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What Does a House Want? Exploring Sentient Houses in Supernatural Literature 一个房子想要什么?探索超自然文学中的有情屋
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-19 DOI: 10.5325/preternature.9.2.0299
Pugliese
abstract:Most haunted houses in literature are inhabited or visited by supernatural entities, often ghosts. At times, they are haunted not by the ghosts of previous inhabitants but by the “residual energies” such people have left behind. Most presences and energies that haunt a house are malevolent, but they originate in human beings—meaning that other human beings, whether the new inhabitants or paranormal investigators, are usually able to understand their objectives, if not necessarily foil their plans. But what if the house itself is haunting its inhabitants; what if the house itself is a malevolent sentient entity?
文学作品中的大多数鬼屋都是由超自然的实体居住或造访的,通常是鬼魂。有时,他们不是被先前居民的鬼魂所困扰,而是被这些人留下的“残余能量”所困扰。大多数在房子里出没的幽灵和能量都是邪恶的,但它们起源于人类——这意味着其他人类,无论是新居民还是超自然现象的调查者,通常都能理解他们的目的,即使不一定能挫败他们的计划。但是,如果房子本身是困扰它的居民;如果房子本身就是一个恶毒的有知觉的实体呢?
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引用次数: 0
A Disenchanted Landscape? Jinn, Schoolgirls, and the Demonization of the Past in Niger 幻灭的风景?尼日尔的精灵、女学生和对过去的妖魔化
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-19 DOI: 10.5325/preternature.9.2.0243
A. Masquelier
abstract:In this article, I explore the possession of schoolgirls by spirits based on ethnographic research conducted in the district of Dogondoutchi, Niger. Besides pointing to the struggles girls face in a country where women’s education remains controversial, possession brings attention to a past Muslim religious authorities have tried to silence. When trees were cut to make space for schools, their spiritual occupants were uprooted. Far from vanishing, however, the displaced spirits now haunt the very venues whose emergence contributed to their displacement. I consider how the irruption of spirits in schools highlights the fraught relation between Islam and animism, suggesting how Islam and animism exist in and through each other. Weber wrote how modern times were about the disenchantment of the world, yet he knew gods and spirits do not completely disappear. It is this predicament and the conundrums it gives rise to that the attacks on Nigerien schoolgirls exemplify.
本文通过对尼日尔Dogondoutchi地区的民族志研究,探讨了鬼魂附身女学生的问题。除了指出女孩们在一个女性教育仍有争议的国家所面临的困境外,“占有”还引起了人们对过去穆斯林宗教当局试图沉默的关注。当树木被砍伐为学校腾出空间时,它们的精神居住者被连根拔起。然而,流离失所的精神非但没有消失,现在还在那些导致他们流离失所的场所出没。我认为学校里神灵的闯入如何突出了伊斯兰教和万物有灵论之间令人担忧的关系,表明伊斯兰教和万物有灵论是如何相互存在并通过彼此存在的。韦伯写了现代是如何关于世界的祛魅,但他知道神和精神并没有完全消失。尼日利亚女学生遇袭事件就是这种困境及其引发的难题的例证。
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引用次数: 0
Spirit Readings: Spectral Hermeneutics in the Middle English Gast of Gy 精神解读:中古英语Gy的光谱解释学
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-19 DOI: 10.5325/preternature.9.2.0139
Zawacki
abstract:The Middle English Gast of Gy is intimately concerned with the hermeneutic process. Irruptions of the preternatural are destabilizing events that threaten Church authority and so demand an interpretive response. The clerics in the poem serve as first-contact exegetes. They fulfill a vital, sacral function as interpreters of texts and phenomena, and as mediators between the mundane and the otherworldly. Hermes, a liminal god with dominion over both ghosts and the act of speech, is here deployed as a lens through which to view these separate duties and bring them together under a coherent conceptual heading. Gy then serves as an effective case study in how Church control is established over a disruptive paranormal event, how clerics in the field work at the discernment of spirits, and how orthodox understandings of the supernatural are formulated and propagated through dialogue and writing.
