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"An Accurate Picture of What Never Occurred": Notes On Edmond O'Neill (d. 1862) “从未发生过的事情的准确画面”:关于埃德蒙德·奥尼尔(1862年)的笔记
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-09-23 DOI: 10.5325/eugeoneirevi.41.2.0151
Richard Hayes, Kieran Cronin
ABSTRACT:While there is no doubting the autobiographical element in O'Neill's plays, and in particular Long Day's Journey Into Night, it is important to recognize that O'Neill did not draw on his and his family's life without modification. The manner in which he curated his family's history is examined here with reference to Edmond O'Neill, Eugene O'Neill's paternal grandfather. Edmond, if we are to read the play at face value, abandoned his family in answer to a summons from his ancestors and died in Ireland in mysterious circumstances, possibly by suicide. We show here that these are not the facts in the life of Edmond O'Neill and illuminate some aspects of Eugene O'Neill's approach in examining the difference between the facts and the fictional representation of them in the play.
摘要:奥尼尔的剧作,尤其是《漫漫长夜》中的自传体元素是毋庸置疑的,但重要的是要认识到,奥尼尔并没有对他和他的家人的生活进行任何修改。他策划家族历史的方式在这里参考了尤金·奥尼尔的祖父埃德蒙德·奥尼尔。如果我们要从表面上看这部剧的话,埃德蒙德在祖先的召唤下抛弃了他的家人,在神秘的情况下死于爱尔兰,可能是自杀。我们在这里表明,这些并不是埃德蒙德·奥尼尔生活中的事实,并阐明了尤金·奥尼尔在研究剧中事实和虚构的事实之间的差异时所采取的一些方面。
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引用次数: 0
Kit To Eugene: John Mason Brown's "Letter" To Eugene O'neill 基特致尤金:约翰·梅森·布朗致尤金·奥尼尔的“信”
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-09-23 DOI: 10.5325/eugeoneirevi.41.2.0125
Paul Menzer, Alexander Pettit
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引用次数: 0
Absolution Without God: Pipe Dreams, Tragedy, and Kierkegaardian Selves in The Iceman Cometh 没有上帝的赦免:《冰人来了》中的白日梦、悲剧和克尔凯郭尔式的自我
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-09-23 DOI: 10.5325/eugeoneirevi.41.2.0165
David Palmer
ABSTRACT:Both Eugene O'Neill and Søren Kierkegaard identify the same source of tragedy inherent in the human condition: anxiety that arises in people as they evaluate the stories they tell themselves about who they are. O'Neill presents four visions of tragedy in The Iceman Cometh, each involving a crisis of the self. All four are understood more clearly by considering Kierkegaard's ideas about anxiety and despair. The residents of Harry Hope's display tragedy as denial and diversion; Hickey, tragedy as a loss of self; Larry Slade, tragedy as a confrontation with one's own phoniness; and Parritt, an anguished passage through tragedy to absolution, a movement similar to Kierkegaard's teleological suspension of the ethical. Slade is the first of a series of characters O'Neill uses to explore confrontations with phoniness in his later plays. The relationship of tragedy to the teleological suspension of the ethical is explored by American dramatists following O'Neill.
摘要:尤金·奥尼尔和索伦·克尔凯郭尔都指出了人类固有的悲剧根源:人们在评估自己讲述的关于自己是谁的故事时产生的焦虑。奥尼尔在《冰人来了》中呈现了四种悲剧,每一种都涉及到自我的危机。通过考虑克尔凯郭尔关于焦虑和绝望的观点,我们可以更清楚地理解这四种观点。《哈利·霍普》中的居民把悲剧表现为否认和转移;希基,悲剧是自我的丧失;拉里·斯莱德,悲剧是对自己虚伪的对抗;和Parritt,一个从悲剧到赦免的痛苦通道,一个类似于克尔凯郭尔对伦理的目的论中止的运动。在奥尼尔后来的戏剧中,他用一系列人物来探索与虚伪的对抗,斯莱德是其中的第一个。奥尼尔之后的美国戏剧家探讨了悲剧与伦理目的论中止的关系。
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引用次数: 0
James Light: Notes on Staging Eugene O'neill's The Hairy Ape / Cover Letter to H. M. Harwood (1926) 詹姆斯·莱特:关于上演尤金·奥尼尔《长毛猿》的笔记/给H.M.哈伍德的封信(1926)
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0018
David Clare
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引用次数: 1
The Neoliberal Tyrones in Jon Robin Baitz's Other Desert Cities Jon Robin Baitz《其他沙漠城市》中的新自由主义泰龙
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0046
B. Ezell
ABSTRACT:With his 2011 play Other Desert Cities, Jon Robin Baitz creates an afterlife of Eugene O'Neill's Tyrone family in a modern-day, mediatized performance context where film and television dominate. Baitz reimagines the Tyrones as the Wyeths, a famous Hollywood family with connections to Ronald Reagan's political circles, to illustrate how a family conditioned by performance can be exploited by political ideologies, in this case neoliberalism. Like the Tyrones, the Wyeths made their living in performance, a discipline that continues to structure their daily interactions with each other. This environment of constant performance collapses the boundary between their private lives and their sociopolitical worlds, thereby rendering their entire existence as a performance tool for furthering neoliberal goals. Baitz situates his play in the domestic dramatic tradition of Long Day's Journey Into Night to illustrate the value of theatre in exposing the artifice behind mediatized political performance.
