Pub Date : 2023-07-31DOI: 10.36253/sijis-2239-3978-14628
D. Kelly
Orla O’Connor is the Director of the “National Women’s Council of Ireland” (NWCI), the leading national women’s membership organisation with over 190-member groups. She has held senior management roles in several non-governmental organisations for over 25 years. Time magazine recognised her as one of the 100 Most Influential People in 2019 for her role as Co-director of “Together for Yes”, the successful national civil society campaign that was influential in Ireland voting overwhelmingly in favour of removing the Eighth Amendment from the Constitution, a landmark referendum, which led to the legalisation of abortion in 2018. In addition to campaigning for women’s reproductive rights, Orla has spearheaded several other prominent campaigns related to women’s rights, including pension reform, social welfare reform, and the introduction of quality and affordable childcare. To mark the annual international campaign of the “16 Days of Activism against Gender-based Violence” – which started on 25 November with the “International Day for the Elimination of Violence Against Women”, and ended on 10 December, “Human Rights Day” – Orla was interviewed on 8 November 2022. O’Connor discusses recent Irish legislation and policy developments in relation to Domestic, Sexual and Gender-based Violence (DSGBV), in particular, the government’s ambitious “Third National Strategy” on the issue – the “Zero Tolerance Plan” – published in 2022. The following transcript has been edited for length and clarity.
{"title":"Ireland’s Response to Domestic, Sexual and Gender-based Violence: An Interview with Orla O’Connor","authors":"D. Kelly","doi":"10.36253/sijis-2239-3978-14628","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14628","url":null,"abstract":"Orla O’Connor is the Director of the “National Women’s Council of Ireland” (NWCI), the leading national women’s membership organisation with over 190-member groups. She has held senior management roles in several non-governmental organisations for over 25 years. Time magazine recognised her as one of the 100 Most Influential People in 2019 for her role as Co-director of “Together for Yes”, the successful national civil society campaign that was influential in Ireland voting overwhelmingly in favour of removing the Eighth Amendment from the Constitution, a landmark referendum, which led to the legalisation of abortion in 2018. In addition to campaigning for women’s reproductive rights, Orla has spearheaded several other prominent campaigns related to women’s rights, including pension reform, social welfare reform, and the introduction of quality and affordable childcare. To mark the annual international campaign of the “16 Days of Activism against Gender-based Violence” – which started on 25 November with the “International Day for the Elimination of Violence Against Women”, and ended on 10 December, “Human Rights Day” – Orla was interviewed on 8 November 2022. O’Connor discusses recent Irish legislation and policy developments in relation to Domestic, Sexual and Gender-based Violence (DSGBV), in particular, the government’s ambitious “Third National Strategy” on the issue – the “Zero Tolerance Plan” – published in 2022. The following transcript has been edited for length and clarity.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"113 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85490468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-31DOI: 10.36253/sijis-2239-3978-14626
A. Othman
Inspired by the 2008 Austrian case of Fritzl, who locked his daughter in a basement for twenty-four years, raped her repeatedly and fathered her seven children, three of whom he imprisoned with her, Emma Donoghue’s Room (2010) is not a mere retelling of the actual story of kidnap and escape. Donoghue’s fictional universe is comprised of several possible fictional worlds: a metafictional world that implicitly directs the model reader’s attention to the process of fictive composition, a “superfictional” world that takes the shape of moments of enlightenment, a “subfictional” world that houses the author’s beliefs and memories that are not in focal awareness, and a “nonfictional” world that houses the author’s repressed thoughts that are hidden. The present study aims at unraveling these possible fictional worlds in a novel the naïve reader receives as a five-year-old boy’s account of his confinement and subsequent escape to the outside world.
{"title":"Truth in Fiction is Truth Infection: A Study of Emma Donoghue’s Room","authors":"A. Othman","doi":"10.36253/sijis-2239-3978-14626","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14626","url":null,"abstract":"Inspired by the 2008 Austrian case of Fritzl, who locked his daughter in a basement for twenty-four years, raped her repeatedly and fathered her seven children, three of whom he imprisoned with her, Emma Donoghue’s Room (2010) is not a mere retelling of the actual story of kidnap and escape. Donoghue’s fictional universe is comprised of several possible fictional worlds: a metafictional world that implicitly directs the model reader’s attention to the process of fictive composition, a “superfictional” world that takes the shape of moments of enlightenment, a “subfictional” world that houses the author’s beliefs and memories that are not in focal awareness, and a “nonfictional” world that houses the author’s repressed thoughts that are hidden. The present study aims at unraveling these possible fictional worlds in a novel the naïve reader receives as a five-year-old boy’s account of his confinement and subsequent escape to the outside world.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82521944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-31DOI: 10.36253/sijis-2239-3978-14616
R. Khalil
Old age is perceived as a narrative of decline, recently, an alternative perspective was introduced known as positive aging or Gerotranscendance. This paper examines ageing in Bryony Lavery’s A Wedding Story (2000) and Sebastian Barry’s Hinterland (2002) through the theory of gerontology. Gerontology in British and Irish modern theatre, according to Giovanna Tallone (2020) and Heather Ingman (2018), is a new category in literary studies and theory. The paper aims to examine the challenges of retaining agency in old age in comparison to the notion of aging as a process of inner harmony further proving that despite the process of ageing being an individualised experience, the commonalities of growing old are universal as depicted in Lavery’s and Barry’s works.