中古英语Gast of Gy与解释学过程密切相关。超自然的入侵是威胁教会权威的不稳定事件,因此需要解释性的回应。诗中的神职人员是第一次接触的注释者。作为文本和现象的诠释者,作为世俗和超凡脱俗之间的调解者,他们履行着至关重要的神圣职能。赫尔墨斯,一个对鬼魂和言语行为都有统治权的界限之神,在这里被用作一个镜头,通过它来观察这些分开的职责,并将它们放在一个连贯的概念标题下。然后,它作为一个有效的案例研究,教会如何控制一个破坏性的超自然事件,神职人员如何在野外工作,辨别灵魂,以及如何通过对话和写作来制定和传播超自然的正统理解。
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引用次数: 1
Honoring the Outermost: Saturn in Picatrix, Marsilio Ficino, and Renaissance Cosmology 向最外层致敬:皮卡特里克斯、马西利奥·菲西诺和文艺复兴宇宙学中的土星
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-19 DOI: 10.5325/preternature.9.2.0169
Daniel Attrell
abstract:This article explores how the planet Saturn was conceptualized in the premodern cosmology that influenced the Florentine Renaissance philosopher Marsilio Ficino (1433–1499), particularly in the Latin translations of Arabic astrological works from which he drew inspiration in the production of his medical guide and mirror for princes, the De vita libri tres (1489). It puts special attention on the secret role of the astro-magical treatise Picatrix in Ficino’s intellectual development and on some of the astrological correspondences or significations between Saturn and the concepts over which that planet was believed to hold dominion (e.g., melancholy, scholarship, and others). The article traces out some of the changes in the perceptions of Saturn, from his ambivalent role as a chthonic Roman divinity and the ruler of an agricultural golden age to a largely malefic force of nature in Late Antiquity up to Abū Maʿšar, and returning again to an ambivalent role as a volitional spiritual entity and a ruler of duality and extremes in the minds of astrologers from al-Qurṭubī (d. 964) to Ficino, who were also influenced by pseudo-Aristotelian, Aristotelian, Hermetic, and other pagan sources in constructing their knowledge of astral magic.
本文探讨了土星在影响佛罗伦萨文艺复兴时期哲学家马西利奥·菲西诺(1433-1499)的前现代宇宙学中是如何被概念化的,特别是在阿拉伯占星术作品的拉丁翻译中,他从这些作品中获得灵感,为王子制作了医疗指南和镜子,De vita libri tres(1489)。它特别关注了天文魔法论文Picatrix在菲西诺智力发展中的秘密作用,以及土星与被认为拥有统治地位的概念(例如,忧郁,学术等)之间的一些占星对应或意义。文章追溯了土星的一些观念的变化,从他的矛盾作为神秘的罗马神性和农业黄金时代的统治者,很大程度上有害的自然之力马在古代晚期Abūʿšar,并再次返回一个矛盾的角色作为意志的精神实体和尺子的二元性和极端思想的占星家al-Qurṭ乌兰巴托īFicino (d . 964),也受到pseudo-Aristotelian,亚里士多德,密封,以及其他异教的来源来构建他们的星界魔法知识。
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引用次数: 1
Jane Eyre and Social Justice: How to Survive a (Victorian) “Witch” Trial 简·爱与社会正义:如何在(维多利亚)“女巫”审判中生存
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-19 DOI: 10.5325/preternature.9.2.0209
A. Diver
abstract:This article argues that Jane Eyre was both “witch” and witch-trialed. Her ability to perform “witchcraft” (within the framework of Victorian folklore) enabled her to endure and ultimately triumph over a litany of ordeals often associated with the witch-trials, namely, unjust accusations, societal and familial exclusion, poverty, abandonment, and physical and psychological abuse. She overcomes all obstacles with the help of heartfelt incantations (some spoken aloud, others silently willed), control of the elements (fire, water, storms, and moonlight feature prominently), innate occult abilities (extra-sensory perception and supernaturally sharp prescience), and the summoning of folklore and “familiars” (human, animal, spectral) to assist her along the way.
