Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.203
K. Witczak, M. Rychło
This paper examines the Scandinavian terminology for ‘soot’ in connection with a number of Saami appellatives with a view to deciding which of them are native and which result from borrowing. Special attention is paid to the problem of adopting loanwords in Northern Europe, especially in the Scandinavian Peninsula. Two Proto- Germanic words denoting ‘soot’ are discussed from the morphological and etymological point of view. It is suggested that the West Germanic noun *hrōta- m./n. ‘soot’ is closely related to PG. *sōta- n. ‘soot’, which, in turn, is derived from the Proto-Indo- European verbal root *sed- ‘to sit’. The present authors intend to demonstrate that WG. *hrōta- derives from the Indo-European archetype *ku̯u-sōdo- ‘bad soot; thick layer of soot’, originally ‘what a soot!’. The original semantic distinction between PG. *sōta- and WG. *hrōta- seems to be preserved in the use of two independent Saamic loanwords, cf. Saa.N suohtti ‘soot (in the chimney)’ and ruohtti ‘big layer of soot’. The remaining Northern Saami words under analysis include čađđa ‘charcoal, soot’ (< Proto-Saamic *će̮δe̮ ‘carbon, charcoal, soot, grime’ < Ur. *ćüδ́i ‘coal, charcoal’), giehpa ‘soot’ (< PSaa. *kēpe̮ ‘id.’, probably a Proto-Baltic loanword) and gožu ~ gohčču- ‘soot, layer of soot, deposit of smoke or soot on things near a fireplace’ (< PSaa. *kočɔ̄j ‘soot’). Establishing the etymologies of this rich Saami terminology concerning ‘soot’ is significant to the gradual change of Saami lifestyle from a nomadic hunter-gatherer one towards a nonperipatetic community reliant on farming, animal husbandry and fishing.
{"title":"Soot in the Saami and Germanic languages","authors":"K. Witczak, M. Rychło","doi":"10.21638/11701/spbu21.2022.203","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.203","url":null,"abstract":"This paper examines the Scandinavian terminology for ‘soot’ in connection with a number of Saami appellatives with a view to deciding which of them are native and which result from borrowing. Special attention is paid to the problem of adopting loanwords in Northern Europe, especially in the Scandinavian Peninsula. Two Proto- Germanic words denoting ‘soot’ are discussed from the morphological and etymological point of view. It is suggested that the West Germanic noun *hrōta- m./n. ‘soot’ is closely related to PG. *sōta- n. ‘soot’, which, in turn, is derived from the Proto-Indo- European verbal root *sed- ‘to sit’. The present authors intend to demonstrate that WG. *hrōta- derives from the Indo-European archetype *ku̯u-sōdo- ‘bad soot; thick layer of soot’, originally ‘what a soot!’. The original semantic distinction between PG. *sōta- and WG. *hrōta- seems to be preserved in the use of two independent Saamic loanwords, cf. Saa.N suohtti ‘soot (in the chimney)’ and ruohtti ‘big layer of soot’. The remaining Northern Saami words under analysis include čađđa ‘charcoal, soot’ (< Proto-Saamic *će̮δe̮ ‘carbon, charcoal, soot, grime’ < Ur. *ćüδ́i ‘coal, charcoal’), giehpa ‘soot’ (< PSaa. *kēpe̮ ‘id.’, probably a Proto-Baltic loanword) and gožu ~ gohčču- ‘soot, layer of soot, deposit of smoke or soot on things near a fireplace’ (< PSaa. *kočɔ̄j ‘soot’). Establishing the etymologies of this rich Saami terminology concerning ‘soot’ is significant to the gradual change of Saami lifestyle from a nomadic hunter-gatherer one towards a nonperipatetic community reliant on farming, animal husbandry and fishing.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/spbu20.2022.106
E. Zheltova
The article concerns the semantic nuances of the verb faxo in the Plautus’ language. The vast majority of the occurrences demonstrate causative semantics, but there are a few cases where such a meaning can hardly be seen. De Melo singled out the two occurrences in which faxo can be treated as either an adverb similar to forsitan or a parenthetical expression with the meaning “I assume.” The author of the article has found some more examples of the non-causative use of faxo and tried to find out which of De Melo’s suggestions is preferable. On the grounds of the grammaticalization principles suggested by Hopper and Heine, there has been traced the stages of grammaticalization of faxo in the language of Roman comedy, with particular attention to the broader context. It is demonstrated that the causative meaning which transpires in many examples tends to emerge in the “bridging contexts” of grammaticalization, while the transition to the semantics under consideration occurs at the following stage, i.e. in the “switch context”. Having analyzed all the occurrences of faxo against the broader contexts and comparative data from other languages, the author concludes that the rare sigmatic future faxo had over time become a semi-grammaticalized marker of the speaker’s stance, which allowed both evidential (inferential) and modal-epistemic interpretation.
