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Emigration to the Habsburg Empire: The Case of Salonica Jews, 1867–1918 向哈布斯堡帝国的移民:萨洛尼卡犹太人的案例,1867-1918
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0024
Lida-Maria Dodou
Abstract:While often regarded as an emigration country, the case of numerous Jews from Salonica who migrated to the Habsburg Empire demonstrates that, in the fin-de- siècle period, it was an immigration country as well. By bringing to light unresearched archival material, this article traces the preconditions that led to migration to the Habsburg Empire and its particular characteristics. The examination of the socioeconomic characteristics of the persons in question and their migration patterns contribute to a more nuanced understanding of broader issues such as the influence of Austria-Hungary in southeastern Europe and the Jewish emigration from Salonica at the turn of the nineteenth century.
摘要:虽然经常被视为移民国家,但许多来自萨洛尼卡的犹太人移民到哈布斯堡帝国的案例表明,在最后一个世纪,它也是一个移民国家。本文通过揭露未经检索的档案材料,追溯了哈布斯堡帝国移民的先决条件及其特殊性。对有关人员的社会经济特征及其移民模式的研究有助于更细致地理解更广泛的问题,如奥匈帝国在东南欧的影响和19世纪之交从萨洛尼卡移民的犹太人。
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引用次数: 0
In the Presence of "Gypsiness": Dvořák, Ecocriticism, Stimmung “吉普赛人”的存在:Dvořák,生态批评,Stimmung
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0027
Dylan Price
Abstract:This article is about Stimmung and "Gypsiness" (two aesthetic tropes of nineteenth-century culture) in the music of Antonín Dvořák. In visual art and music, Stimmung has long been associated with idyllic landscape scenes. Yet in Dvořák's music, its usage is more fraught. In his Gypsy Songs, Stimmung demands unmediated contact with "Gypsiness," an imagined amalgamation of alterity that is more often kept at arm's length. Insofar as it makes "Gypsiness" affectively proximate, this music is more ideologically challenging than other cultural products in the Stimmung tradition, and it prompts larger questions about the politicization of affect in the imperial creative imagination.
摘要:本文对Antonín Dvořák音乐中的“刺激”和“吉普赛”这两种19世纪文化美学修辞进行了探讨。在视觉艺术和音乐中,刺激一直与田园诗般的风景场景联系在一起。然而,在Dvořák的音乐中,它的用法更加令人担忧。在他的《吉普赛人之歌》中,斯廷姆要求与“吉普赛人”进行无媒介的接触,这是一种想象中的另类融合,但往往与之保持距离。就它在情感上接近“吉普赛”而言,这种音乐在意识形态上比斯蒂姆传统中的其他文化产品更具挑战性,它引发了关于帝国创造性想象力中情感政治化的更大问题。
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引用次数: 0
Die Zeitschrift "PLAN": Österreichischer Identitätskurs, individuelles und kollektives Gedächtnis in der Nachkriegszeit by Desiree Hebenstreit (review) 《计划》:奥地利职业身份课程以及战后个人和集体记忆的研究
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0038
A. Kernbauer
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引用次数: 0
Franz Kafka: "Der Hungerkünstler"-Zyklus und die kleine Prosa von 1920–1924: Freiheit-Judentum-Kunst by Marcel Krings (review) Franz Kafka:“饥饿艺术家”的循环和1920-2024年的小散文:Marcel Krings的自由犹太教艺术(评论)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0032
Ruth V. Gross
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引用次数: 0
Vorarlberg: ein making-of in 50 Szenen—Objekte/Geschichte/Ausstellungspraxis ed. by Markus Barnay and Andreas Rudigier (review) 沃伦贝格:《详尽的作品》(评论)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0042
Günter Bischof
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引用次数: 0
What is Austro-Hungarian History to the Eurasianist? 对欧亚主义者来说,奥匈帝国的历史是什么?
