Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.104
Dr. Sumedha Bhandari
Native environmental literature is often misconstrued as empty praise of everything natural and that aboriginals are an integral part of nature giving them a holistic mode of subsistence. The interconnections between the natural world and the natives have been a part of numerous literatures, especially the ones that give voice to aboriginal expression. Canadian literature has often been caught between the Eurocentric appreciation of nature's beauty and the aboriginal expression of nature's essence. The present article explores various nuances of ecology as reflected in the select Canadian literary texts.
{"title":"‘Remapping External and Internal Terrains’ in Indigenous Canadian Literature: An Ecocritical Study of Select Canadian fiction","authors":"Dr. Sumedha Bhandari","doi":"10.59136/lv.2023.1.1.104","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.104","url":null,"abstract":"Native environmental literature is often misconstrued as empty praise of everything natural and that aboriginals are an integral part of nature giving them a holistic mode of subsistence. The interconnections between the natural world and the natives have been a part of numerous literatures, especially the ones that give voice to aboriginal expression. Canadian literature has often been caught between the Eurocentric appreciation of nature's beauty and the aboriginal expression of nature's essence. The present article explores various nuances of ecology as reflected in the select Canadian literary texts.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"3 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88220343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.111
Dr. Rekha Batta
The present paper focuses on the panoptical narrative of the Doctrine of Discovery which has remained entrenched in the colonial discourse of Europeans in North America. The narrative of Doctrine, which has its roots in the early medieval period, has been used as a racist paradigm to violate the fundamental rights of the indigenous peoples. In the eighteenth century, the Doctrine became a legal document to assimilate and annex the lands of the First Nations in Canada. The Doctrine focused on assimilating the non-whites into the mainstream culture through their mythical fabrication. The symbolic misrepresentation of indigenous peoples in mainstream literary and cultural works has facilitated the oppression of the indigenous communities
{"title":"Dismantling the Panoptical Narrative of the Doctrine of Discovery: A Critical Study of the Symbolic Misrepresentation of First Nations People","authors":"Dr. Rekha Batta","doi":"10.59136/lv.2023.1.1.111","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.111","url":null,"abstract":"The present paper focuses on the panoptical narrative of the Doctrine of Discovery which has remained entrenched in the colonial discourse of Europeans in North America. The narrative of Doctrine, which has its roots in the early medieval period, has been used as a racist paradigm to violate the fundamental rights of the indigenous peoples. In the eighteenth century, the Doctrine became a legal document to assimilate and annex the lands of the First Nations in Canada. The Doctrine focused on assimilating the non-whites into the mainstream culture through their mythical fabrication. The symbolic misrepresentation of indigenous peoples in mainstream literary and cultural works has facilitated the oppression of the indigenous communities","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90525866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.102
Dr. Baljeet Kaur Anand
In this paper, the focus is on the study of representation of disabilities in fairytales vis-à-vis an indepth study of Amanda Leduc’s Disfigured: On Fairy Tales, Disability, and Making Space (2020), and how the representation shapes and affects our social consciousness about people with difficulties. In Disfigured, Amanda Leduc describes her life with cerebral palsy and her obsession with fairytales that began at an early age and continues today. Amanda describes of being both drawn to and repulsed by fairytales, aching for those happily ever afters and slowly realising how problematic those endings in fairytales are. By examining the ways that fairy tales have shaped our expectations of disability, Leduc emphasises the need for a new world order where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist or person and helping him/her to cement a place in a story, and from there, the world. Through the book, she ruminates on the connections we make between fairy tale archetypes, and tries to make sense of them through a twentyfirst-century disablist lens.
