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Secrets of the God Makers: Re-Thinking the Origins of Greco-Egyptian Alchemy 上帝制造者的秘密:重新思考希腊-埃及炼金术的起源
Pub Date : 2019-05-20 DOI: 10.1353/SYL.2018.0000
S. Grimes
Abstract:The earliest alchemical texts have an Egyptian provenance and date to the Roman period. Surprisingly little attention is given to the socio-cultural contexts of the craftsmen who produced them. This paper argues that alchemy originated in the Egyptian priesthood among temple metallurgists who were responsible for making cultic objects. Access to metallurgical recipes was restricted, but with the rise of trade guilds in the Roman period, craft secrets began to circulate more freely. The purpose of this paper is to demonstrate that these economic shifts are the best explanation for the emergence of alchemical texts in Roman Egypt.
摘要:最早的炼金术文献起源于埃及,可以追溯到罗马时期。令人惊讶的是,很少有人关注制作它们的工匠的社会文化背景。本文认为,炼金术起源于埃及祭司中的寺庙冶金师,他们负责制作祭品。获得冶金配方是受到限制的,但随着罗马时期贸易行会的兴起,工艺秘密开始更自由地传播。本文的目的是证明这些经济转变是罗马埃及炼金术文本出现的最佳解释。
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引用次数: 1
Notes on the First Mithridatic War in Macedonia and Greece 马其顿和希腊的第一次米特拉达梯战争笔记
Pub Date : 2019-05-20 DOI: 10.1353/SYL.2018.0002
A. Keaveney
Abstract:With a good deal of source material available to us, it is possible to provide a reasonably full account of the First Mithridatic War in Macedonia and Greece. In consequence, a number of scholars have been able to furnish reliable narratives of the main features of the conflict. Nevertheless, there remain some areas about which there are misapprehensions and some problems remain unresolved. This paper is concerned with three of these issues: Sentius' governorship, the Thracian campaigns of Sulla, and the history of Macedonia between its loss to Rome after Sentius withdrew until its definitive recovery in the dictatorship of Sulla. My aim is twofold: to minutely examine these episodes with a view to understanding what actually happened and in so doing furnish a clearer view of their significance for the war as a whole.
摘要:有了大量的原始资料,我们有可能对马其顿和希腊的第一次米特拉达梯战争提供一个合理完整的描述。因此,一些学者能够对冲突的主要特点提供可靠的叙述。然而,仍有一些领域存在误解,一些问题仍未解决。本文关注其中的三个问题:森提乌斯的总督统治,苏拉的色雷斯战役,马其顿的历史,从森提乌斯撤退到苏拉独裁统治下的最终恢复。我的目的是双重的:仔细研究这些事件,以了解实际发生了什么,从而更清楚地了解它们对整个战争的意义。
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引用次数: 0
Tradition and Character: Helen's Divine Epithets in the Iliad 传统与性格:《伊利亚特》中海伦的神性称谓
Pub Date : 2018-05-15 DOI: 10.1353/SYL.2017.0006
Catherine Rozier
Abstract:Three times in Iliad 3, Helen is called the daughter of Zeus, the only references in the poem to her parentage. This article examines the evidence about Helen's family from Hesiod and the Cypria, and argues for a traditional link between her ambiguous parentage and her role in the Trojan War. In the tradition, Helen is created by Zeus as a weapon to wipe out the heroes, and this instrumentality is more important than her genealogy. Although the Iliad makes no reference to this tradition, I show how our understanding of her Homeric character is informed and deepened by it.
