Pub Date : 2021-05-18DOI: 10.33871/23179937.2021.9.1.4
André Tartas, S. Scarinci, Kristina Augustin
{"title":"A Ornamentação na Viola da Gamba a partir da Visão de De Machy","authors":"André Tartas, S. Scarinci, Kristina Augustin","doi":"10.33871/23179937.2021.9.1.4","DOIUrl":"https://doi.org/10.33871/23179937.2021.9.1.4","url":null,"abstract":"","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"9 1","pages":"1-26"},"PeriodicalIF":0.0,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44724362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-18DOI: 10.33871/23179937.2021.9.1.8
Cinthia Alireti
{"title":"A tópica do indianismo na obra Wãnĩ A’Ama de Maria Helena Rosa Fernandes","authors":"Cinthia Alireti","doi":"10.33871/23179937.2021.9.1.8","DOIUrl":"https://doi.org/10.33871/23179937.2021.9.1.8","url":null,"abstract":"","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"9 1","pages":"1-30"},"PeriodicalIF":0.0,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45061974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-18DOI: 10.33871/23179937.2021.9.1.20
Kofi Agawu, J. Padovani
{"title":"O tonalismo como força colonizadora na África","authors":"Kofi Agawu, J. Padovani","doi":"10.33871/23179937.2021.9.1.20","DOIUrl":"https://doi.org/10.33871/23179937.2021.9.1.20","url":null,"abstract":"","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"9 1","pages":"1-34"},"PeriodicalIF":0.0,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42517372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-26DOI: 10.28989/VORTEX.V1I2.904
Ramadhan Adil Labib
To provide a reliability and service from PT. Indonesia Air Transport & Infrastructure, operators have to make sure the condition of all the systems and the components of EC 155 B1 is serviceable. However, there is still a bunch of unusual repetitive defect that recorded and mostly it came from the most critical system that can occur an incident at any time. In this study discussed on EC 155 B1’s component Reliability Analysis Method Using Reliability Control Program (RCP), Reliability Control Program is the reliability of aircraft system by determining which component that has to be concern by define the Upper Control Limits (Alert Value). From the calculation of RCP, ATA Chapter 62 Main Rotor is the most defected.
{"title":"RELIABILITY OF EC 155 B1 AIRCRAFT COMPONENTS USING UPPER CONTROL LIMIT (ALERT LEVEL) FORMULATION","authors":"Ramadhan Adil Labib","doi":"10.28989/VORTEX.V1I2.904","DOIUrl":"https://doi.org/10.28989/VORTEX.V1I2.904","url":null,"abstract":"To provide a reliability and service from PT. Indonesia Air Transport & Infrastructure, operators have to make sure the condition of all the systems and the components of EC 155 B1 is serviceable. However, there is still a bunch of unusual repetitive defect that recorded and mostly it came from the most critical system that can occur an incident at any time. In this study discussed on EC 155 B1’s component Reliability Analysis Method Using Reliability Control Program (RCP), Reliability Control Program is the reliability of aircraft system by determining which component that has to be concern by define the Upper Control Limits (Alert Value). From the calculation of RCP, ATA Chapter 62 Main Rotor is the most defected.","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77567820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-26DOI: 10.28989/VORTEX.V1I2.902
Ali Mahroni
Airport Rescue & Fire Fighting equipment at Adi Soemarmo International Airport, Operational Vehicle PKP-PK, the number of main vehicles is 3 units, and 6 supporting units meet the standard requirements that have been determined according to the PKP-PK category at Adi Soemarmo Airport, namely category 8. it has a Daily Checklist of operational equipment in each main vehicle and support vehicle. Supporting Facilities for Airport Rescue & Fire Fighting totaled 194 where required for category 8 was 167 but there were still some shortcomings of the equipment needed. This can be shown in the table, namely the types of hydraulic / electrical (or combination) portable rescue equipment, oxygen resuscitation, and thermal imaging cameras. There are 380 Supporting Reserve Facilities for Rescue & Fire Fighting where the minimum equipment required is 355 but there is a lack of equipment, namely Proximity suit, Resuscitator, Helmet, and Binocular equipment.
