Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.21884
Guillermo Juberías Gracia
Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.
{"title":"Los decorados de Goyescas en su estreno parisino (1919). Nuevos datos sobre el trabajo de Zuloaga y Dethomas","authors":"Guillermo Juberías Gracia","doi":"10.1387/ARS-BILDUMA.21884","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21884","url":null,"abstract":"Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66563813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.21615
Íñigo Sarriugarte Gómez
The Swiss artist Emma Kunz (1892-1963) developed a rich production of energetic patterns, which assumed a visual and symbolic proximity to yantras and mandalas. Although no reliable data have been found in this regard, according to the bibliography consulted, as well as the contributions made by the creator's own museum, it is believed that she read the alchemical literature of Paracelsus and Christian texts, as well as written sources of hermetic schools. The majority of her graphics was made for therapeutic purposes, in the belief that they emitted a wave form in a way that could affect the patient or viewer when they were viewed.
{"title":"El proyecto holístico de Emma Kunz: cuando el arte se convierte en algo más","authors":"Íñigo Sarriugarte Gómez","doi":"10.1387/ARS-BILDUMA.21615","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21615","url":null,"abstract":"The Swiss artist Emma Kunz (1892-1963) developed a rich production of energetic patterns, which assumed a visual and symbolic proximity to yantras and mandalas. Although no reliable data have been found in this regard, according to the bibliography consulted, as well as the contributions made by the creator's own museum, it is believed that she read the alchemical literature of Paracelsus and Christian texts, as well as written sources of hermetic schools. The majority of her graphics was made for therapeutic purposes, in the belief that they emitted a wave form in a way that could affect the patient or viewer when they were viewed.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43523763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22110
M. González
Frans Masereel's contribution to the renewal of avant-garde language is transcendent. The unity of his plastic discourse protects his evolution in the various cultivated procedures. The Belgian artist exceeds the expectations aroused by the German Expressionists of the first quarter of the 20th century. From the hemerographic and historiographic documentary sources, the trajectory of the xylographer and his exile, the fruit of his pacifist commitment, is analyzed. His social creed, attested in the works conceived during his extensive period of activity, is not eluded either.
{"title":"La producción xilogŕafica de Frans Masereel (1889-1972). Ilustraciones, estampas y novelas gráficas al servicio del compromiso social","authors":"M. González","doi":"10.1387/ARS-BILDUMA.22110","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22110","url":null,"abstract":"Frans Masereel's contribution to the renewal of avant-garde language is transcendent. The unity of his plastic discourse protects his evolution in the various cultivated procedures. The Belgian artist exceeds the expectations aroused by the German Expressionists of the first quarter of the 20th century. From the hemerographic and historiographic documentary sources, the trajectory of the xylographer and his exile, the fruit of his pacifist commitment, is analyzed. His social creed, attested in the works conceived during his extensive period of activity, is not eluded either.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47898104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-29DOI: 10.1387/ARS-BILDUMA.22268
Juan Carlos Aparicio Vega
In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de Don Juan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.
{"title":"La exposición del Arca Santa de la Catedral de Oviedo en el Museo del Prado (1935)","authors":"Juan Carlos Aparicio Vega","doi":"10.1387/ARS-BILDUMA.22268","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22268","url":null,"abstract":"In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de Don Juan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47629674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-27DOI: 10.1387/ars-bilduma.21134
Ane Lekuona Mariskal
espanolEste texto plantea un estudio sobre la educacion artistica femenina impartida en el Pais Vasco a lo largo del siglo XX. Por una parte, se revisan las diferentes opciones y las tendencias mas usuales que siguieron aquellas alumnas interesadas en la formacion artistica. En segundo lugar, se intenta identificar de que manera influyo tal educacion femenina en la produccion y en el modo de vida de estas artistas. Por ultimo, se reflexiona en torno a los cambios que se han ido dando a lo largo de las decadas EnglishThis essay raises a study on artistic training of women in the Basque Country throughtout the 20th century. On the one hand, the text examines the different options and the most usual tendencies followed by those female interested in artistic training. Secondly, the author investigate how this education influenced the art production and the way of living of those women artists. Finally, it reflects on the changes that have been taking place over decades EuskaraXX. mendean zehar Euskal Herrian emakumeek jasotako heziketa artistikoa aztertuko da testu honetan. Alde batetik, arte plastikan interesa zuten neskek formakuntza lortzeko zituzten aukerak baita izan ziren joera desberdinak berrikusiko dira. Bestetik, emakumezkoen generoarekin lotura zuten heziketa baldintza bereziak, artista hauen produkzioan baita bizimoduan nolako eragina izan zuten identifikatzen saiatuko da. Azkenik, denboran aurrera gaiaren inguruan eman diren aldaketen hausnarketekin amaituko da azterketa