{"title":"Gerontology in Bryony Lavery’s A Wedding Story (2000) and Sebastian Barry’s Hinterland (2002)","authors":"R. Khalil","doi":"10.36253/sijis-2239-3978-14616","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14616","url":null,"abstract":"Old age is perceived as a narrative of decline, recently, an alternative perspective was introduced known as positive aging or Gerotranscendance. This paper examines ageing in Bryony Lavery’s A Wedding Story (2000) and Sebastian Barry’s Hinterland (2002) through the theory of gerontology. Gerontology in British and Irish modern theatre, according to Giovanna Tallone (2020) and Heather Ingman (2018), is a new category in literary studies and theory. The paper aims to examine the challenges of retaining agency in old age in comparison to the notion of aging as a process of inner harmony further proving that despite the process of ageing being an individualised experience, the commonalities of growing old are universal as depicted in Lavery’s and Barry’s works.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74628865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-23DOI: 10.36253/sijis-2239-3978-14506
I. Martini
Selected by newspaper editors to keep specific topics current in the news, Letters to the Editor (LTE) have long intertwined with historical events, among which the twentieth century Armenian genocide. At that time international humanitarian workers and political personalities made appeals to the reading public and expressed their indignation for the violence perpetrated to Armenian civilians. Rarely, however, have LTE been studied for their linguistic features. Since they were to meet the ideological agenda of the newspaper’s readers of the time, which recurrent linguistic strategies were used to achieve this? This contribution is part of a more extensive research combining corpus linguistics and discourse analysis to study the representation of the Armenian genocide in historical news discourse.
{"title":"The Armenian Genocide in Letters to the Editor of The Irish Times","authors":"I. Martini","doi":"10.36253/sijis-2239-3978-14506","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14506","url":null,"abstract":"Selected by newspaper editors to keep specific topics current in the news, Letters to the Editor (LTE) have long intertwined with historical events, among which the twentieth century Armenian genocide. At that time international humanitarian workers and political personalities made appeals to the reading public and expressed their indignation for the violence perpetrated to Armenian civilians. Rarely, however, have LTE been studied for their linguistic features. Since they were to meet the ideological agenda of the newspaper’s readers of the time, which recurrent linguistic strategies were used to achieve this? This contribution is part of a more extensive research combining corpus linguistics and discourse analysis to study the representation of the Armenian genocide in historical news discourse. ","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"82 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72404803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-12DOI: 10.36253/sijis-2239-3978-14486
Ilaria Natali
The visual quality of Jonathan Swift’s Gulliver’s Travels, together with its popular and folkloric ingredients, has greatly contributed to the novel’s immediate transmedial reception and was central to its success during the so-called “golden age” of visual satire in the British Isles. Starting with the end of the eighteenth century, caricaturists transformed Swift’s work into a symbol of society’s mechanisms and structures. Indeed, in its frequent nineteenth-century adaptations into graphic form, Gulliver’s Travels has been exploited to identify social or political identity and otherness, to express suspicion against any form of authority, and to undermine monologic perspectives on current political events.
{"title":"\"Gulliver’s Travels\" e il conservatorismo sovversivo delle stampe satiriche ottocentesche","authors":"Ilaria Natali","doi":"10.36253/sijis-2239-3978-14486","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14486","url":null,"abstract":"The visual quality of Jonathan Swift’s Gulliver’s Travels, together with its popular and folkloric ingredients, has greatly contributed to the novel’s immediate transmedial reception and was central to its success during the so-called “golden age” of visual satire in the British Isles. Starting with the end of the eighteenth century, caricaturists transformed Swift’s work into a symbol of society’s mechanisms and structures. Indeed, in its frequent nineteenth-century adaptations into graphic form, Gulliver’s Travels has been exploited to identify social or political identity and otherness, to express suspicion against any form of authority, and to undermine monologic perspectives on current political events.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75933475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.36253/sijis-2239-3978-13738
T. Crowley
In this paper I will use my experience in compiling an online archive of the murals of Northern Ireland 1979-2021 to discuss the benefits and disadvantages of work in the digital humanities. I will argue that such a collection of visual materials from the war and post-war periods in Northern Ireland affords us the opportunity to assess major shifts in stance, policy and practice amongst unionists and loyalists, and nationalists and republicans. But I will also contend that although the archive itself can provide us with a rich set of materials, it cannot in and of itself give us their meaning. That task, I will conclude, depends on a set of traditional skills that long pre-date the digital order of things.
