Pub Date : 2023-01-31DOI: 10.22320/07196466.2023.41.063.00
Pablo Fuentes-Hernández, Gonzalo Cerda-Brintrup
The survey of social values associated with an unorthodox, liquid, elusive reality, where concepts such as the pure, the clear, and the perfect, have been overcome by the tensions of contemporary life, has led architectural dogma into a frank crisis for at least fifty years. Venturi was one of the first to reflect on this, associating it with a chromatic idea where gray settled on white or black. It was the end of the great stories of modern and already historic architecture. From then, the possibility that otherness, diversity, and difference were installed in the blurred spaces that architectural rationality had left without suture or closure.
{"title":"Híbrido y mestizo, valores de una arquitectura contradogmática","authors":"Pablo Fuentes-Hernández, Gonzalo Cerda-Brintrup","doi":"10.22320/07196466.2023.41.063.00","DOIUrl":"https://doi.org/10.22320/07196466.2023.41.063.00","url":null,"abstract":"The survey of social values associated with an unorthodox, liquid, elusive reality, where concepts such as the pure, the clear, and the perfect, have been overcome by the tensions of contemporary life, has led architectural dogma into a frank crisis for at least fifty years. Venturi was one of the first to reflect on this, associating it with a chromatic idea where gray settled on white or black. It was the end of the great stories of modern and already historic architecture. From then, the possibility that otherness, diversity, and difference were installed in the blurred spaces that architectural rationality had left without suture or closure.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46531358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-31DOI: 10.22320/07196466.2023.41.063.03
William Garcia-Ramirez
This paper is the result of research whose objective was to investigate the genesis of Library Parks as an expression of political and architectural discourse in Colombia. For this purpose, a methodology based on a comparative historiography of the phenomenon of libraries and educational buildings built in public parks as a government policy at the beginning of the 20th century, and later, in the interstice between the 20th and 21st centuries, is proposed. The conclusions show that, contrary to the general perception, the library park model is not an ex novo phenomenon of the contemporary world. In this sense, the results evidence not only the identification of a set of antecedent projects of this phenomenon, built between 1932 and 1940, but also a set of existing correlations between political and architectural discourses, as a predetermining reflection of a system of thought that gave rise to the library park model.
{"title":"Los parques biblioteca en Colombia, o las bibliotecas en los parques. Antecedentes de un discurso político y arquitectónico","authors":"William Garcia-Ramirez","doi":"10.22320/07196466.2023.41.063.03","DOIUrl":"https://doi.org/10.22320/07196466.2023.41.063.03","url":null,"abstract":"This paper is the result of research whose objective was to investigate the genesis of Library Parks as an expression of political and architectural discourse in Colombia. For this purpose, a methodology based on a comparative historiography of the phenomenon of libraries and educational buildings built in public parks as a government policy at the beginning of the 20th century, and later, in the interstice between the 20th and 21st centuries, is proposed. The conclusions show that, contrary to the general perception, the library park model is not an ex novo phenomenon of the contemporary world. In this sense, the results evidence not only the identification of a set of antecedent projects of this phenomenon, built between 1932 and 1940, but also a set of existing correlations between political and architectural discourses, as a predetermining reflection of a system of thought that gave rise to the library park model.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46385670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-31DOI: 10.22320/07196466.2023.41.063.06
T. García-García
In the archives of Sigurd Lewerentz, in Stockholm, there is an unpublished object that the master kept in a folder during the construction of St. Petri's Church in Klippan. A volatile fantasy in the form of architectural origami devised by Lewerentz as a delightful storyteller of the construction site. A delicate and fragile paper object, that captures and expresses well the artistic essence of this architecture, as a baked earth fold, as a lamellar brick structure that finds its resistance in its origami. An ethereal fantasy that will allow observing the work of the master through the eyes of Alexander Calder, recognizing both the intention of making air sensitive and putting our senses on edge. This story, through a life experience with the master's architecture, makes public certain spatial and artistic, musical, and mobile findings, through the study and production of the models made for the Sanctuary of the Church of St. Petri in Klippan. This space waits patiently for a breath, it lies dormant awaiting in the dark for the air to breathe life into it. This paper unveils a beautiful instrument, a surprising contraption devised by Lewerentz himself; a wind still that captures, conducts, and concentrates the sounds of nature itself, the sounds of Klippan.