{"title":"Fairytales, Disabilities and Social Consciousness: Readings in Amanda Leduc’s Disfigured: On Fairy Tales, Disability, and Making Space","authors":"Dr. Baljeet Kaur Anand","doi":"10.59136/lv.2023.1.1.102","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.102","url":null,"abstract":"In this paper, the focus is on the study of representation of disabilities in fairytales vis-à-vis an indepth study of Amanda Leduc’s Disfigured: On Fairy Tales, Disability, and Making Space (2020), and how the representation shapes and affects our social consciousness about people with difficulties. In Disfigured, Amanda Leduc describes her life with cerebral palsy and her obsession with fairytales that began at an early age and continues today. Amanda describes of being both drawn to and repulsed by fairytales, aching for those happily ever afters and slowly realising how problematic those endings in fairytales are. By examining the ways that fairy tales have shaped our expectations of disability, Leduc emphasises the need for a new world order where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist or person and helping him/her to cement a place in a story, and from there, the world. Through the book, she ruminates on the connections we make between fairy tale archetypes, and tries to make sense of them through a twentyfirst-century disablist lens.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"8 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75325598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.101
Sifat E Rabbani
This paper will examine how Miriam Toews’ 2018 novel, Women Talking builds on its initial themes of women’s subjugation to men, their systematic oppression through religion, and their inability to reclaim their lives, to ultimately evolve into an account of women’s emancipation and divine becoming through the exercise of their restorative imagination. The novel spans two days during which eight women from the ultra-religious and patriarchal Mennonite community of Molotschna in Bolivia engage in several discussions pertaining to different aspects of their lives. These conversations very casually unfold the horror of unimaginable cruelty in the name of religion and unforgiving patriarchy as practiced within their closed community. Keeping this bleak setting in the background, Women Talking is also a tale of these women’s divine becoming, as propounded by Luce Irigaray in her essay, “Divine Women.” The resilience showed on part of these broken and abused women and the unprecedented bold decision to which they collectively arrive towards the end of the novel, is a demonstration of the courage and restorative imagination that they unknowingly harbored within themselves, the exercise of which results ultimately in their divine becoming
{"title":"The Divine Women in Women Talking: Restorative Imagination for a Divine Becoming","authors":"Sifat E Rabbani","doi":"10.59136/lv.2023.1.1.101","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.101","url":null,"abstract":"This paper will examine how Miriam Toews’ 2018 novel, Women Talking builds on its initial themes of women’s subjugation to men, their systematic oppression through religion, and their inability to reclaim their lives, to ultimately evolve into an account of women’s emancipation and divine becoming through the exercise of their restorative imagination. The novel spans two days during which eight women from the ultra-religious and patriarchal Mennonite community of Molotschna in Bolivia engage in several discussions pertaining to different aspects of their lives. These conversations very casually unfold the horror of unimaginable cruelty in the name of religion and unforgiving patriarchy as practiced within their closed community. Keeping this bleak setting in the background, Women Talking is also a tale of these women’s divine becoming, as propounded by Luce Irigaray in her essay, “Divine Women.” The resilience showed on part of these broken and abused women and the unprecedented bold decision to which they collectively arrive towards the end of the novel, is a demonstration of the courage and restorative imagination that they unknowingly harbored within themselves, the exercise of which results ultimately in their divine becoming","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"56 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74630980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.114
Dr. Saumya Kapoor Sharma
Often literary analyses include a discussion of figures of speech, characters and thematic issues from a theoretical perspective but issues of language and gender have received little attention from literary commentators. Drawing on the writings of Robin Lakoff and Deborah Tannen, two celebrated feminist linguists, this paper seeks to highlight how concepts from the area of language and gender can provide deeper insights into literary texts and the interaction of characters. To this effect, the present study examines three aspects – conversational style, the polysemous meanings of linguistic strategies and the use of sexist language – explicating these in Chitra Banerjee Divakaruni’s The Palace of Illusions.
{"title":"The Scope of Feminist Linguistics for Literary Texts: An Analysis of Chitra Banerjee Divakaruni’s The Palace of Illusions","authors":"Dr. Saumya Kapoor Sharma","doi":"10.59136/lv.2023.1.1.114","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.114","url":null,"abstract":"Often literary analyses include a discussion of figures of speech, characters and thematic issues from a theoretical perspective but issues of language and gender have received little attention from literary commentators. Drawing on the writings of Robin Lakoff and Deborah Tannen, two celebrated feminist linguists, this paper seeks to highlight how concepts from the area of language and gender can provide deeper insights into literary texts and the interaction of characters. To this effect, the present study examines three aspects – conversational style, the polysemous meanings of linguistic strategies and the use of sexist language – explicating these in Chitra Banerjee Divakaruni’s The Palace of Illusions.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73977881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.109
Dr. Tamali Neogi
Rupi Kaur is an Indian-Canadian poet and artist who had immigrated to Canada with her parents as a child. She is an alumni of University of Waterloo (Canada). She stormed the world poetry scene and carved out a niche for herself among millions of readers with self-published first poetry collection, Milk and Honey in 2014, followed by The Sun and Her Flowers in 2017, both bestsellers across the world, “sold more than 11 million copies and translated into over forty three languages.” Her third poetry collection, Homebody, was released in 2020. In 2022 she released her 4th book Healing Through Words which chronicles a journey of guided writing exercises to help the reader explore their creativity. The present article puts in sharp focus her evolution as a poet whose oeuvre is informed by feministic/human concerns.
