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Decolonising cultural policy: the cultural and linguistic rights of the Sámi in Finland 文化政策非殖民化:芬兰萨米人的文化和语言权利
IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-07-08 DOI: 10.3389/ejcmp.2024.12741
Laura Valoma
In this article, the writer considers the current state of the cultural and linguistic rights of the Sámi, how they are supported by cultural policy and how decolonising cultural policy could contribute to the ongoing struggles of realising the self-determination and cultural rights of the Sámi. The article stipulates that concrete steps need to be taken for decolonising cultural policy in Finland specifically concerning the cultural and human rights of the Sámi. Cultural policy should be based on cultural rights, thus introducing decolonial practices in support of the Sámi culture and languages and into the culture policy and funding is imperative. The article suggests creating decolonial practices of research and policymaking rooted in intersectional and participatory methods that recognise the many forms of discrimination, not only the current-day colonialism or the effects of assimilation but also the intersections of an indigenous identity with other forms of discrimination. Furthermore, contributing to decolonisation should include research on the effects of colonisation on cultural rights, cultural policy and the distribution of funds for promoting the Sámi culture and languages in the Sámi communities and Finland.
在这篇文章中,作者探讨了萨米人文化和语言权利的现状,文化政策如何支持这些权利,以及非殖民化文化政策如何有助于萨米人实现自决和文化权利的持续斗争。文章指出,芬兰需要采取具体步骤来实现文化政策的非殖民化,特别是在萨米人的文化和人权方面。文化政策应以文化权利为基础,因此,在文化政策和资金中引入支持萨米文化和语言的非殖民化做法势在必行。文章建议在研究和决策中采用非殖民化的做法,以交叉和参与式方法为基础,承认多种形式的歧视,不仅包括当今的殖民主义或同化的影响,还包括土著身份与其他形式歧视的交叉。此外,促进非殖民化的工作应包括研究殖民化对文化权利、文化政策和资金分配的影响,以便在萨米社区和芬兰推广萨米文化和语言。
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引用次数: 0
Cultural and space-based factors influencing recreational conflicts in forests. The example of cyclists and other forest visitors in Freiburg (Germany) 影响森林娱乐冲突的文化和空间因素。以弗莱堡(德国)的自行车骑行者和其他森林游客为例
IF 0.2 Pub Date : 2024-01-15 DOI: 10.3389/ejcmp.2023.12494
Monika Bachinger, Manuel Hafner, Patricia Harprecht
More and more people are visiting forests for recreational and leisure purposes. Against this backdrop, conflicts have become rampant mainly due to limited spaces and conflicting recreational expectations. Recreational conflicts have the tendency to diminish the satisfaction that a visitor derives from leisure activities in the forest. This is a challenge not only to forest management but also to tourism product development. The study investigates recreational conflicts in forests by conducting a nationwide online survey. Conflicts were described based on how intensively they are discussed in public, how emotionally they are treated, and based on the willingness of the respondents in finding solutions to the conflicts. In order to investigate the factors that contribute to conflict genesis, the example of conflicts between cyclists and other forest visitors was researched by an on-site survey in Freiburg (Germany). The results show that cultural factors influence conflict genesis. For example, the activity style of recreationists and their mode of experience play an important role in conflict genesis. Both are cultural factors, when following a value-based understanding of culture. However, not are recreational conflicts judged as highly emotional; instead, they seem to be an expected part of forest visits. The study concludes with recommendations for tourism product development and forest management.
