Pub Date : 2022-12-01DOI: 10.52505/1857-4300.2022.3(318).03
I. Druta
Proper names are double-character words: national and international. This is why translation requires an in-depth knowledge of the culture and civilization of the source language people. If a name is used for communication purposes (in a literary work), it must be treated in a special way. These are the most difficult cases for a translator, who has to be creative. Transferring names from one culture to another requires communication skills, but also intercultural skills: respect for traditions and cultural values. Proper names-anthroponyms can only be translated in certain contexts, where they describe a character, but are usually preserved intact. Usually proper names from stories, nicknames, but also some suggestive literary character names are translated and adapted. In most cases, the names of literary characters are not translated, but reported over to facilitate cultural transfer and eventually annotated. Thus, the translation process oscillates between science and art.
{"title":"The Onomastic Universe in the Fantastic Prose of Mikhail Bulgakov: the Dimension of Translation","authors":"I. Druta","doi":"10.52505/1857-4300.2022.3(318).03","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).03","url":null,"abstract":"Proper names are double-character words: national and international. This is why translation requires an in-depth knowledge of the culture and civilization of the source language people. If a name is used for communication purposes (in a literary work), it must be treated in a special way. These are the most difficult cases for a translator, who has to be creative. Transferring names from one culture to another requires communication skills, but also intercultural skills: respect for traditions and cultural values. Proper names-anthroponyms can only be translated in certain contexts, where they describe a character, but are usually preserved intact. Usually proper names from stories, nicknames, but also some suggestive literary character names are translated and adapted. In most cases, the names of literary characters are not translated, but reported over to facilitate cultural transfer and eventually annotated. Thus, the translation process oscillates between science and art.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"85 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83913739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.52505/1857-4300.2022.2(317).01
Ion Barbuta
The primary objective of this article is to establish and describe the discursive variants of the sentence representing its communicative paradigm. Constituted as a result of the adequacy of a sentence to communicative context, the discursive variants suppose, in linguistic terms, the variation of the informational structure of the sentence in relation to its semantic-syntactic structure. Described in terms of old/new information, the discursive variants are formed due to the operations involved in the discursive updating of the fundamental structures of the sentences, which are the thematisation and rhematisation of certain component elements of the sentence. The model that presents the sentence as a set of discursive variants combines semantic, syntactic and pragmatic or discursive criteria. Thus, in the process of analyzing these variants, the role of determining factors in the informational organization of the sentence was taken into account, these aspects being correlated with the marks of the informational structure of the sentence.
{"title":"The Discursive Variants of the Sentence Constituted as an Effect of its Contextual Updating: Typology Sketch","authors":"Ion Barbuta","doi":"10.52505/1857-4300.2022.2(317).01","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).01","url":null,"abstract":"The primary objective of this article is to establish and describe the discursive variants of the sentence representing its communicative paradigm. Constituted as a result of the adequacy of a sentence to communicative context, the discursive variants suppose, in linguistic terms, the variation of the informational structure of the sentence in relation to its semantic-syntactic structure. Described in terms of old/new information, the discursive variants are formed due to the operations involved in the discursive updating of the fundamental structures of the sentences, which are the thematisation and rhematisation of certain component elements of the sentence. The model that presents the sentence as a set of discursive variants combines semantic, syntactic and pragmatic or discursive criteria. Thus, in the process of analyzing these variants, the role of determining factors in the informational organization of the sentence was taken into account, these aspects being correlated with the marks of the informational structure of the sentence.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"41 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88551978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.52505/1857-4300.2022.2(317).07
Dumitru Apetri
In the present article, the author highlights an important aspect of the RomanianUkrainian literary dialogue: the editing by Ukrainians in the years from 1953 to 1977 of four plurigenural anthological collections from the literary creation and partly from the folklore of the Republic of Moldova. These editions are seen by the researcher as a significant contribution to the above mentioned dialogue. But the dominance of the ideological dictatorship in that period left its negative mark on several works included in anthologies – a fact that determined a value discernment of the material in each editorial unit. This action is accomplished in the hope that the dialogue discussed will be reopened in the upcoming years. Therefore, the author’s comments pursued several purposes: listing the writings that have devalued in the meantime showing the causes of this phenomenon; indication of the selection criteria and directions for the development of new volumes such as plurigenural anthologies.