{"title":"Faxo in Plautus Revisited: Causativity vs. Speaker’s Stance","authors":"E. Zheltova","doi":"10.21638/spbu20.2022.106","DOIUrl":"https://doi.org/10.21638/spbu20.2022.106","url":null,"abstract":"The article concerns the semantic nuances of the verb faxo in the Plautus’ language. The vast majority of the occurrences demonstrate causative semantics, but there are a few cases where such a meaning can hardly be seen. De Melo singled out the two occurrences in which faxo can be treated as either an adverb similar to forsitan or a parenthetical expression with the meaning “I assume.” The author of the article has found some more examples of the non-causative use of faxo and tried to find out which of De Melo’s suggestions is preferable. On the grounds of the grammaticalization principles suggested by Hopper and Heine, there has been traced the stages of grammaticalization of faxo in the language of Roman comedy, with particular attention to the broader context. It is demonstrated that the causative meaning which transpires in many examples tends to emerge in the “bridging contexts” of grammaticalization, while the transition to the semantics under consideration occurs at the following stage, i.e. in the “switch context”. Having analyzed all the occurrences of faxo against the broader contexts and comparative data from other languages, the author concludes that the rare sigmatic future faxo had over time become a semi-grammaticalized marker of the speaker’s stance, which allowed both evidential (inferential) and modal-epistemic interpretation.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"115 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87953544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.211
A. Gekht
This article tells about the main stages of the biography of the famous Scandinavian painter Prince Eugene, a representative of the Bernadotte dynasty, who left a noticeable mark on the history of Swedish culture. Having no prospects of ever taking the royal throne, Eugene, after receiving the traditional upbringing and education for the heir to the throne, devoted himself to the study of painting. Having experienced the serious influence of the French Impressionist masters of the last third of the 19th century during his studies in Paris, he worked fruitfully in various genres for a long time, leaving an extensive creative legacy: his brush owns not only numerous canvases presented both in leading museums in Sweden and world-class collections (the British Museum, the Metropolitan Museum), but also monuments of monumental painting — in particular, frescoes in the Stockholm City Hall and the Royal Drama Theater. The activity of Prince Eugene as a representative of the Swedish royal court during the period on the eve of the dissolution of the Swedish-Norwegian union is a significant research interest. Prince Eugene made certain efforts to preserve the unity of Sweden and Norway by popularizing such ideas in the Norwegian creative environment, where he had wide acquaintances and a certain popularity and was even proposed by such famous figures of Norwegian culture as K. Hamsun and B. Bjornson as a possible candidate for the role of king of Norway. The prince-artist is also noteworthy as a public figure who held anti-Nazi positions during the period before and during World War II: he not only condemned the policies of the Third Reich, but also criticized Swedish public figures who expressed sympathy for the actions of the Nazi regime in Germany. Nowadays, the extensive creative heritage of Prince Eugene is on display in the collection of the art museum located in his estate Waldemarsudde in Stockholm, where he lived and worked for most of his life and where he was buried after his death.