越来越多的人出于娱乐和休闲目的游览森林。在此背景下,主要由于有限的空间和相互冲突的娱乐期望,冲突变得十分猖獗。娱乐冲突往往会降低游客从森林休闲活动中获得的满足感。这不仅是对森林管理的挑战,也是对旅游产品开发的挑战。本研究通过在全国范围内开展在线调查来研究森林中的娱乐冲突。根据冲突在公开场合被讨论的密集程度、被对待的情感程度以及受访者寻求冲突解决方案的意愿,对冲突进行了描述。为了调查导致冲突发生的因素,我们在弗莱堡(德国)通过现场调查研究了自行车骑行者与其他森林游客之间的冲突。结果表明,文化因素会影响冲突的发生。例如,休闲者的活动方式及其体验模式在冲突的发生中起着重要作用。如果以价值为基础来理解文化,这两者都是文化因素。然而,娱乐冲突并没有被判定为高度情绪化;相反,它们似乎是森林游览的预期部分。研究最后对旅游产品开发和森林管理提出了建议。
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引用次数: 0
Why is managerial shared leadership in creative organizations a more resilient, transparent, open, and generous constellation? A case analysis approach 为什么创意组织中的管理共享领导是一种更有弹性、更透明、更开放和更慷慨的组合?案例分析方法
IF 0.2 Pub Date : 2023-12-18 DOI: 10.3389/ejcmp.2023.12056
Lluís Bonet, Anders Rykkja
Leadership models in the cultural and creative sectors are frequently based on collective, shared, or distributed structures. In recent decades, research on these plural forms has yielded insights in the form of typological models and empirical studies. This article seeks to examine two issues in the literature on plural leadership that have received insufficient attention. The first is how cultural organizations combine and integrate multiple leadership models. The use of horizontal co-leadership at the macro (organisational) level alongside either vertical or horizontal leadership of embedded projects managed by teams is one example. Little is known about how the existence of distinct leadership styles at the macro and meso levels influences the career paths of individuals and organizations. The second is an inquiry into the evolution of leadership models in cultural organizations over time. This is especially important when an organisation transitions from a startup to a successful enterprise and expands its operations internationally. To empirically investigate these issues, we propose a single case study of Snøhetta, a multinational architecture firm. The results of this case study allow for a better understanding of how forms of collaborative leadership style can influence the career paths of people and organizations, and how it is possible to find a balance between the paradoxical institutional logic on which management and leadership of creativity is based. In other words, how the constellations of relationships that are generated make organizations with this leadership style more resilient and sustainable by virtue of being more transparent, open, and generous.
文化和创意领域的领导模式通常以集体、共享或分布式结构为基础。近几十年来,对这些多元形式的研究已经以类型学模型和实证研究的形式产生了深刻的见解。本文试图探讨有关多元化领导力的文献中未得到充分关注的两个问题。首先是文化组织如何结合和整合多种领导模式。宏观(组织)层面的横向共同领导与团队管理的嵌入式项目的纵向或横向领导的并用就是一个例子。至于宏观和中观层面不同领导风格的存在如何影响个人和组织的职业发展道路,人们知之甚少。其次是对文化组织中领导模式随时间演变的探究。当一个组织从初创企业过渡到成功企业,并在国际上扩展业务时,这一点尤为重要。为了对这些问题进行实证研究,我们提出了对跨国建筑公司斯诺赫塔(Snøhetta)的单一案例研究。该案例研究的结果有助于更好地理解协作式领导风格如何影响员工和组织的职业发展道路,以及如何在管理和领导创造力所依据的自相矛盾的制度逻辑之间找到平衡。换句话说,所产生的各种关系如何通过更加透明、开放和慷慨的方式,使具有这种领导风格的组织更具韧性和可持续性。
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引用次数: 0
Value of art and culture institutions: a case study of Jyväskylä, Finland 文化艺术机构的价值:芬兰于韦斯屈莱的案例研究
IF 0.2 Pub Date : 2023-12-18 DOI: 10.3389/ejcmp.2023.11618
Sakarias Sokka, Olli Ruokolainen, Timo Tohmo
This paper presents a case study about perceptions of residents about the value of publicly funded art and culture institutions (museums, city theatre, and symphony orchestra) in the Finnish city of Jyväskylä. In this study, the kinds of value that residents attribute to these local art and culture institutions and what kind of economic value the visitors’ expenditure to these institutions illustrates are explored. The analysis in this study is based on a survey conducted in 2019 that included the visitors and non-visitors to these institutions as participants. The results illustrate several values of art and culture institutions, which also point to multiple policy domains related to art, economy, social, and wellbeing effects. According to previous studies on cultural policy, it is important to be aware of the various value dimensions of future cultural policy. Though there are conflicting aims regarding cultural values, varied value dimensions complement each other in future-oriented policies.