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0021
Orel Beilinson
Abstract:The cohesiveness of European history has been undermined in recent years. New studies have exposed the inadequacy of its master narratives: much of what we thought was the "European model" best described England, France, and Germany. The Habsburg Empire, once confined to playing the cradle of nationalism, proved central to processes like international law and economic thought. This paper makes a modest proposal toward rectification. It proposes a research design for producing new master narratives. Instead of writing scholarly syntheses and research direction climaxes, this method explores systematic, macro-level comparisons as a way to generate new questions and see Austria-Hungary anew.
摘要:近年来,欧洲历史的凝聚力受到了削弱。新的研究揭示了其主要叙述的不足之处:我们认为的“欧洲模式”中有许多最适合描述英国、法国和德国。哈布斯堡帝国,曾经被限制在扮演民族主义的摇篮,被证明是国际法和经济思想等进程的核心。本文对整改提出了几点建议。它提出了一种产生新的大师叙事的研究设计。这种方法不是写学术综合和研究方向高潮,而是探索系统的宏观层面的比较,作为产生新问题和重新看待奥匈帝国的一种方式。
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引用次数: 0
Weltliteratur in der Shanghaier jüdischen Exilpresse (1939–1947) ed. by Ruoyu Zhang (review) 上海犹太流亡者出版社《世界文学》(1939—1947)张若玉主编(综述)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0036
Samuel J. Kessler
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引用次数: 0
Austro-Hungarian Informal Imperialism in China, 1869–1917 中国的奥匈帝国主义,1869–1917
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0022
Mathieu Gotteland
Abstract:Austria-Hungary is not commonly considered a proper colonial power. Nevertheless, it actively participated in the imperialistic trend permeating European societies and states in the late nineteenth century. After the Petz expedition (1867–1869), it obtains the tools of informal imperialism in China. A proper Chinese policy only takes shape however under the mandate at the Ministry for Foreign Affairs of Count Agenor Gołuchowski, thus allowing for the creation of the sole overseas colony of the dual monarchy: the Austro-Hungarian concession of Tianjin (1900–1917).
摘要:奥匈帝国通常不被认为是一个真正的殖民大国。然而,它积极参与了十九世纪末渗透到欧洲社会和国家的帝国主义潮流。在佩茨远征(1867-1869)之后,它在中国获得了非正式帝国主义的工具。然而,只有在阿根诺·高丘科夫斯基伯爵的外交部授权下,中国才形成了一项适当的政策,从而允许建立双重君主制的唯一海外殖民地:奥匈帝国天津租界(1900-1917)。
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引用次数: 0
Hugo Bettauer, Feminism, and the Non-White World in Interwar Vienna 雨果·贝托、女权主义与维也纳战争时期的非白人世界
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0026
C. Davis
Abstract:This article examines how the 1920s Viennese journalist and magazine-publisher Hugo Bettauer, a Christian convert from Judaism, harnessed images of and stories about non-White peoples to the cause of Austrian female liberation. In Bettauers Wochenschrift, Bettauer and his contributors highlighted non-White ways to illuminate, by comparison, the confining nature of the social and cultural mores that structured Austrian women's subjugation. This had the effect of reaffirming the existence of a racial hierarchy, one with Black people on the bottom, despite Bettauer's sympathy for the plight of Black Americans and the magazine's open admiration of certain non-White practices regarding sex and marriage.
摘要:这篇文章探讨了20世纪20年代维也纳记者和杂志出版商雨果·贝托(Hugo Bettauer)是如何利用非白人的形象和故事来推动奥地利女性解放的。在《Bettauers Wochenschrift》一书中,Bettauer和他的贡献者强调了非白人的方式,通过比较来阐明构成奥地利女性征服的社会和文化习俗的局限性。这重申了种族等级制度的存在,即黑人处于底层,尽管Bettauer对美国黑人的困境表示同情,该杂志也公开钦佩某些非白人在性和婚姻方面的做法。
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引用次数: 0
Voll Hunger und voll Brot: Die Welt des Jura Soyfer 1912–1939 by Dorothy James, and: Full of Hunger and Full of Bread: The World of Jura Soyfer, 1912–1939 by Dorothy James (review)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-17 DOI: 10.1353/oas.2023.0035
Vincent Kling
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引用次数: 0
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Journal of Austrian Studies
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