摘要:在《伊利亚特》第3章中,海伦三次被称为宙斯的女儿,这是这首诗中唯一提到她的父母的地方。本文考察了来自赫西奥德和塞浦路斯的关于海伦家族的证据,并论证了她模糊的父母身份和她在特洛伊战争中的角色之间的传统联系。在传统中,海伦是宙斯创造的用来消灭英雄的武器,这种工具比她的家谱更重要。虽然《伊利亚特》没有提到这个传统,但我展示了我们对她的荷马式性格的理解是如何通过它得到启发和深化的。
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引用次数: 1
The Hippocratic Critical Days 希波克拉底的关键时期
Pub Date : 2018-05-15 DOI: 10.1353/SYL.2017.0010
James F. Patterson
Abstract:Critical Days is a late antique compilation of passages from four Hippocratic treatises. This is the first study to consider it seriously as an independent text. I conclude that Critical Days values practical considerations over theory and texts over clinical observation. Critical Days sheds light not only on late antique medicine but also on compilation as a literary activity.*
摘要:《关键的日子》是一部晚期古文集,收录了希波克拉底的四篇论文。这是第一个将其作为独立文本认真考虑的研究。我的结论是,关键日子重视实际考虑胜于理论和文本胜于临床观察。《危急时刻》不仅揭示了晚期古医学,也揭示了作为一种文学活动的编纂
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引用次数: 0
Life in the Street, or Why Historians Should Read the Poets 《街头生活》或《为什么历史学家应该读诗人的作品》
Pub Date : 2018-05-15 DOI: 10.1353/SYL.2017.0009
T. P. Wiseman
Abstract:In order to counter modern historians' abstract conception of the populus Romanus, in this lecture I present some texts from the poets, from Lucilius to Juvenal, as illustrations of life in the streets of Rome, with some help from material remains in Pompeii and Herculaneum and the evidence, long neglected, of the urban 'gazette' known as acta populi. Ciceronian texts are also employed, to disprove the persistent but erroneous belief that the populus took no part in republican political life.
摘要:为了反驳现代历史学家对罗马平民的抽象概念,在这节课中,我将介绍一些诗人的作品,从卢西留斯到尤维纳利斯,作为罗马街头生活的例证,并从庞贝和赫库兰尼姆的遗迹中获得一些帮助,以及长期被忽视的城市“公报”的证据,即《平民学报》。西塞罗文本也被采用,以反驳持续但错误的信念,即平民没有参与共和国的政治生活。
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引用次数: 0
Characterization through the Use of Myth in Plautus' Menaechmi 普劳图斯《美纳希米》中神话的人物塑造
Pub Date : 2018-05-15 DOI: 10.1353/SYL.2017.0007
K. Fletcher
Abstract:In Plautus' Menaechmi, the twin brothers' use of myth highlights their similarities and differences, and accords with previous observations about their characterization. They are the only two characters to regularly employ myth in the play, but do so with varying levels of skill. Menaechmus tries to escape from his daily routine and chooses myths that portray him as heroic; the ineptness of his choices portend his failure in evading his responsibilities. Sosicles, on the other hand, gets everything for free because he outsmarts everyone, a characteristic echoed by his clever choices of myths that put people in their place.
在普劳图斯的《美纳赫米》中,双胞胎兄弟对神话的运用突出了他们的异同,符合前人对他们性格塑造的观察。他们是剧中唯一两个经常使用神话的角色,但他们的技巧水平各不相同。米乃克摩斯试图逃离他的日常生活,选择将他描绘成英雄的神话;他的错误选择预示着他在逃避责任方面的失败。另一方面,索索斯可以免费获得一切,因为他比任何人都聪明,这一特点与他聪明地选择神话相呼应,让人们各得其所。
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引用次数: 0
Sound, Sense, and Sequence in Meleager and Catullus 《Meleager》和《Catullus》中的声音、感觉和序列
Pub Date : 2018-05-15 DOI: 10.1353/SYL.2017.0008
Charles S. Campbell
Abstract:This study addresses the old question of poem-arrangement in the Catullan corpus from a new angle. It looks to a close-predecessor of Catullus, the epigrammatist Meleager, and traces of his Garland preserved in the Anthologia Palatina (hereafter AP), for parallels of compositional and organizational technique. Examination of a pair of Meleagrean sequences (AP 7.195–6; 5.6–8) and individual Catullan poems (2; 70) shows Catullus carefully included key words and sounds from the sequences he imitated. Comparison of AP 6.300–303 and Catullus 12–14 shows Catullus also imitated Meleager's use of key words and sounds in the composition of sequences of poems.