Adi Soemarmo国际机场机场救援消防设备，作战车辆PKP-PK，主要车辆数量为3辆，配套车辆6辆，符合Adi Soemarmo机场PKP-PK类别确定的标准要求，即8类。它在每辆主要车辆和支援车辆上都有一份每日操作设备清单。机场救援和消防的辅助设施共有194个，其中第8类所需的设施为167个，但所需的设备仍有一些缺点。这可以在表格中显示，即液压/电气(或组合)便携式救援设备，氧气复苏和热成像摄像机的类型。有380个救援和消防支援储备设施，其中最低所需设备为355个，但缺乏设备，即接近服，复苏器，头盔和双目设备。
{"title":"RELIABILITY OF EC 155 B1 AIRCRAFT COMPONENTS USING UPPER CONTROL LIMIT (ALERT LEVEL) FORMULATION","authors":"Ali Mahroni","doi":"10.28989/VORTEX.V1I2.902","DOIUrl":"https://doi.org/10.28989/VORTEX.V1I2.902","url":null,"abstract":"Airport Rescue & Fire Fighting equipment at Adi Soemarmo International Airport, Operational Vehicle PKP-PK, the number of main vehicles is 3 units, and 6 supporting units meet the standard requirements that have been determined according to the PKP-PK category at Adi Soemarmo Airport, namely category 8. it has a Daily Checklist of operational equipment in each main vehicle and support vehicle. Supporting Facilities for Airport Rescue & Fire Fighting totaled 194 where required for category 8 was 167 but there were still some shortcomings of the equipment needed. This can be shown in the table, namely the types of hydraulic / electrical (or combination) portable rescue equipment, oxygen resuscitation, and thermal imaging cameras. There are 380 Supporting Reserve Facilities for Rescue & Fire Fighting where the minimum equipment required is 355 but there is a lack of equipment, namely Proximity suit, Resuscitator, Helmet, and Binocular equipment.","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81432008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-21DOI: 10.33871/23179937.2020.8.3.1.7
Rita Torres
{"title":"Si amanece, nos vamos for solo guitar: Using multiphonics in a new way","authors":"Rita Torres","doi":"10.33871/23179937.2020.8.3.1.7","DOIUrl":"https://doi.org/10.33871/23179937.2020.8.3.1.7","url":null,"abstract":"","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"8 1","pages":"1-14"},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44839225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-15DOI: 10.33871/23179937.2020.8.3.1.27
Guilherme Luis Bassi Arce, Fábio Bartoloni
Ernst Mahle escreveu mais de 20 obras para violao, desde pecas para solista ate diversas formacoes de câmara. Alem da proposta didatica presente em muitas de suas obras, despontam duas caracteristicas fundamentais que marcam sua escrita violonistica: o idiomatismo e a utilizacao do modalismo folclorico em contraste com materiais composicionais caracteristicos da musica do seculo XX. O presente trabalho se propoe ao estudo da obra violonistica de Mahle em tres etapas: primeiramente sao apresentadas informacoes sobre as concepcoes estetico-filosoficas de Mahle e como estas se manifestaram na conformacao de sua linguagem composicional; em segundo momento sao apresentadas informacoes sobre a relacao de Ernst Mahle com o violao; em terceiro momento e realizado um estudo analitico e historico de sua obra sob tres perspectivas: (a) contextualizacao historica das pecas; (b) analise dos materiais composicionais utilizados na obra; (c) analise dos idiomatismos presentes na escrita violonistica de Mahle, tendo como referencial analitico os trabalhos de Kreutz (2014) e Scarduelli (2007).
{"title":"A obra para violão de Ernst Mahle: um panorama histórico e analítico","authors":"Guilherme Luis Bassi Arce, Fábio Bartoloni","doi":"10.33871/23179937.2020.8.3.1.27","DOIUrl":"https://doi.org/10.33871/23179937.2020.8.3.1.27","url":null,"abstract":"Ernst Mahle escreveu mais de 20 obras para violao, desde pecas para solista ate diversas formacoes de câmara. Alem da proposta didatica presente em muitas de suas obras, despontam duas caracteristicas fundamentais que marcam sua escrita violonistica: o idiomatismo e a utilizacao do modalismo folclorico em contraste com materiais composicionais caracteristicos da musica do seculo XX. O presente trabalho se propoe ao estudo da obra violonistica de Mahle em tres etapas: primeiramente sao apresentadas informacoes sobre as concepcoes estetico-filosoficas de Mahle e como estas se manifestaram na conformacao de sua linguagem composicional; em segundo momento sao apresentadas informacoes sobre a relacao de Ernst Mahle com o violao; em terceiro momento e realizado um estudo analitico e historico de sua obra sob tres perspectivas: (a) contextualizacao historica das pecas; (b) analise dos materiais composicionais utilizados na obra; (c) analise dos idiomatismos presentes na escrita violonistica de Mahle, tendo como referencial analitico os trabalhos de Kreutz (2014) e Scarduelli (2007).","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"8 1","pages":"1-40"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42997855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-15DOI: 10.33871/23179937.2020.8.3.1.19
Flavia Prando
O presente artigo versa sobre a presenca de violonistas na cidade de Sao Paulo no seculo XIX. Atraves de criticas do pianista Alexandre Levy, publicadas em 1890, analisam-se os concertos de Martinez Toboso e Gil-Orozco, violonistas espanhois, cujo duo parece ter sido o primeiro a realizar concertos mais formais em Sao Paulo. Trata, ainda, da atuacao de Gil-Orozco, que fixou residencia na capital paulistana durante dezessete anos (1890–1907), tendo sido fundamental para o desenvolvimento do violao na cidade.
