{"title":"Clive Leatherdale, Historia de Drácula, Albert Beteta [trad.], Arpa, Barcelona, 2019. ISBN: 978-84-12623-19-7.","authors":"Tania Isabel Martínez Martínez","doi":"10.5565/REV/BRUMAL.786","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.786","url":null,"abstract":"Clive Leatherdale, Historia de Drácula, Albert Beteta [trad.], Arpa, Barcelona, 2019. ISBN: 978-84-12623-19-7.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"115-122"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48676057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Teresa Lopez-Pellisa y Silvia G. Kurlat Ares, eds., Historia de la ciencia ficcion latinoamericana I. Desde los origenes hasta la modernidad, Madrid, Iberoamericana-Vervuert, 2020. ISBN 978-84-9192-177-6.
Teresa Lopez-Pellisa和Silvia G. Kurlat Ares编。《拉丁美洲科学小说的历史I.从起源到现代》，马德里，伊比利亚美洲vervuert, 2020。ISBN 978-84-9192-177-6。
{"title":"Teresa López-Pellisa y Silvia G. Kurlat Ares, eds., Historia de la ciencia ficción latinoamericana I. Desde los orígenes hasta la modernidad, Madrid, Iberoamericana-Vervuert, 2020. ISBN 978-84-9192-177-6.","authors":"Macarena Cortés Correa","doi":"10.5565/REV/BRUMAL.787","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.787","url":null,"abstract":"Teresa Lopez-Pellisa y Silvia G. Kurlat Ares, eds., Historia de la ciencia ficcion latinoamericana I. Desde los origenes hasta la modernidad, Madrid, Iberoamericana-Vervuert, 2020. ISBN 978-84-9192-177-6.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"123-128"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46441226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the following work we carry out a literary analysis of the Basque legend «La dama de Amboto», by Cuban Gertrudis Gomez de Avellaneda, written during the summers of 1858 and 1859 during her visit to this Spanish region. In this way, we examine historical and literary aspects to understand the feminist thought that transpires in her short story, for example, in its dialogue with the fervent readings of Jean-Jacques Rousseau’s works that the author will do throughout her literary career, and the presence of several Basque and classical folk myths that survive in her text. From our point of view, the short story shows an imbricated construction of the fantastic as a vehicle of her feminist discourse that matches the matriarchal tradition of Mari, a goddess who would inhabit the mountains according to Basque mythology.
{"title":"Tradición vasca y feminismo en «La dama de Amboto», de Gertrudis Gómez de Avellaneda","authors":"Marcelo Urralburu, Berta Guerrero Almagro","doi":"10.5565/REV/BRUMAL.681","DOIUrl":"https://doi.org/10.5565/REV/BRUMAL.681","url":null,"abstract":"In the following work we carry out a literary analysis of the Basque legend «La dama de Amboto», by Cuban Gertrudis Gomez de Avellaneda, written during the summers of 1858 and 1859 during her visit to this Spanish region. In this way, we examine historical and literary aspects to understand the feminist thought that transpires in her short story, for example, in its dialogue with the fervent readings of Jean-Jacques Rousseau’s works that the author will do throughout her literary career, and the presence of several Basque and classical folk myths that survive in her text. From our point of view, the short story shows an imbricated construction of the fantastic as a vehicle of her feminist discourse that matches the matriarchal tradition of Mari, a goddess who would inhabit the mountains according to Basque mythology.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"9 1","pages":"55-69"},"PeriodicalIF":0.2,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44505029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Se ofrece la introduccion al monografico "Transmedialidad e interactividad en lo fantastico". Se repasan las nociones basicas de esta tematica, incidiendo en el peso que poseen en los estudios sobre ella los modos o generos de lo insolito, en este caso concreto lo fantastico. Se pasa despues revista a los trabajos incluidos en el numero, destacando sus aportaciones mas relevantes. Termina ponderando la necesidad de seguir ahondando en estos ambitos, con la participacion de expertos tanto en la llamada "cultura de convergencia" como en lo fantastico tal y como lo concibe Brumal.
{"title":"Introduction: transmediality, interactivity and the fantastic","authors":"Miguel Carrera Garrido","doi":"10.5565/rev/brumal.745","DOIUrl":"https://doi.org/10.5565/rev/brumal.745","url":null,"abstract":"Se ofrece la introduccion al monografico \"Transmedialidad e interactividad en lo fantastico\". Se repasan las nociones basicas de esta tematica, incidiendo en el peso que poseen en los estudios sobre ella los modos o generos de lo insolito, en este caso concreto lo fantastico. Se pasa despues revista a los trabajos incluidos en el numero, destacando sus aportaciones mas relevantes. Termina ponderando la necesidad de seguir ahondando en estos ambitos, con la participacion de expertos tanto en la llamada \"cultura de convergencia\" como en lo fantastico tal y como lo concibe Brumal.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71033935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El presente articulo se propone analizar las influencias y confluencias del arte, la literatura y la filosofia en la miniserie Over the Garden Wall , creada por Patrick McHale. Para ello, se realiza en su desarrollo un necesario estado de la cuestion a partir de la divulgacion y la investigacion, a traves del cual se presentan desde el marco de la cultura de la convergencia las influencias artisticas, que van desde Dore hasta Miyazaki pasando por el cine de Tim Burton; las influencias literarias, que van desde Dante hasta Poe pasando por los lugares comunes de la literatura universal; y las influencias filosoficas, que van desde Tales de Mileto hasta Hannah Arendt pasando por Kierkegaard o Nietzsche. Con todo ello, se valora el trasvase de lo real a lo fantastico en la obra y se da respuesta a por que para sus protagonistas la rendicion ultima supone la muerte de toda esperanza.