{"title":"El maestro Sigurd Lewerentz (1885-1975). Experiencias y hallazgos artísticos en el Santuario de la Iglesia de St. Petri en Klippan (2020)","authors":"T. García-García","doi":"10.22320/07196466.2023.41.063.06","DOIUrl":"https://doi.org/10.22320/07196466.2023.41.063.06","url":null,"abstract":"In the archives of Sigurd Lewerentz, in Stockholm, there is an unpublished object that the master kept in a folder during the construction of St. Petri's Church in Klippan. A volatile fantasy in the form of architectural origami devised by Lewerentz as a delightful storyteller of the construction site. A delicate and fragile paper object, that captures and expresses well the artistic essence of this architecture, as a baked earth fold, as a lamellar brick structure that finds its resistance in its origami. An ethereal fantasy that will allow observing the work of the master through the eyes of Alexander Calder, recognizing both the intention of making air sensitive and putting our senses on edge. This story, through a life experience with the master's architecture, makes public certain spatial and artistic, musical, and mobile findings, through the study and production of the models made for the Sanctuary of the Church of St. Petri in Klippan. This space waits patiently for a breath, it lies dormant awaiting in the dark for the air to breathe life into it. This paper unveils a beautiful instrument, a surprising contraption devised by Lewerentz himself; a wind still that captures, conducts, and concentrates the sounds of nature itself, the sounds of Klippan.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44373208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-31DOI: 10.22320/07196466.2023.41.063.04
Sofía Rivera-García, Emilio Reyes-Schade
Urban art has been and continues to be a transforming component within urban renewal processes, reinforcing memory, recovering the sense of place, and reducing stigmatization. This article delves into the role of urban art within the (physical-spatial) requalification and (symbolic) resignification processes in Urban Working-Class Settlements, analyzing how these processes are related to strengthening place attachment, sense of belonging, sense of security, and community organization, and trying to reflect on how they can affect deeper lying issues such as social and environmental risk. The methodology used is participatory action research, which was developed with the Santa Lucía Community in the Historic Center of San Salvador. Although the limitations of urban art are clear in the face of complex problems such as urban violence and environmental risk, the case of Santa Lucía reflects the potential of these interventions when they emerge as a collective and consensual expression, becoming an instrument of citizen vindication, strengthening community ties and organization.
{"title":"\"A los ojos de Santa Lucía: arte urbano y organización comunitaria en el Centro Histórico de San Salvador \"","authors":"Sofía Rivera-García, Emilio Reyes-Schade","doi":"10.22320/07196466.2023.41.063.04","DOIUrl":"https://doi.org/10.22320/07196466.2023.41.063.04","url":null,"abstract":"Urban art has been and continues to be a transforming component within urban renewal processes, reinforcing memory, recovering the sense of place, and reducing stigmatization. This article delves into the role of urban art within the (physical-spatial) requalification and (symbolic) resignification processes in Urban Working-Class Settlements, analyzing how these processes are related to strengthening place attachment, sense of belonging, sense of security, and community organization, and trying to reflect on how they can affect deeper lying issues such as social and environmental risk. The methodology used is participatory action research, which was developed with the Santa Lucía Community in the Historic Center of San Salvador. Although the limitations of urban art are clear in the face of complex problems such as urban violence and environmental risk, the case of Santa Lucía reflects the potential of these interventions when they emerge as a collective and consensual expression, becoming an instrument of citizen vindication, strengthening community ties and organization.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47656713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.22320/07196466.2022.40.062.07
Julian Grub, Alcindo Neckel, W. Liell
Based on the concept of territory, the article investigates the possible ways of resignifying urban infrastructure works. Infrastructure works such as viaducts, walkways, staircases, train tracks, subway stations and tunnels are characterized as public instruments that enable connections and flows for the efficient functioning of cities. Anticipating greater quality in the form of territorial occupation, can infrastructure works, in addition to technical spaces with specific functions, become ethical, citizenship and otherness devices? The article, through thinkers such as Deleuze, Guattari and Derrida, aims to deconstruct the concepts of origin into new conceptual attributes. In a contextual way, the research adapts the method of conceptual analysis, presenting a propositional framework – concept of origin, concept of interest and possible consequences. On the one hand, the research brings Deleuze and Guattari closer to these constructions of public character through concepts such as: organism, rhizome, stratum and functional body. On the other hand, it approaches Jacques Derrida from the idea of receptacle, in a kind of free and discursive territory, where the language activated by another way of thinking decenters and reconstructs the object in multiple interpretations, deconstructing them. The text is imagetically reinforced by occupations of singular and representative public works of Porto Alegre (Brazil).
