Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100109
Laura Phillips
Decolonizing and Indigenizing work needs to be done in museums and our day-to-day lives. On Turtle Island or so-called North America, the current settler colonial states add urgency to this work. Many settlers live on stolen land and benefit from colonial structures in ways that Indigenous friends, colleagues, and hosts do not. This article presents a self-reflective account of two museum studies courses I have been part of developing and delivering that incorporate decolonizing and Indigenizing principles. From my white settler perspective, I discuss the need for settlers to educate (or reeducate) ourselves as museum practitioners by putting decolonizing and Indigenizing words into conversation with our accountabilities in daily life.
{"title":"Teaching Decolonizing and Indigenizing Curatorial and Museum Practices","authors":"Laura Phillips","doi":"10.3167/armw.2022.100109","DOIUrl":"https://doi.org/10.3167/armw.2022.100109","url":null,"abstract":"Decolonizing and Indigenizing work needs to be done in museums and our day-to-day lives. On Turtle Island or so-called North America, the current settler colonial states add urgency to this work. Many settlers live on stolen land and benefit from colonial structures in ways that Indigenous friends, colleagues, and hosts do not. This article presents a self-reflective account of two museum studies courses I have been part of developing and delivering that incorporate decolonizing and Indigenizing principles. From my white settler perspective, I discuss the need for settlers to educate (or reeducate) ourselves as museum practitioners by putting decolonizing and Indigenizing words into conversation with our accountabilities in daily life.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"6 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82972098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100118
Pan Luo
Organized by the Chinese National Museum of Ethnology and Yunnan University, the Third Biennial International Museum Anthropology Conference took place 30–31 October 2021. Seventy-six scholars in the fields of museum studies and anthropology from around the world joined the conference online to explore the theme of “Heritage and Community.” The purpose of this conference is to take museum anthropology as an analytic framework to explore how ethnic minorities, nation-states, and the global community engage with the values of integrity, harmony, strength, and vitality through materials and cultural heritage.
{"title":"Report on Heritage and Community","authors":"Pan Luo","doi":"10.3167/armw.2022.100118","DOIUrl":"https://doi.org/10.3167/armw.2022.100118","url":null,"abstract":"Organized by the Chinese National Museum of Ethnology and Yunnan University, the Third Biennial International Museum Anthropology Conference took place 30–31 October 2021. Seventy-six scholars in the fields of museum studies and anthropology from around the world joined the conference online to explore the theme of “Heritage and Community.” The purpose of this conference is to take museum anthropology as an analytic framework to explore how ethnic minorities, nation-states, and the global community engage with the values of integrity, harmony, strength, and vitality through materials and cultural heritage.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"183 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74139884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100105
Marcus Vinicius Rosário da Silva, Sheila Walbe Ornstein
Brazilian museum operations and maintenance practices, as well as collections and educational activities, can be important actors in communicating the risks of climate change and can be examples of best practice in reducing greenhouse gas emissions. Documentary research for this article was conducted with museum institutions that promote operations and maintenance best practices applicable to the sector in Brazil. As a result, Brazilian cases were assessed for greenhouse gas emission and sustainable practice metrics focusing on energy efficiency. The results still show a low Brazilian commitment by the museum sector in the combat against climate change.
{"title":"Climate Change and Resilience Perspectives","authors":"Marcus Vinicius Rosário da Silva, Sheila Walbe Ornstein","doi":"10.3167/armw.2022.100105","DOIUrl":"https://doi.org/10.3167/armw.2022.100105","url":null,"abstract":"Brazilian museum operations and maintenance practices, as well as collections and educational activities, can be important actors in communicating the risks of climate change and can be examples of best practice in reducing greenhouse gas emissions. Documentary research for this article was conducted with museum institutions that promote operations and maintenance best practices applicable to the sector in Brazil. As a result, Brazilian cases were assessed for greenhouse gas emission and sustainable practice metrics focusing on energy efficiency. The results still show a low Brazilian commitment by the museum sector in the combat against climate change.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"47 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87547513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100119
H. Morphy, Jason M. Gibson, Alison Brown
Anthropology, Art, and Ethnographic Collections: A Conversation with Howard MorphyJason M. Gibson (JG): In your book Museums, Infinity and the Culture of Protocols: Ethnographic Collections and Source Communities (Morphy 2020), you begin with an anecdote of visiting the Pitt Rivers Museum as a young child. Did museums play a part in sparking an interest in humanity, and its diversity, or were you fascinated by the Other?Book Review: Museums, Societies and the Creation of Value, Howard Morphy and Robyn McKenzie, eds. (London: Routledge, 2022)What does value mean within and beyond museum contexts? What are the processes through which value is manifested? How might a deeper understanding of these processes contribute to the practice of museum anthropology? These questions are explored in Museums, Societies and the Creation of Value, which looks at collaborative work in museums using ethnographic collections as a focus. Most of the chapters involve collections from Australia and the Pacific—reflecting the origins of many of them in two conferences associated with the project “The Relational Museum and Its Objects,” funded by the Australian Research Council and the Australian National University and led by Howard Morphy. Bringing together early career researchers, as well as museum-based scholars who have many years of thinking through and learning with community-based research partners, makes evident how the processual shifts in museum anthropology toward a more collaboratively grounded practice have become normalized, but crucially also highlights the value of “slow museology,” as the editors note in their introduction (3), acknowledging Raymond Silverman’s (2015) term. While the editors caution that the core values of ethnographic collections and museums are not universal, the inclusion of chapters from beyond the Australia/Pacific region highlights that the foundational underpinning values and aspirations for cross-cultural work—“the desire for understanding” and “the desire to be understood” (22) are shaping much of the innovative museum-based work currently being carried out worldwide. Examples include Gwyneira Isaac’s chapter on 3D technologies of reproduction and their value for Tlingit of Alaska, and Henrietta Lidchi and Nicole Hartwell’s examination of how materiality and memory intersect in collections associated with nineteenth-century British military campaigns.
