Pub Date : 2022-06-22DOI: 10.1387/ars-bilduma.23695
AB Ars Bilduma
{"title":"Tesis de Ane Lekuona Mariscal","authors":"AB Ars Bilduma","doi":"10.1387/ars-bilduma.23695","DOIUrl":"https://doi.org/10.1387/ars-bilduma.23695","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45557243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22259
Pedro Luis Echeverría Goñi
{"title":"SAZATORNIL RUIZ, Luis y URQUÍZAR HERRERA, Antonio (eds.): Arte ciudad y culturas nobiliarias en España (siglos XV-XIX)","authors":"Pedro Luis Echeverría Goñi","doi":"10.1387/ARS-BILDUMA.22259","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22259","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49017668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.21927
Lauren Etxepare Igiñiz
Joseph Hiriart was one of the principal architects of the Exposition des Arts decoratifs industriels et modernes, in Paris (1925). From his studio in Paris, together with his associates Georges Beau and Georges Tribout, he designed a set of brilliant works, among which the ones carried out in the Basque Country. In 1927, in view of the economic recession and after partnering with Jean-Marcel Seignouret, Hiriart opened a studio in Tunis. For ten years, they carried out a series of residential and educational projects that, even though they are memorable, have remained in oblivion. It is time to know about them.
{"title":"Obras tunecinas de Joseph Hiriart, maestro del Art-Déco (1927-36)","authors":"Lauren Etxepare Igiñiz","doi":"10.1387/ARS-BILDUMA.21927","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21927","url":null,"abstract":"Joseph Hiriart was one of the principal architects of the Exposition des Arts decoratifs industriels et modernes, in Paris (1925). From his studio in Paris, together with his associates Georges Beau and Georges Tribout, he designed a set of brilliant works, among which the ones carried out in the Basque Country. In 1927, in view of the economic recession and after partnering with Jean-Marcel Seignouret, Hiriart opened a studio in Tunis. For ten years, they carried out a series of residential and educational projects that, even though they are memorable, have remained in oblivion. It is time to know about them.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43348418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22265
AB Ars Bilduma
{"title":"Tesis de Garazi Ansa Arbelaiz","authors":"AB Ars Bilduma","doi":"10.1387/ARS-BILDUMA.22265","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22265","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44578625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.21997
María Josefa Tarifa Castilla
Les remito la resena del libro: VAZQUEZ ASTORGA, Monica: El edificio de la Delegacion del Gobierno en Aragon (antiguo Gobierno Civil de Zaragoza) como imagen de la historia de la ciudad contemporanea . Zaragoza, Institucion “Fernando el Catolico” (Coleccion Estudios Arte), 2020.
我推荐这本书的评论:VAZQUEZ ASTORGA, Monica: the building of the governance delegation in Aragon (old Civil governance of Zaragoza)，作为当代城市历史的形象。萨拉戈萨，“Fernando el Catolico”研究所(艺术研究收藏)，2020年。
{"title":"VÁZQUEZ ASTORGA, Mónica: El edificio de la Delegación del Gobierno en Aragón (antiguo Gobierno Civil de Zaragoza) como imagen de la historia de la ciudad contemporánea","authors":"María Josefa Tarifa Castilla","doi":"10.1387/ARS-BILDUMA.21997","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21997","url":null,"abstract":"Les remito la resena del libro: VAZQUEZ ASTORGA, Monica: El edificio de la Delegacion del Gobierno en Aragon (antiguo Gobierno Civil de Zaragoza) como imagen de la historia de la ciudad contemporanea . Zaragoza, Institucion “Fernando el Catolico” (Coleccion Estudios Arte), 2020.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45685120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22521
Carlos Polanco Melero
The Chapel of Santa Catalina in Burgos Cathedral presents a similar vaulting to that of the Barbazana Chapel in Pamplona Cathedral. The work in Burgos may have preceded the one in Pamplona, and this article provides some evidence in this regard. Funerary chapels of the second half of the 14th century and the late Gothic period in Castile relate to its new spatial and architectural configuration. In religious architecture, their imprint extends to the end of the 15th century.