{"title":"Prince Eugene of Sweden. A painter’s brief biography","authors":"A. Gekht","doi":"10.21638/11701/spbu21.2022.211","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.211","url":null,"abstract":"This article tells about the main stages of the biography of the famous Scandinavian painter Prince Eugene, a representative of the Bernadotte dynasty, who left a noticeable mark on the history of Swedish culture. Having no prospects of ever taking the royal throne, Eugene, after receiving the traditional upbringing and education for the heir to the throne, devoted himself to the study of painting. Having experienced the serious influence of the French Impressionist masters of the last third of the 19th century during his studies in Paris, he worked fruitfully in various genres for a long time, leaving an extensive creative legacy: his brush owns not only numerous canvases presented both in leading museums in Sweden and world-class collections (the British Museum, the Metropolitan Museum), but also monuments of monumental painting — in particular, frescoes in the Stockholm City Hall and the Royal Drama Theater. The activity of Prince Eugene as a representative of the Swedish royal court during the period on the eve of the dissolution of the Swedish-Norwegian union is a significant research interest. Prince Eugene made certain efforts to preserve the unity of Sweden and Norway by popularizing such ideas in the Norwegian creative environment, where he had wide acquaintances and a certain popularity and was even proposed by such famous figures of Norwegian culture as K. Hamsun and B. Bjornson as a possible candidate for the role of king of Norway. The prince-artist is also noteworthy as a public figure who held anti-Nazi positions during the period before and during World War II: he not only condemned the policies of the Third Reich, but also criticized Swedish public figures who expressed sympathy for the actions of the Nazi regime in Germany. Nowadays, the extensive creative heritage of Prince Eugene is on display in the collection of the art museum located in his estate Waldemarsudde in Stockholm, where he lived and worked for most of his life and where he was buried after his death.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.212
Elena Dorofeeva
The article deals with the main works of the poet and translator Sofya Alexandrovna Sviridova (1882 — not earlier than 1928, pseudonyms S. Sviridenko, G. Sviridova), first of all, the history of the creation and first publication of the first complete translation into Russian of the Elder Edda (1910, 1st volume published in 1917), in a manuscript awarded the Academic Prize of M. N. Akhmatov. Archival materials found by the author of the publication shed light on some episodes from Sviridova’s biography, including the years of her studies at the St Petersburg Higher Women’s (Bestuzhev) Courses. The article deals with the episodes that influenced the life and creative destiny of Sophia Sviridova, such as, for example, acquaintance with Professor F. A. Brown, who became her teacher and then chief reviewer, collaborated with A. Blok, who systematically gave the translator a job at the “World Literature” publishing house. Particular attention is paid to the description of the second volume of the complete translation of the Old Norse epic Elder Edda, which to this day remains in the manuscript and is stored in the archive of the publisher M. V. Sabashnikov. This study can serve as a theoretical basis for the publication of the second volume of the translation of the Elder Edda by S. Sviridenko (Sviridova), or the publication of the entire work in one book — this is exactly how it seemed logical and correct to the translator herself. Hopefully some other works from the rich literary heritage of S. A. Sviridova will be published in the future.
