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Kennings for ‘raven’ and ‘eagle’ “渡鸦”和“鹰”的犬舍
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2020-2027
Vivian Busch
Abstract This article provides an analysis of kennings for ‘raven’ and ‘eagle’, taking a closer look at the choice and meanings of base-words, their connection with determinants and the formation of kenning patterns. It investigates the role of kenning parts in establishing the meaning of the referent, also taking into consideration adjectives and adjectival elements of compounded base-words. The article is also a test case for how information can be drawn from a new kenning lexicon in form of an online-database. The database format offers various possibilities to structure the corpus of kennings, for instance allowing the article’s focus on details concerning the construction of kennings and the usage and combination of base-words and determinants.
摘要本文对“raven”和“eagle”的kenning进行了分析,深入探讨了基础词的选择和含义、它们与决定因素的联系以及kenning模式的形成。它考察了kenning部分在确定指称意义中的作用,同时也考虑了复合基词的形容词和形容词成分。这篇文章也是一个测试案例,说明如何以在线数据库的形式从一个新的肯宁词典中提取信息。数据库格式提供了构建kennings语料库的各种可能性,例如,允许文章关注有关kennings的构建以及基本词和决定因素的使用和组合的细节。
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引用次数: 0
Helge Sandøy, Agnete Nesse (eds.):Norsk språkhistorie. Bd. I Mønster (681 S.), Bd. II Praksis (684 S.), Bd. III Ideologi (548 S.), Bd. IV Tidslinjer (798 S.) Helge Sandøy,Agnete Nesse(编辑):Norsk språkhisterie。Bd。 I Mønster(681 S.),Bd。 II Praksis(684 S.),Bd。 三意识形态(548 S.),Bd。 IV Tidslinjer(798 S.)
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2021-2032
Christer Lindqvist
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引用次数: 0
Harald Bjorvand/Fredrik Otto Lindeman:Våre arveord. Etymologisk ordbok 哈拉尔德·比约万德/弗雷德里克·奥托·林德曼:我们的遗产。词源词典
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2021-2033
Christer Lindqvist
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引用次数: 0
Den kriminelle romanen og leseren 犯罪小说与读者
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2020-2019
Gerd Karin Omdal
Abstract In the article KYKA / 1984 is studied as a concrete experiment with the printed book as a medium and with the double-book-format. Karin Moe is in this text dealing with questions concerning the relationship between work and text, and between work, text and reader. The article is an exploration of the design and the composition of the book, and it also explores several kinds of transtextuality, which are establishing interconnections with other literary works and genres. Questions raised by Moe in KYKA / 1984 concerning language and gender are also examined. An important objective of the article is to uncover how and why an experimental and critical investigation is carried out in a book copying a well-known commercial format.
摘要本文以印刷图书为媒介,采用双书格式,对KYKA / 1984进行了具体的实验研究。在这篇文章中,Karin Moe探讨了作品与文本,以及作品、文本和读者之间的关系。本文对书的设计和构成进行了探索,并探讨了几种与其他文学作品和体裁建立联系的跨文本性。还审查了Moe在KYKA / 1984中提出的关于语言和性别的问题。本文的一个重要目标是揭示如何以及为什么在一本复制知名商业格式的书中进行实验性和批判性调查。
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引用次数: 0
Kenningar in den metrischen Runeninschriften der Wikingerzeit und des Mittelalters 海盗时代和中世纪的官方汉字
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2020-2023
J. Krüger
Abstract There are several reasons why it is of great importance to include the kennings of the metrical runic inscriptions in thorough investigations of kennings, albeit their number is not particularly high. One reason for this is that there are Viking-Age metrical inscriptions with kennings attested from Eastern Scandinavia, and mostly in eddic metres. Further, some of these kennings belong to the oldest kennings we know at all from Scandinavia, e. g. the kennings of the Theoderic-stanza on the Swedish Rök stone are older than the work of Bragi Boddason. To make it easier for further research to include these kennings, this article gives a short overview of this material. It is worth considering the kennings of the metrical runic inscriptions, for they show a great variety and they are highly developed. Beside the use of tvíkennt and rekit kennings, they testify the knowledge of half-kennings and the poetic device of ofljóst in medieval Norway.
