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Journal of Mosaic Research最新文献

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About the 16th Colloquium of the International Association for the Study of the Ancient Mosaic AIEMA in Conímbriga, Rabaçal, São Simão and Santiago da Guarda, with excursion to Alter do Chão, Mértola, Milreu and Faro, 11th to 15th July 2025 关于第16届国际协会研究古代马赛克AIEMA研讨会在Conímbriga, raba<s:1>, s<s:1> o sim<e:1> o和Santiago da Guarda,并于2025年7月11日至15日游览Alter do ch<e:1> o, m<s:1> rtola, Milreu和Faro
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014586
Miguel Pessoa, Lino Rodri̇go, Pedro Sales
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引用次数: 0
Reflections on Music Performance and Dancing in a Roman Mosaic Found on the Aventine 对Aventine发现的罗马马赛克中音乐表演和舞蹈的思考
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014555
Luz NEİRA JİMÉNEZ, Isabel Rodriguez
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引用次数: 1
Des expressions et des sentiments sur des pavements dionysiaques de l’Algérie romaine 罗马阿尔及利亚狄奥尼亚人行道上的表达和感受
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014563
Nedjma Serradj-Remili
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引用次数: 0
Reburial of Mosaics: Field Experiment Comparing Six Different Systems Based on The Results of Monitoring Station in Perge 马赛克重埋:基于佩尔格监测站结果的六种不同系统的野外试验比较
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014580
Şehrigül Yeşi̇l
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引用次数: 0
La fleur de lotus ou Nelumbo nucifera dans les mosaïques gréco-romaines 希腊罗马马赛克中的莲花或Nelumbo nucifera
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014577
Véronique Vassal
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引用次数: 0
The Mosaic Floors of the House of Kyrios Leontis in Nysa Scythopolis (Beth Shean) Nysa Scythopolis的Kyrios Leontis住宅的马赛克地板(Beth Shean)
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014548
L. Habas
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引用次数: 0
Unraveling The Interplay Between Inscriptions and Images: The Cosmological Mosaic of Mérida 揭示铭文与图像之间的相互作用:《马姆萨里达》的宇宙学马赛克
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014551
Anna-laura Honi̇kel
The cosmological mosaic in Mérida is a complex and unique pictorial creation. Due to the remarkable quality and the intricate depicted cosmological scene, the mosaic has often been the focus of research. In this paper, attention is drawn to the fact that the factors iconography and inscriptions are not always as congruous as they usually are. As a result, different associations are triggered in the recipient, which make the respective figures more multifaceted. Consequently, however, the identification and interpretation of the figures becomes more demanding. Different modes of combining iconography and writing can be observed on the cosmological mosaic. This shall be demonstrated exemplarily with the aid of the figures Saeculum, Caelum, Chaos and Polum. Those personifications serve as a case study, since they show four different strategies of combining images and writing. It can be illustrated how variable the relationship of the iconography and inscriptions was staged and how specific intended statements were conveyed by this.
梅里达的宇宙镶嵌画是一种复杂而独特的绘画创作。由于其卓越的质量和复杂的宇宙学场景,马赛克经常成为研究的焦点。在本文中,我们注意到图像学和铭文的因素并不总是像通常那样一致。因此,在接受者身上引发了不同的联想,这使得各自的数字更加多面。然而,因此,对数字的识别和解释变得更加苛刻。在宇宙学镶嵌图上可以观察到图像学和写作相结合的不同模式。这将通过Saeculum、Caelum、Chaos和Polum等图形进行示范。这些人格化可以作为一个案例研究,因为它们展示了四种不同的将图像和写作结合起来的策略。可以说明图像学和铭文之间的关系是如何变化的,以及具体的意图是如何通过这种关系传达的。
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引用次数: 0
Concordantia Veteris et Novi Testamenti in the Mosaic of the Funerary Basilica of Via Dottor Consoli in Catania 卡塔尼亚Via Dottor Consoli葬礼大教堂马赛克中的Concordia Veteris et Novi Testamenti
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1012083
Dominique Maria DI CARO
In 1930, it was discovered in the area of Via Dottor Consoli, in the northwestern sector of current urban centre of Catania, a cemetery complex used from the Hellenistic to the Byzantine era, by the Superintendence of Antiquities of Syracuse, under the direction of then Inspector G. Libertini. In that occasion, portions of the perimeter strip of a floor mosaic inside the basilica were brought to light, which during later excavation campaigns was completely excavated and detached in 1957 to be exhibited in the “salone di San Giorgio” of the Castello Ursino. Currently, it is kept in the storerooms of the ex-Manifattura Tabacchi (site of the future Regional Interdisciplinary Museum of Catania). The mosaic of the basilica nave, dated to the middle of the sixth century AD, represents common secular themes on three registers: running felids, animals in combat and the marine scene with two men on a boat in front of a dragon with red coat dotted with white eyelets. In a panel there is a snake twisted around the trunk of a tree, in my opinion, to be identified with the Tree of knowledge mentioned by the sacred texts. In the Apocalypse, “the old serpent, which is called the Devil and Satan, the deceiver of the whole world” (Revelation 12, 9) becomes a great red dragon, who appears in the marine scene. An interpretative reading of the mosaic is proposed in the light of the rhetorical procedure of “significant inclusion” to enhance the unity and narrative continuity between the Old and New Testament.
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引用次数: 0
Mozaiklerin Yerinde Sergilenmesi ve Korunmasına Yönelik Tasarımlarda İlişkisel Anlam Çözümlemesinin Katkıları 莫桑比克工业革命参与者与关系情报分析保护
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014997
Gözde KIRLI ÖZER
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引用次数: 0
The Late Roman Mosaics from the Villa of Pont del Treball Digne, Barcelona 晚期罗马镶嵌画,来自于巴塞罗那的特雷博尔桥别墅
Q3 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.26658/jmr.1012041
Daniel Alcubierre Gómez, Jordi Ardi̇aca, Pere Lluís Artigues İ Conesa ARTİGUES İ CONESA, Silvia LLOBET FONT, Irene Mañas Romero, Antoni RİGO JOVELLS
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引用次数: 0
期刊
Journal of Mosaic Research
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