本文涉及诗人和翻译家索菲亚·亚历山德罗夫娜·斯维里多娃(1882年-不早于1928年，笔名S. Sviridenko, G. Sviridova)的主要作品，首先是创作历史和第一次完整翻译成俄语的埃达(1910年，第一卷出版于1917年)，在手稿中获得了M. N.阿赫马托夫的学术奖。该出版物的作者发现的档案材料揭示了Sviridova传记中的一些片段，包括她在圣彼得堡高等妇女(Bestuzhev)课程学习的岁月。这篇文章讲述了影响索菲亚·斯维里多娃的生活和创作命运的事件，例如，她与f·a·布朗教授的相识，布朗教授后来成为她的老师和首席评论家，与a·布洛克合作，后者在“世界文学”出版社系统地给了这位翻译一份工作。特别注意的是对古挪威史诗《埃达长老》完整翻译的第二卷的描述，直到今天仍保留在手稿中，存放在出版商M. V. Sabashnikov的档案中。这项研究可以作为S. Sviridenko (Sviridova)翻译的《埃达长老》第二卷的出版的理论基础，或者将整部作品出版在一本书中——这正是译者自己认为合乎逻辑和正确的。希望s·a·斯维里多瓦丰富的文学遗产中的其他一些作品将在未来出版。
{"title":"The history of the creation and publication of the first complete translation of the Elder Edda: To the 140th anniversary of the birth of S. A. Sviridova (Sviridenko)","authors":"Elena Dorofeeva","doi":"10.21638/11701/spbu21.2022.212","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.212","url":null,"abstract":"The article deals with the main works of the poet and translator Sofya Alexandrovna Sviridova (1882 — not earlier than 1928, pseudonyms S. Sviridenko, G. Sviridova), first of all, the history of the creation and first publication of the first complete translation into Russian of the Elder Edda (1910, 1st volume published in 1917), in a manuscript awarded the Academic Prize of M. N. Akhmatov. Archival materials found by the author of the publication shed light on some episodes from Sviridova’s biography, including the years of her studies at the St Petersburg Higher Women’s (Bestuzhev) Courses. The article deals with the episodes that influenced the life and creative destiny of Sophia Sviridova, such as, for example, acquaintance with Professor F. A. Brown, who became her teacher and then chief reviewer, collaborated with A. Blok, who systematically gave the translator a job at the “World Literature” publishing house. Particular attention is paid to the description of the second volume of the complete translation of the Old Norse epic Elder Edda, which to this day remains in the manuscript and is stored in the archive of the publisher M. V. Sabashnikov. This study can serve as a theoretical basis for the publication of the second volume of the translation of the Elder Edda by S. Sviridenko (Sviridova), or the publication of the entire work in one book — this is exactly how it seemed logical and correct to the translator herself. Hopefully some other works from the rich literary heritage of S. A. Sviridova will be published in the future.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.112
Boris Zharov
The first Danish-Russian dictionary (Dansk-Russisk Ordbog) was published in Denmark in 1949. Author Ivan Stchelkunoff was born in Copenhagen to a family that moved from Russia. He received a good education, studied at the prestigious Metropolitan School, then at the University of Copenhagen, majoring in Latin, Greek and English. In 1901–1910 he was an Orthodox deacon in Athens. The years after returning to Denmark until 1917 were very successful. He was priest of the Imperial Diplomatic Mission of Russia, priest of the Alexander Nevsky Church in Copenhagen. He implemented several projects related to Russia. He published a book based on the history of Russia, Letters of Empress Catherine to the Dowager Queen Juliane Maria, a translation of I. S. Turgenev’s novel The Day Before, Russian Textbook for Beginners, Russian Commercial Correspondence, and two pocket dictionaries: Danish-Russian and Russian- Danish. In the early 1920s he moved from Copenhagen to Bornholm, where he became a teacher. He told about his life in the book Fifty years under the golden domes. Denmark, Greece, Russia. The publication of translations of L. N. Tolstoy’s novel Anna Karenina and two Ehrenburg books belongs to this period. In 1945, after the surrender of Germany, Soviet soldiers had to liberate the island due to the ridiculous orders of the German command. In 1945–1946, when they were on the island, Stchelkunoff was “an interpreter for Russian soldiers.” The Danish-Russian dictionary was created for a long time, from 1934 to 1946. In the preface, the author expresses gratitude to professor Holger Pedersen, who helped him. The dictionary was published in 1949 shortly after the adoption of changes in Danish spelling, but they could not be taken into account. Danish-Russian Dictionary is aimed at Danish users “who want to learn Russian, but it can be useful for Russians who want to get directly acquainted with Danish literature while reading.” Therefore, the author made do with minimal grammatical explanations. There are no lists of abbreviations and geographical names that are given in the corpus. The dictionary is satisfactory for this volume (about 30.000 words), although there are non-obvious lexemes for this pair of languages. In general, the dictionary can be assessed as reliable, conscientiously made and very timely appeared.