摘要:本文从一个新的角度探讨了卡图兰语料库中诗歌编排的老问题。它将目光转向卡图卢斯的前辈,警句大师Meleager,以及他在《Palatina选集》(以下简称AP)中保存的花环的痕迹,以寻找构图和组织技术的相似之处。一对Meleagrean序列(AP 7.195-6)的检验;5.6-8)和个人卡图兰诗歌(2;70)显示卡图卢斯仔细地从他模仿的序列中收录了关键词和声音。对比AP 6.300-303和Catullus 12-14可以看出,Catullus也模仿了Meleager在诗歌序列的构成中使用关键词和声音。
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引用次数: 1
Intertextuality without Texts in Archaic Greek Verse and the Plan of Zeus 古希腊诗歌中无文本的互文性与宙斯的计划
Pub Date : 2017-05-17 DOI: 10.1353/SYL.2017.0000
L. Edmunds, Janie F. Haywood, C. Pelling, S. Hornblower, E. Carney, A. Griffiths
Correspondences between the proems of the Iliad and the Cypria as well as between them and other places in archaic hexameter verse raise the question, in the first place, of the conditions that made them possible. Three different models for these conditions are now in contention. One is the nexus of author, date, and work; a second is multiple parallel oral traditions; a third is a revived and revised neoanalytical one. This last model, with its idea of one poem alluding to another, serves well to explain the set of correspondences that are considered. It is not a matter, as in "classical" neoanalysis, of the one-way borrowing of large "themes" but of small-scale allusion, which is going on across epic and catalogue hexameter verse. This kind of allusion need not presuppose written texts and in fact is better explained as the product of mutually aware oral traditions. Thus intertextuality without texts.
《伊利亚特》和《塞浦路斯》的题目之间的对应关系,以及它们和其他古代六步格诗之间的对应关系,首先提出了一个问题,即使它们成为可能的条件。目前有三种不同的模型在争论这些条件。一个是作者、日期和作品之间的联系;第二种是多种平行的口头传统;第三种是复兴和修订的新分析主义。最后一种模式,以一首诗暗指另一首诗的观点,很好地解释了我们所考虑的一系列对应关系。这不是像“古典”新分析那样,单向借用大型“主题”的问题,而是贯穿史诗和目录六步诗的小规模典故的问题。这种典故不需要以书面文本为前提,事实上,最好解释为相互意识的口头传统的产物。这就是没有文本的互文性。
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引用次数: 6
Navel-Gazing in Naples?: The Painting Behind the "Pompeii Philosophers" 在那不勒斯痴心妄想?:“庞贝哲学家”背后的绘画
Pub Date : 2017-05-17 DOI: 10.1353/SYL.2017.0005
A. Griffiths
It is generally agreed that a mosaic in the Naples Museum represents a gaggle of philosophers in discussion; but their identity, and the location of the debate, are disputed. Two new arguments are here deployed to pin down the group as the Seven Sages, and the venue as Delphi.
人们普遍认为,那不勒斯博物馆里的一幅马赛克画描绘了一群哲学家在讨论;但他们的身份,以及辩论的地点,是有争议的。这里有两个新的论点用来确定这个团体是七贤,而地点是德尔菲。
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引用次数: 0
"What Alkibiades Did and Suffered" — But Not What He Looked Like: Physical Appearance in the Ancient Greek Historians “阿尔基比德斯做了什么和遭受了什么”——但不是他的样子:古希腊历史学家的外表
Pub Date : 2017-05-17 DOI: 10.1353/SYL.2017.0003
S. Hornblower
Abstract:Sociology teaches us that good looks and height confer advantages in the 'workplace'. Ancient Greek historians and poets usually show awareness of looks and dress, often in ethnographic contexts, but Thucydides does not, except in medical passages. He never tells us what anybody looked like, not even the sexually attractive Alkibiades, or the sick, emaciated Nikias near the end of his life. Explanations are offered for this reticence, which may be a deliberate reaction against other genres, or a clever way of leaving it to our imaginations. Growing interest in physiognomy may help to explain Hellenistic attention to physical appearance.
摘要:社会学告诉我们,漂亮的外表和身高在“工作场所”赋予优势。古希腊历史学家和诗人通常会在民族志的语境中表现出对外表和着装的关注,但修昔底德则不会,除非是在医学段落中。他从来没有告诉我们任何人的长相,甚至没有告诉我们性感的阿尔基比德斯,也没有告诉我们病弱憔悴的临死前的尼基亚斯。人们对这种沉默做出了解释,这可能是对其他类型的刻意反应,也可能是一种留给我们想象的聪明方式。人们对面相学日益浓厚的兴趣可能有助于解释希腊人对外表的关注。
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Syllecta Classica
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