{"title":"Territórios de abandono: reapropriação das obras de infraestrutura a partir de Deleuze, Guattari e Derrida","authors":"Julian Grub, Alcindo Neckel, W. Liell","doi":"10.22320/07196466.2022.40.062.07","DOIUrl":"https://doi.org/10.22320/07196466.2022.40.062.07","url":null,"abstract":"Based on the concept of territory, the article investigates the possible ways of resignifying urban infrastructure works. Infrastructure works such as viaducts, walkways, staircases, train tracks, subway stations and tunnels are characterized as public instruments that enable connections and flows for the efficient functioning of cities. Anticipating greater quality in the form of territorial occupation, can infrastructure works, in addition to technical spaces with specific functions, become ethical, citizenship and otherness devices? The article, through thinkers such as Deleuze, Guattari and Derrida, aims to deconstruct the concepts of origin into new conceptual attributes. In a contextual way, the research adapts the method of conceptual analysis, presenting a propositional framework – concept of origin, concept of interest and possible consequences. On the one hand, the research brings Deleuze and Guattari closer to these constructions of public character through concepts such as: organism, rhizome, stratum and functional body. On the other hand, it approaches Jacques Derrida from the idea of receptacle, in a kind of free and discursive territory, where the language activated by another way of thinking decenters and reconstructs the object in multiple interpretations, deconstructing them. The text is imagetically reinforced by occupations of singular and representative public works of Porto Alegre (Brazil).","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49133142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Palacio de La Moneda, or La Moneda Palace, is the seat of the Presidency and the Executive Power of Chile, the Ministry of the Interior and Public Security, the General Secretariat of the Presidency, and the General Secretariat of the Government. It is one of the main historical and most important buildings in Chile in terms of its current representative function, as the Government Palace. Since its construction, in 1786, it has been the witness and star of the historical-political and social-urban evolution of the nation, of events that have been expressed in its own architectural metamorphosis and the evolution of the urban fabric. Designed by architect Joaquín Toesca, a disciple of Francesco Sabatini, a professional of the court of Carlos III, King of Spain (1759-1788), the Palace is the main example of Neoclassicism in Chile. It was inaugurated in 1805 as the Royal Mint of Santiago, to mint the kingdom's currency. After the independence of Chile, in 1845, the Seat of Government and Presidential Residence moved to the building. It is on this date that it adopts its representative function, and therefore, the moment where the first important modification of its floorplan took place, beginning a process of continuous evolution characterized by the dynamic transformation and permanent adaptation of its architecture, through successive interventions, functional updates, and its reconstruction after the 1973 air raid. The lack of an organized and detailed record of its permanent alterations makes it difficult to understand them from their current state and for possible future interventions. As a result, this article presents the most important and significant changes on the perception of the building, thus becoming the first organized record of contemporary interventions of La Moneda Palace.
