Abstract Although Cecilie Løveid is one of Norway’s most important contemporary dramatists, she is not generally considered part of mainstream theater. In fact, she has positioned herself against it by her writing of feminist and performative theater texts since her debut in the 1980s. In her play Østerrike, which is inspired by Henrik Ibsen’s Brand and by Ludwig Wittgenstein’s diary of his stay in Norway, the audience is introduced to a love triangle. Ludwig, his fiancée Agnes and his former boyfriend David are entangeled in a queer love drama causing constant gender trouble. In this article, I will analyze how Løveid combines this gender discourse with a metatextual genre discourse. The play ends with a “beautiful scene”, which disrupts all existing categories of gender and genre. This scene in particular illustrates that Østerrike can be interpreted as a critical commentary on the Ibsen-tradition that determines Løveid’s outsider position.
{"title":"Gender Trouble / Genre Trouble – Cecilie Løveids Østerrike","authors":"Patrick Ledderose","doi":"10.1515/ejss-2020-2021","DOIUrl":"https://doi.org/10.1515/ejss-2020-2021","url":null,"abstract":"Abstract Although Cecilie Løveid is one of Norway’s most important contemporary dramatists, she is not generally considered part of mainstream theater. In fact, she has positioned herself against it by her writing of feminist and performative theater texts since her debut in the 1980s. In her play Østerrike, which is inspired by Henrik Ibsen’s Brand and by Ludwig Wittgenstein’s diary of his stay in Norway, the audience is introduced to a love triangle. Ludwig, his fiancée Agnes and his former boyfriend David are entangeled in a queer love drama causing constant gender trouble. In this article, I will analyze how Løveid combines this gender discourse with a metatextual genre discourse. The play ends with a “beautiful scene”, which disrupts all existing categories of gender and genre. This scene in particular illustrates that Østerrike can be interpreted as a critical commentary on the Ibsen-tradition that determines Løveid’s outsider position.","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"260 - 276"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47541448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The so-called Torgersen case is one of the most famous murder cases and criminal proceedings in modern Norwegian history, as it started in the late 1950s and still figures in the judicial system, even after the convict’s death. Among the multitude of medial occurrences in the wake of the case we find three dramas, including Finn Iunker’s Det skjendige drapet i skippergata. In this article Iunker’s play is studied in a media archeological perspective, informed by German materialist media theory, focusing on media technology, communication systems, transmission, noise, and meta mediality. A key assertion is that Iunker’s play not only can be studied through the lens of media archeology, but to a certain extent can be read as media archeological excavation of the past, focusing on hypermedial aspects such as noise. Finally, the media archeological approach allows for a brief discussion on drama form and modern media culture.
所谓的Torgersen案是现代挪威历史上最著名的谋杀案和刑事诉讼之一，因为它始于20世纪50年代末，即使在罪犯死亡后仍然在司法系统中占有重要地位。在案件发生后的大量媒体事件中，我们发现了三部戏剧，包括芬恩·昂克的《Det skjendige drapet i skippergata》。在这篇文章中，我们从媒体考古学的角度研究了Iunker的戏剧，并借鉴了德国唯物主义媒体理论，将重点放在媒体技术、通信系统、传输、噪音和元媒体上。一个关键的主张是，Iunker的戏剧不仅可以通过媒体考古学的镜头来研究，而且在一定程度上可以被解读为对过去的媒体考古学挖掘，专注于噪音等超媒介方面。最后，媒介考古学的方法允许对戏剧形式和现代媒介文化进行简短的讨论。
{"title":"Mordmedieringer","authors":"Lars August Fodstad","doi":"10.1515/ejss-2021-2041","DOIUrl":"https://doi.org/10.1515/ejss-2021-2041","url":null,"abstract":"Abstract The so-called Torgersen case is one of the most famous murder cases and criminal proceedings in modern Norwegian history, as it started in the late 1950s and still figures in the judicial system, even after the convict’s death. Among the multitude of medial occurrences in the wake of the case we find three dramas, including Finn Iunker’s Det skjendige drapet i skippergata. In this article Iunker’s play is studied in a media archeological perspective, informed by German materialist media theory, focusing on media technology, communication systems, transmission, noise, and meta mediality. A key assertion is that Iunker’s play not only can be studied through the lens of media archeology, but to a certain extent can be read as media archeological excavation of the past, focusing on hypermedial aspects such as noise. Finally, the media archeological approach allows for a brief discussion on drama form and modern media culture.","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"235 - 259"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42656299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kerstin Gräfin von Schwerin: Friederike Brun. Weltbürgerin in der Zeitenwende. Eine Biographie","authors":"K. Hoff","doi":"10.1515/ejss-2021-2039","DOIUrl":"https://doi.org/10.1515/ejss-2021-2039","url":null,"abstract":"","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"406 - 