本文认为,简·爱既是“女巫”,也是受到女巫审判的人。她表演“巫术”的能力(在维多利亚时代民间传说的框架内)使她能够忍受并最终战胜一连串通常与女巫审判有关的折磨,即不公正的指控,社会和家庭的排斥,贫穷,遗弃以及身体和心理上的虐待。她在衷心的咒语(有些是大声念出来的,有些是默默地念出来的)、对元素(火、水、风暴和月光)的控制、天生的神秘能力(超感官知觉和超自然的敏锐先见之明)、以及召唤民间传说和“熟人”(人类、动物、幽灵)的帮助下克服了所有障碍。
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引用次数: 0
A Cure for Disenchantment: Smaragdum Thalasses Temple, Havelock North, New Zealand 祛魅疗法:新西兰哈夫洛克北部的Smaragdum Thalasses神庙
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-09-19 DOI: 10.5325/preternature.9.2.0267
Timothy Worrad
abstract:Between 1912 and 1978, the Smaragdum Thalasses Temple of the Order of the Stella Matutina (an offshoot of the Hermetic Order of the Golden Dawn) operated in Havelock North, New Zealand. Located beneath the heritage listed Whare Ra, or “House of the Sun,” this occult secret society studied and performed ceremonial magic for the purpose of spiritual enlightenment. This article explores the uncharacteristic longevity of the group, focusing on its timely arrival as an expression of the spiritual “third way,” its roots in a cultural movement called the Havelock Work, its unique temple space, and the supernatural contacts of its founders, Robert and Harriet Felkin. Analysis of primary source material drawn from private collections and independent publications sheds light on the little-known history of occultism in New Zealand.
1912年至1978年间,斯特拉·马蒂娜教团(金色黎明的赫尔密斯教团的一个分支)的斯玛格丹·塔拉斯神庙在新西兰的哈夫洛克北部运作。这个神秘的秘密社团位于Whare Ra,即“太阳之家”的遗产名录之下,为了精神启蒙的目的,他们研究并表演仪式魔法。这篇文章探讨了这个组织异乎寻常的长寿,重点是它作为精神“第三条道路”的及时到来,它在一个被称为哈夫洛克工作的文化运动中的根源,它独特的寺庙空间,以及它的创始人罗伯特和哈丽特·费尔金的超自然联系。对来自私人收藏和独立出版物的原始资料的分析揭示了新西兰鲜为人知的神秘主义历史。
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引用次数: 1
Mearcstapa: Ten Years of Teratology 《畸形学的十年》
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-02-18 DOI: 10.5325/preternature.9.1.0001
Melissa Ridley Elmes, A. Mittman, Thea Tomaini
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引用次数: 0
Margaret and the Dragon: Lydgate's Adoption of the Apocryphal 《玛格丽特与龙:利德盖特对伪经的采纳
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-02-18 DOI: 10.5325/preternature.9.1.0053
Lesley Kordecki
abstract:In the rather strange life of Saint Margaret of Antioch in John Lydgate's fifteenth-century (ca. 1426) Middle English version, The Legend of Seynt Margarete, Margaret is swallowed by the Devil in the form of a dragon, but after she performs the sign of the cross, the creature bursts into pieces, freeing her. Although the pervasive Devil/dragon character in medieval texts may seem too reductively metaphoric for serious monster scholars today, it is useful to explore what this particular religious appearance can show us in our study of a significant creature "other," the dragon—here encompassing patriarchy's ultimate gender other, the woman. I argue that the emblematic maneuver of this text, with its apocryphal detail of the dragon eating Margaret, although ostensibly written to inspire piety, also demonstrates the correspondence of marginalized others: a loquacious Devil/dragon and an articulate woman/saint.