{"title":"From the history of Danish-Russian bilingual lexicography. Ivan Stscelkunoff (1870–1966) and his dictionary","authors":"Boris Zharov","doi":"10.21638/11701/spbu21.2022.112","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.112","url":null,"abstract":"The first Danish-Russian dictionary (Dansk-Russisk Ordbog) was published in Denmark in 1949. Author Ivan Stchelkunoff was born in Copenhagen to a family that moved from Russia. He received a good education, studied at the prestigious Metropolitan School, then at the University of Copenhagen, majoring in Latin, Greek and English. In 1901–1910 he was an Orthodox deacon in Athens. The years after returning to Denmark until 1917 were very successful. He was priest of the Imperial Diplomatic Mission of Russia, priest of the Alexander Nevsky Church in Copenhagen. He implemented several projects related to Russia. He published a book based on the history of Russia, Letters of Empress Catherine to the Dowager Queen Juliane Maria, a translation of I. S. Turgenev’s novel The Day Before, Russian Textbook for Beginners, Russian Commercial Correspondence, and two pocket dictionaries: Danish-Russian and Russian- Danish. In the early 1920s he moved from Copenhagen to Bornholm, where he became a teacher. He told about his life in the book Fifty years under the golden domes. Denmark, Greece, Russia. The publication of translations of L. N. Tolstoy’s novel Anna Karenina and two Ehrenburg books belongs to this period. In 1945, after the surrender of Germany, Soviet soldiers had to liberate the island due to the ridiculous orders of the German command. In 1945–1946, when they were on the island, Stchelkunoff was “an interpreter for Russian soldiers.” The Danish-Russian dictionary was created for a long time, from 1934 to 1946. In the preface, the author expresses gratitude to professor Holger Pedersen, who helped him. The dictionary was published in 1949 shortly after the adoption of changes in Danish spelling, but they could not be taken into account. Danish-Russian Dictionary is aimed at Danish users “who want to learn Russian, but it can be useful for Russians who want to get directly acquainted with Danish literature while reading.” Therefore, the author made do with minimal grammatical explanations. There are no lists of abbreviations and geographical names that are given in the corpus. The dictionary is satisfactory for this volume (about 30.000 words), although there are non-obvious lexemes for this pair of languages. In general, the dictionary can be assessed as reliable, conscientiously made and very timely appeared.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.201
E. Astakhova, A. Yakovleva
In modern Russia, with the current level of integration, international trade and the blurring of information borders, the culture of the Netherlands was bound to leave traces in the language in the form of a number of recognizable combinations and cliches. This study focuses on the description of lexicographically fixed combinations and attributive from the Internet including the adjectives нидерландский [Netherlandish] and голландский [Dutch] in order to supplement and expand the description of the stereotypical idea of the Dutch in Russia today, as well as to conclude about the presence/ absence of a certain image of the inhabitants of the Netherlands in the Russianspeaking space and/or any stereotypical idea about this country. The national character should be understood as a fragment of the linguistic picture of the world, reconstructed on the basis of linguistic data and stereotypes reflected in culture. Due to historical reasons, but also due to the articulatory complexity, the adjective нидерландский [Netherlandish] has not become widely used in the Russian language. Two types of syntagmas with the adjective голландский [Dutch] were found in the Russian language — with the definition being in the preposition and with the definition located in the postposition. At the moment there is no definite idea of the Dutch as a nation either in the Russian language or on the Russian-language Internet. There are a number of historical expressions and combinations that do not reflect the modern national character of the Dutch. A small number of syntagmas on the topic of economics and finance, where the Dutch appear to be practical, calculating people, as well as on the topic of health, showing them as liberated and free people, in general, corresponds to the image of the Dutch in other countries, but is not sufficient. The image of the Netherlands as a country in the Russian-speaking field is more stable and objective. In the analyzed expressions, the Netherlands is reflected as a country of artists, navigators and builders of red brick, a country with developed agriculture, simple, unpretentious cuisine, as well as modern trends in architecture and design.