{"title":"The Reception of Romanian Literature from the Republic of Moldova in Ukraine: Plurigenural Anthologies","authors":"Dumitru Apetri","doi":"10.52505/1857-4300.2022.2(317).07","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).07","url":null,"abstract":"In the present article, the author highlights an important aspect of the RomanianUkrainian literary dialogue: the editing by Ukrainians in the years from 1953 to 1977 of four plurigenural anthological collections from the literary creation and partly from the folklore of the Republic of Moldova. These editions are seen by the researcher as a significant contribution to the above mentioned dialogue. But the dominance of the ideological dictatorship in that period left its negative mark on several works included in anthologies – a fact that determined a value discernment of the material in each editorial unit. This action is accomplished in the hope that the dialogue discussed will be reopened in the upcoming years. Therefore, the author’s comments pursued several purposes: listing the writings that have devalued in the meantime showing the causes of this phenomenon; indication of the selection criteria and directions for the development of new volumes such as plurigenural anthologies.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"36 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81290322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.52505/1857-4300.2022.2(317).05
Teodor Oanca
Since the earliest times, hide processing has been a necessity in order to provide people with clothing and footwear. In the Middle Ages, craftsmen specialized in hide processing were differentiated and names according to the pieces of clothing or footwear they produced: they were furriers or skinners, shoemakers, leather cutters, traditional footwear makers and tanners etc. An important role in the development of this type of activity (processing domestic and wild animal hides) has been played by the technological progress that involved the use of chemical substances meant to ensure high-quality products. The appellatives selected as being part of the hide processing terminology became sources of nicknames or bynames in the 19th century, and later became official surnames as a result of the 1895 Name Law. At present 175 active surnames have been identified and the region and county frequency of occurrence is mentioned in the Appendix, according to The Anthoponymic Romanian Database
{"title":"Surnames Derived from the Hide Processing Terminology","authors":"Teodor Oanca","doi":"10.52505/1857-4300.2022.2(317).05","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).05","url":null,"abstract":"Since the earliest times, hide processing has been a necessity in order to provide people with clothing and footwear. In the Middle Ages, craftsmen specialized in hide processing were differentiated and names according to the pieces of clothing or footwear they produced: they were furriers or skinners, shoemakers, leather cutters, traditional footwear makers and tanners etc. An important role in the development of this type of activity (processing domestic and wild animal hides) has been played by the technological progress that involved the use of chemical substances meant to ensure high-quality products. The appellatives selected as being part of the hide processing terminology became sources of nicknames or bynames in the 19th century, and later became official surnames as a result of the 1895 Name Law. At present 175 active surnames have been identified and the region and county frequency of occurrence is mentioned in the Appendix, according to The Anthoponymic Romanian Database","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"312 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84812940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.52505/1857-4300.2022.2(317).02
Galaction Verebceanu
The article focuses on the description of syntactic processes that occur at the level of sentence parts. The characteristic features of the Subject, Predicate and Attribute from the text of the popular novel Sandipa are examined, a manuscript copy dated to the end of the 18th century in the northern part of historical Moldova and kept at the Russian State Library, Moscow (ms. Rom. 824). The syntactic phenomena are investigated from the point of view of their occurrence in the oldest Romanian language writings and in the contemporary ones with the manuscript we are dealing with, referring, as the case may be, to the situation in the current literary language.
{"title":"Linguistic Study on the Sandipa Manuscript. Syntax (4.). Sentence Syntax (1.","authors":"Galaction Verebceanu","doi":"10.52505/1857-4300.2022.2(317).02","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).02","url":null,"abstract":"The article focuses on the description of syntactic processes that occur at the level of sentence parts. The characteristic features of the Subject, Predicate and Attribute from the text of the popular novel Sandipa are examined, a manuscript copy dated to the end of the 18th century in the northern part of historical Moldova and kept at the Russian State Library, Moscow (ms. Rom. 824). The syntactic phenomena are investigated from the point of view of their occurrence in the oldest Romanian language writings and in the contemporary ones with the manuscript we are dealing with, referring, as the case may be, to the situation in the current literary language.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84616112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.52505/1857-4300.2022.2(317).06
Constantin Ivanov
This article offers a literary analysis of the existential dilemmas and psychological traumas of the characters in Mihaela Perciun’s novel, Cenușă rece. The sources and the chain of causality that marked the destinies of the characters from the perspective of moral evil are particularly highlighted. We have shown that moral deviations and the constraint of freedom of conscience are what can create both social dissensions and identity fractures over time. By using black humor, the author illustrates an upside-down world, wicked and with values followed only on a declarative level, thus managing to offer us a full picture of this society. It also analyzes the drama of three generations of women and how the male character, Tudor Cocargea, marked their existence by one moral slip he committed. Thus, we found that the characters, although they are blood relatives, are devoid of affection and totally unknown to each other
