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Visionary Metaphors: Sight, Sickness, and Space in Boethius's Consolation of Philosophy and Julian of Norwich's Showings 视觉隐喻:伯修斯哲学慰藉与诺里奇展览中的视觉、疾病与空间
IF 0.1 Pub Date : 2020-02-12 DOI: 10.5325/jmedirelicult.46.1.0053
Gillian Adler
abstract:Although Boethius's Consolation of Philosophy and Julian of Norwich's Showings are associated with different visionary traditions of the Middle Ages, the shared metaphors of sight, sickness, and space in these works suggest that they in fact may be read within the same textual community. Using the vision form, Boethius and Julian demonstrate how personal transformation and spiritual illumination depend upon spaces of seemingly restrictive confinement. These authors similarly stress the idea of vision as a metaphor for spiritual insight and sickness as the opportunity for recuperation, as they pluralize the meaning of their physical cells. The attention to spatial orientation and physical circumstance emphasizes the cataphatic articulation of both authors' visionary experiences and undermines traditional Augustinian attitudes toward the division of body and soul.
摘要:尽管波伊修斯的《哲学的慰藉》和朱利安的《诺维奇的展览》与中世纪不同的幻想传统有关,但这些作品中对视觉、疾病和空间的共同隐喻表明,它们实际上可以在同一文本群体中阅读。Boethius和Julian使用视觉形式展示了个人转变和精神照明如何依赖于看似限制性的禁闭空间。这些作者同样强调视觉是精神洞察力的隐喻,疾病是康复的机会,因为他们将身体细胞的意义多元化。对空间取向和物理环境的关注强调了两位作者富有远见的经历的启示性表达,并破坏了奥古斯丁对身体和灵魂划分的传统态度。
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引用次数: 0
Review 审查
IF 0.1 Pub Date : 2020-01-01 DOI: 10.5325/jmedirelicult.46.2.0186
Gayk
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引用次数: 0
Review 审查
IF 0.1 Pub Date : 2020-01-01 DOI: 10.5325/jmedirelicult.46.2.0195
Richmond
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引用次数: 0
Review 审查
IF 0.1 Pub Date : 2020-01-01 DOI: 10.5325/jmedirelicult.46.2.0190
Pokorski
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引用次数: 0
Singing Together Alone: Dynamics Between Individual and Community in Middle Dutch Religious Song Collections 独唱:中世纪荷兰宗教歌曲集中个体与群体的动态
IF 0.1 Pub Date : 2019-08-08 DOI: 10.5325/JMEDIRELICULT.45.2.0085
C. D. Morrée
abstract:Scholars of late medieval religious practice have focused on the expression of personal devotion and on the use of individualized devotional texts and books. Particularly manuscript collections of Middle Dutch religious song are thought to have been used in personalized devotional practices of individuals, even though previous research generally did not include codicological analysis. Using both codicological research and textual analysis of twelve Middle Dutch religious song manuscripts and their contents (ca. 1470–1550), this article demonstrates that these sources contain indications for both individual use and for use in group activities.
摘要:中世纪晚期宗教实践的学者们关注个人奉献精神的表达以及个性化奉献文本和书籍的使用。特别是中世纪荷兰宗教歌曲的手稿集被认为被用于个人的个性化虔诚实践,尽管之前的研究通常不包括编纂学分析。本文通过对12份中世纪荷兰宗教歌曲手稿及其内容(约1470–1550年)的编纂研究和文本分析,证明这些来源既有个人使用的迹象,也有在团体活动中使用的迹象。
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引用次数: 0
De modo meditandi vel contemplandi: A Pedagogical Treatise for Novices from Bury St. Edmunds in Oxford, Bodleian Library, Bodley 240 De modo meditandi vel contemplandi:牛津伯里圣埃德蒙兹的新手教育学论文,博德利图书馆,博德利240
IF 0.1 Pub Date : 2019-08-08 DOI: 10.5325/JMEDIRELICULT.45.2.0139
Jacob Riyeff
abstract:This article presents the first study, edition, and modern English translation of a Latin treatise for novice Benedictine monks copied at the English monastery of Bury St. Edmunds in the fourteenth century in Oxford, Bodleian Library, Bodley 240. The treatise is comprised of two primary parts, the first describing a monastic program of meditation or contemplation to be followed throughout the day, the second discussing the benefits and nature of "the discipline" (the practice of flagellation) for curing a lack of devotion to monastic practice. The introduction and notes place the treatise within the larger context of the manuscript, of religious life and history in England and the West more generally, and of the treatise author's sources, monastic heritage, and a variety of traditional and innovative medieval genres. The text is finally placed in the context of newer historiography on late medieval English monasticism and the relationship of monastics to their lay associates.
摘要:本文介绍了14世纪在牛津伯里圣埃德蒙兹英国修道院为本笃会初学僧侣抄写的一篇拉丁文论文的第一次研究、编辑和现代英文翻译,博德利图书馆,博德利240。这篇论文由两个主要部分组成,第一部分描述了一整天都要遵循的修道冥想或沉思计划,第二部分讨论了“戒律”(鞭笞练习)对治疗对修道缺乏奉献的好处和性质。引言和注释将论文放在手稿的更大背景下,更广泛地说,放在英格兰和西方的宗教生活和历史的背景下,放在论文作者的来源、修道院遗产以及各种传统和创新的中世纪流派的背景下。文本最后被置于关于中世纪晚期英国修道主义以及修道者与世俗伙伴关系的新史学背景下。
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引用次数: 0
Christ's Passion Shown in a Vision: A Newly Identified Acephalous Fragment from Cambridge, Massachusetts, Houghton Library MS Ger. 69, fol. 101r–106v 在异象中显示的基督的激情:马萨诸塞州剑桥市新发现的头类碎片,霍顿图书馆,MS Ger. 69, fol。101 r - 106 v
IF 0.1 Pub Date : 2019-08-08 DOI: 10.5325/JMEDIRELICULT.45.2.0113
Steven Rozenski, C. Jones
abstract:A fragment of one of the earliest German prose passion meditations, the anonymous Christi Leiden in einer Vision geschaut, has recently been discovered in a macaronic miscellany in Houghton Library. While the entire text has been edited in 1936 and 1952, the Houghton fragment contains significant variants that warrant further investigation. In addition to a study of the manuscript tradition of the Christi Leiden and this manuscript's place within it, we also present an edition of the Houghton version alongside a translation into modern English.
