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Priapic Punishments in Petronius’ Satyrica 16–26
Pub Date : 2015-04-01 DOI: 10.1353/SYL.2007.0002
M. Habash
In Petronius’ Satyrica 16–26, Quartilla approaches Giton, Ascyltus, and Encolpius to cure her Tertian Fever (17.7). More than this occurs, however. The trio are to be punished for an inexpiabile scelus (17.6) and Encolpius is apparently singled out for earlier offenses against the god. The odd things occuring at this vigil can be explained as retribution for these earlier crimes. In the Priapea and Horace (Sermones 1.8) Priapus’ style often is to punish offenders by turning upon them the same crime or a humorous inversion of it. Accordingly, the punishments at the Priapi genio pervigilium suggest what Encolpius’ earlier crimes against the god were.
在Petronius的《Satyrica》16-26中,Quartilla接近Giton, Ascyltus和Encolpius来治疗她的Tertian Fever(17.7)。然而,情况远不止如此。这三个人将因一个不可挽回的塞勒斯(17.6)而受到惩罚,而恩科尔皮乌斯显然是因先前对神的冒犯而被单独挑出来的。在守夜时发生的奇怪事情可以解释为对这些早期罪行的报复。在《普里阿普阿》和《贺拉斯》中,普里阿普斯的风格通常是用同样的罪行或幽默的反义词来惩罚罪犯。因此,Priapi genio pervigilium上的惩罚暗示了安可庇俄斯早期对神的罪行。
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引用次数: 1
Procne’s Beak in Aristophanes’ Birds 阿里斯托芬《鸟》中普鲁涅的喙
Pub Date : 2015-04-01 DOI: 10.1353/SYL.2007.0008
Gwendolyn Compton-Engle
This paper argues that the importance of the Procne scene in Aristophanes’ Birds extends well beyond any association of the nightingale with the official auletes of the production. Maintaining, contrary to some recent studies, that Procne is costumed with a beaked bird mask that is removed by Euelpides, the paper demonstrates that the removal of that mask is the final expression of an emergent mastery obtained by the human protagonists over the birds’ beaks, which are a focal point of costume interaction in the first half of the play.
本文认为,在阿里斯托芬的《鸟》中,普鲁丝尼场景的重要性远远超出了夜莺与官方作品的联系。与最近的一些研究相反,该论文认为普鲁丝妮戴着一个被欧尔庇德斯取下的鸟喙面具,该面具的取下是人类主角对鸟喙的紧急掌握的最终表达,这是戏剧前半部分服装互动的焦点。
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引用次数: 2
Giamblico contro Plotino e Porfirio: Il Dibattito sull'Atto e sul Movimento (apud Simplicio, In Categorias 301.20-308.10) giamico v Plotino和Porfirio:关于行动和运动的辩论(apud simpliio,第301 -308.10类)
Pub Date : 2015-04-01 DOI: 10.1353/SYL.1997.0000
D. Taormina
Nella Risposta alla Lettera Inviata da Porfirio ad Anebo e Soluzione delle Questioni Poste in Essa,1 Giamblico dedica un'intera sezione alla classificazione dei "generi superiori"2 e, per introdurla, affronta la "questione dei movimenti attivi o passivi" posta da Porfirio. Tuttavia non la giudica utile per la classificazione che vuole stabilire e allega tre ragioni. Innanzi tutto Porfirio ha sovvertito Tordine dell'indagine e, anziehe domandare quali sono le proprietà degli esseri superiori dapprima secondo Tessenza, poi secondo la potenza e infine secondo gli atti, ha paríate soltanto delle proprietà degli atti negli "elementi ultimi." In secondo luogo, nei generi superiori, non c'è Topposizione deU'agire e del patire e le ?????e?a?, assolute e immutabiU, sono considerate anche senza la relazione con Topposto. Infine non è possibile attribuire a questi generi movimenti che provengano "dalTagente e dal paziente." Neppure per T anima—continua GiambUco—ammettiamo che Tautocinèsi (a?'t?????s?'a) sia prodotta da ciö che muove e da ciö
在对Porfirio给Anebo的信的答复和对信中提出的问题的答复中,giamico用了整整一节专门讨论“高等性别”的分类,并在介绍中处理Porfirio提出的“主动或被动运动问题”。但是,它认为它对它想要建立的分类没有帮助,并提出了三个理由。首先,Porfirio颠覆了调查,他没有先问上级的性质是什么,然后问权力是什么,最后问行为是什么,他只提到行为在“最终元素”中的性质。其次,在更高的性别中,没有行动的主导地位,没有痛苦的主导地位。即使没有与托普托的关系,它们也被认为是绝对不变的。最后,这些运动不能归因于“由代理人和病人引起的”。甚至持续T—灵魂GiambUco—我们接受Tautocinèsi (a ' T ? ? ? ? ? s ?“)是由我们是因为ö动和ö
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引用次数: 1
Mors Repentina and the Roman Art of Dying 悔恨与罗马的死亡艺术
Pub Date : 2015-04-01 DOI: 10.1353/SYL.2005.0006
Mary Beagon
Sudden death features rarely in the ancient sources: the Elder Pliny and Suetonius supply the most detailed testimonials. Most discussions of dying are philosophical in tone and promote an image of “prepared” death which considerably influenced the later Christian tradition. Five aspects of a Roman art of dying emerge, elements of which are paralleled in a more pragmatic sixth, the will. The sudden deaths in Pliny and Suetonius, however, may indicate a popular tradition in which absence of pain or fear overrode preparation. Closer examination of two of these suggests that features of both traditions might be combined to produce the “ideal” death.