{"title":"The Death of All Hope: Art, Literature and Philosophy in Over the Garden Wall","authors":"Pedro Jesús Plaza González","doi":"10.5565/rev/brumal.705","DOIUrl":"https://doi.org/10.5565/rev/brumal.705","url":null,"abstract":"El presente articulo se propone analizar las influencias y confluencias del arte, la literatura y la filosofia en la miniserie Over the Garden Wall , creada por Patrick McHale. Para ello, se realiza en su desarrollo un necesario estado de la cuestion a partir de la divulgacion y la investigacion, a traves del cual se presentan desde el marco de la cultura de la convergencia las influencias artisticas, que van desde Dore hasta Miyazaki pasando por el cine de Tim Burton; las influencias literarias, que van desde Dante hasta Poe pasando por los lugares comunes de la literatura universal; y las influencias filosoficas, que van desde Tales de Mileto hasta Hannah Arendt pasando por Kierkegaard o Nietzsche. Con todo ello, se valora el trasvase de lo real a lo fantastico en la obra y se da respuesta a por que para sus protagonistas la rendicion ultima supone la muerte de toda esperanza.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71033815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The fantastic is one of the main thematic frames in the productions of Japanese commercial animation. Within this genre, the various adaptations and reworkings of myths and folktales represent fertile resources to cover the demands of an extremely prolific industry. However, despite its popularity as an object of study, research on fantastic anime rarely venture beyond the thematic or historical coordinates of their plots. This article aims to address the relationship between the intricate narration of two significant television anime series— Kurozuka and Puella Magi Madoka Magica —and the representation of the witches involved in them. Through the use of the narratological categories of self-consciousness and the cognoscibility, we apply film analysis tools to delve into the relationship between the Japanese representational tradition and the narrative complexity in contemporary audiovisual productions.
{"title":"Narrative Complexity in Contemporary Anime Witch Tales: Self-Consciousness and Knowability in Kurozuka and Puella Magi Madoka Magica","authors":"Antonio Loriguillo-López","doi":"10.5565/rev/brumal.627","DOIUrl":"https://doi.org/10.5565/rev/brumal.627","url":null,"abstract":"The fantastic is one of the main thematic frames in the productions of Japanese commercial animation. Within this genre, the various adaptations and reworkings of myths and folktales represent fertile resources to cover the demands of an extremely prolific industry. However, despite its popularity as an object of study, research on fantastic anime rarely venture beyond the thematic or historical coordinates of their plots. This article aims to address the relationship between the intricate narration of two significant television anime series— Kurozuka and Puella Magi Madoka Magica —and the representation of the witches involved in them. Through the use of the narratological categories of self-consciousness and the cognoscibility, we apply film analysis tools to delve into the relationship between the Japanese representational tradition and the narrative complexity in contemporary audiovisual productions.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"53 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82178158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article deals with some methodological issues regarding the relationship between medium (more specifically the question of transmediality) and use (more specifically the issue of interactivity) in the field of the fantastic. More specifically, it discusses some fundamental hypotheses on the way the interactive dimension of transmedial adaptations can either increase or diminish the fantastic effect. A special emphasis will be put on issues of time and narrative, on the one hand, and context and medium traditions, on the other hand. KeyworDs: Intensity, fantastic, narrative, participation, transmediality. TRANSMEDIALIZANDO LO FANTÁSTICO: UNA APROXIMACIÓN BASADA EN EL USUARIO
这篇文章处理了一些关于媒介(更具体地说是跨媒介性的问题)和使用(更具体地说是互动性的问题)在幻想领域中的关系的方法论问题。更具体地说，它讨论了跨媒介适应的互动维度如何增加或减少奇妙效果的一些基本假设。一方面将特别强调时间和叙事问题，另一方面将特别强调背景和媒介传统问题。关键词:强度、梦幻、叙事、参与、跨媒介性。跨媒体izando fantÁstico: una aproximaciÓn basada en el uuario
{"title":"Transmedializing The Fantastic, A User-Based Approach","authors":"J. Baetens, Domingo sánchez-mesa","doi":"10.5565/rev/brumal.731","DOIUrl":"https://doi.org/10.5565/rev/brumal.731","url":null,"abstract":"This article deals with some methodological issues regarding the relationship between medium (more specifically the question of transmediality) and use (more specifically the issue of interactivity) in the field of the fantastic. More specifically, it discusses some fundamental hypotheses on the way the interactive dimension of transmedial adaptations can either increase or diminish the fantastic effect. A special emphasis will be put on issues of time and narrative, on the one hand, and context and medium traditions, on the other hand. KeyworDs: Intensity, fantastic, narrative, participation, transmediality. TRANSMEDIALIZANDO LO FANTÁSTICO: UNA APROXIMACIÓN BASADA EN EL USUARIO","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"119 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77466686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
David Roas & Alessandra Massoni (eds.), Las creadoras ante lo fantastico: visiones desde la narrativa, el cine y el comico, Visor, Madrid, 2020. ISBN: 978-84-9895-241-4.