{"title":"Presença de violonistas espanhóis em São Paulo no século XIX","authors":"Flavia Prando","doi":"10.33871/23179937.2020.8.3.1.19","DOIUrl":"https://doi.org/10.33871/23179937.2020.8.3.1.19","url":null,"abstract":"O presente artigo versa sobre a presenca de violonistas na cidade de Sao Paulo no seculo XIX. Atraves de criticas do pianista Alexandre Levy, publicadas em 1890, analisam-se os concertos de Martinez Toboso e Gil-Orozco, violonistas espanhois, cujo duo parece ter sido o primeiro a realizar concertos mais formais em Sao Paulo. Trata, ainda, da atuacao de Gil-Orozco, que fixou residencia na capital paulistana durante dezessete anos (1890–1907), tendo sido fundamental para o desenvolvimento do violao na cidade.","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"8 1","pages":"1-20"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41910707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-15DOI: 10.33871/23179937.2020.8.3.1.15
Luiz Mantovani
This article looks at contextual and interpretive issues surrounding the Groses Duo in a-Moll by Viennese composer Ferdinand Rebay (1880-1953). After situating Rebay within the contemporary guitar developments in Vienna, I contextualize the piece and highlight its significance as a one-of-a-kind Romantic sonata for guitar duo. Next, I look at the potential difficulties of incorporating it into the repertoire of modern guitar duos due to Rebay’s use of a near-obsolete instrument, the Quintbass Gitarre, while also offering a brief organological investigation. Finally, I describe in detail my attempts to adapt the piece to the instrumentation of my ensemble, the NOVA Guitar Duo. Backed up by an extensive familiarity with the composer’s style, I endeavour to intervene in the text, not only for playability reasons but also to rebalance melodic material in the fashion of traditional guitar duo and domestic Austro-German chamber music writing.
{"title":"Editing Strategies for Overcoming Instrumentation Issues in Rebay’s Großes Duo in a-Moll","authors":"Luiz Mantovani","doi":"10.33871/23179937.2020.8.3.1.15","DOIUrl":"https://doi.org/10.33871/23179937.2020.8.3.1.15","url":null,"abstract":"This article looks at contextual and interpretive issues surrounding the Groses Duo in a-Moll by Viennese composer Ferdinand Rebay (1880-1953). After situating Rebay within the contemporary guitar developments in Vienna, I contextualize the piece and highlight its significance as a one-of-a-kind Romantic sonata for guitar duo. Next, I look at the potential difficulties of incorporating it into the repertoire of modern guitar duos due to Rebay’s use of a near-obsolete instrument, the Quintbass Gitarre, while also offering a brief organological investigation. Finally, I describe in detail my attempts to adapt the piece to the instrumentation of my ensemble, the NOVA Guitar Duo. Backed up by an extensive familiarity with the composer’s style, I endeavour to intervene in the text, not only for playability reasons but also to rebalance melodic material in the fashion of traditional guitar duo and domestic Austro-German chamber music writing.","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":" ","pages":"1-27"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47182127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-15DOI: 10.33871/23179937.2020.8.3.1.43
Mário Cardoso
Editor's note:score for the guitar work “Three sketches for guitar” based on the drawings of Franz Kafka.
编者按：根据卡夫卡的绘画为吉他作品《吉他三张草图》配乐。
{"title":"Three sketches for guitar","authors":"Mário Cardoso","doi":"10.33871/23179937.2020.8.3.1.43","DOIUrl":"https://doi.org/10.33871/23179937.2020.8.3.1.43","url":null,"abstract":"Editor's note:score for the guitar work “Three sketches for guitar” based on the drawings of Franz Kafka.","PeriodicalId":40576,"journal":{"name":"Revista Vortex-Vortex Music Journal","volume":"17 3","pages":"1-7"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41257016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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