{"title":"Special Section","authors":"H. Morphy, Jason M. Gibson, Alison Brown","doi":"10.3167/armw.2022.100119","DOIUrl":"https://doi.org/10.3167/armw.2022.100119","url":null,"abstract":"Anthropology, Art, and Ethnographic Collections: A Conversation with Howard MorphyJason M. Gibson (JG): In your book Museums, Infinity and the Culture of Protocols: Ethnographic Collections and Source Communities (Morphy 2020), you begin with an anecdote of visiting the Pitt Rivers Museum as a young child. Did museums play a part in sparking an interest in humanity, and its diversity, or were you fascinated by the Other?Book Review: Museums, Societies and the Creation of Value, Howard Morphy and Robyn McKenzie, eds. (London: Routledge, 2022)What does value mean within and beyond museum contexts? What are the processes through which value is manifested? How might a deeper understanding of these processes contribute to the practice of museum anthropology? These questions are explored in Museums, Societies and the Creation of Value, which looks at collaborative work in museums using ethnographic collections as a focus. Most of the chapters involve collections from Australia and the Pacific—reflecting the origins of many of them in two conferences associated with the project “The Relational Museum and Its Objects,” funded by the Australian Research Council and the Australian National University and led by Howard Morphy. Bringing together early career researchers, as well as museum-based scholars who have many years of thinking through and learning with community-based research partners, makes evident how the processual shifts in museum anthropology toward a more collaboratively grounded practice have become normalized, but crucially also highlights the value of “slow museology,” as the editors note in their introduction (3), acknowledging Raymond Silverman’s (2015) term. While the editors caution that the core values of ethnographic collections and museums are not universal, the inclusion of chapters from beyond the Australia/Pacific region highlights that the foundational underpinning values and aspirations for cross-cultural work—“the desire for understanding” and “the desire to be understood” (22) are shaping much of the innovative museum-based work currently being carried out worldwide. Examples include Gwyneira Isaac’s chapter on 3D technologies of reproduction and their value for Tlingit of Alaska, and Henrietta Lidchi and Nicole Hartwell’s examination of how materiality and memory intersect in collections associated with nineteenth-century British military campaigns.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"1 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90606591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100111
Noga Raved, Havatzelet Yahel
The current research analyzes worldwide trends in which museums acted in response to a new global social health order. It is based on information from a survey we conducted among members of the International Committee of Regional Museums in addition to other surveys conducted by international museums and cultural bodies. We tried to understand how museums can remain relevant to their audiences, how they might evolve in this changing environment, and how they operate to reflect the new situation. Our main findings show that various methods were used, including shifting to digital platforms, changing physical operations, refocusing on local audiences, collecting materials relating to the COVID-19 crisis, and curating special exhibitions dedicated to the pandemic and its impact on daily lives.
