{"title":"Alicia Romero López, Lo fantástico hoffmaniano en ocho cuentos de Emilia Pardo Bazán. Peter Lang, Berlín, 2019. ISBN 978-631-78165-4.","authors":"J. Martín","doi":"10.5565/rev/brumal.847","DOIUrl":"https://doi.org/10.5565/rev/brumal.847","url":null,"abstract":"","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"171 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75530385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La escritora mexicana Cecilia Eudave (1968) posee una obra sólida expuesta en ensayos, novelas, cuentos y microrrelatos. Estos últimos se encuentran principalmente en Para viajeros improbables (2011) y Microcolapsos (2017). De acuerdo con varios teóricos como David Roas, estos textos de Cecilia Eudave poseen las cualidades de la narratividad y brevedad, apoyados por rasgos formales (tramas sencillas, personajes con escasa descripción, espacio reducido o ausente, tiempo abreviado mediante la elipsis, pocos diálogos, final sorpresivo, títulos significativos y experimentación lingüística) y rasgos temáticos (intertextualidad e intención crítica). El objetivo de este trabajo es analizar las características discursivas, formales y temáticas de los microrrelatos de Eudave que confluyen en su propuesta estética; en ese sentido, al final nos enfocaremos en siete de sus mejores microrrelatos: «Vendas», «Hormigas», «La mascota imaginaria», «Cocodrilocabezas», «La amante del té», «Laberinto» y «De natura», los cuales devienen fantásticos, género al que la autora ha dedicado espléndidas páginas.
{"title":"Los microrrelatos de Cecilia Eudave: improbables microcolapsos","authors":"Marisol Nava Hernández","doi":"10.5565/rev/brumal.805","DOIUrl":"https://doi.org/10.5565/rev/brumal.805","url":null,"abstract":"La escritora mexicana Cecilia Eudave (1968) posee una obra sólida expuesta en ensayos, novelas, cuentos y microrrelatos. Estos últimos se encuentran principalmente en Para viajeros improbables (2011) y Microcolapsos (2017). De acuerdo con varios teóricos como David Roas, estos textos de Cecilia Eudave poseen las cualidades de la narratividad y brevedad, apoyados por rasgos formales (tramas sencillas, personajes con escasa descripción, espacio reducido o ausente, tiempo abreviado mediante la elipsis, pocos diálogos, final sorpresivo, títulos significativos y experimentación lingüística) y rasgos temáticos (intertextualidad e intención crítica). El objetivo de este trabajo es analizar las características discursivas, formales y temáticas de los microrrelatos de Eudave que confluyen en su propuesta estética; en ese sentido, al final nos enfocaremos en siete de sus mejores microrrelatos: «Vendas», «Hormigas», «La mascota imaginaria», «Cocodrilocabezas», «La amante del té», «Laberinto» y «De natura», los cuales devienen fantásticos, género al que la autora ha dedicado espléndidas páginas. ","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"104 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79203435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Carolyn Wolfenzon, Nuevos fantasmas recorren Mexico. Lo espectral en la literatura mexicana del siglo XXI, Iberoamericana-Vervuert, Madrid, 2020. ISBN 9-788491-921646.
{"title":"Carolyn Wolfenzon, Nuevos fantasmas recorren México. Lo espectral en la literatura mexicana del siglo XXI, Iberoamericana-Vervuert, Madrid, 2020. ISBN 9-788491-921646.","authors":"Marta Pascua Canelo","doi":"10.5565/REV/BRUMAL.789","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.789","url":null,"abstract":"Carolyn Wolfenzon, Nuevos fantasmas recorren Mexico. Lo espectral en la literatura mexicana del siglo XXI, Iberoamericana-Vervuert, Madrid, 2020. ISBN 9-788491-921646.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"129-133"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49082672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
An aspect of the work of Amparo Davila (Mexico 1928-2020) that has not been much studied is that which has to do with food horror, the representation of food as a source of abjection and terror. Amparo Davila's first book Tiempo destrozado (1959) includes two short stories in which food and the kitchen are codified in a gothic register: «Alta cocina» and the homonymous story «Tiempo destrozado». In these stories, food becomes strange and repulsive, undergoes disturbing metamorphoses and generates intellectual uncertainty about its nature. In this work I will focus on «Alta cocina», which is the text where the experience of gastronomic horror is most developed, to investigate the way in which the short story complicates the boundary between the human and the animal and calls into question the civilization /barbarism binary concept. Also, I will analyze the way in which a space historically associated with women such as the kitchen appears as dark, sinister and threatening.
