Pub Date : 2021-12-01DOI: 10.3389/ejcmp.2023.v11iss2-article-2
Emmi Lahtinen
In 2018, around 7% of the population of Finland was born outside Finland, and this proportion is rising. Specifically, foreign-born artists have sparked discussion about the difficulties they experience in gaining entry to the cultural field as well as funding opportunities in Finland. This article reports on the ‘Opening’ research project (2017–2019), which investigated the situation of foreign-born artists in the Finnish arts and cultural sector. The major factors creating inequality for all artists in Finland are insufficient funding, fierce competition, and different forms of discrimination. The foreign-born artists face additional difficulties due to language issues, merits, such as educational degrees, gained from outside Finland, closed networks, and ethnicity-based discrimination. The research was financed by the Finnish Ministry of Education and Culture, and it was carried out by the Center for Cultural Policy Research Cupore.
{"title":"Cultural diversity in Finland: Opening up the field for foreign-born artists","authors":"Emmi Lahtinen","doi":"10.3389/ejcmp.2023.v11iss2-article-2","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v11iss2-article-2","url":null,"abstract":"In 2018, around 7% of the population of Finland was born outside Finland, and this proportion is rising. Specifically, foreign-born artists have sparked discussion about the difficulties they experience in gaining entry to the cultural field as well as funding opportunities in Finland. This article reports on the ‘Opening’ research project (2017–2019), which investigated the situation of foreign-born artists in the Finnish arts and cultural sector. The major factors creating inequality for all artists in Finland are insufficient funding, fierce competition, and different forms of discrimination. The foreign-born artists face additional difficulties due to language issues, merits, such as educational degrees, gained from outside Finland, closed networks, and ethnicity-based discrimination. The research was financed by the Finnish Ministry of Education and Culture, and it was carried out by the Center for Cultural Policy Research Cupore.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44915515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.3389/ejcmp.2023.v11iss1-article-3
M. Magkou
European cultural networks have been key actors in the European cultural sphere, but their advocacy potential has not been substantially documented. The Covid-19 crisis presented a unique moment for cultural networks to voice the needs of a sector, underline its value and contribute actively in forward looking cultural policies. In times where trust arises as a way to look forward, cultural networks provide the plat through a transnational perspective. The article examines the work of the European cultural networks from the early days of the pandemic until today through the advocacy lenses. Rather than providing an analysis of the main issues raised, the aim of the paper is to capture a moment in time that given its fluidity is in a constant evolution and make a contribution to understanding European cultural networks as transnational advocacy actors and rightful participants in the shaping of forward-looking cultural policies.
{"title":"Communicating the needs of a sector in times of crisis: European cultural networks, advocacy and forward-looking cultural policies","authors":"M. Magkou","doi":"10.3389/ejcmp.2023.v11iss1-article-3","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v11iss1-article-3","url":null,"abstract":"European cultural networks have been key actors in the European cultural sphere, but their advocacy potential has not been substantially documented. The Covid-19 crisis presented a unique moment for cultural networks to voice the needs of a sector, underline its value and contribute actively in forward looking cultural policies. In times where trust arises as a way to look forward, cultural networks provide the plat through a transnational perspective. The article examines the work of the European cultural networks from the early days of the pandemic until today through the advocacy lenses. Rather than providing an analysis of the main issues raised, the aim of the paper is to capture a moment in time that given its fluidity is in a constant evolution and make a contribution to understanding European cultural networks as transnational advocacy actors and rightful participants in the shaping of forward-looking cultural policies.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48006171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.3389/ejcmp.2023.v11iss1-article-4
D. Zhyvohliadova
The article is devoted to the analysis of problematic issues of strategic lines’ realization within the international cultural policy and management. New challenges of modern realities of coexistence require a change in the usual established format of policy in the field of culture, creativity of its semantic and instrumental capital, in particular a new view on the discourse of international management in the field of culture. International cultural cooperation is considered as a constructed and organized knowledge exchange process and experience of sharing this knowledge. In this context, cultural management is a fundamental organizational and practical component of the universalization of the new accumulated knowledge about the experience of harmonization between global and local. The article raises questions concerning the effectiveness of methods and mechanisms of knowledge transfer, the search for resources of international cultural cooperation for the creation, accumulation and sustainable development of joint cultural capital.