{"title":"National-geographical stereotypes, or “The Dutch reflected by the mirror of the Russian soul","authors":"E. Astakhova, A. Yakovleva","doi":"10.21638/11701/spbu21.2022.201","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.201","url":null,"abstract":"In modern Russia, with the current level of integration, international trade and the blurring of information borders, the culture of the Netherlands was bound to leave traces in the language in the form of a number of recognizable combinations and cliches. This study focuses on the description of lexicographically fixed combinations and attributive from the Internet including the adjectives нидерландский [Netherlandish] and голландский [Dutch] in order to supplement and expand the description of the stereotypical idea of the Dutch in Russia today, as well as to conclude about the presence/ absence of a certain image of the inhabitants of the Netherlands in the Russianspeaking space and/or any stereotypical idea about this country. The national character should be understood as a fragment of the linguistic picture of the world, reconstructed on the basis of linguistic data and stereotypes reflected in culture. Due to historical reasons, but also due to the articulatory complexity, the adjective нидерландский [Netherlandish] has not become widely used in the Russian language. Two types of syntagmas with the adjective голландский [Dutch] were found in the Russian language — with the definition being in the preposition and with the definition located in the postposition. At the moment there is no definite idea of the Dutch as a nation either in the Russian language or on the Russian-language Internet. There are a number of historical expressions and combinations that do not reflect the modern national character of the Dutch. A small number of syntagmas on the topic of economics and finance, where the Dutch appear to be practical, calculating people, as well as on the topic of health, showing them as liberated and free people, in general, corresponds to the image of the Dutch in other countries, but is not sufficient. The image of the Netherlands as a country in the Russian-speaking field is more stable and objective. In the analyzed expressions, the Netherlands is reflected as a country of artists, navigators and builders of red brick, a country with developed agriculture, simple, unpretentious cuisine, as well as modern trends in architecture and design.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/spbu20.2022.110
Dimitrija Rasljic
This paper sheds new light on two Greek texts accompanying Aeschylus’ Prometheus Vinctus, in the fifteenth-century manuscript Q No. 2 of the Library of the Russian Academy of Sciences in Saint Petersburg. The first text is a didactic poem on iambic versification, allegedly composed by Michael Psellos, and the other one is a mixture of book epigrams related to the subject of the Prometheus Vinctus. August Nauck studied the manuscript and published these texts. All further mentions of the manuscript depend on Nauck’s readings, which nobody seems to question. In the latest edition of Psellos, prepared by Westerink, the manuscript from St Petersburg has not been taken into account, albeit the editor mentions Nauck’s publication. As for the epigrams, they have been published several times, also without taking that manuscript into account. A new study of the codex shows that Nauck’s edition contains several minor misreadings, therefore, I propose a new edition, based on the St Petersburg manuscript, as well as other manuscripts bearing same or similar verses, which were, apparently, unknown to him. Analyzing the epigrams on Prometheus, I compare our manuscript with others which contain the same verses (usually in different order). I try to explain some of the mistakes in these texts and correct them, as well as to compare them with other readings.
{"title":"Two Greek Paratext Poems from the Manuscript Q No. 2 of the Library of the Russian Academy of Sciences","authors":"Dimitrija Rasljic","doi":"10.21638/spbu20.2022.110","DOIUrl":"https://doi.org/10.21638/spbu20.2022.110","url":null,"abstract":"This paper sheds new light on two Greek texts accompanying Aeschylus’ Prometheus Vinctus, in the fifteenth-century manuscript Q No. 2 of the Library of the Russian Academy of Sciences in Saint Petersburg. The first text is a didactic poem on iambic versification, allegedly composed by Michael Psellos, and the other one is a mixture of book epigrams related to the subject of the Prometheus Vinctus. August Nauck studied the manuscript and published these texts. All further mentions of the manuscript depend on Nauck’s readings, which nobody seems to question. In the latest edition of Psellos, prepared by Westerink, the manuscript from St Petersburg has not been taken into account, albeit the editor mentions Nauck’s publication. As for the epigrams, they have been published several times, also without taking that manuscript into account. A new study of the codex shows that Nauck’s edition contains several minor misreadings, therefore, I propose a new edition, based on the St Petersburg manuscript, as well as other manuscripts bearing same or similar verses, which were, apparently, unknown to him. Analyzing the epigrams on Prometheus, I compare our manuscript with others which contain the same verses (usually in different order). I try to explain some of the mistakes in these texts and correct them, as well as to compare them with other readings.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"41 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91008443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.104