大卫·罗亚斯(David Roas)和亚历山德拉·马索尼(Alessandra Massoni)合编，《梦幻前的创造者:叙事、电影和喜剧的愿景》(the createurs ante lo fantastico: visions from narrative, film and comico)， Visor，马德里，2020。ISBN: 978-84-9895-241-4。
{"title":"David Roas & Alessandra Massoni (eds.), Las creadoras ante lo fantástico: visiones desde la narrativa, el cine y el cómic, Visor, Madrid, 2020. ISBN 978-84-9895-241-4.","authors":"Alfons Gregori","doi":"10.5565/rev/brumal.749","DOIUrl":"https://doi.org/10.5565/rev/brumal.749","url":null,"abstract":"David Roas & Alessandra Massoni (eds.), Las creadoras ante lo fantastico: visiones desde la narrativa, el cine y el comico, Visor, Madrid, 2020. ISBN: 978-84-9895-241-4.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"28 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73933325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This work analyzes the relationship between two artistic disciplines -ballet and literature- and, specifically, between the choreographic work Giselle (1841), by Jean Coralli (1779-1845) and Jules Perrot (1810-1892), and two literary works: the poem Fantomes by Victor Hugo (1802-1885), published in his work Les Orientales (1829), and a popular legend from The Elementary Spirits (1837), by Heinrich Heine (1797-1856). To do this, we explain the process through which both literary texts become one of the most recognized ballets, describing as clearly as possible the convergences and divergences between these three works, which belong to different artistic disciplines, though at the same time remaining in the fantastic genre. Likewise, a comparative analysis is proposed that focuses initially on the roles adopted by the female characters in Giselle to cover later the roles they acquire in different literary works by Hugo and Heine.
{"title":"The Fantastic and Female Identity in The Ballet Giselle, an Indirect Relationship With Literature","authors":"Isabel Segura Moreno","doi":"10.5565/rev/brumal.630","DOIUrl":"https://doi.org/10.5565/rev/brumal.630","url":null,"abstract":"This work analyzes the relationship between two artistic disciplines -ballet and literature- and, specifically, between the choreographic work Giselle (1841), by Jean Coralli (1779-1845) and Jules Perrot (1810-1892), and two literary works: the poem Fantomes by Victor Hugo (1802-1885), published in his work Les Orientales (1829), and a popular legend from The Elementary Spirits (1837), by Heinrich Heine (1797-1856). To do this, we explain the process through which both literary texts become one of the most recognized ballets, describing as clearly as possible the convergences and divergences between these three works, which belong to different artistic disciplines, though at the same time remaining in the fantastic genre. Likewise, a comparative analysis is proposed that focuses initially on the roles adopted by the female characters in Giselle to cover later the roles they acquire in different literary works by Hugo and Heine.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71033608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Este articulo consiste en un analisis filmico y narratologico de la pelicula Maborosi (Hirokazu Koreeda, 1995). En su opera prima, el cineasta japones propone una atipica historia de fantasmas, en tanto que la vida de la protagonista se basa en una busqueda imposible de lo sobrenatural. El relato se construye a partir de una solucion formal que representa ese cuestionamiento de lo fantastico: el movimiento y el sonido distante como ruptura de la ilusion. Por ello se han escogido escenas paradigmaticas en las que esas tematicas son representadas. Mas tarde se establece una relacion con la obra de Yasujiro Ozu, para ilustrar la filiacion de Maborosi con ese cine que transita entre lo terrenal y lo trascendental.
{"title":"Movement Within The Threshold. The Suspension of the Fantastic in Maborosi (1995) by Hirokazu Koreeda","authors":"Víctor Iturregui-Motiloa","doi":"10.5565/rev/brumal.691","DOIUrl":"https://doi.org/10.5565/rev/brumal.691","url":null,"abstract":"Este articulo consiste en un analisis filmico y narratologico de la pelicula Maborosi (Hirokazu Koreeda, 1995). En su opera prima, el cineasta japones propone una atipica historia de fantasmas, en tanto que la vida de la protagonista se basa en una busqueda imposible de lo sobrenatural. El relato se construye a partir de una solucion formal que representa ese cuestionamiento de lo fantastico: el movimiento y el sonido distante como ruptura de la ilusion. Por ello se han escogido escenas paradigmaticas en las que esas tematicas son representadas. Mas tarde se establece una relacion con la obra de Yasujiro Ozu, para ilustrar la filiacion de Maborosi con ese cine que transita entre lo terrenal y lo trascendental.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"8 1","pages":"249-273"},"PeriodicalIF":0.2,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49213366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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