{"title":"About the 16th Colloquium of the International Association for the Study of the Ancient Mosaic AIEMA in Conímbriga, Rabaçal, São Simão and Santiago da Guarda, with excursion to Alter do Chão, Mértola, Milreu and Faro, 11th to 15th July 2025","authors":"Miguel Pessoa, Lino Rodri̇go, Pedro Sales","doi":"10.26658/jmr.1014586","DOIUrl":"https://doi.org/10.26658/jmr.1014586","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47503012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reflections on Music Performance and Dancing in a Roman Mosaic Found on the Aventine","authors":"Luz NEİRA JİMÉNEZ, Isabel Rodriguez","doi":"10.26658/jmr.1014555","DOIUrl":"https://doi.org/10.26658/jmr.1014555","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49249903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Des expressions et des sentiments sur des pavements dionysiaques de l’Algérie romaine","authors":"Nedjma Serradj-Remili","doi":"10.26658/jmr.1014563","DOIUrl":"https://doi.org/10.26658/jmr.1014563","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49312406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reburial of Mosaics: Field Experiment Comparing Six Different Systems Based on The Results of Monitoring Station in Perge","authors":"Şehrigül Yeşi̇l","doi":"10.26658/jmr.1014580","DOIUrl":"https://doi.org/10.26658/jmr.1014580","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44439150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La fleur de lotus ou Nelumbo nucifera dans les mosaïques gréco-romaines","authors":"Véronique Vassal","doi":"10.26658/jmr.1014577","DOIUrl":"https://doi.org/10.26658/jmr.1014577","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69065168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Mosaic Floors of the House of Kyrios Leontis in Nysa Scythopolis (Beth Shean)","authors":"L. Habas","doi":"10.26658/jmr.1014548","DOIUrl":"https://doi.org/10.26658/jmr.1014548","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43941385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The cosmological mosaic in Mérida is a complex and unique pictorial creation. Due to the remarkable quality and the intricate depicted cosmological scene, the mosaic has often been the focus of research. In this paper, attention is drawn to the fact that the factors iconography and inscriptions are not always as congruous as they usually are. As a result, different associations are triggered in the recipient, which make the respective figures more multifaceted. Consequently, however, the identification and interpretation of the figures becomes more demanding. Different modes of combining iconography and writing can be observed on the cosmological mosaic. This shall be demonstrated exemplarily with the aid of the figures Saeculum, Caelum, Chaos and Polum. Those personifications serve as a case study, since they show four different strategies of combining images and writing. It can be illustrated how variable the relationship of the iconography and inscriptions was staged and how specific intended statements were conveyed by this.
{"title":"Unraveling The Interplay Between Inscriptions and Images: The Cosmological Mosaic of Mérida","authors":"Anna-laura Honi̇kel","doi":"10.26658/jmr.1014551","DOIUrl":"https://doi.org/10.26658/jmr.1014551","url":null,"abstract":"The cosmological mosaic in Mérida is a complex and unique pictorial creation. Due to the remarkable quality and the intricate depicted cosmological scene, the mosaic has often been the focus of research. In this paper, attention is drawn to the fact that the factors iconography and inscriptions are not always as congruous as they usually are. As a result, different associations are triggered in the recipient, which make the respective figures more multifaceted. Consequently, however, the identification and interpretation of the figures becomes more demanding. Different modes of combining iconography and writing can be observed on the cosmological mosaic. This shall be demonstrated exemplarily with the aid of the figures Saeculum, Caelum, Chaos and Polum. Those personifications serve as a case study, since they show four different strategies of combining images and writing. It can be illustrated how variable the relationship of the iconography and inscriptions was staged and how specific intended statements were conveyed by this.","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49155891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1930, it was discovered in the area of Via Dottor Consoli, in the northwestern sector of current urban centre of Catania, a cemetery complex used from the Hellenistic to the Byzantine era, by the Superintendence of Antiquities of Syracuse, under the direction of then Inspector G. Libertini. In that occasion, portions of the perimeter strip of a floor mosaic inside the basilica were brought to light, which during later excavation campaigns was completely excavated and detached in 1957 to be exhibited in the “salone di San Giorgio” of the Castello Ursino. Currently, it is kept in the storerooms of the ex-Manifattura Tabacchi (site of the future Regional Interdisciplinary Museum of Catania). The mosaic of the basilica nave, dated to the middle of the sixth century AD, represents common secular themes on three registers: running felids, animals in combat and the marine scene with two men on a boat in front of a dragon with red coat dotted with white eyelets. In a panel there is a snake twisted around the trunk of a tree, in my opinion, to be identified with the Tree of knowledge mentioned by the sacred texts. In the Apocalypse, “the old serpent, which is called the Devil and Satan, the deceiver of the whole world” (Revelation 12, 9) becomes a great red dragon, who appears in the marine scene. An interpretative reading of the mosaic is proposed in the light of the rhetorical procedure of “significant inclusion” to enhance the unity and narrative continuity between the Old and New Testament.