Natalia A. Osmak, Yana V. Bocharova
The paper presents an overview of words denoting units of measurement in the Finnish and Swedish languages. Comparative studies between these two languages seem relevant because they have been used in the neighboring regions and countries with a long history of political, cultural, and people-to-people interaction. First, the study describes metalexemes of space and distance in Swedish and Finnish. Next, using thesauri, topical dictionaries and corpora, the study applies the combination of quantitative and qualitative approaches to identify and evaluate pragmatics and communication context for utterances of measure words. Then, the paper identifies several categories of measurement words in the languages, taking etymology into consideration, such as traditional measures, SI-units, foreign units and analyzes their use in the contexts of corpora representing modern discourse. The paper highlights the differences and similarities in how Swedish and Finnish use different categories of the vocabulary items. The detailed analysis of contexts provides observations about collocations and topics of news where these measure words occur. Moreover, the study addresses the impact of Swedish and Russian on Finnish, due to the historical and political circumstances. According to the data studied, the study infers that Finnish and Swedish use all types of measurement words. However, the frequency, contexts of the occurrences and speech situations differ. Some categories tend to be used in a limited amount of topics, while others have no restrictions in usage. The study is expected to contribute to practical dimensions of working with the languages, namely teaching and translation.
{"title":"Some observations on distance measurement words in Finnish and Swedish","authors":"Natalia A. Osmak, Yana V. Bocharova","doi":"10.21638/11701/spbu21.2022.104","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.104","url":null,"abstract":"The paper presents an overview of words denoting units of measurement in the Finnish and Swedish languages. Comparative studies between these two languages seem relevant because they have been used in the neighboring regions and countries with a long history of political, cultural, and people-to-people interaction. First, the study describes metalexemes of space and distance in Swedish and Finnish. Next, using thesauri, topical dictionaries and corpora, the study applies the combination of quantitative and qualitative approaches to identify and evaluate pragmatics and communication context for utterances of measure words. Then, the paper identifies several categories of measurement words in the languages, taking etymology into consideration, such as traditional measures, SI-units, foreign units and analyzes their use in the contexts of corpora representing modern discourse. The paper highlights the differences and similarities in how Swedish and Finnish use different categories of the vocabulary items. The detailed analysis of contexts provides observations about collocations and topics of news where these measure words occur. Moreover, the study addresses the impact of Swedish and Russian on Finnish, due to the historical and political circumstances. According to the data studied, the study infers that Finnish and Swedish use all types of measurement words. However, the frequency, contexts of the occurrences and speech situations differ. Some categories tend to be used in a limited amount of topics, while others have no restrictions in usage. The study is expected to contribute to practical dimensions of working with the languages, namely teaching and translation.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.105
Kamil Tomaka
Dutch particles are among the most difficult elements of the Dutch language to learn. Most students do not know what to do with particles and regularly omit them in text translations. However, the interpretation and translation of Dutch particles is a problem not only for students. Teachers, researchers, and translators also have great difficulties with them. This contribution focuses on research into the biggest problems with Dutch particles. My attention is focused on the semantic value, interpretation, and translation possibility of Dutch particles. This article also discusses the taxonomy of particles in Dutch based on current elaborations. I then proceed with the distribution of particles based on the discursive levels at which they function. The aim of this paper is also to present the characterization of the category of Dutch particles next to the category of Dutch adverbs. This article demonstrates also an overview of approaches to particles taken in Dutch linguistics area with the aim of identifying their most important points and suggesting a framework for further analysis. Eventually, it states that the category of particles is also an absorbing object of cross-linguistic research for a number of reasons. First, the category of particles has not been clearly defined in many languages so far. Second, the criteria used to identify this category differ not only crosslinguistically, but even within Dutch studies. Lastly, the classification of particles in many languages has still not been thoroughly researched and an accurate identification of Dutch particles equivalents has yet to be established.