{"title":"Evolution of Canadian Poet Rupi Kaur","authors":"Dr. Tamali Neogi","doi":"10.59136/lv.2023.1.1.109","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.109","url":null,"abstract":"Rupi Kaur is an Indian-Canadian poet and artist who had immigrated to Canada with her parents as a child. She is an alumni of University of Waterloo (Canada). She stormed the world poetry scene and carved out a niche for herself among millions of readers with self-published first poetry collection, Milk and Honey in 2014, followed by The Sun and Her Flowers in 2017, both bestsellers across the world, “sold more than 11 million copies and translated into over forty three languages.” Her third poetry collection, Homebody, was released in 2020. In 2022 she released her 4th book Healing Through Words which chronicles a journey of guided writing exercises to help the reader explore their creativity. The present article puts in sharp focus her evolution as a poet whose oeuvre is informed by feministic/human concerns.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"62 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86928075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.113
Nadeem Ahmad Rather
For any literary work, the narrative technique constitutes one of the essential requisites. How the art of narration is chiseled in a literary work is what lends it artistic and emotional credibility. In Kanthapura, Raja Rao experiments with the narrative technique. The novel is presented from the viewpoint of an old grandmother who relates the tale of the brave resistance of the people of Kanthapura to expel the British from India. The ancient Indian Puranic method has been preferred to the western narrative technique, which according to Raja Rao, suits the Indian credo and climate. In Kanthapura, Raja Rao sought to defamiliarize the English language by bringing to the standard English form Indian thought and feeling, Indian culture, and Indian ideology. The present paper essays to investigate how Raja Rao used different elements and structures in narrating Kanthapura as experimenting tools to lend the novel a lasting artistic quality that served the purpose he had in mind. The reliability of the narrator in her description and narration of incidents and characters will be under scrutiny.
{"title":"Grandmother as a Narrator in Raja Rao’s Kanthapura – A Critique","authors":"Nadeem Ahmad Rather","doi":"10.59136/lv.2023.1.1.113","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.113","url":null,"abstract":"For any literary work, the narrative technique constitutes one of the essential requisites. How the art of narration is chiseled in a literary work is what lends it artistic and emotional credibility. In Kanthapura, Raja Rao experiments with the narrative technique. The novel is presented from the viewpoint of an old grandmother who relates the tale of the brave resistance of the people of Kanthapura to expel the British from India. The ancient Indian Puranic method has been preferred to the western narrative technique, which according to Raja Rao, suits the Indian credo and climate. In Kanthapura, Raja Rao sought to defamiliarize the English language by bringing to the standard English form Indian thought and feeling, Indian culture, and Indian ideology. The present paper essays to investigate how Raja Rao used different elements and structures in narrating Kanthapura as experimenting tools to lend the novel a lasting artistic quality that served the purpose he had in mind. The reliability of the narrator in her description and narration of incidents and characters will be under scrutiny.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"56 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81310184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.110
Dr. Tania Bansal
The paper analyses the novel What the Body Remembers by Shauna Singh Baldwin from the perspective of the theory of New Historicism. It looks at the reasons behind the genesis of the much researched work of historical fiction locating the text in the political, historical and socio-cultural context. Baldwin rewrites the troubled past which is firmly indicated by the usage of the word ‘Partition.’ The paper attempts at locating the novel in an historical hour, re-reading the historical text within the ‘frame’ of history.