{"title":"Changing Times - A Time for Change","authors":"Noga Raved, Havatzelet Yahel","doi":"10.3167/armw.2022.100111","DOIUrl":"https://doi.org/10.3167/armw.2022.100111","url":null,"abstract":"The current research analyzes worldwide trends in which museums acted in response to a new global social health order. It is based on information from a survey we conducted among members of the International Committee of Regional Museums in addition to other surveys conducted by international museums and cultural bodies. We tried to understand how museums can remain relevant to their audiences, how they might evolve in this changing environment, and how they operate to reflect the new situation. Our main findings show that various methods were used, including shifting to digital platforms, changing physical operations, refocusing on local audiences, collecting materials relating to the COVID-19 crisis, and curating special exhibitions dedicated to the pandemic and its impact on daily lives.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"78 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88983552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100117
Miranda Johnson
In December 2021, the Centre for Research on Colonial Culture at the University of Otago (Dunedin campus) hosted an online symposium, convening Indigenous and non-Indigenous scholars to talk about their work in and with museum and archival collections in the Pacific region. Held over three days, with morning and late afternoon sessions timed to facilitate maximum participation, attendees Zoomed in from Rapa Nui, Munich, New York, Honolulu, Sydney, Melbourne, Auckland, and Wellington. The symposium brought together practitioners, curators, artists, and scholars in a stimulating exchange that will continue into publication.
{"title":"Report on The Museum as Archive: Using the Past in the Present and Future","authors":"Miranda Johnson","doi":"10.3167/armw.2022.100117","DOIUrl":"https://doi.org/10.3167/armw.2022.100117","url":null,"abstract":"In December 2021, the Centre for Research on Colonial Culture at the University of Otago (Dunedin campus) hosted an online symposium, convening Indigenous and non-Indigenous scholars to talk about their work in and with museum and archival collections in the Pacific region. Held over three days, with morning and late afternoon sessions timed to facilitate maximum participation, attendees Zoomed in from Rapa Nui, Munich, New York, Honolulu, Sydney, Melbourne, Auckland, and Wellington. The symposium brought together practitioners, curators, artists, and scholars in a stimulating exchange that will continue into publication.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"2011 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73307679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100103
Leonie Treier
The Maisons Tropicales are three prefabricated housing structures designed by Jean Prouvé. Fabricated in France, they were transported to and assembled in Brazzaville and Niamey, then part of the French colonies, around 1950. Their design was tied closely to the belief in the so-called civilizing and enlightening power of European modernist design and, thereby, also the French colonial agenda. In the early 2000s, an American collector, Robert Rubin, and a French art dealer, Eric Touchaleaume, “repatriated” the houses to France. There, they were transformed into and celebrated as icons of French modern design, while their colonial histories were ignored. This article analyzes the importance of discourse in this transformation and how it reflects ongoing dynamics of power and dispossession in the art world. Rubin and Touchaleaume simultaneously employed conflicting narratives mirroring anthropological “salvage” and “repatriation” discourses to describe the Maisons’ removal. The case study highlights the moral weight associated with the language around processes of repatriation, the nested relationships between heritage and the market, and the continuation of colonial practices of dispossession.
{"title":"Architectures of Appropriation","authors":"Leonie Treier","doi":"10.3167/armw.2022.100103","DOIUrl":"https://doi.org/10.3167/armw.2022.100103","url":null,"abstract":"The Maisons Tropicales are three prefabricated housing structures designed by Jean Prouvé. Fabricated in France, they were transported to and assembled in Brazzaville and Niamey, then part of the French colonies, around 1950. Their design was tied closely to the belief in the so-called civilizing and enlightening power of European modernist design and, thereby, also the French colonial agenda. In the early 2000s, an American collector, Robert Rubin, and a French art dealer, Eric Touchaleaume, “repatriated” the houses to France. There, they were transformed into and celebrated as icons of French modern design, while their colonial histories were ignored. This article analyzes the importance of discourse in this transformation and how it reflects ongoing dynamics of power and dispossession in the art world. Rubin and Touchaleaume simultaneously employed conflicting narratives mirroring anthropological “salvage” and “repatriation” discourses to describe the Maisons’ removal. The case study highlights the moral weight associated with the language around processes of repatriation, the nested relationships between heritage and the market, and the continuation of colonial practices of dispossession.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"54 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89928698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100102
Kylie Message
This article asks if and how national museums today, which have in recent decades adopted a remit for social rights activism, have an obligation to engage with a broad spectrum of political participation and expression, including contemporary forms of far-right extremism and white grievance politics. How can museums engage with and respond meaningfully to the upsurge in acts of violence perpetrated in the name of structural, collective, and personal ideologies based on hate, xenophobia, and racism? Responding to these questions requires museums to move beyond acts of symbolic national commemoration and grapple with the human expressions and experiences of hate. Drawing on current museum scholarship and practice that is increasingly open to embracing research into studies of emotion and affect, as well as activism and its shifting narratives, the article concludes that the task of curatorial activism should be focused on effecting processes of structural—internal, institutional—change. Furthermore, this process can lead to the understanding that our forms of being human are not just related to our interpersonal interactions in the private sphere but also influence all aspects of civic and institutional life—including the ones that raise difficult questions or unpalatable truths about who we are, individually, and as citizens of the worlds to which we contribute.
