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How proteins manage to fold and how chaperones manage to assist the folding 蛋白质如何折叠以及伴侣蛋白如何协助折叠。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-15 DOI: 10.1016/j.plrev.2024.12.006
Sergiy O. Garbuzynskiy, Victor V. Marchenkov, Natalia Y. Marchenko, Gennady V. Semisotnov, Alexei V. Finkelstein
This review presents the current understanding of (i) spontaneous self-organization of spatial structures of protein molecules, and (ii) possible ways of chaperones’ assistance to this process. Specifically, we overview the most important features of spontaneous folding of proteins (mostly, of the single-domain water-soluble globular proteins): the choice of the unique protein structure among zillions of alternatives, the nucleation of the folding process, and phase transitions within protein molecules. We consider the main experimental facts on protein folding, both in vivo and in vitro, of both kinetic and thermodynamic nature. We discuss the famous Levinthal's paradox of protein folding and its solution, theoretical models of protein folding and unfolding, and the dependence of the rates of these processes on the protein chain length. Special attention is paid to relatively small, single-domain, and water-soluble globular proteins whose structure and folding are much better studied and understood than those of large proteins, especially membrane or fibrous proteins. Lastly, we describe the chaperone-assisted protein folding with an emphasis on the chaperones’ ability to prevent proteins from their irreversible aggregation. Since the possible assistance mechanisms connected with chaperones are still debatable, experimental data useful in selecting the most likely mechanisms of chaperone-assisted protein folding are presented.
这篇综述介绍了目前对蛋白质分子空间结构的自发自组织的理解,以及伴侣分子在这一过程中可能的帮助方式。具体来说,我们概述了蛋白质(主要是单域水溶性球形蛋白质)自发折叠的最重要特征:在无数替代方案中选择独特的蛋白质结构,折叠过程的成核,以及蛋白质分子内的相变。我们考虑蛋白质折叠的主要实验事实,在体内和体外,动力学和热力学性质。我们讨论了著名的蛋白质折叠的列文塔尔悖论及其解决方案,蛋白质折叠和展开的理论模型,以及这些过程的速率对蛋白质链长度的依赖。特别关注相对较小的、单域的和水溶性的球状蛋白,它们的结构和折叠比那些大的蛋白质,特别是膜或纤维蛋白更好地研究和理解。最后,我们描述了伴侣辅助蛋白质折叠,重点是伴侣阻止蛋白质不可逆聚集的能力。由于与伴侣蛋白相关的可能的辅助机制仍有争议,实验数据有助于选择伴侣蛋白辅助蛋白折叠的最有可能的机制。
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引用次数: 0
The emotional connotations of major and minor: The role of harmonicity and pitch height 大调与小调的情感内涵:和声与音高的作用。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-13 DOI: 10.1016/j.plrev.2024.12.007
Richard Parncutt
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引用次数: 0
Languages are cultural artifacts and align with cultural evolution: Comment on “Language follows a distinct mode of extra-genomic evolution” by Balthasar Bickel, Anne-Lise Giraud, Klaus Zuberbühler, Carel P. van Schaik (this issue) 语言是文化产物,与文化进化保持一致:对Balthasar Bickel, Anne-Lise Giraud, Klaus zuberb<e:1> hler, Carel P. van Schaik的“语言遵循一种独特的基因组外进化模式”的评论(本期)。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-07 DOI: 10.1016/j.plrev.2024.12.003
Salikoko S. Mufwene
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引用次数: 0
Framing wellbeing and societal challenge mechanisms via distinct outcomes of art experience? A brief revisit to the VIMAP 通过艺术体验的不同结果来构建幸福和社会挑战机制?简要回顾一下VIMAP。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-06 DOI: 10.1016/j.plrev.2024.12.004