摘要:凭借2011年的剧作《其他沙漠城市》,JonRobinBaitz在电影和电视占据主导地位的现代媒介化表演环境中,创造了尤金·奥尼尔(Eugene O'Neill)饰演的蒂龙家族的来生。拜茨将蒂龙一家重新想象为怀斯一家,这是一个与罗纳德·里根的政治圈子有联系的好莱坞著名家族,以说明一个以表演为条件的家庭如何被政治意识形态利用,在这种情况下是新自由主义。和蒂龙一家一样,惠氏一家以表演为生,这是一门继续构建他们日常互动的学科。这种不断表现的环境打破了他们的私生活和社会政治世界之间的界限,从而使他们的整个存在成为推进新自由主义目标的表现工具。拜茨将他的戏剧置于《漫漫长夜》的国内戏剧传统中,以说明戏剧在揭露调解政治表演背后的技巧方面的价值。
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引用次数: 0
Introducing the Harley Hammerman Collection on Eugene O'neill at Washington University 在华盛顿大学介绍尤金·奥尼尔的哈莉·哈默曼系列
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0031
J. Minor
ABSTRACT:The Harley Hammerman Collection on Eugene O'Neill opened for research at Washington University in St. Louis in 2019. The collection contains fifty-five linear feet of manuscripts, photographs, playbills, posters, and other unique and rare materials by and pertinent to Eugene O'Neill, as well as roughly fifty-seven linear feet of O'Neill books, videos, and related publications. Washington University also maintains Hammerman's extensive website, eoneill.com. This article surveys the collection, by way of providing guidance to scholars who stand to benefit from working with the collection.
摘要:哈雷哈默曼收藏的尤金·奥尼尔于2019年在圣路易斯华盛顿大学公开展出。该收藏包含五十五线性英尺的尤金·奥尼尔的手稿、照片、海报、海报和其他独特而罕见的材料,以及大约五十七线性英尺的奥尼尔书籍、视频和相关出版物。华盛顿大学还维护着Hammerman的广泛网站eoneil.com。本文调查了这些藏品,为那些将从藏品中受益的学者提供指导。
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引用次数: 0
Teaching Beyond the Horizon: Transdisciplinary Approaches 超越视界的教学:跨学科方法
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0069
Krista Hill, Josh R. Stillwagon, J. Tosti-Kharas, Vikki L. Rodgers, Beth Wynstra
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引用次数: 1
"By Way of Obit": Kurt Eisen (1958–2019) 《讣告》:库尔特·艾森(1958-2019)
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0119
Steven F. Bloom
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引用次数: 0
Portia Wetmore, Eugene O'neill: A Moment in Time, a Toss in the Bushes 波蒂亚·韦特摩尔,尤金·奥尼尔:《时间的一刻,丛林中的一次投掷》
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0001
Danielle B Wetmore
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引用次数: 0
James Light: "The Parade of Masks" (c. 1928) 詹姆斯·莱特:“面具游行”(约1928年)
IF 0.3 0 LITERATURE, AMERICAN Pub Date : 2020-04-28 DOI: 10.5325/eugeoneirevi.41.1.0006
Robert M. Dowling
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引用次数: 0
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Eugene O Neill Review
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