{"title":"Representations and Consequences of Moral Evil in Cenușă rece by Mihaela Perciun","authors":"Constantin Ivanov","doi":"10.52505/1857-4300.2022.2(317).06","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).06","url":null,"abstract":"This article offers a literary analysis of the existential dilemmas and psychological traumas of the characters in Mihaela Perciun’s novel, Cenușă rece. The sources and the chain of causality that marked the destinies of the characters from the perspective of moral evil are particularly highlighted. We have shown that moral deviations and the constraint of freedom of conscience are what can create both social dissensions and identity fractures over time. By using black humor, the author illustrates an upside-down world, wicked and with values followed only on a declarative level, thus managing to offer us a full picture of this society. It also analyzes the drama of three generations of women and how the male character, Tudor Cocargea, marked their existence by one moral slip he committed. Thus, we found that the characters, although they are blood relatives, are devoid of affection and totally unknown to each other","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"63 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84072689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.52505/1857-4300.2022.2(317).08
Carolina Gabura
The homodiegetic narrator, emphasizing in his narrative emotional feelings of great sensitivity, often shows predispositions to lyricism. The source of this lyricism is located in the so-called original, artistic self, which works as a source of emotional irradiation that resonates in the person of the author. He, in turn, creates in the work, under the aspect of a fictional identity, a discursive instance, the narrator, following a human model, most often, his model. If the author himself as a person is marked by emotional exuberance, has inclinations towards the predominantly affective assessment of reality, then, mainly, his fictional self will be endowed with an emotional-psychological structure similar to his, so he will have a lyrical identity. And lyricism, intrinsic to the actual identity of the author, is called land. The article comprises some essential theses about the nature of land lyricism and its manifestations in the works written by M. Sadoveanu, L. Blaga, Z. Stancu
{"title":"Land Lyricism and the Homodiegetic Narrative Register","authors":"Carolina Gabura","doi":"10.52505/1857-4300.2022.2(317).08","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).08","url":null,"abstract":"The homodiegetic narrator, emphasizing in his narrative emotional feelings of great sensitivity, often shows predispositions to lyricism. The source of this lyricism is located in the so-called original, artistic self, which works as a source of emotional irradiation that resonates in the person of the author. He, in turn, creates in the work, under the aspect of a fictional identity, a discursive instance, the narrator, following a human model, most often, his model. If the author himself as a person is marked by emotional exuberance, has inclinations towards the predominantly affective assessment of reality, then, mainly, his fictional self will be endowed with an emotional-psychological structure similar to his, so he will have a lyrical identity. And lyricism, intrinsic to the actual identity of the author, is called land. The article comprises some essential theses about the nature of land lyricism and its manifestations in the works written by M. Sadoveanu, L. Blaga, Z. Stancu","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"93 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85683867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In addition to updating classifications that have become traditional in analyzing Latin aphorisms and phrases (chronological perspective, ab ovo perspective), this article offers new perspectives to approach the Latin aphoristic corpus, such as the formal-semantic dimension, which allows attesting the phenomena of semantic increase, establishing relations of synonymy, antonymy, homonymy, inter- – intra-aphoristic levels, etc.; all these investigations are accompanied by etymological and semantic-pragmatic elucidations. The presence of figures of speech (antithesis, oxymoron, etc.) increases the degree of expressiveness of Latin formulas. The interpretation of the hypernymy phenomenon is based on the three-dimensionality: ontology, deontology, gnoseology, their concepts having the status of hypernyms in establishing the semantic field.
{"title":"Latin Aphorisms and Phrases: Classifications and Interpretations","authors":"Eugenia Mincu, Dorina Macovei, Natalia Rotari, Cristina Negru","doi":"10.52505/1857-4300.2022.2(317).04","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).04","url":null,"abstract":"In addition to updating classifications that have become traditional in analyzing Latin aphorisms and phrases (chronological perspective, ab ovo perspective), this article offers new perspectives to approach the Latin aphoristic corpus, such as the formal-semantic dimension, which allows attesting the phenomena of semantic increase, establishing relations of synonymy, antonymy, homonymy, inter- – intra-aphoristic levels, etc.; all these investigations are accompanied by etymological and semantic-pragmatic elucidations. The presence of figures of speech (antithesis, oxymoron, etc.) increases the degree of expressiveness of Latin formulas. The interpretation of the hypernymy phenomenon is based on the three-dimensionality: ontology, deontology, gnoseology, their concepts having the status of hypernyms in establishing the semantic field.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"312 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86684180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.52505/1857-4300.2022.2(317).03
Livia Caruntu-Caraman
The dynamism of a language is sustained by the flexible and receptive character at the lexico-semantic level. An important contribution to the development and enrichment of the current vocabulary is made not only by the lexemes of English origin (Anglicisms), but also by the derivatives produced from them. Integrated in the Romanian linguistic system, the newly created elements become authentic structural and functional units. In the present study, the author selected and analyzed a series of English words with extended circulation in the specialized languages and their lexical family, which they constitute/ complete in the meantime with units formed on Romanian territory. Most of the examined terms are recorded in the recent lexicographical works, but there are also words that circulate only in the mass media, in various fields of public activity and in the colloquial style, demonstrating the linguistic creativity and inventiveness of the users.
