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Preternature-Critical and Historical Studies on the Preternatural最新文献

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Magic Perfumes and Deadly Herbs: The Scent of Witches' Magic in Classical Literature 神奇的香水和致命的草药:古典文学中女巫的魔法气味
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-04-10 DOI: 10.5325/PRETERNATURE.8.1.0001
B. Ager
abstract:The magic of Greek and Roman witches is often described as fragrant, or even as being itself a kind of scent. Classical descriptions of witchcraft thus echo ancient fears of women's perfumes and scented cosmetics, which were conventionally thought of as altering the minds of men, who could be seduced by sweet scents into doing things they would not willingly choose to do. Witches' spells similarly charm and confuse their targets, acting as more aggressive supernatural versions of ordinary women's scents, even as witches themselves were increasingly described as old, repulsive, and foul-smelling. Meanwhile, male magicians are largely inodorate in the fantastic literature of antiquity. Clarifying the links between ancient discourse on perfumes, gender, and magic offers new ways to read Greco-Roman fantastic literature.
希腊和罗马女巫的魔法经常被描述为芬芳,甚至本身就是一种气味。因此,对巫术的经典描述呼应了古代对女性香水和有香味化妆品的恐惧,传统上认为这些香水和化妆品会改变男人的思想,男人可能会被香味所诱惑,做一些他们不愿意做的事情。女巫的咒语同样能迷惑和迷惑她们的目标,就像普通女性气味的超自然版本一样更具攻击性,尽管女巫本身越来越多地被描述为年老、令人厌恶和恶臭。与此同时,男性魔术师在古代的奇幻文学中也很受欢迎。澄清古代关于香水、性别和魔法的话语之间的联系,为阅读希腊罗马神话文学提供了新的途径。
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引用次数: 1
Review 审查
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.1.0151
Harms
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引用次数: 0
Review 审查
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.1.0155
McGill
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引用次数: 0
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IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.2.0283
Bailey
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引用次数: 0
Review 审查
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.2.0286
Millar
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引用次数: 0
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IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.2.0289
Lindquist
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引用次数: 0
Review 审查
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-01-01 DOI: 10.5325/preternature.8.1.0148
Elmes
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引用次数: 0
The Idea of Ideoplasty and Occult Phenomena in the Theoretical and Empirical Research of Julian Ochorowicz 论朱利安·奥乔洛维茨理论与实证研究中的意识形态与神秘现象
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-08-31 DOI: 10.5325/PRETERNATURE.7.2.0239
K. Hess
abstract:Julian Leopold Ochorowicz (1850–1917) was a psychologist, philosopher, and inventor, as well as a photographer, journalist, and poet. As a positivist, he postulated strict research methods in science and treated psychology as a field of study to which the tools of natural sciences can be applied. Ochorowicz's interest in occult phenomena, which for him were not supernatural but just unexplained and misinterpreted qualities of the human body and mind, in time grew to be the most intriguing topic of his work. Ochorowicz wanted to experimentally examine medium-related and other occult phenomena, which he associated with hypnotic states. He used the term "ideoplasty" for a class of phenomena that he deemed theoretically possible, whereby psychic energy is transformed into material excretions. Ideoplasty was a part of his wider conception of transformations of energy (e.g., of power into motion), which combined his theoretical attitude in psychology and his technical inventions.
朱利安·利奥波德·奥乔洛维茨(Julian Leopold Ochorowicz, 1850-1917)是一位心理学家、哲学家、发明家,同时也是一位摄影师、记者和诗人。作为一名实证主义者,他在科学中提出了严格的研究方法,并将心理学视为一个可以应用自然科学工具的研究领域。奥克罗维茨对神秘现象的兴趣,对他来说不是超自然的,只是无法解释和误解人类身体和心灵的特质,逐渐成为他作品中最有趣的话题。Ochorowicz想通过实验来研究与媒介相关的和其他神秘现象,他将这些现象与催眠状态联系起来。他将“意识形态成型”一词用于他认为理论上可能的一类现象,即精神能量转化为物质排泄。意识形态成形术是他关于能量转化(例如,将能量转化为运动)的更广泛概念的一部分,它结合了他在心理学上的理论态度和他的技术发明。
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引用次数: 3
Court "Monsters": Deformity in the Western European Royal Courts between 1500 and 1700 宫廷“怪物”:1500年至1700年间西欧皇家宫廷的畸形
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-08-31 DOI: 10.5325/PRETERNATURE.7.2.0182
C. Wells
abstract:Whereas early modern monstrosity generally has enjoyed in-depth historical investigation, the presence of so-called monsters at the European royal courts has been somewhat overlooked. By using a severity continuum of deformity and a subcontinuum of emancipation as a framework, this article addresses three specific questions regarding court monstrosity: Why did such individuals reside at court? What role did they have within the court? How were they perceived and treated by other courtiers? The article will first address those who belonged at the less severe end of the severity continuum but whose relatively minor abnormalities nevertheless rendered them wondrous—courtly dwarfs and giants. This is followed by an examination of two of the more unusual types of deformities belonging to the more severe end of the continuum—people with hirsutism and conjoined twins.
尽管早期现代的怪物通常得到了深入的历史研究,但所谓的怪物在欧洲皇家宫廷的存在却多少被忽视了。通过使用畸形的严重连续体和解放的次连续体作为框架,本文解决了关于宫廷畸形的三个具体问题:为什么这样的人住在宫廷里?他们在宫廷中扮演什么角色?其他朝臣如何看待和对待他们?本文将首先讨论那些属于严重程度连续体中较轻的一端,但相对较小的异常却使他们变得令人惊奇的人——宫廷侏儒和巨人。接下来是对两种更不寻常的畸形类型的检查,这两种畸形属于连续体的更严重的一端——多毛症和连体双胞胎。
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引用次数: 1
Performing Circles in Ancient Egypt From Mehen to Ouroboros 从Mehen到Ouroboros,古埃及的表演圈
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-08-31 DOI: 10.5325/PRETERNATURE.7.2.0133
Mark Roblee
abstract:Drawing from cultic literature and iconography, this article examines the use of encirclement and circular imagery in ancient Egypt—ritual circumambulation, circular knots and jewelry, painted papyri, encircling utterances, and especially the apotropaic serpentine figure Mehen, who prefigured the ouroboros in Byzantine, Arabic, Jewish, and early modern European thought. Encirclement and circular imagery were performative in the ancient Egyptian context, functioning on a personal, psychological level as much as a shared, social level. Performing circles was an inner ritual or imaginative technology of self-transformation for the ancient Egyptian ritual practitioner and audience alike.
从宗教文学和图像学的角度出发,本文考察了环绕和圆形意象在古埃及的使用——仪式上的环绕、圆形的结和珠宝、彩绘的纸莎草纸、环绕的话语,尤其是在拜占庭、阿拉伯、犹太和早期现代欧洲思想中预示着毒蛇的祈求神的蛇形人物Mehen。包围和圆形意象在古埃及语境中具有表演性,在个人、心理层面和共同的社会层面上发挥作用。表演圈对于古埃及的仪式实践者和观众来说是一种内在的仪式或自我转化的想象技术。
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引用次数: 2
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Preternature-Critical and Historical Studies on the Preternatural
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