{"title":"Las intervenciones en el Palacio de La Moneda de los siglos XIX, XX y XXI. Los proyectos y sus arquitectos","authors":"Gunther Suhrcke-Caballero, Katherine Gondeck-Cepeda","doi":"10.22320/07196466.2022.40.062.03","DOIUrl":"https://doi.org/10.22320/07196466.2022.40.062.03","url":null,"abstract":"The Palacio de La Moneda, or La Moneda Palace, is the seat of the Presidency and the Executive Power of Chile, the Ministry of the Interior and Public Security, the General Secretariat of the Presidency, and the General Secretariat of the Government. It is one of the main historical and most important buildings in Chile in terms of its current representative function, as the Government Palace. Since its construction, in 1786, it has been the witness and star of the historical-political and social-urban evolution of the nation, of events that have been expressed in its own architectural metamorphosis and the evolution of the urban fabric. Designed by architect Joaquín Toesca, a disciple of Francesco Sabatini, a professional of the court of Carlos III, King of Spain (1759-1788), the Palace is the main example of Neoclassicism in Chile. It was inaugurated in 1805 as the Royal Mint of Santiago, to mint the kingdom's currency. After the independence of Chile, in 1845, the Seat of Government and Presidential Residence moved to the building. It is on this date that it adopts its representative function, and therefore, the moment where the first important modification of its floorplan took place, beginning a process of continuous evolution characterized by the dynamic transformation and permanent adaptation of its architecture, through successive interventions, functional updates, and its reconstruction after the 1973 air raid. The lack of an organized and detailed record of its permanent alterations makes it difficult to understand them from their current state and for possible future interventions. As a result, this article presents the most important and significant changes on the perception of the building, thus becoming the first organized record of contemporary interventions of La Moneda Palace.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46835228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.22320/07196466.2022.40.062.01
Francisco Javier Fuentes-Farías
What is the nature of the emotional and significant life produced by architectural forms, and how can specialists in urban-architectural design understand the psycho-affective needs - emotions, sensations, meanings and memories, etc. - of future tenants of their construction project? Through a bibliographic review of a historical and theoretical-critical nature, in the present work the theoretical framework of phenomenological architecture was addressed, What is the nature of the emotional and significant life produced by architectural forms, and how can specialists in urban-architectural design understand the psycho-affective needs - emotions, sensations, meanings, memories, etc. - of future tenants of their construction project? Through a bibliographic review of a historical and theoretical-critical nature, in this work, the theoretical framework of phenomenological architecture is addressed, considering the built context and the world of people, where the meaning of the aforementioned experiences gains life. It is suggested that the sensitive or phenomenal experience of the works built by designers, allows them to access cognitive resources - empathy, inter-corporeality, social cognition - that they can use in future construction and housing projects. In recently published works, epistemic alternatives are found about the nature of the emotional and subjective life of the hypothetical inhabitant, for example, in the cases of empathy (putting oneself in another person’s shoes), the appeal or rejection of certain places, and the 'atmosphere', or the collective sensation created by social interactions in public and other spaces. The results reveal that it is the socio-urban context where architecture’s meanings are interpreted for their application in such projects. It is concluded that this perspective is a subsidiary of philosophical and semiological pragmatism, which confirms the importance of the inhabited context to understand the meaning of what others do, say, or feel. The need for an interdisciplinary and humanistic approach is also confirmed, based on methodologies of an interpretative and phenomenological nature, which give preponderance to a posteriori knowledge, which is obtained through experience.
{"title":"El espacio urbano-arquitectónico: su experiencia y significado desde una perspectiva fenomenológica","authors":"Francisco Javier Fuentes-Farías","doi":"10.22320/07196466.2022.40.062.01","DOIUrl":"https://doi.org/10.22320/07196466.2022.40.062.01","url":null,"abstract":"What is the nature of the emotional and significant life produced by architectural forms, and how can specialists in urban-architectural design understand the psycho-affective needs - emotions, sensations, meanings and memories, etc. - of future tenants of their construction project? Through a bibliographic review of a historical and theoretical-critical nature, in the present work the theoretical framework of phenomenological architecture was addressed, What is the nature of the emotional and significant life produced by architectural forms, and how can specialists in urban-architectural design understand the psycho-affective needs - emotions, sensations, meanings, memories, etc. - of future tenants of their construction project? Through a bibliographic review of a historical and theoretical-critical nature, in this work, the theoretical framework of phenomenological architecture is addressed, considering the built context and the world of people, where the meaning of the aforementioned experiences gains life. It is suggested that the sensitive or phenomenal experience of the works built by designers, allows them to access cognitive resources - empathy, inter-corporeality, social cognition - that they can use in future construction and housing projects. In recently published works, epistemic alternatives are found about the nature of the emotional and subjective life of the hypothetical inhabitant, for example, in the cases of empathy (putting oneself in another person’s shoes), the appeal or rejection of certain places, and the 'atmosphere', or the collective sensation created by social interactions in public and other spaces. The results reveal that it is the socio-urban context where architecture’s meanings are interpreted for their application in such projects. It is concluded that this perspective is a subsidiary of philosophical and semiological pragmatism, which confirms the importance of the inhabited context to understand the meaning of what others do, say, or feel. The need for an interdisciplinary and humanistic approach is also confirmed, based on methodologies of an interpretative and phenomenological nature, which give preponderance to a posteriori knowledge, which is obtained through experience.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46147173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.22320/07196466.2022.40.062.06