{"title":"Reading Republican Murals in Northern Ireland: Archiving and Meaning-Making","authors":"T. Crowley","doi":"10.36253/sijis-2239-3978-13738","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-13738","url":null,"abstract":"In this paper I will use my experience in compiling an online archive of the murals of Northern Ireland 1979-2021 to discuss the benefits and disadvantages of work in the digital humanities. I will argue that such a collection of visual materials from the war and post-war periods in Northern Ireland affords us the opportunity to assess major shifts in stance, policy and practice amongst unionists and loyalists, and nationalists and republicans. But I will also contend that although the archive itself can provide us with a rich set of materials, it cannot in and of itself give us their meaning. That task, I will conclude, depends on a set of traditional skills that long pre-date the digital order of things.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76685211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.36253/sijis-2239-3978-13756
Donatella Abbate Badin
In remembering Thomas Kinsella in this obituary, the author has dwelt on a little-publicized event of the poet’s life, the granting of an honorary degree by the Turin University on 9 May 2006. The occasion is seen as a belated homage to a poet who had not always received his due in the past and as a harbinger of the full recognition that was to be granted to him in the succeeding years. By analysing his Acceptance Speech, the poem he read at the ceremony and the informal conversations that took place at the time, the author identifies some important concerns that would emerge in Kinsella’s Late Poems that dwell on ageing, taking stock of one’s life, understanding and belief.
{"title":"In Memoriam. Thomas Kinsella (1928-2021). Dublin, Turin, Philadelphia","authors":"Donatella Abbate Badin","doi":"10.36253/sijis-2239-3978-13756","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-13756","url":null,"abstract":"In remembering Thomas Kinsella in this obituary, the author has dwelt on a little-publicized event of the poet’s life, the granting of an honorary degree by the Turin University on 9 May 2006. The occasion is seen as a belated homage to a poet who had not always received his due in the past and as a harbinger of the full recognition that was to be granted to him in the succeeding years. By analysing his Acceptance Speech, the poem he read at the ceremony and the informal conversations that took place at the time, the author identifies some important concerns that would emerge in Kinsella’s Late Poems that dwell on ageing, taking stock of one’s life, understanding and belief.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"73 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85620552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.36253/sijis-2239-3978-13744
E. Ogliari
The article investigates the coverage of the War of Independence in the visual and textual materials of Corriere della Sera and La Domenica del Corriere to show why these publications kept a mildly pro-British stance on the conflict while voicing their concerns. These leading publications gave extensive coverage to the Irish struggle for national self-determination, in which members of the Sinn Féin party were depicted as a dangerous minority and Ireland was called “troubled” or “the island without peace”. My contention is that such representations were infl uenced by the editorial staff ’s fears about the contemporary Italian socio-political situation, nationally and internationally. Therefore, the articles and illustrations on the confl ict should be read not only within the framework of the periodicals’ usual concern for international politics, but also by considering the anxieties haunting the Italian intellectual elite at the time.
{"title":"“The Island without Peace” Reporting the Irish War of Independence in Corriere della Sera and La Domenica del Corriere","authors":"E. Ogliari","doi":"10.36253/sijis-2239-3978-13744","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-13744","url":null,"abstract":"The article investigates the coverage of the War of Independence in the visual and textual materials of Corriere della Sera and La Domenica del Corriere to show why these publications kept a mildly pro-British stance on the conflict while voicing their concerns. These leading publications gave extensive coverage to the Irish struggle for national self-determination, in which members of the Sinn Féin party were depicted as a dangerous minority and Ireland was called “troubled” or “the island without peace”. My contention is that such representations were infl uenced by the editorial staff ’s fears about the contemporary Italian socio-political situation, nationally and internationally. Therefore, the articles and illustrations on the confl ict should be read not only within the framework of the periodicals’ usual concern for international politics, but also by considering the anxieties haunting the Italian intellectual elite at the time.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"69 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85823125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.36253/sijis-2239-3978-13761
Eiléan Ní Chuilleanáin
{"title":"Twenty-six Poems from The Mother House","authors":"Eiléan Ní Chuilleanáin","doi":"10.36253/sijis-2239-3978-13761","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-13761","url":null,"abstract":"","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"86 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76202218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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