Matthew Pelowski , Katherine N. Cotter , Stephanie Miller , Helmut Leder
In this brief contribution—happily afforded by the 20th anniversary of Physics of Life Reviews—we take the opportunity to reflect on our earlier published paper, which had introduced a theoretical framework, the VIMAP (Vienna Integrated Model of (Top-Down and Bottom-up processes in) Art Perception; (Pelowski et al., [1])) that has come to represent a major basis for organizing, anticipating, and empirically investigating the nuanced, multivariate visual art experience. We look back at the original model and its hypotheses, especially as these regard distinct "outcomes," which we had argued may provide a superstructure of supraordinate, shared varieties of art experience detected across individual meetings of viewer, context, and artworks. In the present paper we consider whether these outcomes could also be a useful tool for approaching new demands across multiple art-related areas that have strengthened in the years since the original publication regarding applying the arts to wellbeing, societal challenges, and health. All of which require a framework for better understanding and testing the nuanced features of individual-centered art experience. We briefly—and admitedly very speculatively—consider how these new topics could be fit to the VIMAP [2]. Guided also by new evidence from our team that has provided a bottom-up verification of the specified outcome types and their implications, we provide a working set of suggestions whereby we might connect wellbeing- or attitude/behavioral change-related targets to the specific VIMAP outcomes, which we argue may provide a powerful mechanistic structure for future research.
在这篇简短的文章中——很高兴由《生命物理学评论》20周年提供——我们借此机会反思我们早期发表的论文,该论文介绍了一个理论框架,VIMAP(维也纳综合模型(自上而下和自下而上的过程)艺术感知;(Pelowski et al.,[1])),这已经成为组织、预测和实证调查微妙、多元视觉艺术体验的主要基础。我们回顾了最初的模型和它的假设,特别是当它们考虑到不同的“结果”时,我们认为这些结果可能提供了一种超越的、共享的艺术体验的上层建筑,这种艺术体验贯穿了观众、环境和艺术品的个人会议。在本论文中,我们考虑这些结果是否也可以成为一种有用的工具,用于满足多个艺术相关领域的新需求,这些领域自最初发表以来一直在加强,将艺术应用于福祉、社会挑战和健康。所有这些都需要一个框架来更好地理解和测试以个人为中心的艺术体验的细微特征。我们简要地考虑了这些新主题如何适用于VIMAP[2]。在我们团队提供的新证据的指导下,对特定的结果类型及其含义进行了自下而上的验证,我们提供了一套工作建议,据此我们可以将幸福感或态度/行为变化相关目标与特定的VIMAP结果联系起来,我们认为这可能为未来的研究提供强大的机制结构。
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引用次数: 0
The role of mathematical models in epidemic prediction and the challenges of COVID-19. Comment on ‘data-driven mathematical modeling approaches for COVID-19: A survey’ by J. Demongeot, P. Magal 数学模型在流行病预测中的作用及2019冠状病毒病的挑战对J. Demongeot、P. Magal合著的《COVID-19数据驱动的数学建模方法:调查》的评论。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-06 DOI: 10.1016/j.plrev.2024.12.002
E. Fanchon, A. Stéphanou
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引用次数: 0
Comment on “A decade of thermostatted kinetic theory models for complex active matter living systems” by Carlo Bianca 评论卡洛·比安卡的《复杂活性物质生命系统的恒温动力学模型的十年》。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-06 DOI: 10.1016/j.plrev.2024.11.019
Francesco Pappalardo, Giulia Russo
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引用次数: 0
Language is a unique form of communication that transformed human evolution but how unique is linguistic evolution? 语言是一种独特的交流形式,它改变了人类的进化,但语言的进化究竟有多独特呢?
