Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.17669
J. J. López
{"title":"BARTOLOMÉ GARCÍA, Fernando R.; CALVO GARCÍA, Laura: Ermuko Andra Mariren santutegia (Laudio) bertako ondare historiko-artistikoaren bitartez = El santuario de Nuestra Señora del Yermo (Llodio) a través de su patrimonio histórico-artístico","authors":"J. J. López","doi":"10.1387/ARS-BILDUMA.17669","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.17669","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43754332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.17640
Fernando R. Bartolomé García
{"title":"ARREGUI BARANDIARAN, A.; MARTÍN IBARRARAN, E.: El palacio Augustín Zulueta. De residencia familiar a Museo de Bellas Artes de Álava","authors":"Fernando R. Bartolomé García","doi":"10.1387/ARS-BILDUMA.17640","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.17640","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49580826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.15203
Myriam Ferreira Fernández
Francisco Sabando is an Alava's Neoclassicism key fgure. He was born in Labastda and was inscribed at the Royal Academy of Fine Arts of Madrid, becoming one of the frst neoclassic architects in Alava, La Rioja and Navarra. This paper ofers new informaton about his born, his family, their bonds with the Moraza family, his contact with neoclassic artsts from Vitoria and Logrono and the works known nowadays. This informaton allows us to appreciate the evoluton of Sabando from a traditonal, rococo style artst to an academic architect and sculptor.
{"title":"Nuevos datos sobre el arquitecto Francisco Sabando","authors":"Myriam Ferreira Fernández","doi":"10.1387/ARS-BILDUMA.15203","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.15203","url":null,"abstract":"Francisco Sabando is an Alava's Neoclassicism key fgure. He was born in Labastda and was inscribed at the Royal Academy of Fine Arts of Madrid, becoming one of the frst neoclassic architects in Alava, La Rioja and Navarra. This paper ofers new informaton about his born, his family, their bonds with the Moraza family, his contact with neoclassic artsts from Vitoria and Logrono and the works known nowadays. This informaton allows us to appreciate the evoluton of Sabando from a traditonal, rococo style artst to an academic architect and sculptor.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46666705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.17770
M. G. Luque
{"title":"ECHEVERRÍA GOÑI, Pedro Luis; VÉLEZ CHAURRI, Jose Javier: La sillería rococó y el facistol manierista de la parroquia de Lanciego/Lantziego. Sus fuentes gráficas","authors":"M. G. Luque","doi":"10.1387/ARS-BILDUMA.17770","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.17770","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46731617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.17743
Ab Ars Bilduma
{"title":"Tesis de Miren de Miguel Lesaca","authors":"Ab Ars Bilduma","doi":"10.1387/ARS-BILDUMA.17743","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.17743","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44888111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.17744
Ab Ars Bilduma
{"title":"Tesis de Virginia Urresti Sanz","authors":"Ab Ars Bilduma","doi":"10.1387/ARS-BILDUMA.17744","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.17744","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43715944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.16893
Aintzane Erkizia Martikorena
This article focuses on a Romanist a tabernacle which, due to its architectural, sculptural and iconographic characteristcs, could be considered exemplary of the artistic context of Alava at the end of the 16 th century. At this moment, new regulations from Trento prevailed in the Calahorra-La Calzada diocese, demanding more atention upon Eucharistc furniture, and artsts were capable of answering to these devotional demands through a new artistic style. This style, which we call Romanism, was triumphant, showing a clear infuence of Michelangelo.
{"title":"El sagrario de Durana (Álava). Una microarquitectura eucarística modélica de hacia 1595","authors":"Aintzane Erkizia Martikorena","doi":"10.1387/ARS-BILDUMA.16893","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.16893","url":null,"abstract":"This article focuses on a Romanist a tabernacle which, due to its architectural, sculptural and iconographic characteristcs, could be considered exemplary of the artistic context of Alava at the end of the 16 th century. At this moment, new regulations from Trento prevailed in the Calahorra-La Calzada diocese, demanding more atention upon Eucharistc furniture, and artsts were capable of answering to these devotional demands through a new artistic style. This style, which we call Romanism, was triumphant, showing a clear infuence of Michelangelo.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43246053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.16436
P. Plaza
This article is focused in the collection of Josefa Marin, Countess of Velle, one of the most fascinating personalites among the collectors and connoisseurs during the reign of Isabella II. The nature of her collection difered remarkably from that of contemporary collectors. Untl now, there was no particular informaton available on the countess' interest in art afairs. However, her private archive and other diferent sources provided a real treasure of unpublished information about her art gallery.
{"title":"La colección artística de Josefa Marín (1807-1871), condesa viuda de Velle","authors":"P. Plaza","doi":"10.1387/ARS-BILDUMA.16436","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.16436","url":null,"abstract":"This article is focused in the collection of Josefa Marin, Countess of Velle, one of the most fascinating personalites among the collectors and connoisseurs during the reign of Isabella II. The nature of her collection difered remarkably from that of contemporary collectors. Untl now, there was no particular informaton available on the countess' interest in art afairs. However, her private archive and other diferent sources provided a real treasure of unpublished information about her art gallery.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43475863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ars-bilduma.17745
Ab Ars Bilduma
{"title":"Tesis de Mikel Lertxundi Galiana","authors":"Ab Ars Bilduma","doi":"10.1387/ars-bilduma.17745","DOIUrl":"https://doi.org/10.1387/ars-bilduma.17745","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45011163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-06-12DOI: 10.1387/ARS-BILDUMA.17706
Francisco Javier Muñoz Fernández
{"title":"VÁZQUEZ ASTORGA, Mónica: Cronaca dei caffè storici di Firenze 1865-1900.","authors":"Francisco Javier Muñoz Fernández","doi":"10.1387/ARS-BILDUMA.17706","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.17706","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44752093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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