409"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43703905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kevin Müller: Schreiben und Lesen im Altisländischen. Lexeme, syntagmatische Relationen und Konzepte in der Jóns saga helga, Sturlunga saga und Laurentius saga biskups","authors":"Fabian Schwabe","doi":"10.1515/ejss-2021-2043","DOIUrl":"https://doi.org/10.1515/ejss-2021-2043","url":null,"abstract":"","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"387 - 390"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46490673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Montecore. En unik tiger (2006) stages its own making through the joint authorship of Kadir, a friend of Abbas’, and Jonas, a young writer and Abbas’ son. Their collaboration aims at a novel about Abbas, who migrated from Tunisia to Sweden, now a missing person. The interpretation of his life proves to be a conflicting ground for the co-authors because of their generational differences. This article proposes an analysis of Montecore building upon the notion of collaborative or multiple authorship (Stillinger 1991; Love 2002), and upon the discussion in Scandinavia and in Germany on contemporary migration and postmigration literature. Through a metafictional collaborative authorship – a so far neglected dimension in the study of Montecore – Jonas Hassen Khemiri depicts a young author’s ambivalent feelings towards his father and his story. Abbas has vanished from the family, but his special gift to Jonas, through Kadir’s mediation, deals with a linguistic talent that defies the rules of Swedish, showing the power of language to invent, and to imagine a different and less oppressive order.
{"title":"Collaborative Authorship and Postmigration in Jonas Hassen Khemiri’s Novel Montecore","authors":"M. Ciaravolo","doi":"10.1515/ejss-2021-2048","DOIUrl":"https://doi.org/10.1515/ejss-2021-2048","url":null,"abstract":"Abstract Montecore. En unik tiger (2006) stages its own making through the joint authorship of Kadir, a friend of Abbas’, and Jonas, a young writer and Abbas’ son. Their collaboration aims at a novel about Abbas, who migrated from Tunisia to Sweden, now a missing person. The interpretation of his life proves to be a conflicting ground for the co-authors because of their generational differences. This article proposes an analysis of Montecore building upon the notion of collaborative or multiple authorship (Stillinger 1991; Love 2002), and upon the discussion in Scandinavia and in Germany on contemporary migration and postmigration literature. Through a metafictional collaborative authorship – a so far neglected dimension in the study of Montecore – Jonas Hassen Khemiri depicts a young author’s ambivalent feelings towards his father and his story. Abbas has vanished from the family, but his special gift to Jonas, through Kadir’s mediation, deals with a linguistic talent that defies the rules of Swedish, showing the power of language to invent, and to imagine a different and less oppressive order.","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"199 - 219"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43536806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Elena Brandenburg: Karl der Große im Norden. Rezeption französischer Heldenepik in den altostnordischen Handschriften","authors":"R. Scheel","doi":"10.1515/ejss-2021-2053","DOIUrl":"https://doi.org/10.1515/ejss-2021-2053","url":null,"abstract":"","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"378 - 383"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44409185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lucie Korecká: Wizards and Words. The Old Norse vocabulary of magic in a cultural context","authors":"Else Mundal","doi":"10.1515/ejss-2021-2052","DOIUrl":"https://doi.org/10.1515/ejss-2021-2052","url":null,"abstract":"","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"374 - 378"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49501460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract During the Second World War, a few well-educated Greenlanders from the Danish colonies of Godthåb and Holsteinsborg expressed their sympathy for Nazi Germany. However, the background of the political turmoil within the Greenlandic elite remains largely unknown. This article presents the state of research and previously unknown sources on the Nazi riots in Greenland. In a subsequent step, potential motives for the movement will be discussed. So far, researchers have ruled out that Greenlanders were aware of the true nature of National Socialism. Instead, the scattered pro-German activities along Greenland’s West coast have been played down as spontaneous acts of provocation and mere political calculus. In fact, the Nazis’ ideology and war crimes were well known to the Greenlanders. In addition, German polar researchers made friends with Greenlandic journalists, teachers and catechists after the Nazi seizure of power. Last not least, the article will examine how Danish discrimination against Greenlanders contributed to the Greenlandic chauvinism displayed by a few members of the Inuit elite.
