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Journal of African Cinemas最新文献

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The ghetto in the cities and films of Johannesburg and Cape Town 约翰内斯堡和开普敦的城市和电影中的贫民窟
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2018-04-01 DOI: 10.1386/JAC.10.1-2.65_1
Alexandra Parker
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引用次数: 0
The flexible city: Cinematic (re)constructions of Cape Town 灵活的城市:开普敦电影般的(重新)建筑
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2018-04-01 DOI: 10.1386/JAC.10.1-2.81_1
Ian-Malcolm Rijsdijk
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引用次数: 0
The African Metropolis and the aesthetics of superfluity 非洲大都市与奢侈美学
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2018-04-01 DOI: 10.1386/JAC.10.1-2.51_1
Ivo Ritzer
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引用次数: 0
Introducing the ‘drasofi’: A genre of convenience and context in Zimbabwean film production 介绍“德拉菲”:津巴布韦电影制作中的一种方便和背景类型
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2018-04-01 DOI: 10.1386/JAC.10.1-2.147_1
Oswelled Ureke
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引用次数: 2
Filmmaking as research: Pedagogy and practice 电影制作研究:教学法与实践
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2017-12-01 DOI: 10.1386/JAC.9.2-3.113_2
Jyoti Mistry, T. Sakota
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引用次数: 1
Redirecting the gaze: Film education in an individualistic era 重新定向视线:个人主义时代的电影教育
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2017-12-01 DOI: 10.1386/JAC.9.2-3.151_1
Linda Sternö, Klara Björk
This article offers consideration to an alternative use of film practice and the role of pedagogy in challenging the conception of film as a product and entertainment medium. Instead the authors reflect on the potential of the camera as a tool for facilitating dialogue with communities and individuals, which allows student film-makers to draw on images and representations that challenge the stereotyped and repetitive images generated in mass media. Furthermore, they draw from their own experiences of working with the visual practice (VP) model where the camera is a research tool. As a tool, the camera is used to explore issues in contemporary society and is related to contextual responsibilities and concerns regarding film pedagogy and its connection to enabling social change, with a broader correlation to civil society that aims to promote democratic rights.
本文考虑了电影实践的另一种用途,以及教育学在挑战电影作为一种产品和娱乐媒介的概念方面的作用。相反,作者们反思了相机作为促进与社区和个人对话的工具的潜力,这使学生电影制作人能够利用图像和表现来挑战大众媒体中产生的刻板和重复的图像。此外,他们还借鉴了自己使用视觉实践(VP)模型的经验,其中相机是一种研究工具。作为一种工具,相机被用来探索当代社会中的问题,与电影教育学的背景责任和关注点及其与促成社会变革的联系有关,与旨在促进民主权利的民间社会有着更广泛的相关性。
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引用次数: 1
Waywardness of mood and mode in Love the One You Love and Necktie Youth 《爱你所爱的人》与《领带青春》中的心境方式
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2017-12-01 DOI: 10.1386/JAC.9.2-3.273_1
H. Strauss
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引用次数: 1
Point of view: Engaging with history and memory in the classroom 观点:在课堂上参与历史和记忆
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2017-12-01 DOI: 10.1386/JAC.9.2-3.133_1
T. Sakota
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引用次数: 0
Pedagogies and practices of disaffection: Film programmes in arts schools in a time of revolution 教育学和不满实践:革命时期艺术学校的电影节目
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2017-12-01 DOI: 10.1386/JAC.9.2-3.119_1
Jyoti Mistry, D. Andrew
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引用次数: 3
Practice-led research: Home video and the autobiographical self 以实践为主导的研究:家庭录像和自传式自我
IF 0.1 0 FILM, RADIO, TELEVISION Pub Date : 2017-12-01 DOI: 10.1386/JAC.9.2-3.203_1
Nicola Comninos
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引用次数: 0
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Journal of African Cinemas
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