{"title":"New Historicist Reading of Shauna Singh Baldwin’s What the Body Remembers","authors":"Dr. Tania Bansal","doi":"10.59136/lv.2023.1.1.110","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.110","url":null,"abstract":"The paper analyses the novel What the Body Remembers by Shauna Singh Baldwin from the perspective of the theory of New Historicism. It looks at the reasons behind the genesis of the much researched work of historical fiction locating the text in the political, historical and socio-cultural context. Baldwin rewrites the troubled past which is firmly indicated by the usage of the word ‘Partition.’ The paper attempts at locating the novel in an historical hour, re-reading the historical text within the ‘frame’ of history.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"377 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77085989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.105
Dr. Indira Chakraborty (Bhattacharya)
Human beings are inherently storytelling creatures. Whatever they do, think, speculate, speak, or even dream does follow a narrative – a pattern that essentially tells a story. Coherence in storytelling is probably a naturalized phenomenon, necessarily inbuilt. Interestingly, the ability of narration and gaining wisdom both are something which happen throughout one’s lifetime. It has been observed time and again that gerontologists have shown intertwining dimensions of ageing and these therefore, in turn, attach increasing importance to the study of gerontology –they include ‘temporal’, ‘spiritual’ and ‘poetical’ aspects of growing. Arriving at the human tendency of storytelling, it can be stated that the narrative of any story is something that human beings use to understand the ‘temporality’ of life, one with which they attribute meaning and logic and hence add coherence to their life, overtly or otherwise. Thus, the purpose of this essay obviously would be to question the ‘claims’ of this ‘age’ and ‘ageing’ narrative of many gerontologists which in turn can be substantiated by fictional characters like Hagar Shipley from Margaret Laurence’s The Stone Angel and also Nariman Vakeel from Rohinton Mistry’s Family Matters and also question how certain age-old attributes of ageing can be questioned through these literary texts
{"title":"Remembrance of Things Past: Feminisation of Narrative in Margaret Laurence’s The Stone Angel and Rohinton Mistry’s Family Matters","authors":"Dr. Indira Chakraborty (Bhattacharya)","doi":"10.59136/lv.2023.1.1.105","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.105","url":null,"abstract":"Human beings are inherently storytelling creatures. Whatever they do, think, speculate, speak, or even dream does follow a narrative – a pattern that essentially tells a story. Coherence in storytelling is probably a naturalized phenomenon, necessarily inbuilt. Interestingly, the ability of narration and gaining wisdom both are something which happen throughout one’s lifetime. It has been observed time and again that gerontologists have shown intertwining dimensions of ageing and these therefore, in turn, attach increasing importance to the study of gerontology –they include ‘temporal’, ‘spiritual’ and ‘poetical’ aspects of growing. Arriving at the human tendency of storytelling, it can be stated that the narrative of any story is something that human beings use to understand the ‘temporality’ of life, one with which they attribute meaning and logic and hence add coherence to their life, overtly or otherwise. Thus, the purpose of this essay obviously would be to question the ‘claims’ of this ‘age’ and ‘ageing’ narrative of many gerontologists which in turn can be substantiated by fictional characters like Hagar Shipley from Margaret Laurence’s The Stone Angel and also Nariman Vakeel from Rohinton Mistry’s Family Matters and also question how certain age-old attributes of ageing can be questioned through these literary texts","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78356188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.59136/lv.2023.1.1.107
Garima Bhayana, Dr Sneh Lata Sharma
In several works by Margaret Atwood, food is a metaphor for power. The powerful ones eat and the weak counterparts do not. Power is latent under the acts of consumption in daily life basic survival acts. The paper discusses aspects mentioned about food in Atwood’s novels, notably feminist ideas of eating disorders that invite intriguing significations regarding the food motif. The analysis of the politics of eating in her works within the framework of Foucauldian discourse overlapping with Gramscian hegemonic economy, offers a fresh perspective on women's subverted position attributed to food.
{"title":"Discourses of Power Through Oral Consumption in Margaret Atwood’s Select Novels","authors":"Garima Bhayana, Dr Sneh Lata Sharma","doi":"10.59136/lv.2023.1.1.107","DOIUrl":"https://doi.org/10.59136/lv.2023.1.1.107","url":null,"abstract":"In several works by Margaret Atwood, food is a metaphor for power. The powerful ones eat and the weak counterparts do not. Power is latent under the acts of consumption in daily life basic survival acts. The paper discusses aspects mentioned about food in Atwood’s novels, notably feminist ideas of eating disorders that invite intriguing significations regarding the food motif. The analysis of the politics of eating in her works within the framework of Foucauldian discourse overlapping with Gramscian hegemonic economy, offers a fresh perspective on women's subverted position attributed to food.","PeriodicalId":40984,"journal":{"name":"Literary Voice","volume":"39 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77947033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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