本文介绍了一项关于芬兰于韦斯屈莱市居民对公共资助的文化艺术机构(博物馆、城市剧院和交响乐团)价值的看法的案例研究。在这项研究中,我们探讨了居民对这些本地文化艺术机构所赋予的价值类型,以及游客在这些机构的消费所体现的经济价值类型。本研究的分析基于 2019 年开展的一项调查,参与者包括这些机构的游客和非游客。结果表明了艺术和文化机构的若干价值,同时也指出了与艺术、经济、社会和福祉效应相关的多个政策领域。根据以往对文化政策的研究,了解未来文化政策的各种价值维度非常重要。尽管文化价值的目标相互冲突,但在面向未来的政策中,不同的价值维度是相辅相成的。
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引用次数: 0
Management perspectives for ecomuseums effectiveness: a holistic approach to sociocultural development of local areas 生态博物馆效能的管理观点:一种地方社会文化发展的整体方法
Pub Date : 2023-10-26 DOI: 10.3389/ejcmp.2023.11851
Francesco Badia, Fabio Donato
Considering their focus on participation and sustainable tourism promotion, ecomuseums can play a crucial role in the sociocultural development of local areas. Through three exploratory case studies of Italian ecomuseums located in the Emilia-Romagna region, this study shows the emergence of three different profiles of ecomuseum development strategies: they relate to the sustainable tourism, the cultural districts, and the holistic approach to sociocultural development. These kinds of strategic profiles not only emerge in opposition to each other but can also overlap and appear jointly within different situations of ecomuseums. The final aim of this work is to reflect on the applicability of management tools to support the implementation of these strategic aspects, especially in the current scenario, in which new perspectives are emerging about the role of communities in interpreting and enhancing their tangible and intangible cultural heritage in relation to sustainable tourism and local development linked to cultural and natural heritage preservation and promotion.
考虑到生态博物馆的重点是参与和可持续旅游推广,它可以在当地的社会文化发展中发挥至关重要的作用。通过对位于艾米利亚-罗马涅地区的意大利生态博物馆的三个探索性案例研究,本研究显示了三种不同的生态博物馆发展战略的出现:它们与可持续旅游、文化区和社会文化发展的整体方法有关。这些战略轮廓既可以相互对立,也可以在生态博物馆的不同情境中重叠和共同出现。这项工作的最终目的是反思管理工具的适用性,以支持这些战略方面的实施,特别是在当前的情况下,关于社区在解释和加强与可持续旅游和与文化和自然遗产保护和促进相关的地方发展有关的物质和非物质文化遗产方面的作用的新观点正在出现。
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引用次数: 0
Critical feedback from artists: initial findings of the impact of the health crisis on the field of art and culture 艺术家的批判性反馈:健康危机对艺术和文化领域影响的初步发现
IF 0.2 Pub Date : 2023-06-12 DOI: 10.3389/ejcmp.2023.11600
Aurélie Chêne, Sarah Montero
Our research project aims to study the impact of the Covid crisis on the professional cultural sector in the Nouvelle-Aquitaine region. To achieve this objective, the research team has joined forces with several stakeholders in a participatory process. Initial consultations with artists from various disciplines show that the crisis has affected the relationship to time and space in terms of the creative process and the relationship to audiences and inhabitants. It also reveals the need to rethink the organisation of the cultural system in order to better support artists and include them in the decision-making process.