{"title":"Problematic issues in constructing the common space of “knowledge societies”: resources of international cooperation in the field of culture","authors":"D. Zhyvohliadova","doi":"10.3389/ejcmp.2023.v11iss1-article-4","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v11iss1-article-4","url":null,"abstract":"The article is devoted to the analysis of problematic issues of strategic lines’ realization within the international cultural policy and management. New challenges of modern realities of coexistence require a change in the usual established format of policy in the field of culture, creativity of its semantic and instrumental capital, in particular a new view on the discourse of international management in the field of culture. International cultural cooperation is considered as a constructed and organized knowledge exchange process and experience of sharing this knowledge. In this context, cultural management is a fundamental organizational and practical component of the universalization of the new accumulated knowledge about the experience of harmonization between global and local. The article raises questions concerning the effectiveness of methods and mechanisms of knowledge transfer, the search for resources of international cultural cooperation for the creation, accumulation and sustainable development of joint cultural capital.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44910633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.3389/ejcmp.2023.v11iss1-article-2
A. Jyrämä, Kaari Kiitsak-Prikk, A. Äyväri
The paper focuses on understanding the values of the artist and how they affect the art organisation, its understanding of social responsibility and related actions, especially social engagement. The values of the artist and the art organisation’s organisational identity are key drivers building social engagement with the local community. Through the lenses of institutional theory, the value concept is analysed and reflected with organisational identity and social responsibility conceptualisations. The phenomenon is examined by adopting a qualitative approach to the single case of the Arvo Pärt Centre in Estonia based on interviews, desk research and observations. The results point out that the art organisations may adopt the artist’s values as the basis of its own organisational values manifested from physical details to the worldviews of its staff. The paper provides new avenues for understanding how the artist’s participation in an organisation’s daily life adds complex managerial privileges and potential challenges.
{"title":"The art organisation’s societal engagement – do the artist’s values matter?","authors":"A. Jyrämä, Kaari Kiitsak-Prikk, A. Äyväri","doi":"10.3389/ejcmp.2023.v11iss1-article-2","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v11iss1-article-2","url":null,"abstract":"The paper focuses on understanding the values of the artist and how they affect the art organisation, its understanding of social responsibility and related actions, especially social engagement. The values of the artist and the art organisation’s organisational identity are key drivers building social engagement with the local community. Through the lenses of institutional theory, the value concept is analysed and reflected with organisational identity and social responsibility conceptualisations. The phenomenon is examined by adopting a qualitative approach to the single case of the Arvo Pärt Centre in Estonia based on interviews, desk research and observations. The results point out that the art organisations may adopt the artist’s values as the basis of its own organisational values manifested from physical details to the worldviews of its staff. The paper provides new avenues for understanding how the artist’s participation in an organisation’s daily life adds complex managerial privileges and potential challenges.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42181582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.3389/ejcmp.2023.v11iss1-article-5
Astrid Aspegren
This paper is a summary of my master thesis from 2019. The paper examines the obstacles that artists, who are women, face in their artistic practice and opportunity to have their works exhibited in a Danish context. The paper is the result of a study into the representation of women artists in Danish state art museums; a study stemming from the observation that the prestigious Charlottenborg Spring Exhibition in Copenhagen always exhibits as many (if not more) women than men. Given the well documented imbalance of men and women artists in museum exhibitions around the world, the paper offers some inspiration for curators and museums to look at their own exhibition practice in order to foster gender equity and engage in active history-making.
{"title":"Representation Of Women In Art Museums: How Can We Improve Gender Balance In Exhibition Practice?","authors":"Astrid Aspegren","doi":"10.3389/ejcmp.2023.v11iss1-article-5","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v11iss1-article-5","url":null,"abstract":"This paper is a summary of my master thesis from 2019. The paper examines the obstacles that artists, who are women, face in their artistic practice and opportunity to have their works exhibited in a Danish context. The paper is the result of a study into the representation of women artists in Danish state art museums; a study stemming from the observation that the prestigious Charlottenborg Spring Exhibition in Copenhagen always exhibits as many (if not more) women than men. Given the well documented imbalance of men and women artists in museum exhibitions around the world, the paper offers some inspiration for curators and museums to look at their own exhibition practice in order to foster gender equity and engage in active history-making.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46815949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.3389/ejcmp.2023.v11iss1-article-1
Sakarias Sokka, F. Badia, Anita Kangas, F. Donato
This article analyzes participatory governance in relation to heritage. Based on previous studies on the implementation of participation and theoretical discussions considering the participatory governance of cultural heritage, we found four types of cultural heritage governance, with differing weights with regard to public authorities, civil society, markets, and citizens. Governmental, corporatist, service-led, and co-creative cultural heritage governance types were identified, which reflect the shifts in participatory approaches to governance from state-centered activities to the proliferation of civil society, and from professionally dominated to more citizen-based activities. According to our analysis, culture and heritage can be conceptualized as instruments for the transformation of attributes and competencies, and they work as mediums to cultivate recognition between institutions and citizens. This includes not only seeking consensus in decision making but also respecting the nuances and values of different heritages.