在约翰·利德盖特(John Lydgate) 15世纪(约1426年)的中古英语版本《塞恩特·玛格丽特传奇》(the Legend of Seynt Margarete)中,安提阿圣玛格丽特(Saint Margaret of Antioch)相当奇怪的一生中,玛格丽特被魔鬼以龙的形式吞下,但在她做了十字架的手势后,魔鬼突然分裂成碎片,她获得了自由。尽管对于今天严肃的怪物学者来说,中世纪文本中普遍存在的魔鬼/龙角色似乎过于简化了隐喻,但在我们研究一个重要的生物“他者”(龙)时,探索这种特殊的宗教形象能向我们展示什么是有用的——在这里,龙包括了父权制的最终性别他者——女性。我认为,这篇文章的象征性手法,以及它关于龙吃掉玛格丽特的虚构细节,虽然表面上是为了激发虔诚,但也表明了被边缘化的其他人的对应关系:一个健谈的魔鬼/龙和一个能言善辩的女人/圣人。
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引用次数: 0
"Pointless, Ridiculous Monster": Monstrous Abjection and Event in "The House of Asterion" and Grendel “毫无意义的,可笑的怪物”:“阿斯特里昂之家”和格伦德尔的可怕的堕落和事件
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-02-18 DOI: 10.5325/preternature.9.1.0076
Suzy Woltmann
abstract:In this article, I examine reimaginings of myth and legend that subversively address the confrontation between hero and monster by recreating the villainous monster as protagonist. These adaptations disrupt the Self/Other binary, which consequently positions us in a state of empathetic abjection with the monster. Jorge Luis Borges's "The House of Asterion" and John Gardner's Grendel take notions of the monstrous abject in the popular imagination and recreate the myth of the Minotaur and the epic of Beowulf, respectively, from the point of view of the monstrous Other. Borges and Gardner rely on mythic and folkloric profanation to (re)write abject monsters. They intertextually invoke their parent texts and explore the monster's own maternal parentage, which leads to their eventual (and Evental) demise.
在这篇文章中,我考察了神话和传说的重新想象,这些重新想象通过将邪恶的怪物作为主角来颠覆性地解决英雄与怪物之间的对抗。这些适应打破了自我/他者的二元对立,从而将我们置于一种与怪物共情的落魄状态。豪尔赫·路易斯·博尔赫斯的《阿斯特翁之家》和约翰·加德纳的《格伦德尔》分别从“他者”的观点出发,取材于大众想象中可怕的卑鄙之物的概念,再现了牛头怪的神话和贝奥武夫的史诗。博尔赫斯和加德纳依靠神话和民间传说中的亵渎来(重新)书写卑鄙的怪物。他们相互引用父母的文本,并探索怪物自己的母亲父母,这导致了他们最终的死亡。
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引用次数: 0
Agency in the Ricean Vampire's Compulsion to Feed 在非洲吸血鬼的强迫进食的机构
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-02-18 DOI: 10.5325/preternature.9.1.0097
Laura Davidel
abstract:This essay aims to provide a conceptualization of monstrosity in the case of Anne Rice's vampire archetype, not as effaced or eroded by humanity but performed under the pressure of a so-called morality compass. Through the treatment of agency in contrast with a determinist compulsive thirst, we can understand the vampire as a social creature that needs humanity both as an antithetical point of reference for its otherness, and as a goal in order to achieve reaggregation in the mortal world. By relying on Judith Butler's model of agency presented in her theories of gender identity as performative, on Sigmund Freud's theories regarding the compulsion to repeat, and finally on Brooke Kroeger's concept of passing, I propose an analysis of Rice's vampires as creatures endowed with an agentic power that stems from the struggle of performing the compulsive monstrous acts in a way that would somehow appease their guilty consciousness. I will explore the various modes in which vampires present their agentic power, namely the alternative modes of feeding, the choice of humans to transform, or the vampires' struggle to pass for humans as acts that, although monstrous, bypass the vampires' moral compass.
本文旨在以安妮·赖斯的吸血鬼原型为例,提供一个怪物的概念,不是被人性抹去或侵蚀,而是在所谓的道德指南针的压力下表现出来的。通过对代理的处理与决定论的强迫性口渴的对比,我们可以理解吸血鬼是一种社会生物,它需要人类作为其差异性的对立参考点,并作为在凡人世界中实现重新聚合的目标。根据朱迪思·巴特勒(Judith Butler)在她的性别认同理论中提出的代理模型,西格蒙德·弗洛伊德(Sigmund Freud)关于强迫性重复的理论,最后是布鲁克·克罗格(Brooke Kroeger)的传递概念,我提出了一种分析,认为赖斯笔下的吸血鬼是一种被赋予代理力量的生物,这种力量来自于以某种方式平息他们罪恶意识的方式进行强迫性怪物行为的斗争。我将探索吸血鬼展现其代理力量的各种模式,即喂养的替代模式,人类转化的选择,或者吸血鬼努力冒充人类的行为,尽管是可怕的,但绕过了吸血鬼的道德指南针。
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引用次数: 0
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Preternature-Critical and Historical Studies on the Preternatural
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