{"title":"Concordantia Veteris et Novi Testamenti in the Mosaic of the Funerary Basilica of Via Dottor Consoli in Catania","authors":"Dominique Maria DI CARO","doi":"10.26658/jmr.1012083","DOIUrl":"https://doi.org/10.26658/jmr.1012083","url":null,"abstract":"In 1930, it was discovered in the area of Via Dottor Consoli, in the northwestern sector of current urban centre of Catania, a cemetery complex used from the Hellenistic to the Byzantine era, by the Superintendence of Antiquities of Syracuse, under the direction of then Inspector G. Libertini. In that occasion, portions of the perimeter strip of a floor mosaic inside the basilica were brought to light, which during later excavation campaigns was completely excavated and detached in 1957 to be exhibited in the “salone di San Giorgio” of the Castello Ursino. Currently, it is kept in the storerooms of the ex-Manifattura Tabacchi (site of the future Regional Interdisciplinary Museum of Catania). The mosaic of the basilica nave, dated to the middle of the sixth century AD, represents common secular themes on three registers: running felids, animals in combat and the marine scene with two men on a boat in front of a dragon with red coat dotted with white eyelets. In a panel there is a snake twisted around the trunk of a tree, in my opinion, to be identified with the Tree of knowledge mentioned by the sacred texts. In the Apocalypse, “the old serpent, which is called the Devil and Satan, the deceiver of the whole world” (Revelation 12, 9) becomes a great red dragon, who appears in the marine scene. An interpretative reading of the mosaic is proposed in the light of the rhetorical procedure of “significant inclusion” to enhance the unity and narrative continuity between the Old and New Testament.","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49166438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Daniel Alcubierre Gómez, Jordi Ardi̇aca, Pere Lluís Artigues İ Conesa ARTİGUES İ CONESA, Silvia LLOBET FONT, Irene Mañas Romero, Antoni RİGO JOVELLS
{"title":"The Late Roman Mosaics from the Villa of Pont del Treball Digne, Barcelona","authors":"Daniel Alcubierre Gómez, Jordi Ardi̇aca, Pere Lluís Artigues İ Conesa ARTİGUES İ CONESA, Silvia LLOBET FONT, Irene Mañas Romero, Antoni RİGO JOVELLS","doi":"10.26658/jmr.1012041","DOIUrl":"https://doi.org/10.26658/jmr.1012041","url":null,"abstract":"","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43839245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
An important revival in representing plays of Menander in private homes, in the form of both mosaics and frescoes, occurred primarily in the eastern part of the Roman empire in the late 2nd and early 3rd centuries AD, with a limited echo felt in the west. The present article tries to explain why and how this artistic phenomenon took place, and a review of the relevant works of art and their chronology is presented in this interpretation. The discussion also refers to the frequent depiction of theater masks in well-to-do households, and the related custom of presenting theatrical entertainment at the banquet or “dinner theater.” Also significant for our purpose are the continued vitality of theater festivals throughout the Greek-speaking provinces during the first half of the 3rd century, and the retrospective attitude of the Second Sophistic, with its high esteem for classical drama of the past. This outlook was focused on Athens, and it had great admiration for the plays of Menander and Euripides. One additional feature influencing the artistic renewal in question is the high value placed on Menander’s plays as models of literary expression in the curriculum of schools, especially for training students in rhetoric and declamation. Collectively, all of the factors mentioned above contributed to the Menander revival in the visual arts during the period specified.
{"title":"The Revival of Interest in Representing Plays of Menander in the Late 2nd and Early 3rd Centuries AD: A Historical and Art-Historical Phenomenon","authors":"David C. Parrish","doi":"10.26658/jmr.1014560","DOIUrl":"https://doi.org/10.26658/jmr.1014560","url":null,"abstract":"An important revival in representing plays of Menander in private homes, in the form of both mosaics and frescoes, occurred primarily in the eastern part of the Roman empire in the late 2nd and early 3rd centuries AD, with a limited echo felt in the west. The present article tries to explain why and how this artistic phenomenon took place, and a review of the relevant works of art and their chronology is presented in this interpretation. The discussion also refers to the frequent depiction of theater masks in well-to-do households, and the related custom of presenting theatrical entertainment at the banquet or “dinner theater.” Also significant for our purpose are the continued vitality of theater festivals throughout the Greek-speaking provinces during the first half of the 3rd century, and the retrospective attitude of the Second Sophistic, with its high esteem for classical drama of the past. This outlook was focused on Athens, and it had great admiration for the plays of Menander and Euripides. One additional feature influencing the artistic renewal in question is the high value placed on Menander’s plays as models of literary expression in the curriculum of schools, especially for training students in rhetoric and declamation. Collectively, all of the factors mentioned above contributed to the Menander revival in the visual arts during the period specified.","PeriodicalId":40714,"journal":{"name":"Journal of Mosaic Research","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45028044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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