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Kornmarkt, Trier’de (Augusta Treverorum) Bulunan Leda Mozaiğini Yeniden Ziyaret Etmek
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143749
Luz Nei̇ra
This article aims to review the representations of the exceptional mosaic found in the vicinity of the Kornmarkt in Trier, which, since its discovery, has been subject to different interpretations.Undoubtedly, the unique character and the inexplicable, at least in appearance, conjugation of the two main scenes, with various inscriptions, in the two large concave octagons that stand out in the geometric scheme of the field, that is, a scene perhaps of sleight of hand and another of mythological inspiration with the birth of Helena, have given rise to theories, among others, as opposite as the representation of a mystery cult and, in the completely opposite sense, another that identifies it as an expression of the mockery of traditional cults from the most critical Christian sectors of Augusta Treverorum.In this paper, however, the analysis of the figures contained in the geometric compartments in the shape of a circle and a spindle, with servants and saltatrices, who are also identified by epigraphs with their own names, sheds light on the interpretation of the mosaic. In this regard, the consideration of some parallels for the figures of servants and saltatrices, as well as information from literary sources and the context of the ancient Augusta Treverorum in which the mosaic was commissioned are equally revealing when drawing our conclusions. on the identification of a banquet, including the entertainments of the comissatio.
本文旨在回顾在特里尔Kornmarkt附近发现的特殊马赛克的表现,自发现以来,该马赛克一直受到不同的解释。毫无疑问,这两个主要场景的独特性格和令人费解的结合,至少在外观上是这样,在这两个巨大的凹形八角形中,有各种各样的铭文,在这个领域的几何方案中脱颖而出,也就是说,一个可能是耍花招的场景,另一个是海伦娜出生时的神话灵感,引发了各种理论,与神秘邪教的表现相反,在完全相反的意义上,另一种将其视为奥古斯塔·特雷维罗姆最关键的基督教部门对传统邪教的嘲弄的表达。然而,在本文中,对圆形和纺锤形几何隔间中包含的人物,包括仆人和盐室的分析,他们也通过带有自己名字的题词来识别,这为马赛克的解释提供了线索。在这方面,在得出我们的结论时,考虑到仆人和盐场人物的一些相似之处,以及来自文学来源的信息和委托制作马赛克的古代奥古斯塔特雷维罗姆的背景,同样具有启示性。关于宴会的识别,包括宴会的娱乐。
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引用次数: 0
Bulgaristan’dan Geç Antik Mozaik Döşemelerinde Krismonlar ve Haçlar
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143758
Vania Popova
Makale, çoğunlukla Orta ve Doğu Balkanlar bölgesinde yer alan günümüz Bulgar topraklarının antik vilayetlerden Geç Antik dönem mozaik döşemeleri üzerine farklı ikonografilerde ve farklı sayılarda Erken Hristiyanlık Kristogramları/Staurogramları ve haçların yerleştirilmesini incelemektedir. Geç Antik Çağ’da haçın tarihçesi ve kriterleri, Erken Hristiyanlık ayininde, dekorasyon ve sanatta, resmi ve zımni düzenlemelerde, bu yöndeki kanun ve yasaklarda, istisnalar ve bunlara neden olan sebeplerde izlenebilmektedir.
这篇文章研究了保加利亚古代村庄在中东巴尔干半岛的早期基督教水晶/雕像和肌肉的部署,主要是在中东地区不同的图像和不同数量的早期基督教晶体/雕像中。过去,穿越古代捷克共和国的历史和标准在古代基督教、装饰和艺术、官方和语言规定、这一方向、法律和禁令、例外和原因中都有体现。
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引用次数: 1
Lod Mozaikleri: Lüks Roma Konağından Kentsel ve Sosyal Değişimin Katalizörüne Lod Mozaics:罗马卢森堡医院的天主教会促进社会和文化变革·全球之声
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143741
Amir Gorzalczany, Ram Shoeff
In mid-2021, the Museum and Visitor Centre in the city of Lod, Israel, was inaugurated, housing the remains of the magnificent mosaics discovered in the city, to be finally exhibited to the public. This event, almost 25 years after the beginning of the sporadic excavations of the site by the IAA (Israel Antiquities Authority), seems an appropriate moment to briefly recapitulate on the findings, the history of the research and its scientific and, why not, communal significance. This spectacular site consists of a large Roman domus which includes a lavish colorful mosaic paving a large triclinium, that was exposed in the most prestigious museums in the world. Also includes a peristyle courtyard, and various rooms, all paved with luxurious mosaics. The project (excavated in 1996, 2009, 2014 and 2018) attracted the public attention and enjoyed from its beginning incessant media covering. The mosaics, which depict accurately figures from the animal kingdom, were built in the best style of the time, and boast influences from different parts of the empire.The long process has by no means been simple and the difficulties have been numerous, starting with the chronic lack of funds to finance such a project, the initial resistance and distrust of the inhabitants of the neighborhood and the countless logistical, archaeological, and political impediments.The article summarizes the archaeological findings at the mosaic, and also focuses on the process that went through the modest neighborhood that houses it, from the initial opposition and disbelief of the inhabitants towards the authorities to the recognition of the value of the antiquities. The article also reviews the approach to conservation, the philosophy behind the planning of the museum and the hope for integration into the community framework, to create a sense of belonging and local pride. Beyond its outstanding archaeological, artistic, and scientific value, the Lod mosaic, which began its life in the fourth century CE as part of an elitist and wealthy mansion, can today fulfil an important function as a catalyst for social change and improvement.