我们的研究项目旨在研究新冠肺炎危机对新阿基坦地区专业文化部门的影响。为了实现这一目标,研究小组与几个利益攸关方共同参与了一个参与过程。与各学科艺术家的初步协商表明,危机影响了创作过程与时间和空间的关系以及与观众和居民的关系。它还揭示了重新思考文化系统组织的必要性,以便更好地支持艺术家并将他们纳入决策过程。
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引用次数: 0
Rohingya influx and host community: A reflection on culture for leading socioeconomic and environmental changes in Bangladesh 罗兴亚人涌入和收容社区:对孟加拉国主导社会经济和环境变化的文化反思
IF 0.2 Pub Date : 2023-06-02 DOI: 10.3389/ejcmp.2023.11559
Mohammad Mohiuddin, Ingrid Molderez
The paper analyses the socioeconomic and environmental changes in the Rohingya refugee camp in Bangladesh. Bangladesh is one of the largest refugee host countries in the world. Due to the refugee inflow, Rohingya and host communities have been experiencing tremendous socioeconomic and environmental changes that hinder their sustainable life. Factors that have resulted in the camp area are market instability, cultivable land decline, pollution, deforestation, water and sanitation crisis, law and order failure, and drug use. All these changes accompany the refugee and host people’s discomfort and suffering. Moreover, some host people might feel unprivileged because they were not considered for relief schemes by donor agencies. A qualitative study was conducted to collect the data using the Case study and Key Informant Interview (KII) methods. Semi-structured interview schedules for the case study and open-ended interviews for the KIIs were used in this study. By illustrating the refugee and host’s socioeconomic and environmental dynamics, we tried to explain the current situation of the camp area. We also tried to shed light on the experiences of both communities regarding inclusiveness and building a cohesive society.
本文分析了孟加拉国罗兴亚难民营的社会经济和环境变化。孟加拉国是世界上最大的难民收容国之一。由于难民涌入,罗兴亚人和收容社区经历了巨大的社会经济和环境变化,阻碍了他们的可持续生活。造成难民营地区的因素是市场不稳定、可耕地减少、污染、森林砍伐、水和卫生危机、法律和秩序失败以及吸毒。所有这些变化都伴随着难民和东道国人民的不适和痛苦。此外,一些东道国人民可能感到没有特权,因为他们没有被捐助机构考虑参加救济计划。本研究采用个案研究和关键信息者访谈(KII)方法进行定性研究。本研究采用半结构化访谈计划进行个案研究,开放式访谈计划用于kii。通过说明难民和东道国的社会经济和环境动态,我们试图解释难民营地区的现状。我们也试着去揭示两个社群在包容和建设一个有凝聚力的社会方面的经验。
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引用次数: 0
Towards a theory and practice of cultural communication 走向文化传播的理论与实践
IF 0.2 Pub Date : 2022-12-30 DOI: 10.3389/ejcmp.2022.11085
Geert J. Drion
This paper tentatively introduces the concept of cultural communication, exploring new theoretical and practical perspectives on culture and cultural policy. Notably, it presents a theoretical model for cultural communication as a dedicated, common, widespread communication “mode,” thematising ambiguity. This concept of cultural communication may provide new footholds for the legitimisation of public cultural policy—positioning the arts firmly within the context of cultural communication—and for the practical, heuristic application in a structured practice of arranging cultural encounters, carried out in Netherlands.
本文尝试引入文化传播的概念,探索文化与文化政策的理论与实践新视角。值得注意的是,它提出了一个文化传播的理论模型,作为一种专门的、共同的、广泛的传播“模式”,将歧义主体化。文化交流的概念可以为公共文化政策的合法化提供新的立脚点,将艺术牢牢地定位在文化交流的背景下,并在荷兰进行的安排文化接触的结构化实践中进行实际的、启发式的应用。
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引用次数: 0
Developing a new cultural policy agenda for Pistoia: The current and projected role of artists and creative workers in the territory 为皮斯托亚制定新的文化政策议程:艺术家和创意工作者在该地区的当前和未来角色
IF 0.2 Pub Date : 2022-12-28 DOI: 10.3389/ejcmp.2022.11105
S. Samuk, Y. Tonga, E. Pellegrini, M. L. Catoni
This paper aims to promote an understanding of what cultural and creative industries in general, and valorisation of Pistoia’s cultural life in particular, mean to the main stakeholders and how they establish the collaboration during this process of negotiation, fundraising and prioritising the cultural production/experience/consumption according to the strategic cultural plan in Pistoia. What are the needs, priorities and concerns of the artists and creative workers regarding the strategic plan? To what extent are the policymakers’ aims and the ideas of the artists and creative workers parallel and divergent? Explorative process tracing that aims at semi-structured in-depth interviews are conducted with local artists and other stakeholders in Pistoia to observe the planning and to determine the past and current obstacles. Furthermore, the researchers involved in the project are engaged in participant observation as they follow the developments on how the decision-making takes place regarding cultural policies in the city through the Tavolo Permanente della Cultura. We argue that the modality in which artists and policymakers think of collaboration might be diverse but there is ample room for collaboration in the future.