{"title":"Festín del horror: la comida siniestra en “Alta cocina”, de Amparo Dávila","authors":"Liliana Colanzi","doi":"10.5565/REV/BRUMAL.773","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.773","url":null,"abstract":"An aspect of the work of Amparo Davila (Mexico 1928-2020) that has not been much studied is that which has to do with food horror, the representation of food as a source of abjection and terror. Amparo Davila's first book Tiempo destrozado (1959) includes two short stories in which food and the kitchen are codified in a gothic register: «Alta cocina» and the homonymous story «Tiempo destrozado». In these stories, food becomes strange and repulsive, undergoes disturbing metamorphoses and generates intellectual uncertainty about its nature. In this work I will focus on «Alta cocina», which is the text where the experience of gastronomic horror is most developed, to investigate the way in which the short story complicates the boundary between the human and the animal and calls into question the civilization /barbarism binary concept. Also, I will analyze the way in which a space historically associated with women such as the kitchen appears as dark, sinister and threatening.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"21-31"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49091459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the present reflection, some literary devices in the works of Amparo Dávila will be tackled here, from the perspective of research and creativity. First, her poetic attitude: the way she builds her universes by using non-mimetic genres, her relationship with language and its creative premises. Then, the way she sketches her characters and her disturbing atmospheres through a subtle relationship with time and space, being those the characteristic imprint of her work. Finally, we will deal with the use of monstrosity and the sinister in her stories as a way to depict the social context she lives in, pinpoint-
{"title":"Amparo Dávila: la escritura como refugio ante lo siniestro","authors":"Cecilia Eudave","doi":"10.5565/REV/BRUMAL.771","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.771","url":null,"abstract":"In the present reflection, some literary devices in the works of Amparo Dávila will be tackled here, from the perspective of research and creativity. First, her poetic attitude: the way she builds her universes by using non-mimetic genres, her relationship with language and its creative premises. Then, the way she sketches her characters and her disturbing atmospheres through a subtle relationship with time and space, being those the characteristic imprint of her work. Finally, we will deal with the use of monstrosity and the sinister in her stories as a way to depict the social context she lives in, pinpoint-","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"11-19"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42938237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Peruvian realist tradition concealed for many decades the recognition of the fantastic literature published in the country throughout the 20th century. It seems that something similar happened with the reduced representation of Peruvian women writers on the national literary scene. This work focuses more precisely on the fantastic short
{"title":"Las cuentistas de la literatura fantástica peruana en el siglo XXI: resurrecciones e insurrecciones","authors":"Audrey Louyer","doi":"10.5565/REV/BRUMAL.732","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.732","url":null,"abstract":"Peruvian realist tradition concealed for many decades the recognition of the fantastic literature published in the country throughout the 20th century. It seems that something similar happened with the reduced representation of Peruvian women writers on the national literary scene. This work focuses more precisely on the fantastic short","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"87-107"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42915115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Margree, Victoria (2019): British Women’s Short Supernatural Fiction, 1860-1930. Our Own Ghostliness, Palgrave Macmillan. ISBN 978-3-030-27141-1","authors":"Raquel De la Varga Llamazares","doi":"10.5565/REV/BRUMAL.783","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.783","url":null,"abstract":"Margree, Victoria (2019): British Women’s Short Supernatural Fiction, 1860-1930. Our Own Ghostliness, Palgrave Macmillan. ISBN 978-3-030-27141-1","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"111-114"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42575486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Of the many studies that address the contribution Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) made to feminism, hardly any consider the topic of the double beyond its classification as a symptom of mental disorder. This article looks into the treatment of feminine identity through the use of the double. Jourde and Tortonese’s approach (1996) allows for an essential distinction by proposing an interesting gender feature: the splitting of feminine characters usually takes place through external or objective Doppelganger. The subjective double is almost never embodied by women. The feminine subjective double is thus moved away from the canonical discourse on the exploration of modern identity. Therefore, the literary device is charged with the task of examining and producing its own identity: its voice cannot speak for the entirety of human concerns, only for itself as a woman.