2021年年中,位于以色列Lod市的博物馆和游客中心落成,其中收藏了在该市发现的宏伟马赛克遗迹,最终将向公众展出。在以色列文物局(IAA)开始对该遗址进行零星发掘将近25年后,这一事件似乎是一个适当的时机,简要概述了这些发现、研究的历史及其科学意义,为什么不呢,还有社会意义。这个壮观的遗址由一个巨大的罗马圆顶组成,其中包括一个奢华的彩色马赛克,铺有一个巨大的三角乐器,在世界上最负盛名的博物馆中展出。还包括一个柱廊庭院和各种房间,都铺有豪华的马赛克。该项目(分别于1996年、2009年、2014年和2018年挖掘)引起了公众的关注,从一开始就受到了媒体的不断报道。这些马赛克,准确地描绘了动物王国的人物,以当时最好的风格建造,并受到帝国不同地区的影响。这个漫长的过程绝不是简单的,困难重重,首先是长期缺乏资金来资助这样一个项目,最初邻里居民的抵制和不信任,以及无数的后勤、考古和政治障碍。本文总结了马赛克的考古发现,并重点介绍了它所在的普通社区的过程,从最初的居民对当局的反对和怀疑到对文物价值的认识。文章还回顾了保护的方法,博物馆规划背后的理念以及融入社区框架的希望,以创造归属感和地方自豪感。除了其杰出的考古、艺术和科学价值外,Lod马赛克始于公元4世纪,是精英和富裕豪宅的一部分,今天可以作为社会变革和进步的催化剂发挥重要作用。
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引用次数: 1
Roma Kolonisi Augusta Firma’daki Kraliyet Sarayı Plaza de Armas’ın Domus I Mozaikleri – Astigi (Écija, Sevilla, İspanya) - I 罗马殖民地奥古斯塔,阿玛斯广场王宫,阿玛斯一世之家,莫桑比克-阿斯蒂吉(埃塞俄比亚,塞维利亚,西班牙)-I
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143737
Sergio GARCÍA-DILS DE LA VEGA, Salvador ORDÓÑEZ AGULLA
Ecija’nın Kraliyet Sarayı (Sevilla, İspanya) Plaza de Armas’taki Domus I, 2001’den beri arkeolojik kazılar ile restorasyon müdahalelerinin nesnesi olmuştur ve bu lüks kentsel konutun Severan döneminde tamamen yenilendiği, bazı odalar ve merkezde yer alan avlunun farklı temalardaki mozaiklerle dekore edildiği tespit edilmiştir. Ortaya çıkarılan ilk mozaik, Dionysos’un bu iki yoldaşının tek bir görsel oyun sayesinde tek bir kafada çifte temsil edildiği, ünlü Satyr / Silenus mozaiğidir. 2015 yılında, domusun triclinium’unu süsleyen Zeus’un Aşkları mozaiği, bu mitolojik döngüden birkaç sahne, Bacchic temaları ve karakterleri ile mevsimlerin temsili keşfedilmiştir. Daha yakın zamanlarda, 2019-2020’de, konutun anıtsal merkezi peristilinin kazılmasıyla, perimetral koridordaki mozaik döşemeler ortaya çıkarılmıştır. Bu -yeni keşfedilen mozaikte işlenen tema, çeşitli gezegenler, meteorolojik fenomenler veya tanrı Dionisus’un kendisi ile birlikte bir avın devamının işlendiği bir sahneyi içeren bir panel –ne yazık ki bu kısım büyük oranda kayıptır, fakat yine de tespit edilebilir durumdadır- dahil olmak üzere çok çeşitlidir ve hepsi tekil bir geometrik örüntü ile çerçeve içine alınmıştır. Bu makalede, henüz keşfedilen dikkate değer peristil mozaiğinin ilk yayını sunulmaktadır.