{"title":"The Productivity of Lexemes of English Origin","authors":"Livia Caruntu-Caraman","doi":"10.52505/1857-4300.2022.2(317).03","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.2(317).03","url":null,"abstract":"The dynamism of a language is sustained by the flexible and receptive character at the lexico-semantic level. An important contribution to the development and enrichment of the current vocabulary is made not only by the lexemes of English origin (Anglicisms), but also by the derivatives produced from them. Integrated in the Romanian linguistic system, the newly created elements become authentic structural and functional units. In the present study, the author selected and analyzed a series of English words with extended circulation in the specialized languages and their lexical family, which they constitute/ complete in the meantime with units formed on Romanian territory. Most of the examined terms are recorded in the recent lexicographical works, but there are also words that circulate only in the mass media, in various fields of public activity and in the colloquial style, demonstrating the linguistic creativity and inventiveness of the users.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"33 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75602484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.107
Andrey V. Korovin
The article focuses on specific structural features of tales written by Karen Blixen, now considered to be the main Danish writer of the 20th century. Her first book, Seven Gothic Tales, was published in English in 1934. The Roads Round Pisa and other tales from this book are not only full of symbols and metaphors, but also have complex structures at the level of composition and of plot. The narration in Blixen’s writings contains intense action; it is a dramatization of the text. The concept of “theatricality” constantly exists in many her tales and it is important for the interpretation of ideas in The Roads Round Pisa: but this concept generally determines a form of the text and its composition, which has some similarity to the composition of 5-acts drama. The motive of a play becomes the important structural component in this text; it is also connected to the plot and to images. Personages in this tale play different roles and change many masks. There are two types of heroes: heroes — actors on the stage and heroes — members of audience in the tale. The motive of a play creates also a particular subtext — required for understanding hidden matters, which a plot is built on. Theatricality of a text, on the one hand, brings more complicity, diversity; clarity of perception often is lost, because there is a certain coded meaning in the narration. On the other hand, it forces a reader to search for ways to comprehend the text. It looks like a reader is involved in a play, and only if he accepts rules of this play, he can understand hidden meaning of all circumstances. Karen Blixen uses the concept of theatricality to create absolutely original narratives inherent only in her poetic manner.
{"title":"The Roads Round Pisa by Karen Blixen — a play with a plot and a form","authors":"Andrey V. Korovin","doi":"10.21638/11701/spbu21.2022.107","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.107","url":null,"abstract":"The article focuses on specific structural features of tales written by Karen Blixen, now considered to be the main Danish writer of the 20th century. Her first book, Seven Gothic Tales, was published in English in 1934. The Roads Round Pisa and other tales from this book are not only full of symbols and metaphors, but also have complex structures at the level of composition and of plot. The narration in Blixen’s writings contains intense action; it is a dramatization of the text. The concept of “theatricality” constantly exists in many her tales and it is important for the interpretation of ideas in The Roads Round Pisa: but this concept generally determines a form of the text and its composition, which has some similarity to the composition of 5-acts drama. The motive of a play becomes the important structural component in this text; it is also connected to the plot and to images. Personages in this tale play different roles and change many masks. There are two types of heroes: heroes — actors on the stage and heroes — members of audience in the tale. The motive of a play creates also a particular subtext — required for understanding hidden matters, which a plot is built on. Theatricality of a text, on the one hand, brings more complicity, diversity; clarity of perception often is lost, because there is a certain coded meaning in the narration. On the other hand, it forces a reader to search for ways to comprehend the text. It looks like a reader is involved in a play, and only if he accepts rules of this play, he can understand hidden meaning of all circumstances. Karen Blixen uses the concept of theatricality to create absolutely original narratives inherent only in her poetic manner.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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