{"title":"Un destello arquitectónico del siglo XIV: la capilla de Santa Catalina, antigua sala capitular de la catedral de Burgos","authors":"Carlos Polanco Melero","doi":"10.1387/ARS-BILDUMA.22521","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22521","url":null,"abstract":"The Chapel of Santa Catalina in Burgos Cathedral presents a similar vaulting to that of the Barbazana Chapel in Pamplona Cathedral. The work in Burgos may have preceded the one in Pamplona, and this article provides some evidence in this regard. Funerary chapels of the second half of the 14th century and the late Gothic period in Castile relate to its new spatial and architectural configuration. In religious architecture, their imprint extends to the end of the 15th century.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47861722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22530
Jordi Àngel Carbonell Pallarés
The article studies the portraits of dervishes and the traditional scenes of the Islamic brotherhoods carried out by the orientalist painter Josep Tapiro Baro (Reus 1836 - Tangier 1913). Formal language and its iconography are analyzed in relation to the photographs of human types and Moroccan customs taken in Tangier in the last third of the 19th century and the first years of the 20th century. It also reflects on the ethnographic realism of which the works of Tapiro are outstanding exponents.
{"title":"Sufismo y devoción popular en la pintura tangerina de Josep Tapiró Baró (Reus 1836-Tánger 1913): Los bustos de santones y La fiesta de los issawa.","authors":"Jordi Àngel Carbonell Pallarés","doi":"10.1387/ARS-BILDUMA.22530","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22530","url":null,"abstract":"The article studies the portraits of dervishes and the traditional scenes of the Islamic brotherhoods carried out by the orientalist painter Josep Tapiro Baro (Reus 1836 - Tangier 1913). Formal language and its iconography are analyzed in relation to the photographs of human types and Moroccan customs taken in Tangier in the last third of the 19th century and the first years of the 20th century. It also reflects on the ethnographic realism of which the works of Tapiro are outstanding exponents.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48669952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.21985
Marcos Andrés Sala Ivars
From the first contacts between Spain and Japan, one of the facets that has most attracted the attention of the land of the rising sun is everything related to the warrior nobility or samurai class. In this article we will analyze the Japanese swords present in the public collections of the Basque Country. This scientific investigation supposes a pioneering and reasoned study on these pieces, based on the most recent publications in the field of Japanese weapons, incorporating previously unpublished translations.
{"title":"Estudio y catalogación de las colecciones públicas de sables japoneses en el País Vasco","authors":"Marcos Andrés Sala Ivars","doi":"10.1387/ARS-BILDUMA.21985","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21985","url":null,"abstract":"From the first contacts between Spain and Japan, one of the facets that has most attracted the attention of the land of the rising sun is everything related to the warrior nobility or samurai class. In this article we will analyze the Japanese swords present in the public collections of the Basque Country. This scientific investigation supposes a pioneering and reasoned study on these pieces, based on the most recent publications in the field of Japanese weapons, incorporating previously unpublished translations.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46815416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22127
Javier Gómez Darriba
The Biscayans Pedro and Francisco de Artiaga carried out their activity as master builders in Galicia in the second half of the 16th century. In particular in two provincial and episcopal capitals such as Lugo and Mondonedo, where they worked for both cathedrals, designed and built two town halls and carried out many public works. Since they are a little known in historiography, in this paper we will analyze their biography, professional career, and artistic personality.
{"title":"Los Artiaga: la actividad artística de unos maestros canteros vizcaínos en Galicia (1560-1600)","authors":"Javier Gómez Darriba","doi":"10.1387/ARS-BILDUMA.22127","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22127","url":null,"abstract":"The Biscayans Pedro and Francisco de Artiaga carried out their activity as master builders in Galicia in the second half of the 16th century. In particular in two provincial and episcopal capitals such as Lugo and Mondonedo, where they worked for both cathedrals, designed and built two town halls and carried out many public works. Since they are a little known in historiography, in this paper we will analyze their biography, professional career, and artistic personality.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45105228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22215
Fernando R. Bartolomé García
Throughout the 19th century the use of wallpaper as a decorative wall covering became widespread throughout Spain. The creation of a large number of factories specialised in this ornamental product and the incorporation of new technologies allowed a significant increase in production with the consequent reduction in price. At the same time, the emergence of a large number of small shops helped to popularise it. In this way, it adapted to the tastes and fashions of the moment, becoming an indispensable element in the interior decoration of homes.
{"title":"La popularización del papel pintado en España a lo largo del siglo XIX","authors":"Fernando R. Bartolomé García","doi":"10.1387/ARS-BILDUMA.22215","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22215","url":null,"abstract":"Throughout the 19th century the use of wallpaper as a decorative wall covering became widespread throughout Spain. The creation of a large number of factories specialised in this ornamental product and the incorporation of new technologies allowed a significant increase in production with the consequent reduction in price. At the same time, the emergence of a large number of small shops helped to popularise it. In this way, it adapted to the tastes and fashions of the moment, becoming an indispensable element in the interior decoration of homes.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44415813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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