本文旨在促进人们理解文化和创意产业,尤其是皮斯托亚文化生活的价值化,对主要利益相关者意味着什么,以及他们如何在谈判、筹资过程中建立合作,并根据皮斯托阿的战略文化计划优先考虑文化生产/体验/消费。艺术家和创意工作者对战略计划的需求、优先事项和关注点是什么?政策制定者的目标以及艺术家和创意工作者的想法在多大程度上是平行和分歧的?探索性的过程追踪旨在对皮斯托亚的当地艺术家和其他利益相关者进行半结构化的深入采访,以观察规划并确定过去和现在的障碍。此外,参与该项目的研究人员通过Tavolo Permanente della Cultura跟踪城市文化政策决策的进展,并参与参与者观察。我们认为,艺术家和政策制定者认为合作的方式可能多种多样,但未来有足够的合作空间。
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引用次数: 0
Problematizing tourism for conservation: An eco-cultural critique on sustainability 旅游保护问题:可持续发展的生态文化批判
IF 0.2 Pub Date : 2022-12-28 DOI: 10.3389/ejcmp.2022.11094
S. Sajib, F. Nicolli, Alfredo Alietti
Nature conservation has often been depicted as an effective policy measure to redress the ongoing environmental problems across the globe. The need to ensure sustainability for people’s secured subsistence has rendered nature conservation an indispensable scheme in the tourism development policy. It is evident that during the last couple of decades, the notion of “conservation” has become less established whilst tourism development has been prioritised as a profit making venture by both the national and international agencies. Numerous solutions have been prescribed by international organisations adopting tourism as an “immense potentiality” which mostly represented a sustainability effort for the local development and environment. South Asia in general and Bangladesh, in particular, are no different, since policy for nature conservation has been misplaced and misread to reach sustainability goals, as it has always been connected with the tourism development agenda. From a systematic literature review, it was found that the use of natural resources by local people was exemplified as a threat to sustainability where the relations between conservation and tourism became a policy issue. The paper intends to problematise the mechanism of tourism policies for nature conservation or conservation policies for tourism development that overlooks the local eco-cultural management practice for sustainability. Along with the environmental discourses, an eco-cultural critique on sustainability was employed.
自然保护经常被描述为解决全球持续存在的环境问题的有效政策措施。由于需要确保人民有保障的生存的可持续性,因此自然保护成为旅游发展政策中不可或缺的一项计划。很明显,在过去的几十年里,“保护”的概念变得越来越不确定,而旅游发展被国家和国际机构优先考虑为盈利企业。国际组织已经制定了许多解决方案,将旅游业视为“巨大的潜力”,主要代表了当地发展和环境的可持续性努力。整个南亚,特别是孟加拉国,也没有什么不同,因为自然保护政策一直与旅游业发展议程联系在一起,为了实现可持续发展目标而被误读和误用。从系统的文献审查中发现,当地人民对自然资源的利用是对可持续性的威胁,其中保护与旅游之间的关系成为一个政策问题。本文旨在对旅游政策的自然保护机制或旅游发展的保护政策忽视了地方生态文化管理实践的可持续性提出质疑。伴随着环境话语,生态文化对可持续性的批判被采用。
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引用次数: 0
期刊
European Journal of Cultural Management and Policy
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