虽然格律碑文的数量并不是特别多,但在对格律碑文的深入研究中,将格律碑文的格律碑文纳入研究是非常重要的,这有几个原因。其中一个原因是,在斯堪的纳维亚东部,有维京时代的刻有肯宁斯的格律铭文,而且大多以涡米为单位。此外,其中一些肯尼斯属于我们所知道的斯堪的纳维亚最古老的肯尼斯,例如。瑞典Rök石碑上theoderic -节的kennings比Bragi Boddason的作品更古老。为了使进一步的研究更容易包含这些内容,本文简要概述了这些材料。格律碑文的形态多样,发展程度高,值得研究。除了使用tvíkennt和rekit kennings外,它们还证明了中世纪挪威对half-kennings的了解和ofljóst的诗歌装置。
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引用次数: 0
Kennings in Old English Verse and in the Poetic Edda 古英语诗和埃达诗体中的肯宁斯
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2020-2030
R. Fulk
Abstract To shed light on questions pertaining to the similarities and differences between kennings in Old English and in the Poetic Edda, a survey is undertaken of the density of kenning use in the two corpora. The likeliest conclusion to be drawn from a comparison of findings is that the two poetic traditions are rather similar in regard to kenning use. In both traditions, kennings are notably simpler and less riddle-like than in skaldic poetry, though the Edda contains a few kennings of sufficient complexity to suggest skaldic influence. Although kennings, on average, occur more frequently in Old English, the incidence is broadly similar to that in the Poetic Edda. Kennings are not uncommonly explained by the use of variation (apposition) in Old English, but less commonly in the Edda, although the difference does not specifically suggest discrepant attitudes toward kenning use in the two traditions, since variation is rare in the Edda under all circumstances. Although the possibility of the influence of one tradition upon the other cannot be ruled out, the similarities, in the main, are probably best explained as the result of common inheritance. This explanation garners support from the number of instances in which more or less precise cognate kennings appear in the two bodies of literature.
摘要:为了阐明古英语和《诗学埃达》中肯宁语的异同,本文对两个语料库中肯宁语的使用密度进行了调查。比较这些发现最可能得出的结论是,这两种诗歌传统在使用kenning方面相当相似。在这两种传统中,肯宁诗都明显比斯卡尔迪诗更简单,更不像谜语,尽管埃达包含了一些足够复杂的肯宁诗,表明斯卡尔迪诗的影响。虽然kennings在古英语中的平均出现频率更高,但其发生率与《诗学埃达》中的大致相似。在古英语中,变体(并列)的使用对kenning的解释并不罕见,但在Edda中却不太常见,尽管这种差异并没有特别表明两种传统中对kenning使用的不同态度,因为在所有情况下,Edda中的变体都是罕见的。虽然不能排除一种传统对另一种传统产生影响的可能性,但总的来说,这些相似之处可能最好解释为共同继承的结果。这一解释得到了大量实例的支持,在这些实例中,或多或少精确地同源命名出现在两个文学体中。
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引用次数: 1
Lene Asks Kjære Rikard som utgangspunkt for utvikling av emosjonell literacy og mentaliseringsevne Lene Ask的《亲爱的里卡德》是情感素养和心理能力发展的基础
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-04-01 DOI: 10.1515/ejss-2020-2029
A. Myhr, Oda Helene Bergland, Bente Jeannine Hovind
Abstract The article explores whether reading Lene Ask’s documentary graphic novel Kjære Rikard (‘Dear Rikard’) may provide children and adults with training in, and an increased awareness of the importance of, emotional literacy and theory of mind. In order to investigate this question, the authors of the article conduct a close reading of Ask’s novel, using terminology from narratology, picture book and comics’ theory, and look for connections between the findings from the analyses and insights from reader-response theory and cognitive literary studies. The authors suggest that in combination, Ask’s fictive and documentarist drawings and the excerpts from the hand-written correspondence between young Rikard in Stavanger and his father, a missionary in Madagaskar in the 1890s, invite both children and adult readers to develop a keen sense of the value of emotional literacy and theory of mind.
摘要本文探讨了阅读Lene Ask的纪实漫画小说《Kjære Rikard》是否可以为儿童和成年人提供情感素养和心理理论的培训,并提高他们对其重要性的认识。为了研究这个问题,文章作者使用叙事学、图画书和漫画理论中的术语,仔细阅读了Ask的小说,并寻找分析结果与读者反应理论和认知文学研究的见解之间的联系。作者建议,结合Ask的虚构和纪录片绘制,以及斯塔万格年轻的里卡德和他的父亲(19世纪90年代在马达加斯卡尔的传教士)之间的手写信件摘录,可以邀请儿童和成人读者对情感素养和心理理论的价值产生敏锐的认识。
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引用次数: 0
Hytte-humor – om sanitetsbind og begjær
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-10-01 DOI: 10.1515/ejss-2020-2015
Ellen Rees
Abstract This article considers two comedy sketches that poke fun at cabin culture, a key praxis in contemporary Norway. The sketches are examples of what philosopher Simon Critchley calls «comedy of recognition», reflecting rather than challenging common experiences and beliefs. Focusing on the attitudes held by men and women toward cabins, the article examines how in particular masculinity is experienced and performed in this setting. The article concludes that cabins express complex feelings connected to personal, gender and national identities, and that they are therefore an apt vehicle for comedy about what it means to be Norwegian today.