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-06 DOI: 10.1016/j.plrev.2024.12.005
François Osiurak , Nicolas Claidière
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引用次数: 0
Multi-scale phenomena behind the transmission of infectious disease 传染病传播背后的多尺度现象:评J. Demongeot & P. Magal的《COVID-19数据驱动的数学建模方法:调查》
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-05 DOI: 10.1016/j.plrev.2024.12.001
R. Eftimie
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引用次数: 0
The major-minor mode dichotomy in music perception 音乐感知中的大调-小调二分法。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-05 DOI: 10.1016/j.plrev.2024.11.017
Giulio Carraturo , Victor Pando-Naude , Marco Costa , Peter Vuust , Leonardo Bonetti , Elvira Brattico
In Western tonal music, major and minor modes are recognized as the primary musical features in eliciting emotional responses. The underlying correlates of this dichotomy in music perception have been extensively investigated through decades of psychological and neuroscientific research, yielding plentiful yet often discordant results that highlight the complexity and individual differences in how these modes are perceived. This variability suggests that a deeper understanding of major-minor mode perception in music is still needed. We present the first comprehensive systematic review and meta-analysis, providing both qualitative and quantitative syntheses of major-minor mode perception and its behavioural and neural correlates. The qualitative synthesis includes 70 studies, revealing significant diversity in how the major-minor dichotomy has been empirically investigated. Most studies focused on adults, considered participants' expertise, used real-life musical stimuli, conducted behavioural evaluations, and were predominantly performed with Western listeners. Meta-analyses of behavioural, electroencephalography, and neuroimaging data (37 studies) consistently show that major and minor modes elicit distinct neural and emotional responses, though these differences are heavily influenced by subjective perception. Based on our findings, we propose a framework to describe a Major-Minor Mode(l) of music perception and its correlates, incorporating individual factors such as age, expertise, cultural background, and emotional disorders. Moreover, this work explores the cultural and historical implications of the major-minor dichotomy in music, examining its origins, universality, and emotional associations across both Western and non-Western contexts. By considering individual differences and acoustic characteristics, we contribute to a broader understanding of how musical frameworks develop across cultures. Limitations, implications, and suggestions for future research are discussed, including potential clinical applications for mood regulation and emotional disorders, alongside recommendations for experimental paradigms in investigating major-minor modes.
在西方调性音乐中,大调和小调被认为是引发情绪反应的主要音乐特征。几十年来,心理学和神经科学研究对音乐感知中这种二分法的潜在关联进行了广泛的研究,得出了大量但往往不一致的结果,突出了这些模式感知方式的复杂性和个体差异。这种可变性表明,对音乐中大调-小调调式感知的更深入理解仍然是必要的。我们提出了第一个全面的系统回顾和荟萃分析,提供了大调-小调模式感知及其行为和神经相关的定性和定量综合。定性综合包括70项研究,揭示了如何对主要-次要二分法进行实证研究的显著多样性。大多数研究集中在成年人身上,考虑到参与者的专业知识,使用现实生活中的音乐刺激,进行行为评估,主要是在西方听众中进行的。行为、脑电图和神经影像学数据(37项研究)的荟萃分析一致表明,主要和次要模式引起不同的神经和情绪反应,尽管这些差异在很大程度上受到主观感知的影响。基于我们的研究结果,我们提出了一个框架来描述音乐感知的大调-小调模式(l)及其相关因素,包括年龄、专业知识、文化背景和情绪障碍等个人因素。此外,本研究还探讨了音乐中大调小调二分法的文化和历史含义,考察了它在西方和非西方背景下的起源、普遍性和情感联系。通过考虑个体差异和声学特征,我们有助于更广泛地了解音乐框架如何跨文化发展。讨论了未来研究的局限性、意义和建议,包括情绪调节和情绪障碍的潜在临床应用,以及研究主要-次要模式的实验范式的建议。
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引用次数: 0
From SIR to delay models in epidemiology 从SIR到流行病学中的延迟模型:对Jacques Demongeot和Pierre Magal的《COVID-19数据驱动的数学建模方法:调查》的评论。
IF 13.7 1区 生物学 Q1 BIOLOGY Pub Date : 2024-12-04 DOI: 10.1016/j.plrev.2024.11.018
V. Volpert
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引用次数: 0
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Physics of Life Reviews
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