{"title":"«The Yellow Wallpaper»: algunas consideraciones sobre el doble subjetivo femenino","authors":"Rosa Bono Velilla","doi":"10.5565/REV/BRUMAL.704","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.704","url":null,"abstract":"Of the many studies that address the contribution Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) made to feminism, hardly any consider the topic of the double beyond its classification as a symptom of mental disorder. This article looks into the treatment of feminine identity through the use of the double. Jourde and Tortonese’s approach (1996) allows for an essential distinction by proposing an interesting gender feature: the splitting of feminine characters usually takes place through external or objective Doppelganger. The subjective double is almost never embodied by women. The feminine subjective double is thus moved away from the canonical discourse on the exploration of modern identity. Therefore, the literary device is charged with the task of examining and producing its own identity: its voice cannot speak for the entirety of human concerns, only for itself as a woman.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"71-86"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47747216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Presentación del monográfico «Homenaje a Amparo Dávila. Visiones desde el otro lado de lo real», vol. 9, núm. 1, 2021.
专著《向安帕罗致敬davila》的介绍。《来自现实另一面的幻象》，第9卷，第1期。1、续约。
{"title":"Presentación","authors":"Teresa López-Pellisa, David Roas","doi":"10.5565/rev/brumal.800","DOIUrl":"https://doi.org/10.5565/rev/brumal.800","url":null,"abstract":"Presentación del monográfico «Homenaje a Amparo Dávila. Visiones desde el otro lado de lo real», vol. 9, núm. 1, 2021. \u0000 ","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"110 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88057379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the following pages, we will try to track the presence of some features found in Amparo Davila´s stories (1928-2020) in the works of three Mexican writers: Cristina Rivera Garza (1964), Cecilia Eudave (1968) and Guadalupe Nettel (1973). First, we will consider the different opinions that some contemporary Mexican writers have about the Zacatean author and what is especially remarkable about her writing. Then we will explore the peculiar use that Amparo Davila made of the fantastic genre and its different themes and how that was a crucial influence on the works that we are to deal with in this essay. The Davilian legacy is expressed in many different ways, as we are to analyse, in La cresta de Ilion (2002) by Rivera Garza, in Eudave's short stories and also in her novella Bestiaria vida (2008) and El huesped by Nettel (2006) All three of them try to grasp Davila's use of ambiguity, her unique atmospheres, the hibridity of her discourse, and some recurring issues in Fantasy, such as the doppelganger and the idea of diversity whe it comes to tackle identity.
{"title":"El legado de Amparo Dávila en narradoras mexicanas actuales","authors":"C. Alemany","doi":"10.5565/REV/BRUMAL.763","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.763","url":null,"abstract":"In the following pages, we will try to track the presence of some features found in Amparo Davila´s stories (1928-2020) in the works of three Mexican writers: Cristina Rivera Garza (1964), Cecilia Eudave (1968) and Guadalupe Nettel (1973). First, we will consider the different opinions that some contemporary Mexican writers have about the Zacatean author and what is especially remarkable about her writing. Then we will explore the peculiar use that Amparo Davila made of the fantastic genre and its different themes and how that was a crucial influence on the works that we are to deal with in this essay. The Davilian legacy is expressed in many different ways, as we are to analyse, in La cresta de Ilion (2002) by Rivera Garza, in Eudave's short stories and also in her novella Bestiaria vida (2008) and El huesped by Nettel (2006) All three of them try to grasp Davila's use of ambiguity, her unique atmospheres, the hibridity of her discourse, and some recurring issues in Fantasy, such as the doppelganger and the idea of diversity whe it comes to tackle identity.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"33-52"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47995061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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