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Preternature-Critical and Historical Studies on the Preternatural最新文献

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The Role of Light and Vision in Two Victorian Ghost Stories 光与视觉在两个维多利亚时代鬼故事中的作用
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-04-10 DOI: 10.5325/PRETERNATURE.8.1.0090
Tereza Bambušková
abstract:This article demonstrates how two selected Victorian ghost stories address the problem of the unreliability and subjectivity of perception through the characters' experiences with the supernatural or the inexplicable. I focus on how Victorian ghost stories—particularly Margaret Oliphant's "The Open Door" and Sheridan Le Fanu's "The Account of Some Disturbances in Aungier Street"—induce hesitation both in characters and in the reader. This "moment of hesitation" is not only central to Todorov's definition of the fantastic but also highly relevant to the anxieties about vision and knowledge that existed in Victorian society. I argue that the stories use the theories and assumptions about vision that were current in the Victorian age to subvert the idea that sight is an objective conduit to the truth, and thus the stories both utilize a source of fear that was already present in Victorian society and offer a relevant social commentary.
本文选取了两个维多利亚时代的鬼故事,通过人物对超自然或不可解释的经历来阐述感知的不可靠性和主观性问题。我关注的是维多利亚时代的鬼故事——尤其是玛格丽特·奥列芬特的《敞开的门》和谢里丹·勒·法努的《昂吉尔街骚乱记》——是如何引起人物和读者的犹豫的。这个“犹豫的时刻”不仅是托多罗夫对奇幻的定义的核心,而且与维多利亚社会中存在的对视觉和知识的焦虑高度相关。我认为这些故事使用了维多利亚时代流行的关于视觉的理论和假设,颠覆了视觉是通向真相的客观渠道的想法,因此这些故事既利用了维多利亚社会已经存在的恐惧来源,又提供了相关的社会评论。
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引用次数: 0
Review 审查
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.1.0151
Harms
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引用次数: 0
Review 审查
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.1.0155
McGill
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引用次数: 0
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IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.2.0283
Bailey
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引用次数: 0
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IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.2.0286
Millar
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引用次数: 0
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IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.2.0289
Lindquist
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引用次数: 0
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IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.1.0148
Elmes
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引用次数: 0
The Idea of Ideoplasty and Occult Phenomena in the Theoretical and Empirical Research of Julian Ochorowicz 论朱利安·奥乔洛维茨理论与实证研究中的意识形态与神秘现象
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-08-31 DOI: 10.5325/PRETERNATURE.7.2.0239
K. Hess
abstract:Julian Leopold Ochorowicz (1850–1917) was a psychologist, philosopher, and inventor, as well as a photographer, journalist, and poet. As a positivist, he postulated strict research methods in science and treated psychology as a field of study to which the tools of natural sciences can be applied. Ochorowicz's interest in occult phenomena, which for him were not supernatural but just unexplained and misinterpreted qualities of the human body and mind, in time grew to be the most intriguing topic of his work. Ochorowicz wanted to experimentally examine medium-related and other occult phenomena, which he associated with hypnotic states. He used the term "ideoplasty" for a class of phenomena that he deemed theoretically possible, whereby psychic energy is transformed into material excretions. Ideoplasty was a part of his wider conception of transformations of energy (e.g., of power into motion), which combined his theoretical attitude in psychology and his technical inventions.
朱利安·利奥波德·奥乔洛维茨(Julian Leopold Ochorowicz, 1850-1917)是一位心理学家、哲学家、发明家,同时也是一位摄影师、记者和诗人。作为一名实证主义者,他在科学中提出了严格的研究方法,并将心理学视为一个可以应用自然科学工具的研究领域。奥克罗维茨对神秘现象的兴趣,对他来说不是超自然的,只是无法解释和误解人类身体和心灵的特质,逐渐成为他作品中最有趣的话题。Ochorowicz想通过实验来研究与媒介相关的和其他神秘现象,他将这些现象与催眠状态联系起来。他将“意识形态成型”一词用于他认为理论上可能的一类现象,即精神能量转化为物质排泄。意识形态成形术是他关于能量转化(例如,将能量转化为运动)的更广泛概念的一部分,它结合了他在心理学上的理论态度和他的技术发明。
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引用次数: 3
Court "Monsters": Deformity in the Western European Royal Courts between 1500 and 1700 宫廷“怪物”:1500年至1700年间西欧皇家宫廷的畸形
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-08-31 DOI: 10.5325/PRETERNATURE.7.2.0182
C. Wells
abstract:Whereas early modern monstrosity generally has enjoyed in-depth historical investigation, the presence of so-called monsters at the European royal courts has been somewhat overlooked. By using a severity continuum of deformity and a subcontinuum of emancipation as a framework, this article addresses three specific questions regarding court monstrosity: Why did such individuals reside at court? What role did they have within the court? How were they perceived and treated by other courtiers? The article will first address those who belonged at the less severe end of the severity continuum but whose relatively minor abnormalities nevertheless rendered them wondrous—courtly dwarfs and giants. This is followed by an examination of two of the more unusual types of deformities belonging to the more severe end of the continuum—people with hirsutism and conjoined twins.
尽管早期现代的怪物通常得到了深入的历史研究,但所谓的怪物在欧洲皇家宫廷的存在却多少被忽视了。通过使用畸形的严重连续体和解放的次连续体作为框架,本文解决了关于宫廷畸形的三个具体问题:为什么这样的人住在宫廷里?他们在宫廷中扮演什么角色?其他朝臣如何看待和对待他们?本文将首先讨论那些属于严重程度连续体中较轻的一端,但相对较小的异常却使他们变得令人惊奇的人——宫廷侏儒和巨人。接下来是对两种更不寻常的畸形类型的检查,这两种畸形属于连续体的更严重的一端——多毛症和连体双胞胎。
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引用次数: 1
Performing Circles in Ancient Egypt From Mehen to Ouroboros 从Mehen到Ouroboros,古埃及的表演圈
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-08-31 DOI: 10.5325/PRETERNATURE.7.2.0133
Mark Roblee
abstract:Drawing from cultic literature and iconography, this article examines the use of encirclement and circular imagery in ancient Egypt—ritual circumambulation, circular knots and jewelry, painted papyri, encircling utterances, and especially the apotropaic serpentine figure Mehen, who prefigured the ouroboros in Byzantine, Arabic, Jewish, and early modern European thought. Encirclement and circular imagery were performative in the ancient Egyptian context, functioning on a personal, psychological level as much as a shared, social level. Performing circles was an inner ritual or imaginative technology of self-transformation for the ancient Egyptian ritual practitioner and audience alike.
从宗教文学和图像学的角度出发,本文考察了环绕和圆形意象在古埃及的使用——仪式上的环绕、圆形的结和珠宝、彩绘的纸莎草纸、环绕的话语,尤其是在拜占庭、阿拉伯、犹太和早期现代欧洲思想中预示着毒蛇的祈求神的蛇形人物Mehen。包围和圆形意象在古埃及语境中具有表演性,在个人、心理层面和共同的社会层面上发挥作用。表演圈对于古埃及的仪式实践者和观众来说是一种内在的仪式或自我转化的想象技术。
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引用次数: 2
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Preternature-Critical and Historical Studies on the Preternatural
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