{"title":"Museums and the Citizenship of Hate","authors":"Kylie Message","doi":"10.3167/armw.2022.100102","DOIUrl":"https://doi.org/10.3167/armw.2022.100102","url":null,"abstract":"This article asks if and how national museums today, which have in recent decades adopted a remit for social rights activism, have an obligation to engage with a broad spectrum of political participation and expression, including contemporary forms of far-right extremism and white grievance politics. How can museums engage with and respond meaningfully to the upsurge in acts of violence perpetrated in the name of structural, collective, and personal ideologies based on hate, xenophobia, and racism? Responding to these questions requires museums to move beyond acts of symbolic national commemoration and grapple with the human expressions and experiences of hate. Drawing on current museum scholarship and practice that is increasingly open to embracing research into studies of emotion and affect, as well as activism and its shifting narratives, the article concludes that the task of curatorial activism should be focused on effecting processes of structural—internal, institutional—change. Furthermore, this process can lead to the understanding that our forms of being human are not just related to our interpersonal interactions in the private sphere but also influence all aspects of civic and institutional life—including the ones that raise difficult questions or unpalatable truths about who we are, individually, and as citizens of the worlds to which we contribute.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"4 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80959451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100107
Tehmina Goskar
This article presents findings and reflections of the Citizen Curators program, designed and led by the author on behalf of Cornwall Museums Partnership and seven participating museums. Dubbed an experiment in cultural democracy, as well as providing a novel alternative pathway into museum work, Citizen Curators took place between 2017 and 2021 with four cohorts resulting in more than 80 successful completers, one-fifth of whom went on to jobs in the sector. The program was designed as an action research project in curatorial education in an era of equity, socially engaged practice, and ethical awareness. The article presents qualitative and quantitative findings on the program’s design, impact, and what was learned about the realities of cocuration, diversity, and inclusion over the four-year program.
{"title":"Citizen Curators","authors":"Tehmina Goskar","doi":"10.3167/armw.2022.100107","DOIUrl":"https://doi.org/10.3167/armw.2022.100107","url":null,"abstract":"This article presents findings and reflections of the Citizen Curators program, designed and led by the author on behalf of Cornwall Museums Partnership and seven participating museums. Dubbed an experiment in cultural democracy, as well as providing a novel alternative pathway into museum work, Citizen Curators took place between 2017 and 2021 with four cohorts resulting in more than 80 successful completers, one-fifth of whom went on to jobs in the sector. The program was designed as an action research project in curatorial education in an era of equity, socially engaged practice, and ethical awareness. The article presents qualitative and quantitative findings on the program’s design, impact, and what was learned about the realities of cocuration, diversity, and inclusion over the four-year program.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"86 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77326934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.3167/armw.2022.100108
Liora Aldes, Tally Katz-Gerro
To remain financially sustainable while promoting cultural activity and operating within artistic, symbolic, and cultural norms, museums must consider a multitude of commercial and organizational elements. This article examines the impact of economic, organizational, and structural characteristics of art museums on the repertoire of art they exhibit. Using a mixed-methods approach, we draw on data pertaining to 11 art museums in Israel that are supported by the Ministry of Culture, analyzing administrative data collected yearly from the museums from 2000 to 2014. Next, we analyze 20 interviews with museum directors, curators, and artists to further explore the findings that emerge from the analysis of administrative data. Findings indicate three factors that influence a museum’s artistic repertoire: revenue structure, museum location (center or periphery), and the museum director’s preferences. We discuss these factors and explain the significant role that nonartistic factors play in shaping cultural outcomes.
{"title":"Contextualizing the Artistic Repertoire in Museums","authors":"Liora Aldes, Tally Katz-Gerro","doi":"10.3167/armw.2022.100108","DOIUrl":"https://doi.org/10.3167/armw.2022.100108","url":null,"abstract":"To remain financially sustainable while promoting cultural activity and operating within artistic, symbolic, and cultural norms, museums must consider a multitude of commercial and organizational elements. This article examines the impact of economic, organizational, and structural characteristics of art museums on the repertoire of art they exhibit. Using a mixed-methods approach, we draw on data pertaining to 11 art museums in Israel that are supported by the Ministry of Culture, analyzing administrative data collected yearly from the museums from 2000 to 2014. Next, we analyze 20 interviews with museum directors, curators, and artists to further explore the findings that emerge from the analysis of administrative data. Findings indicate three factors that influence a museum’s artistic repertoire: revenue structure, museum location (center or periphery), and the museum director’s preferences. We discuss these factors and explain the significant role that nonartistic factors play in shaping cultural outcomes.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"1 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87311125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：