突然死亡在古代文献中很少出现:Elder Pliny和Suetonius提供了最详细的证词。大多数关于死亡的讨论都带有哲学色彩,并提倡一种“准备好”死亡的形象,这在很大程度上影响了后来的基督教传统。罗马死亡艺术的五个方面浮出水面,其中的元素与更实用的第六个方面——遗嘱——相平行。然而,普林尼和苏托尼乌斯的突然死亡可能表明了一种流行的传统,在这种传统中,没有痛苦或恐惧压倒了准备。对其中两种的进一步研究表明,这两种传统的特征可能结合在一起,产生“理想”的死亡。
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引用次数: 1
Laudatio
Pub Date : 2015-04-01 DOI: 10.1353/syl.1990.0012
Helena R. Dettmer, Erling B. Holtsmark, R. Rabel, Timothy P. Hofmeister, Rosamond Kent Sprague, Robert B. Hardy, F. Fajardo-Acosta, Garth Tissol, Leo C. Curran, J. T. Kirby, Robert Edgeworth, Mark L. Sosower
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引用次数: 0
Laudatio
Pub Date : 2015-04-01 DOI: 10.1353/syl.1996.0018
Erling B. Holtsmark, N. Austin, M. M. Winkler, Joyce K. Penniston, K. Walters, Rick M. Newton, R. Macfarlane, James S. Ruebel, James M. May, Edward J. Milowicki
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引用次数: 0
Metafisica e Matematica in Giamblico giamico中的形而上学和数学
Pub Date : 2015-04-01 DOI: 10.1353/SYL.1997.0010
F. Romano
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引用次数: 0
Strangers in Their Own Land: Greeks and the Roman God-Emperor 异乡人在自己的土地上:希腊人和罗马神皇帝
Pub Date : 2015-04-01 DOI: 10.1353/SYL.2003.0001
Barbara C. Burrell
This paper views the operation of the imperial cult in the Roman East as a dialogue, in which the initial offer of worship could be either accepted outright or modified by the recipient to his own purposes, and that response could affect how future petitions were presented. Roman judgements of which cities were most suitable to host their province’s imperial temples often led to intercity rivalry. Hellenic orators and Roman rulers both disparaged this rivalry, but their own evaluations of the relative worth of cities in fact encouraged it.
本文将罗马东部帝国崇拜的运作视为一种对话,在这种对话中,最初的崇拜提议可以直接接受,也可以由接受者根据自己的目的进行修改,而这种回应可能会影响未来请愿的呈现方式。罗马人判断哪个城市最适合主办他们省的帝国神庙,经常导致城市间的竞争。希腊演说家和罗马统治者都贬低这种竞争,但他们自己对城市相对价值的评估实际上鼓励了这种竞争。
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引用次数: 3
Symposia and the Macedonian Elite: The Unmixed Life 专题讨论会和马其顿精英:纯粹的生活
Pub Date : 2015-04-01 DOI: 10.1353/SYL.2007.0000
E. Carney
This paper will evaluate the degree to which, during the reigns of Philip II and Alexander III (an era which produced most of our evidence about Macedonian drinking), court symposia actually differed from those of southern Greece. It will argue that Macedonian drinking practices were distinctive in some significant respects and reflect upon the relationship between these drinking habits and the nature of Macedonian monarchy and elite culture. It will suggest that the “unmixed” quality of Macedonian elite culture was more than a mere construct of Demosthenes and other Greek authors.
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引用次数: 9
Ars and Artifex in the Ars Poetica: Revisiting the Question of Structure 《艺术诗学》中的艺术与艺术:结构问题的再思考
Pub Date : 2015-04-01 DOI: 10.1353/SYL.2000.0001
L. Golden
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引用次数: 1
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Syllecta Classica
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