{"title":"Book Reviews","authors":"W. F. Mohammed, A. Agina","doi":"10.1386/jac.10.3.253_5","DOIUrl":"https://doi.org/10.1386/jac.10.3.253_5","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49120315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents an analysis of the documentary film Dundo, Memória Colonial (‘Dundo, colonial memory’) (2009) by the Portuguese journalist Diana Andringa. In the first section, I will inscribe Andringa’s film within the wider context of filmic geographies of return. Sections two and three address the multifaceted ways in which colonial Dundo is remembered in Portugal by former settlers and in Angola by former African workers as presented by the film. The fourth section of the article analyses a more personal memory of Dundo that is also developed in this film as the director herself spent her childhood in Dundo. I will conclude that Dundo offers fragmented visions of the past that have to be confronted and discussed in a shared Afro-Portuguese filmic framework. As nostalgic and critical ways of remembering the past are confronted in the film, the documentary proposes that remembering the past is always ambivalent and connected to specific politics of history. KEYWORDS
{"title":"Dundo, Memória Colonial: A postcolonial return and the documentary politics of history","authors":"Robert Stock","doi":"10.1386/JAC.10.3.225_1","DOIUrl":"https://doi.org/10.1386/JAC.10.3.225_1","url":null,"abstract":"This article presents an analysis of the documentary film Dundo, Memória Colonial (‘Dundo, colonial memory’) (2009) by the Portuguese journalist Diana Andringa. In the first section, I will inscribe Andringa’s film within the wider context of filmic geographies of return. Sections two and three address the multifaceted ways in which colonial Dundo is remembered in Portugal by former settlers and in Angola by former African workers as presented by the film. The fourth section of the article analyses a more personal memory of Dundo that is also developed in this film as the director herself spent her childhood in Dundo. I will conclude that Dundo offers fragmented visions of the past that have to be confronted and discussed in a shared Afro-Portuguese filmic framework. As nostalgic and critical ways of remembering the past are confronted in the film, the documentary proposes that remembering the past is always ambivalent and connected to specific politics of history. KEYWORDS","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47025892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film Review","authors":"A. J. V. Vuuren","doi":"10.1386/jac.10.3.259_5","DOIUrl":"https://doi.org/10.1386/jac.10.3.259_5","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43070682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ruy Guerra’s Mueda, Memória e Massacre: The missing images","authors":"Raquel Schefer","doi":"10.1386/JAC.10.3.205_1","DOIUrl":"https://doi.org/10.1386/JAC.10.3.205_1","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44346912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film cities and film services perspectives have become an important part of policy thinking about film and television production. It is now routine for a variety of governmental and industry agencies to assist in supporting, marketing and developing local capabilities, infrastructures and resources. The aim is usually to extend the local footprint of the film and television industries by attracting foot loose globally dispersed productions. This article revisits and expands earlier perspectives on film cities and film services developed by the author and his collaborators. It does this in order to compare Australian and South African cities' participation in national and global film production and to consider how such approaches may be usefully redisposed for policy thinking and opportunities for South Africa's large informal market settings.
{"title":"Revisiting film cities and film services: Methodology, theory and applications","authors":"T. O’Regan","doi":"10.1386/JAC.10.1-2.9_1","DOIUrl":"https://doi.org/10.1386/JAC.10.1-2.9_1","url":null,"abstract":"Film cities and film services perspectives have become an important part of policy thinking about film and television production. It is now routine for a variety of governmental and industry agencies to assist in supporting, marketing and developing local capabilities, infrastructures and resources. The aim is usually to extend the local footprint of the film and television industries by attracting foot loose globally dispersed productions. This article revisits and expands earlier perspectives on film cities and film services developed by the author and his collaborators. It does this in order to compare Australian and South African cities' participation in national and global film production and to consider how such approaches may be usefully redisposed for policy thinking and opportunities for South Africa's large informal market settings.","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":"10 1","pages":"9-29"},"PeriodicalIF":0.1,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42177098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Media cities: Mapping urbanity and audio-visual configurations","authors":"Ivo Ritzer, K. Tomaselli","doi":"10.1386/JAC.10.1-2.3_7","DOIUrl":"https://doi.org/10.1386/JAC.10.1-2.3_7","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":"10 1","pages":"3-7"},"PeriodicalIF":0.1,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48705838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hard to Get, film friendliness and local production","authors":"K. Tomaselli, Ndu Ngcobo","doi":"10.1386/JAC.10.1-2.31_1","DOIUrl":"https://doi.org/10.1386/JAC.10.1-2.31_1","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":"10 1","pages":"31-50"},"PeriodicalIF":0.1,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JAC.10.1-2.31_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42418387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The landscapes and aesthetics of soap opera: Townships, television and tourism","authors":"Sarah Gibson","doi":"10.1386/JAC.10.1-2.95_1","DOIUrl":"https://doi.org/10.1386/JAC.10.1-2.95_1","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":"10 1","pages":"95-110"},"PeriodicalIF":0.1,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JAC.10.1-2.95_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66717840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-04-01DOI: 10.1386/JAC.10.1-2.111_1
A. J. V. Vuuren, Wanda Verster
{"title":"From rural naïveté to urban discontent: Framing post-apartheid South African film identities","authors":"A. J. V. Vuuren, Wanda Verster","doi":"10.1386/JAC.10.1-2.111_1","DOIUrl":"https://doi.org/10.1386/JAC.10.1-2.111_1","url":null,"abstract":"","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":"10 1","pages":"111-129"},"PeriodicalIF":0.1,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48774925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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