厄瓜多尔王宫(西班牙塞维利亚)自2001年以来一直是阿玛斯广场多姆斯一世考古事故的重建对象,并被确定为装饰有塞维兰森林不同主题的马赛克,在塞维兰期间,这座豪华城市得到了全面更新。第一个出现的马赛克是著名的Satyr/Silenus马赛克,这两位同事Dionysos因为一个视觉游戏而在一个脑袋里表现出来。2015年yılında,domusun triclinium'unu süsleyen Zeus'un Aşklarımozaiği,bu mitolojik döngüden birkaçsahne,Bacchic temalarıve karaktereri ile mevsimlerin temsili keşfedilmiştir。最近,由于存储中心遭到破坏,2019-2020年,周边走廊上的马赛克布被释放。这是一个小组,其中包括一个主题,各种行星,气象现象,或与迪奥尼索斯继续狩猎的场景,不幸的是,这在很大程度上是缺失的,但是,它仍然是可以识别的——包括它是非常不同的,而且它都是用一个终端几何模式纳入框架的。在这篇文章中,珍贵的十二烷基马赛克的第一版已经出版。
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引用次数: 1
A BUILDING WITH MOSAIC IN THE PATARA HARBOR STREET 帕塔拉港街道上的一幢带有马赛克图案的建筑
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143768
Şevket Aktaş
This article is about a mosaic uncovered during the excavations in chamber II on the westportico of the Harbor Street of Patara that connects the city center to the harbor. The mosaicin question was located on the second floor of the relevant space. The mosaic, which isheavily damaged and consists of many small fragments, is the third example uncovered afterthose founds in the Women's Chapel and Harbor Bath at Patara. After restoration work wascompleted in 2013, it was discovered that the mosaic was made up of a panel surrounded bythree borders. Utilizing seven various tessera kinds, this geometric patterned mosaic wascreated using the opus tessellatum process. With the colors ordered from dark to bright in thepattern processing, the motifs have been given a sense of depth. Filling motifs are utilized inthe gaps of the circular main design to produce more intricate ornamentation. The Pataranmosaic's design repertory and building technique, as well as the excavation results, place it inthe 5th century AD. This mosaic, the topic of the first comprehensive study of Pataranmosaics, is a unique example of floor mosaics found in Lycia and Western Anatolia,particularly in Patara. Furthermore, this study opens questions about the mosaic repertoireof the region, construction techniques, and the identification of possible new workshops.
这篇文章是关于在帕塔拉海港街西门廊的第二室挖掘过程中发现的马赛克,该街连接市中心和港口。该马赛克位于相关空间的二楼。马赛克被严重损坏,由许多小碎片组成,是帕塔拉妇女教堂和海港浴场发现后第三个未被发现的例子。2013年修复工作完成后,人们发现马赛克是由一块由三个边界包围的面板组成的。利用七种不同的镶嵌物,这幅几何图案的马赛克是用opus镶嵌工艺制作的。在图案处理中,颜色从暗到亮依次排列,赋予了图案深度感。填充图案被用于圆形主体设计的间隙,以产生更复杂的装饰。Pataranmaics的设计目录和建筑技术,以及挖掘结果,将其放置在公元5世纪。这幅马赛克是第一次全面研究Pataranmanics的主题,是在Lycia和西安纳托利亚发现的地板马赛克的独特例子,尤其是在Patara。此外,这项研究还提出了关于该地区马赛克剧目、施工技术和可能的新车间的确定等问题。
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引用次数: 1
Archaeometric Investigation of the Seasonal Mosaic of Antiochia 安条基亚季节性马赛克的考古研究
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143777
Ali Argunhan, Mahmut Aydın
The Seasons Mosaic exhibited in Hatay Archaeology Museum consists of nine panels and the seasons are depicted in its four corners. The colors of the glass and stone tesserae on the Seasons Mosaic were determined by the digital Focus brand Capsure Portable Color Matching device based on the Munsell Color Catalogue. The petrographic analyzes of the stone tesserae were characterized archeometrically by thin-section optical microscopy analysis and the chemical analysis of the glass tesserae using the Polarized Energy Distributed X-ray Fluorescence Spectrometer. In the light of the results obtained, the rock type, texture, hardness level, rocks and minerals forming the aggregate of the stone tesserae were defined. The chemical composition of the elements found within the framework of the results of the glass tessera analysis was determined and predictions were made about the color properties. By petrographic analysis of stone tesserae, rock types were determined as biosparitic, biomicritic and micritic limestone. As a result of the PED-XRF analysis of the glass tesserae, it was determined that it was soda lime glass, that plant ash was not used, and that it had low deterioration and resistance. It has been understood that the element that gives the green color to the glass tesserae is copper. By looking at the strontium (Sr) and zirconium (Zr) contents, it was concluded that terrestrial raw materials were used in the structure of glass tesserae.