Gerardo Saelzer-Canouet, David Campusano-Brown, Pablo Gómez-Alvial
The objective of this paper is to update and summarize the arguments behind the Integrated Heritage Rehabilitation (IHR) for Wooden Cities methodology. Building in the Coastal Temperate Rainforest ecoregion relied on native species, and is still characteristic of the towns in southern Chile, including the city of Valdivia. However, the historic town’s urban fabric is vulnerable to natural disasters and neoliberal market practices. Regulations and instruments for architectural restoration hinder IHR since their primary focus lies in social sciences, excluding the fundamental architectonic technical aspects, as well as a broader understanding of the context. Through an analysis of a set of historic buildings restored with public funds, the relationship between social sciences, engineering, architecture, and the theories of public use and landscape is patent. It is evident that there is a need to establish effective practices to extend the service life of buildings through cultural heritage management. Eight key points were identified, that connect history with the material conditions, which today are lacking in the Chilean Public Service. For the restoration processes to be integrated, evaluations must include new dimensions, such as the economic relationship and the material or tangible management, as well as the integration with the surrounding original architectural identity and the ease with which it can be culturally associated. From the harmonization of these eight points within the heritage regulatory framework, an improvement of the integrated rehabilitation of heritage buildings in the southern Chilean towns is expected, with priority given to timber conservation and public contribution.
{"title":"Historic timber buildings restored for public purposes in Southern Chile. A critical analysis and an approach to a cultural landscape","authors":"Gerardo Saelzer-Canouet, David Campusano-Brown, Pablo Gómez-Alvial","doi":"10.22320/07196466.2022.40.062.06","DOIUrl":"https://doi.org/10.22320/07196466.2022.40.062.06","url":null,"abstract":"The objective of this paper is to update and summarize the arguments behind the Integrated Heritage Rehabilitation (IHR) for Wooden Cities methodology. Building in the Coastal Temperate Rainforest ecoregion relied on native species, and is still characteristic of the towns in southern Chile, including the city of Valdivia. However, the historic town’s urban fabric is vulnerable to natural disasters and neoliberal market practices. Regulations and instruments for architectural restoration hinder IHR since their primary focus lies in social sciences, excluding the fundamental architectonic technical aspects, as well as a broader understanding of the context. Through an analysis of a set of historic buildings restored with public funds, the relationship between social sciences, engineering, architecture, and the theories of public use and landscape is patent. It is evident that there is a need to establish effective practices to extend the service life of buildings through cultural heritage management. Eight key points were identified, that connect history with the material conditions, which today are lacking in the Chilean Public Service. For the restoration processes to be integrated, evaluations must include new dimensions, such as the economic relationship and the material or tangible management, as well as the integration with the surrounding original architectural identity and the ease with which it can be culturally associated. From the harmonization of these eight points within the heritage regulatory framework, an improvement of the integrated rehabilitation of heritage buildings in the southern Chilean towns is expected, with priority given to timber conservation and public contribution.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42269368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-31DOI: 10.22320/07196466.2022.40.062.04
Julieta Barada
In general, the study of state architecture has focused on the analysis of the construction that took place in the centers of power, through which state structures are deployed. In this context, the role of architecture comes from centrality, which contributes to the argument of the conformation of a recognizable and reproducible image of the state apparatus. But what happens in those places that, far from being part of the centrality of the state construction, are found in its margins, even constituting spaces unknown to the state itself? The purpose of this paper is to analyze the construction of state architectures in the Puna de Atacama (Atacamanian Plateau), Argentina, through an ethnographic and historical study that allows analyzing the evolution of this space as part of national construction since the early 20th century. Methodologically, this will aim at understanding the architectural production of the state not only from the state itself but from local perspectives, recognizing the set of agencies involved in architecture over time. This work is carried out using, as a case study, a school in the town of Coranzulí, in the current province of Jujuy, which from an ethnographic and archival work allows observing this issue, along two analytical lines. The first has to do with the ways of production of architecture as processes where, over time, a complex network of players is involved. The second refers, specifically, to the material characteristics of this architecture, and the way the senses that operate on the apparent uniformity of the state are expressed there. This work, then, allows finally problematizing the very notion of hegemony as an unfinished construction, where the role of local players is fundamental.