{"title":"„I dette sataniske Evangelium“","authors":"Daniel Nagelstutz","doi":"10.1515/ejss-2021-2038","DOIUrl":"https://doi.org/10.1515/ejss-2021-2038","url":null,"abstract":"Abstract During the Second World War, a few well-educated Greenlanders from the Danish colonies of Godthåb and Holsteinsborg expressed their sympathy for Nazi Germany. However, the background of the political turmoil within the Greenlandic elite remains largely unknown. This article presents the state of research and previously unknown sources on the Nazi riots in Greenland. In a subsequent step, potential motives for the movement will be discussed. So far, researchers have ruled out that Greenlanders were aware of the true nature of National Socialism. Instead, the scattered pro-German activities along Greenland’s West coast have been played down as spontaneous acts of provocation and mere political calculus. In fact, the Nazis’ ideology and war crimes were well known to the Greenlanders. In addition, German polar researchers made friends with Greenlandic journalists, teachers and catechists after the Nazi seizure of power. Last not least, the article will examine how Danish discrimination against Greenlanders contributed to the Greenlandic chauvinism displayed by a few members of the Inuit elite.","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"298 - 318"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45309952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The church of Tådene in Västergötland is home to a series of painted panels dating from the early 1700s. Before their restitution to the church in the 1960s, the panels were stored in a mausoleum, putting them beyond the scrutiny of scholars. This obscurity helped conceal the fact that the panels constitute the most sophisticated surviving programme of emblems to be found in any church in Sweden, remarkable in scale, scope, and invention. This article presents for the first time the source of the emblems at Tådene, and argues that a factor in the programme’s success is the role played in the composition of the poetic texts added to the emblems, and that, moreover, the author of these interventions was one of Sweden’s leading literary figures of the Baroque, Johan Runius. Not only was Runius resident in the parish of Tådene at the time when these panels took form, but his literary production in these years mark his only known attempts at the emblem genre. Through the confluence of date, place, and style, the article suggests that the texts of Tådene’s emblems merit investigation as lost poems dating from an early stage of Runius’s short career.
{"title":"The Emblem Texts at Tådene, Västergötland","authors":"S. Mckeown","doi":"10.1515/ejss-2020-2020","DOIUrl":"https://doi.org/10.1515/ejss-2020-2020","url":null,"abstract":"Abstract The church of Tådene in Västergötland is home to a series of painted panels dating from the early 1700s. Before their restitution to the church in the 1960s, the panels were stored in a mausoleum, putting them beyond the scrutiny of scholars. This obscurity helped conceal the fact that the panels constitute the most sophisticated surviving programme of emblems to be found in any church in Sweden, remarkable in scale, scope, and invention. This article presents for the first time the source of the emblems at Tådene, and argues that a factor in the programme’s success is the role played in the composition of the poetic texts added to the emblems, and that, moreover, the author of these interventions was one of Sweden’s leading literary figures of the Baroque, Johan Runius. Not only was Runius resident in the parish of Tådene at the time when these panels took form, but his literary production in these years mark his only known attempts at the emblem genre. Through the confluence of date, place, and style, the article suggests that the texts of Tådene’s emblems merit investigation as lost poems dating from an early stage of Runius’s short career.","PeriodicalId":40403,"journal":{"name":"European Journal of Scandinavian Studies","volume":"51 1","pages":"319 - 334"},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43898089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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