{"title":"Pintzelak, loreak eta paisaiak. Emakumeentzako heziketa artistikoa Euskal Herrian","authors":"Ane Lekuona Mariskal","doi":"10.1387/ars-bilduma.21134","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21134","url":null,"abstract":"espanolEste texto plantea un estudio sobre la educacion artistica femenina impartida en el Pais Vasco a lo largo del siglo XX. Por una parte, se revisan las diferentes opciones y las tendencias mas usuales que siguieron aquellas alumnas interesadas en la formacion artistica. En segundo lugar, se intenta identificar de que manera influyo tal educacion femenina en la produccion y en el modo de vida de estas artistas. Por ultimo, se reflexiona en torno a los cambios que se han ido dando a lo largo de las decadas EnglishThis essay raises a study on artistic training of women in the Basque Country throughtout the 20th century. On the one hand, the text examines the different options and the most usual tendencies followed by those female interested in artistic training. Secondly, the author investigate how this education influenced the art production and the way of living of those women artists. Finally, it reflects on the changes that have been taking place over decades EuskaraXX. mendean zehar Euskal Herrian emakumeek jasotako heziketa artistikoa aztertuko da testu honetan. Alde batetik, arte plastikan interesa zuten neskek formakuntza lortzeko zituzten aukerak baita izan ziren joera desberdinak berrikusiko dira. Bestetik, emakumezkoen generoarekin lotura zuten heziketa baldintza bereziak, artista hauen produkzioan baita bizimoduan nolako eragina izan zuten identifikatzen saiatuko da. Azkenik, denboran aurrera gaiaren inguruan eman diren aldaketen hausnarketekin amaituko da azterketa","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45078443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-27DOI: 10.1387/ars-bilduma.21445
Jesús Fermín Criado Mainar
{"title":"BARTOLOMÉ GARCÍA, F. R.; CALVO GARCÍA, L. (Coords.): El retablo mayor de santa Catalina de Lizartza (Gipuzkoa)","authors":"Jesús Fermín Criado Mainar","doi":"10.1387/ars-bilduma.21445","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21445","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44028027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-27DOI: 10.1387/ars-bilduma.20976
María José Zaparaín Yáñez
La dilatada actividad de Julio Sáenz de Barés constituye un elocuente testimonio del panorama arquitectónico español del momento, en especial de Bilbao, ciudad donde se asentó y cuyo desarrollo urbanístico, arquitectónico y cultural, amparado por su dinamismo económico, aspiró a convertirla en "la Atenas del norte". Destacó por su incesante búsqueda de oportunidades en un tiempo apasionante y competitivo, dejando amplia huella en un extenso territorio a través, fundamentalmente, de sus intervenciones en la arquitectura doméstica con características muy heterogéneas.
{"title":"Julio Sáenz de Barés (1875-1936). Arquitecto en el Bilbao moderno","authors":"María José Zaparaín Yáñez","doi":"10.1387/ars-bilduma.20976","DOIUrl":"https://doi.org/10.1387/ars-bilduma.20976","url":null,"abstract":"La dilatada actividad de Julio Sáenz de Barés constituye un elocuente testimonio del panorama arquitectónico español del momento, en especial de Bilbao, ciudad donde se asentó y cuyo desarrollo urbanístico, arquitectónico y cultural, amparado por su dinamismo económico, aspiró a convertirla en \"la Atenas del norte\". Destacó por su incesante búsqueda de oportunidades en un tiempo apasionante y competitivo, dejando amplia huella en un extenso territorio a través, fundamentalmente, de sus intervenciones en la arquitectura doméstica con características muy heterogéneas.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141202544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-27DOI: 10.1387/ars-bilduma.20926
José Arturo Salgado Pantoja
espanolLos despoblados medievales cristianos ofrecen un sustancial campo de trabajo desde la perspectiva documental y arqueologica, pero conviene recalcar las aportaciones que puede brindar su estudio a la Historia del Arte. Solo en la provincia de Guadalajara, hemos constatado la existencia de mas de medio centenar de casos en los que se conservan testimonios fisicos de los antiguos templos parroquiales de los siglos XII y XIII. Los seis que aqui se presentan, encuadrados en el Alfoz de Almoguera, revelan una informacion significativa acerca de los sistemas constructivos, planimetrias y repertorios ornamentales empleados en el romanico alcarreno. EnglishThe deserted medieval villages offer a substantial field of work from the documentary and archaeological perspective, but it is important to emphasize the contributions that their study can give to the History of Art. In the province of Guadalajara, we have found more than fifty cases in which physical evidences of the old parish churches from the 12th and 13th centuries are conserved. The six presented in this paper, located in the alfoz of Almoguera, offer a significant information about the construction systems, planimetries and ornamental repertoires used in the Romanesche arquitecture of La Alcarria. francaisLes depeuples medievaux chretiens offrent un champ de travail substantiel du point de vue documentaire et archeologique, mais il faut souligner les contributions que leur etude peut offrir a l'Histoire de l'Art. Dans la province de Guadalajara, nous avons verifie l’existence de plus de cinquante cas dans lesquels sont conserves des temoignages materiels des anciens temples paroissiaux des XII et XIII siecles. Les six presentes ici, situes dans l’alfoz d’Almoguera, offrent des informations importantes sur les systemes de construction, les planimetries et les repertoires decoratifs utilises en l’architecture romane dans la region de La Alcarria.