哈塔伊考古博物馆展出的季节马赛克由9块面板组成,四个角描绘了季节。四季马赛克上的玻璃和石头镶嵌的颜色是由数字Focus品牌的Capsure便携式配色设备根据Munsell颜色目录确定的。采用薄层光学显微镜分析和偏振能量分布x射线荧光光谱仪对玻璃镶嵌物进行化学分析,对石镶嵌物进行了岩石学分析。根据所获得的结果,定义了岩石类型、纹理、硬度等级、形成石镶嵌体集合体的岩石和矿物。确定了玻璃镶嵌分析结果框架内发现的元素的化学成分,并对其颜色特性进行了预测。通过岩石学分析,确定岩石类型为生物空间质灰岩、生物泥晶灰岩和泥晶灰岩。通过对玻璃片的PED-XRF分析,确定它是钠石灰玻璃,没有使用植物灰,并且它具有低劣化和耐腐蚀性。据了解,使玻璃镶嵌呈现绿色的元素是铜。通过对锶(Sr)和锆(Zr)含量的测定,得出了陆地原料在玻璃镶嵌体结构中的作用。
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引用次数: 1
Piazza Armerina. The So-Called Personifications of Mauretania and India at Each End of the Great Hunt Portico 阿尔梅里纳广场。《大狩猎》两端所谓的毛里塔尼亚和印度人物
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143761
B. Steger
What is the meaning of the images in the apses on the Great Hunt Corridor? Are the personifications in the center of the two mosaics alluding to geographical entities, as has been the case put forward so far? If so, this begs the question “which ones?”. The analysis of each pavement is followed up by a short round-up and discussion of current hypotheses. By taking support from a set of iconographical and textual parallels, we have sought to achieve a better understanding of these images. Lastly, we provide some insights to show how these mosaics fit into the decorative program of the Great Hunt corridor to which they pertain.
大狩猎走廊后堂中的图像是什么意思?两幅马赛克中心的拟人化是否像迄今为止提出的那样暗指地理实体?如果是这样的话,这就引出了一个问题:“哪一个?”。在对每种路面进行分析之后,对当前的假设进行了简短的总结和讨论。通过从一组图像和文本的相似性中获得支持,我们试图更好地理解这些图像。最后,我们提供了一些见解来展示这些马赛克是如何融入大狩猎走廊的装饰程序的。
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引用次数: 0
The decorative repertoire of the mosaics from the Conuentus Bracaraugustanus and their relationships with other mosaics of Hispania Bracaraugustanus的马赛克装饰曲目及其与伊斯帕尼亚其他马赛克的关系
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143691
M. Abraços, Licínia Wrench
In this work we intend to extend the comparative study of the mosaics of Conuentus Bracaraugustanus published in the Corpus to the mosaics from Gallaecia and from other regions of Hispania, particularly from the region between the Ebro and Douro rivers, considering different mosaic workshops operating in these areas.We also register punctual relationships between some compositional schemes, themes and motifs that occur in the mosaics of the Conuentus Bracaraugustanus and some of the north African production.We will complement our study with information that resulted from the continuation of our research and that was provided to us after the publication of the Corpus, in 2019.