这篇文章考虑了两个取笑小屋文化的喜剧小品,这是当代挪威的一个关键实践。这些小品是哲学家西蒙·克里奇利(Simon Critchley)所说的“认知喜剧”的例子,反映而不是挑战共同的经历和信念。重点关注男性和女性对小屋的态度,文章探讨了在这种情况下,男性气概是如何被体验和表现的。文章的结论是,小木屋表达了与个人、性别和国家身份相关的复杂情感,因此,它们是喜剧的合适载体,讲述了当今挪威人的意义。
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引用次数: 0
Jan Alexander van Nahl, Astrid van Nahl: Skandinavistische Mediävistik. Einführung in die altwestnordische Sprach- und Literaturgeschichte Jan Alexander van Nahl,Astrid van Nahl:斯堪的纳维亚中世纪研究。北欧古代语言文学史导论
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-10-01 DOI: 10.1515/ejss-2020-2016
M. Schulte
Wer heute das Fach Skandinavistik studiert, findet eine Vielzahl von neuen Einführungen, die einen Überblick über Inhalte, Probleme und Forschungsgeschichte der Teilgebiete dieses Faches geben. So füllt die vorliegende Einführung zur altwestnordischen Sprache und Literatur eine Lücke im Fachbereich der Altskandinavistik und skandinavistischen Mediävistik. Zweck des vorliegenden Buches („Der Blick nach vorn“) ist es, getreu der humanistischen Tradition, „Berührungsängste abzubauen“ (S. XIX) und die uns an sich ferne altwestnordische Sprache mit ihren (mehr oder weniger) exotischen Literaturformen zu erschließen. Nach Auskunft der Autoren ist das Buch für Fachleute und Neulinge gleichermaßen geeignet:
今天,任何研究斯堪的纳维亚研究的人都会发现各种新的介绍,概述了该学科子领域的内容、问题和研究历史。因此,目前对旧西北欧语言和文学的介绍填补了旧斯堪的纳维亚和斯堪的那维亚中世纪研究领域的空白。这本书(“Der Blick nach vorn”)的目的是“消除对接触的恐惧”(第十九页),并探索具有(或多或少)异国文学形式的旧西北欧语言。根据作者的说法,这本书同样适合专家和新来者:
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引用次数: 0
Boundaries of the Stranger 陌生人的边界
IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-10-01 DOI: 10.1515/ejss-2020-2006
Søren Blak Hjortshøj
Abstract In recent cosmopolitan work, scholars such as Julia Kristeva, Zygmunt Bauman, Jacques Derrida, and Ulrich Beck have represented the stranger as a universal ideal for our global age and Georg Simmel’s stranger in the Exkurs über den Fremden has been emphasized as a model for this ideal. While these uses can be justified by generalized passages in Simmel’s essay, they still omit the problem of European Jewish historical exemplarity. Thus, in the decades before Simmel’s essay, this stranger type was already a well-developed figure related to the so-called Jewish question. Georg Brandes and Henrik Pontoppidan used the Jewish stranger to evaluate the societal changes of the fin-de-siècle period and questions of progress vs. decay. Yet, their work limited the stranger to a specific type of Jewishness not including other marginal existences. Hence, reading Simmel with Brandes and Pontoppidan outlines the boundaries of this stranger type as it raises questions regarding recent cosmopolitan uses of Simmel’s stranger.
摘要在最近的世界性著作中,Julia Kristeva、Zygmunt Bauman、Jacques Derrida和Ulrich Beck等学者将陌生人描述为我们这个全球时代的普遍理想,Georg Simmel在Exkursüber den Fremden的陌生人被强调为这一理想的典范。虽然这些用法可以通过西梅尔文章中的概括段落来证明,但它们仍然省略了欧洲犹太人历史例证的问题。因此,在西梅尔发表文章之前的几十年里,这个陌生人类型已经是一个与所谓的犹太问题有关的成熟人物。格奥尔格·布兰德斯(Georg Brandes)和亨里克·蓬托皮丹(Henrik Pontoppidan。然而,他们的作品将陌生人局限于一种特定类型的犹太性,不包括其他边缘存在。因此,与Brandes和Pontoppidan一起阅读Simmel,勾勒出了这种陌生人类型的界限,因为它引发了人们对Simmel的陌生人最近在世界范围内的使用的质疑。
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引用次数: 0
期刊
European Journal of Scandinavian Studies
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