鲁·威尔逊共同指导了这项调查,旨在获得与生产目的和城市利益相关的照明房屋和建筑综合体、工业领域。在这条战线上,地方、区域和进口局(来自世界上的希腊和黑人、塞浦路斯、意大利和其他地方)拥有非常重要的地位,这条战线被延长至第七条战线的最后一个街区和第三个世纪中叶,而这座城市被拆除。这一考古项目采用了一种创新方法,根据课程、最终战争和运输总量,对现场作业进行研究。这项工作得到了一项有针对性的石油分析方案的支持,该方案旨在阐明生产中心的情况,并提出有关大洋洲贸易和经济的问题。K.Göransson、K.Swift和E.Zimi的前景研究表明,城市毕业生也发展了一个重要的陶瓷行业,它主要依靠进口来满足其需求,进口的欧洲人可能直接从供应地区或通过地中海复杂的海事网络从更多地区撤离,而这些网络已经发生了很多变化。来自埃吉纳和普尼克世界的焦油、来自科林斯的碗、碗、碗和桌子,以及来自各大中心的运输,包括油料、葡萄酒、加工过的水和鱼,都是从希腊、意大利/西西里、塞浦路斯和其他地方运输到该市的。所谓的B型反坦克导弹构成了一个主要地区,当时,科林蒂安、爱琴海(泰国、门德斯、肯尼亚等)、希腊-意大利和普尼克都得到了充分的代表。关于最后一场战争,东希腊、拉科尼亚和科林蒂安在第六个世纪结束时是普遍存在的;黑眼圈和红眼圈占据了不列颠哥伦比亚省第五和第三个世纪之间的版图,而科林斯、意大利/锡西兰和普什图人的商品从不列颠哥伦比亚省第四个世纪流向欧洲。最后,在欧斯彼里德斯地区,也发现了大量的区域间贸易。1999年至2007年,在伦敦利比亚研究协会和利比亚文物局的主持下,保罗·贝内特和安德鲁·威尔逊共同管理下,在尤斯布里德进行了挖掘,发现了许多私人住宅和建筑群。与生产紫色染料相关的工业区,以及城市防御墙的一部分。在这些发现中,有大量本地、地区和进口陶器(来自希腊和布匿世界、塞浦路斯、意大利和其他地方),可追溯到7世纪最后25年至3世纪中叶。出生时,城市被抛弃。这个考古项目采用了一种创新的方法来研究遗址中的陶器,该方法基于对粗糙的陶器、豪华的陶器和运输用品的总量估计。这得到了一项旨在分析岩石的计划的支持,该计划旨在阐明生产中心,从而阐明有关古代尤斯布里底群岛贸易和经济的问题。科兰森、软银和泽米进行的陶器研究表明,尽管该市逐渐发展了重要的陶器行业,但它严重依赖进口来满足其需求,进口陶器已抵达港口。尤斯布里底群岛要么直接从生产区受到保护,要么主要通过地中海复杂的海洋网络受到保护,这些网络随着时间的推移而发生变化。从爱琴海和布匿世界、毛里塔尼亚世界运送炊具,从科林斯运送碗、罐子和餐具,以及从不同中心运送含有橄榄油、葡萄酒和加工肉类的运输用品鱼类来自希腊、意大利/西西里岛、塞浦路斯和其他地方。所谓的B型马福拉人占多数,而科林斯人和爱琴人(塔索斯人、门迪人、克内多斯人等)、希腊-意大利人和布匿人都有充分的代表性。关于奢华的陶器,希腊东部、拉科尼亚和科林斯式陶器,直到6世纪末,它们都很常见;黑色玻璃陶器(Black-glazed)主要来自阿提卡,而带有黑色图案的陶器数量较少。这场相遇的红色人物可以追溯到公元前5世纪至3世纪,而科林斯、意大利人/西西里人和布匿人似乎一直在追溯公元前4世纪至公元前3世纪货物流向尤斯布里底群岛的情况。其次。最后,在尤斯布雷德斯发现了从塞雷奈卡(锡里加省)运输的陶尔和安姆福拉特,这意味着地区之间存在大量贸易。
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引用次数: 0
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