中世纪基督教人口减少的西班牙人从文献和考古学的角度提供了一个重要的工作领域，但值得强调的是，他们的研究可以为艺术史提供贡献。仅在瓜达拉哈拉省，我们就发现了50多起案件，其中保存了12世纪和13世纪古老教区寺庙的物证。这里展示的六个，在阿尔莫格拉的Alfoz de Almoguera中，揭示了关于罗马阿尔卡雷诺建筑系统、平面图和装饰曲目的重要信息。从文献和考古的角度来看，英国被遗弃的中世纪村庄提供了一个实质性的工作领域，但重要的是要强调他们的研究对艺术史的贡献。在瓜达拉哈拉省，我们发现了50多起保存12世纪和13世纪旧教区物证的案件。本文中提出的六个位于阿尔莫格拉的阿尔福兹，提供了有关阿尔莫格拉浪漫主义建筑中使用的建筑系统、平面图和装饰曲目的重要信息。法国人Depeuples Medievaux Chretiens从文献和考古的角度提供了一个实质性的工作领域，但我们必须强调Leu Etude可以为“艺术史”做出的贡献。在瓜达拉哈拉省，我们核实了50多起案件，其中保存了12世纪和13世纪的旧教区寺庙的实物标本。ICI的六位代表位于Alfoz d'Almoguera，提供有关建筑系统、平面图和在阿尔卡里亚地区的建筑罗马中使用的装饰曲目的重要信息。
{"title":"Aldeas extintas y arquitectura románica inédita en el alfoz medieval de Almoguera (Guadalajara)","authors":"José Arturo Salgado Pantoja","doi":"10.1387/ars-bilduma.20926","DOIUrl":"https://doi.org/10.1387/ars-bilduma.20926","url":null,"abstract":"espanolLos despoblados medievales cristianos ofrecen un sustancial campo de trabajo desde la perspectiva documental y arqueologica, pero conviene recalcar las aportaciones que puede brindar su estudio a la Historia del Arte. Solo en la provincia de Guadalajara, hemos constatado la existencia de mas de medio centenar de casos en los que se conservan testimonios fisicos de los antiguos templos parroquiales de los siglos XII y XIII. Los seis que aqui se presentan, encuadrados en el Alfoz de Almoguera, revelan una informacion significativa acerca de los sistemas constructivos, planimetrias y repertorios ornamentales empleados en el romanico alcarreno. EnglishThe deserted medieval villages offer a substantial field of work from the documentary and archaeological perspective, but it is important to emphasize the contributions that their study can give to the History of Art. In the province of Guadalajara, we have found more than fifty cases in which physical evidences of the old parish churches from the 12th and 13th centuries are conserved. The six presented in this paper, located in the alfoz of Almoguera, offer a significant information about the construction systems, planimetries and ornamental repertoires used in the Romanesche arquitecture of La Alcarria. francaisLes depeuples medievaux chretiens offrent un champ de travail substantiel du point de vue documentaire et archeologique, mais il faut souligner les contributions que leur etude peut offrir a l'Histoire de l'Art. Dans la province de Guadalajara, nous avons verifie l’existence de plus de cinquante cas dans lesquels sont conserves des temoignages materiels des anciens temples paroissiaux des XII et XIII siecles. Les six presentes ici, situes dans l’alfoz d’Almoguera, offrent des informations importantes sur les systemes de construction, les planimetries et les repertoires decoratifs utilises en l’architecture romane dans la region de La Alcarria.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42681809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-27DOI: 10.1387/ars-bilduma.21617
Ismael Manterola Ispizua
{"title":"Los Goyas de Zubieta. Retratos de la familia Adán de Yarza","authors":"Ismael Manterola Ispizua","doi":"10.1387/ars-bilduma.21617","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21617","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47420891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-27DOI: 10.1387/ars-bilduma.21321
Manuel Antonio Ramos Suárez, Ramón Ramos Alfonso
This article analyzes the work done by the illustrator Salvador Azpiazu together with the Sevillian writer Jose Gestoso in The Artistic Illustration, magazine of chronicles of the late nineteenth century. Thanks to the correspondence preserved, as well as the accounting documentation of the Barcelona publisher Montaner and Simon, personal and professional relationships can be established between them.
{"title":"Salvador Azpiazu y José Gestoso en La ilustración artística. Relaciones personales y profesionales","authors":"Manuel Antonio Ramos Suárez, Ramón Ramos Alfonso","doi":"10.1387/ars-bilduma.21321","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21321","url":null,"abstract":"This article analyzes the work done by the illustrator Salvador Azpiazu together with the Sevillian writer Jose Gestoso in The Artistic Illustration, magazine of chronicles of the late nineteenth century. Thanks to the correspondence preserved, as well as the accounting documentation of the Barcelona publisher Montaner and Simon, personal and professional relationships can be established between them.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44490756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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