一般来说，对国家架构的研究集中在对权力中心的建设进行分析，通过这些建设来部署国家结构。在这种情况下，架构的作用来自中心性，这有助于论证国家机器的可识别和可再现图像的构象。但是，那些远不是国家建设中心的地方，却在其边缘，甚至构成了国家本身未知的空间，会发生什么呢？本文的目的是通过人种学和历史研究来分析阿根廷Puna de Atacama（阿塔卡马尼高原）国家建筑的建设，从而分析自20世纪初以来作为国家建设一部分的这一空间的演变。从方法上讲，这将旨在不仅从国家本身，而且从地方角度理解国家的建筑生产，认识到随着时间的推移，建筑所涉及的一系列机构。这项工作是以目前朱伊省科兰祖利镇的一所学校为案例研究进行的，该学校从人种学和档案工作中可以沿着两条分析线来观察这个问题。第一个与体系结构作为过程的生产方式有关，随着时间的推移，复杂的参与者网络也会参与其中。第二个具体指的是这种建筑的材料特征，以及对状态的明显一致性进行操作的感觉在那里表达的方式。因此，这项工作最终使霸权的概念成为一个未完成的建筑，而当地参与者的作用是根本的。
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Pub Date : 2022-07-31DOI: 10.22320/07196466.2022.40.062.00
Pablo Fuentes-Hernández, Gonzalo Cerda-Brintrup
In Chile and Latin America, the State has built the city. Thus, from buildings and public spaces, institutional, school, housing, hospital, industrial, and transportation architectures, to the most diverse spheres, the State’s action in the production of public architecture is undeniable. At different times, this fact has been more or less valued or recognized. For example, during the presidency of José Manuel Balmaceda (1886-1891), his administration undertook numerous public works that sought to spread modernization throughout the country through buildings and infrastructure. Likewise, during the 1940s, with the boost of the Popular Front governments, there was a sustained institutionalization action that resulted in the construction of numerous buildings, that spread the benefits of modern architecture for public architecture and working-class housing. With the application of a capitalist economic-social model, which privileges market fluctuations, from the 1970s to the present, the private sector has been favored, so that the State’s action in the production of the city has been curtailed and, on many occasions, muted or vilified.
{"title":"ARQUITECTURA PÚBLICA: LA ACCIÓN DEL ESTADO","authors":"Pablo Fuentes-Hernández, Gonzalo Cerda-Brintrup","doi":"10.22320/07196466.2022.40.062.00","DOIUrl":"https://doi.org/10.22320/07196466.2022.40.062.00","url":null,"abstract":"In Chile and Latin America, the State has built the city. Thus, from buildings and public spaces, institutional, school, housing, hospital, industrial, and transportation architectures, to the most diverse spheres, the State’s action in the production of public architecture is undeniable. At different times, this fact has been more or less valued or recognized. For example, during the presidency of José Manuel Balmaceda (1886-1891), his administration undertook numerous public works that sought to spread modernization throughout the country through buildings and infrastructure. Likewise, during the 1940s, with the boost of the Popular Front governments, there was a sustained institutionalization action that resulted in the construction of numerous buildings, that spread the benefits of modern architecture for public architecture and working-class housing. With the application of a capitalist economic-social model, which privileges market fluctuations, from the 1970s to the present, the private sector has been favored, so that the State’s action in the production of the city has been curtailed and, on many occasions, muted or vilified.","PeriodicalId":40227,"journal":{"name":"Arquitecturas del Sur","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49056860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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