在这项工作中,我们打算将发表在《文集》上的Conuentus Bracaraugustanus马赛克的比较研究扩展到加拉西亚和西班牙其他地区的马赛克,特别是埃布罗河和杜罗河之间的地区,考虑到在这些地区经营的不同马赛克作坊。我们还记录了在Conuentus Bracaraugustanus和一些北非作品的马赛克中出现的一些构图方案,主题和主题之间的准时关系。我们将补充我们的研究,这些信息是我们继续研究的结果,是在2019年语料库出版后提供给我们的。
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引用次数: 0
Stone Rings as Ornamental Elements in Urartian Monumental Architecture in the Light of Ayanis Examples 从阿亚尼斯的实例看石环在乌拉尔王朝纪念建筑中的装饰元素
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1188577
Ayşegül AKIN ARAS, M. Işıklı
Bu çalışmada, Argişti oğlu Rusa’nın kenti, Urartu Krallığı’nın son kralî projesi olan Ayanis’te tapınak kompleksinde ortaya çıkarılan bir grup materyal kültür unsurları değerlendirilmeye çalışılmıştır. Çalışmamıza konu olan bu unsurlar, Urartu anıtsal mimarisinde ve mimari ile ilintili tasarılarda karşımıza çıkan taş halkalardır. Yaklaşık 2 cm derinliğinde açılan negatif yuvalara kakma tekniğinde yerleştirilmeleri ile bu taş halkalar, Ayanis tapınak cella duvarlarını süsleyen mitolojik yaratıklar ve hayat ağacı gibi birçok motifin yer aldığı kireç taşından oyma-kakma süslemelere de oldukça benzemektedir. İç içe geçen üç dairesel halkadan oluşan ve uygulanacakları yüzeylere birbirinden bağımsız şekilde dizilen bu taş halkaların, teknik olarak nasıl tanımlanabilecekleri tartışılagelmiştir. Çalışma özellikle bu tanımlama tahliline odaklı olarak kaleme alınmıştır.
在这项工作中,Argestha之子俄罗斯城市旨在评估阿亚尼斯神庙建筑群中出现的一组物质文化元素,这是乌拉图的最后一个皇家项目。这些都是我们工作的元素,他们是乌尔都语建筑师和我们国家建筑师面对我们的人。这些岩石与多动机污染石非常相似,比如装饰阿亚尼斯神庙墙壁的神话生物,岩石上放置了许多图案,比如生命之树。伊西塞·盖森(Ilçiçe geçenüçdairesel halkadan oluşan ve vigulanacaklarıyüzeylere birbirbirinden bağımsızşekilde dizilen bu taşhalkaların,teknik olarak nasıl tanımlanabilecekleri tartışılagelmiştir)。这项工作特别侧重于这一定义分析。
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引用次数: 0
Pisões Roma Villasından Mozaikler (Beja, Portekiz). Dekoratif Program ve Villanın Mekânsal Organizasyonundaki Önemi
0 ARCHAEOLOGY Pub Date : 2022-11-30 DOI: 10.26658/jmr.1143747
Maria De Jesus DURAN KREMER, Miguel Serra
Conventus Pacensis’te, Roma Dönemi Pax Julia’nın (bugünkü: Beja) yaklaşık 7 km güneybatısında yer alan bu görkemli Roma villası, günümüz Portekizinin güneyindeki Roma yerleşimlerinin incelenmesinde bir referans noktasıdır. Pisões’teki bu yapı grubu içinde yalnızca pars urbana büyük ölçüde ortaya çıkarılmıştır: bir baraj duvarının, bir su kemerinin ve bazı çevre yapılarının varlığı yıllar içinde tespit edilmiştir.Roma mozaiklerinin incelenmesi için figüratif, bitkisel ve geometrik motiflere sahip en uygun mozaik gruplarından biri burada bulunmaktadır ve günümüzdeki Portekiz sınırları içinde olası mozaik atölyelerinin tanımlanmasına olanak tanımaktadır. 1972’de Fernando Nunes Ribeiro’nun çok kısa bir açıklaması dışında, bu mozaikler henüz derinlemesine çalışılmamıştır.Bu çalışma kapsamında, bu villanın bugüne kadar ortaya çıkarılan - çoğu yayınlanmamış - mozaiklerinin envanteri, metodolojik bir kaydı, çalışma ve yayın yaklaşımı kullanılarak, mozaik döşemeler ve mekânsal planlama arasındaki karşılıklı ilişki irdelenmektedir.
在Conventus Pacensis,这个著名的罗姆人村庄位于Pax Julia以南约7公里处,是今天葡萄牙南部罗姆人定居点调查的参考点。在Pisões,只显示了城市地区的大量pars:多年来,人们已经发现了酒吧墙、水板和一些环境结构的存在,这里发现了最合适的具有植物和几何图案的马赛克组之一,它在当前的葡萄牙边界中被定义为可能的马赛克部分的定义。1972年,除了费尔南多·努内斯·里贝罗(Fernando Nunes Ribeiro)的一个非常简短的解释外,这些马赛克还没有被深入研究,马赛克床和地方规划之间的关系是相互关联的。
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引用次数: 0
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Journal of Mosaic Research
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