{"title":"Governance of cultural heritage: towards participatory approaches","authors":"Sakarias Sokka, F. Badia, Anita Kangas, F. Donato","doi":"10.3389/ejcmp.2023.v11iss1-article-1","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v11iss1-article-1","url":null,"abstract":"This article analyzes participatory governance in relation to heritage. Based on previous studies on the implementation of participation and theoretical discussions considering the participatory governance of cultural heritage, we found four types of cultural heritage governance, with differing weights with regard to public authorities, civil society, markets, and citizens. Governmental, corporatist, service-led, and co-creative cultural heritage governance types were identified, which reflect the shifts in participatory approaches to governance from state-centered activities to the proliferation of civil society, and from professionally dominated to more citizen-based activities. According to our analysis, culture and heritage can be conceptualized as instruments for the transformation of attributes and competencies, and they work as mediums to cultivate recognition between institutions and citizens. This includes not only seeking consensus in decision making but also respecting the nuances and values of different heritages.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69755406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.3389/ejcmp.2023.v10iss2-article-2
Karina Poli Lima da Cunha, Morag Shiach
This article presents a comparative analysis of ten creative hubs located in London, Birmingham, and São Paulo. It expolores how cultural policies in the UK and Brazil have constituted in distinct ways the boundaries between ‘culture’ and ‘innovation’. Pierre Bourdieu’s concepts of ‘field’, ‘habitus’, and ‘capital’ inform this analysis and its account of the ‘cultural-production subfield’ and the ‘innovation-production subfield’ within the creative economies and cultural policies of the UK and Brazil. The article also draws on Pier Luigi Sacco’s cultural history and theory to make an argument about the key factors underpinning recent changes in cultural policy.
本文对位于伦敦、伯明翰和圣保罗的十个创意中心进行了比较分析。它展示了英国和巴西的文化政策如何以不同的方式构成“文化”和“创新”之间的界限。Pierre Bourdieu的“领域”、“习惯”和“资本”概念为本分析及其对英国和巴西创意经济和文化政策中的“文化生产子领域”和“创新生产子领域的描述提供了信息。文章还借鉴了Pier Luigi Sacco的文化历史和理论，对支撑最近文化政策变化的关键因素进行了论证。
{"title":"Creative hubs and cultural policies: a comparison between Brazil and the United Kingdom","authors":"Karina Poli Lima da Cunha, Morag Shiach","doi":"10.3389/ejcmp.2023.v10iss2-article-2","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v10iss2-article-2","url":null,"abstract":"This article presents a comparative analysis of ten creative hubs located in London, Birmingham, and São Paulo. It expolores how cultural policies in the UK and Brazil have constituted in distinct ways the boundaries between ‘culture’ and ‘innovation’. Pierre Bourdieu’s concepts of ‘field’, ‘habitus’, and ‘capital’ inform this analysis and its account of the ‘cultural-production subfield’ and the ‘innovation-production subfield’ within the creative economies and cultural policies of the UK and Brazil. The article also draws on Pier Luigi Sacco’s cultural history and theory to make an argument about the key factors underpinning recent changes in cultural policy.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42768144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.3389/ejcmp.2023.v10iss2-article-5
Dr. Marilena Vecco, Dr. Eleonora Montagner, Dr. Andrej Srakar
From a cultural perspective, handcrafts are among the few resources that can be mobilised locally and play a key role in defining a place. In fact, they may help to delimit, structure and identify a place within a network and/or social and cultural system. Handcrafts can therefore play a significant contribution in strongly characterising places and their genius loci. This paper aims to define the role of handcrafts in the process of place construction and how it can contribute as a resource in the creative milieu to support local development, by using the contributions of two phenomenological authors, Norberg-Schulz and Binswanger. In our approach, handcrafts as cultural capital are considered to be a product (output) and a resource (input). Without neglecting the former, through which the craft of the place is directly exploited, we will focus on handcrafts as part of the production process along two different lines. Handcrafts, as an asset - participating in the production process of a good - are used to achieve a specific goal and have a precise cultural, social and economic value. Therefore, it is important to understand how this resource - the specific know-how of a place - becomes an asset. Secondly, handcrafts affect and influence other resources to generate new activities and values of a different nature.