{"title":"Nou toch eigenlijk best wel eng hoor. About semantic value, interpretation and translation possiblility of Dutch particles","authors":"Kamil Tomaka","doi":"10.21638/11701/spbu21.2022.105","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.105","url":null,"abstract":"Dutch particles are among the most difficult elements of the Dutch language to learn. Most students do not know what to do with particles and regularly omit them in text translations. However, the interpretation and translation of Dutch particles is a problem not only for students. Teachers, researchers, and translators also have great difficulties with them. This contribution focuses on research into the biggest problems with Dutch particles. My attention is focused on the semantic value, interpretation, and translation possibility of Dutch particles. This article also discusses the taxonomy of particles in Dutch based on current elaborations. I then proceed with the distribution of particles based on the discursive levels at which they function. The aim of this paper is also to present the characterization of the category of Dutch particles next to the category of Dutch adverbs. This article demonstrates also an overview of approaches to particles taken in Dutch linguistics area with the aim of identifying their most important points and suggesting a framework for further analysis. Eventually, it states that the category of particles is also an absorbing object of cross-linguistic research for a number of reasons. First, the category of particles has not been clearly defined in many languages so far. Second, the criteria used to identify this category differ not only crosslinguistically, but even within Dutch studies. Lastly, the classification of particles in many languages has still not been thoroughly researched and an accurate identification of Dutch particles equivalents has yet to be established.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21638/11701/spbu21.2022.205
O. Ermakova, Irina Taratonkina
The article dwells upon the time and space in Sigbjørn Obstfelder’s prose poetry. The genre of prose poetry came to Scandinavia at the end of the 19th century, on the peak of the French symbolism popularity. The strong influence of the French symbolist Charles Baudelaire is obvious in Obstfelder’s works. The most significant feature that defines the chronotope of Obstfelder’s poems is opposition between man and nature. By a person the author means not a lyrical hero but other people, the whole society, the essence of which can be described as “the abode of many people”. “Other people” are synonymous with the concept of “city”, and this chronotope is clearly seen in many of his poems. The poet describes both nature and city in details and the chaos of the city extremely contrasts with the rich and harmonious life of nature. The opposition of harmony and chaos, sincerity and alienation is emphasized by the contrast between the sounds of nature and the city: between weeping, sobbing, screaming, roaring and the sound of drops, the rustling of leaves and the singing of birds. Despite the beauty and harmony of nature the lyrical hero still cannot exist outside the city for a long time. Perhaps he can exist only in a borderline state — between people and nature, harmony and chaos, trying to combine, unite in the mind both worlds, but staying alone in both of them. The common feature of all his prose poems is transition and border crossing and it can explain the originality of Obstfelder’s prose poems.
{"title":"Time and space in Sigbjørn Obstfelder’s prose poetry","authors":"O. Ermakova, Irina Taratonkina","doi":"10.21638/11701/spbu21.2022.205","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2022.205","url":null,"abstract":"The article dwells upon the time and space in Sigbjørn Obstfelder’s prose poetry. The genre of prose poetry came to Scandinavia at the end of the 19th century, on the peak of the French symbolism popularity. The strong influence of the French symbolist Charles Baudelaire is obvious in Obstfelder’s works. The most significant feature that defines the chronotope of Obstfelder’s poems is opposition between man and nature. By a person the author means not a lyrical hero but other people, the whole society, the essence of which can be described as “the abode of many people”. “Other people” are synonymous with the concept of “city”, and this chronotope is clearly seen in many of his poems. The poet describes both nature and city in details and the chaos of the city extremely contrasts with the rich and harmonious life of nature. The opposition of harmony and chaos, sincerity and alienation is emphasized by the contrast between the sounds of nature and the city: between weeping, sobbing, screaming, roaring and the sound of drops, the rustling of leaves and the singing of birds. Despite the beauty and harmony of nature the lyrical hero still cannot exist outside the city for a long time. Perhaps he can exist only in a borderline state — between people and nature, harmony and chaos, trying to combine, unite in the mind both worlds, but staying alone in both of them. The common feature of all his prose poems is transition and border crossing and it can explain the originality of Obstfelder’s prose poems.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67775665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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