最近,在霍顿图书馆的一本macaronic杂集中发现了德国最早的散文激情冥想之一,无名氏克里斯蒂·莱顿的《爱的视觉》。虽然整个文本在1936年和1952年被编辑过,但霍顿的片段包含了重要的变体,值得进一步研究。除了研究Christi Leiden的手稿传统和这份手稿在其中的地位,我们还提供了霍顿版本的版本以及翻译成现代英语的版本。
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引用次数: 0
Remembering Phoebe in the Twelfth Century: The Forgotten Deacon in Paul's Letter to Romans 十二世纪回忆菲比:保罗罗马书中被遗忘的执事
IF 0.1 Pub Date : 2019-01-30 DOI: 10.5325/JMEDIRELICULT.45.1.0001
A. Clark
Abstract:In his Letter to Romans, Paul mentions an otherwise unknown woman named Phoebe, whom he extols as a deacon or minister. Peter Abelard reviewed patristic opinions about Phoebe, putting into currency ancient debates over women's roles in liturgical and teaching ministry. About two decades later, Phoebe was again resurrected, even more surprisingly, in a manuscript where she was not mentioned textually but invoked visually. The appearance of Phoebe—an apostolic model of women's ministry—in an age of emerging forms of women's religious life, reveals tensions among men about the possibilities of women's religious leadership and transmission of knowledge.
摘要:在《罗马书》中,保罗提到了一个不为人知的名叫菲比的女人,他称赞她为执事或牧师。彼得·阿伯拉尔回顾了教父对菲比的看法,把古代关于妇女在礼仪和教学事工中的角色的争论变成了现实。大约二十年后,菲比再次复活,更令人惊讶的是,在一份手稿中,她没有在文本中被提及,而是在视觉上被唤起。在女性宗教生活形式不断涌现的时代,菲比的出现,揭示了男性对女性宗教领导和知识传播的可能性的紧张关系。
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引用次数: 2
Revising the Body in Julian of Norwich's Revelations 重温《诺里奇启示录》中的身体
IF 0.1 Pub Date : 2019-01-30 DOI: 10.5325/JMEDIRELICULT.45.1.0061
Laura Godfrey
Abstract:This article argues that Julian consistently alludes to her initial bodily and visionary experience in revising the Short Text into the Long Text in order to mark the importance of bodily suffering as part of her spiritual transformation. Julian refers to these moments as astonishment, drawing on a medieval understanding of a combined sensory and cognitive deprivation that precedes insight. This is most apparent in the Parable of the Lord and Servant in which Julian frames the vision with her own bodily experience, implicitly translating her own pain into the parable's servant.
摘要:本文认为,朱利安在将《短文本》修改为《长文本》时,一直在暗示她最初的身体和幻想经历,以表明身体痛苦作为她精神转变的一部分的重要性。朱利安将这些时刻称为惊讶,借鉴了中世纪对洞察力之前的感官和认知剥夺的理解。这一点在《主与仆人的寓言》中表现得最为明显,在该寓言中,朱利安用自己的身体经历来构建愿景,含蓄地将自己的痛苦转化为寓言的仆人。
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引用次数: 0
"Clad in Flesch and Blood": The Sartorial Body and Female Self-Fashioning in the Book of Margery Kempe “血肉之躯”:玛格丽·肯普书中的肉欲身体与女性自我塑造
IF 0.1 Pub Date : 2019-01-30 DOI: 10.5325/JMEDIRELICULT.45.1.0029
Hannah Lucas
Abstract:This article examines how the engagement with textiles and textile-craft in The Book of Margery Kempe facilitates the performance of Margery's female religious identity. Drawing on the fundamental precepts of performance theory, the article responds to recent scholarly interest in the manifestations of material devotional culture and the performative body. It first maps out the charged theological significations of textiles and their subsequent transformative potential. Then, it examines how Margery finds an active tool in "fabrics of devotion" in the form of saintly relics, images, and garments themselves, and how Margery's adoption of white garb refashions her body in the image of a saintly matrilineage. It concludes that interaction with Bridgettine visual and material objects supplies Margery with a new Marian iconography, which allows her to perform a double imitatio, weaving together the thread of her own life into the rich tapestry of archetypal holy women.
摘要:本文探讨了《玛格里·肯普之书》中对纺织品和纺织工艺的参与如何促进玛格里女性宗教身份的表现。本文借鉴了表演理论的基本原则,回应了最近学术界对物质奉献文化和表演身体表现形式的兴趣。它首先描绘了纺织品充满活力的神学意义及其随后的变革潜力。然后,它考察了Margery是如何在“奉献的织物”中找到一个活跃的工具,以圣洁的遗迹、图像和服装本身的形式,以及Margery采用白色服装是如何将她的身体重塑为圣洁的母系形象的。它得出的结论是,与Bridgetine视觉和物质对象的互动为Margery提供了一种新的玛丽安肖像画,这使她能够进行双重模仿,将她自己的生活线编织成原型神圣女性的丰富织锦。
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引用次数: 0
期刊
Journal of Medieval Religious Cultures
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