{"title":"Genius loci: between handcrafts, cultural heritage and local development","authors":"Dr. Marilena Vecco, Dr. Eleonora Montagner, Dr. Andrej Srakar","doi":"10.3389/ejcmp.2023.v10iss2-article-5","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v10iss2-article-5","url":null,"abstract":"From a cultural perspective, handcrafts are among the few resources that can be mobilised locally and play a key role in defining a place. In fact, they may help to delimit, structure and identify a place within a network and/or social and cultural system. Handcrafts can therefore play a significant contribution in strongly characterising places and their genius loci. This paper aims to define the role of handcrafts in the process of place construction and how it can contribute as a resource in the creative milieu to support local development, by using the contributions of two phenomenological authors, Norberg-Schulz and Binswanger. In our approach, handcrafts as cultural capital are considered to be a product (output) and a resource (input). Without neglecting the former, through which the craft of the place is directly exploited, we will focus on handcrafts as part of the production process along two different lines. Handcrafts, as an asset - participating in the production process of a good - are used to achieve a specific goal and have a precise cultural, social and economic value. Therefore, it is important to understand how this resource - the specific know-how of a place - becomes an asset. Secondly, handcrafts affect and influence other resources to generate new activities and values of a different nature.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42482361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.3389/ejcmp.2023.v10iss2-article-3
Agustín Arosteguy, Christianne Luce Gome
This paper argues the role of cities as scenarios where the economic, social, political, cultural, leisure, educational and also geographical inequality it is increasingly evident. It is intended to reflect about the close relationship of humans with the territory. In addition, we seek to discuss the importance of leisure as a builder of identity (individual and social), of belonging and a key factor in appropriations (through the leisure experiences, the routes and places that each individual has in their city) of the territory by its inhabitants.
{"title":"Palpable cities: leisure in the contemporary urban geographies – a theoritecal discussion","authors":"Agustín Arosteguy, Christianne Luce Gome","doi":"10.3389/ejcmp.2023.v10iss2-article-3","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v10iss2-article-3","url":null,"abstract":"This paper argues the role of cities as scenarios where the economic, social, political, cultural, leisure, educational and also geographical inequality it is increasingly evident. It is intended to reflect about the close relationship of humans with the territory. In addition, we seek to discuss the importance of leisure as a builder of identity (individual and social), of belonging and a key factor in appropriations (through the leisure experiences, the routes and places that each individual has in their city) of the territory by its inhabitants.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42437149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.3389/ejcmp.2023.v10iss2-article-4
J. Amorim, N. Crespo, L. Teixeira
Higher arts education poses several specific challenges. The specificity of art in the contemporary age demands the development of unique strategies. Following a conceptual framework defined by Infection, Participation and Informality the School of Arts at Universidade Católica Portuguesa adopted since 2018 a strategy comprising a project-based methodology, informal tutoring sessions with artists, a Cultural Programme and an artistic residencies programme. This paper presents the early results of this strategy, and analyses how it could foster the critical artistic practice of the students.
{"title":"Infection, Participation and Informality in higher arts education: the case of the School of Arts (Porto)","authors":"J. Amorim, N. Crespo, L. Teixeira","doi":"10.3389/ejcmp.2023.v10iss2-article-4","DOIUrl":"https://doi.org/10.3389/ejcmp.2023.v10iss2-article-4","url":null,"abstract":"Higher arts education poses several specific challenges. The specificity of art in the contemporary age demands the development of unique strategies. Following a conceptual framework defined by Infection, Participation and Informality the School of Arts at Universidade Católica Portuguesa adopted since 2018 a strategy comprising a project-based methodology, informal tutoring sessions with artists, a Cultural Programme and an artistic residencies programme. This paper presents the early results of this strategy, and analyses how it could foster the critical artistic practice of the students.","PeriodicalId":40075,"journal":{"name":"European Journal of Cultural Management and Policy","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47891143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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