Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-68-235-248
V. Filicheva
The study looks at the period of F. Sologub's entry into literature, especially the time of the first book editions (“Poems. Book One”, “Heavy dreams”, “Shadows. Stories and poems”). The process of forming the literary reputation of F. Sologub in 1896–1898 was chosen as the subject of consideration. The history of the publication of the first collection of poems as one of the most significant moments of literary biography reflects the orientation towards a particular audience and allows us to assess the vector of perception of creativity which is given to criticism by the writer himself. The revealed archival materials and the bibliographic searches carried out make it possible to more fully evaluate the perception of the first collection of F. Sologub, as well as the participation and role of the writer in distributing books and popularizing his name in the periodicals. Having published the first collection of poems, Sologub sent out copies through Russian editorial offices of magazines and newspapers for review. According to the list of periodicals, it may be assumed that the writer targeted the provincial reader. However, Sologub did not receive the expected response, because he was identified as a representative of the emerging decadent trend, which was attacked in 1895 after the publication of the “Russian Symbolists” collection.
{"title":"The Way to the Reader: F. Sologub and His First Books","authors":"V. Filicheva","doi":"10.37816/2073-9567-2023-68-235-248","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-235-248","url":null,"abstract":"The study looks at the period of F. Sologub's entry into literature, especially the time of the first book editions (“Poems. Book One”, “Heavy dreams”, “Shadows. Stories and poems”). The process of forming the literary reputation of F. Sologub in 1896–1898 was chosen as the subject of consideration. The history of the publication of the first collection of poems as one of the most significant moments of literary biography reflects the orientation towards a particular audience and allows us to assess the vector of perception of creativity which is given to criticism by the writer himself. The revealed archival materials and the bibliographic searches carried out make it possible to more fully evaluate the perception of the first collection of F. Sologub, as well as the participation and role of the writer in distributing books and popularizing his name in the periodicals. Having published the first collection of poems, Sologub sent out copies through Russian editorial offices of magazines and newspapers for review. According to the list of periodicals, it may be assumed that the writer targeted the provincial reader. However, Sologub did not receive the expected response, because he was identified as a representative of the emerging decadent trend, which was attacked in 1895 after the publication of the “Russian Symbolists” collection.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"47 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86853620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-68-339-356
R. R. Budagyan
The author determines that violin performance finds its vivid embodiment and implementation in Russian and foreign architecture and sculpture. It is scientifically substantiated that modern architects have created a huge number of works of art in which violin is the main object. The study proves that world architects involve this bowed string instrument in global projects to provide a new picture of the world, demonstrating the ability of the violin to implement unprecedented cultural experiments. Thus, the author comes to the conclusion that violin art is becoming more and more visual. Each of the architects analyzed in this work tried in every possible way to embody in monuments and sculptures exactly that feature of violin art that they wanted to express, as well as to perpetuate the issues and contradictions that turned out to be the most relevant and topical. In terms of architectural and musical art, the sculptors sought to demonstrate various hypostases of violin art starting from the tragic and patriotic themes. The paper established that at present one needs to talk about the conceptual nature of violin visualization, its polyfunctionality, as well as the global synthesis of musical art with architecture and sculpture.
{"title":"Violin Performance in Terms of Russian and Foreign Architecture and Sculpture","authors":"R. R. Budagyan","doi":"10.37816/2073-9567-2023-68-339-356","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-339-356","url":null,"abstract":"The author determines that violin performance finds its vivid embodiment and implementation in Russian and foreign architecture and sculpture. It is scientifically substantiated that modern architects have created a huge number of works of art in which violin is the main object. The study proves that world architects involve this bowed string instrument in global projects to provide a new picture of the world, demonstrating the ability of the violin to implement unprecedented cultural experiments. Thus, the author comes to the conclusion that violin art is becoming more and more visual. Each of the architects analyzed in this work tried in every possible way to embody in monuments and sculptures exactly that feature of violin art that they wanted to express, as well as to perpetuate the issues and contradictions that turned out to be the most relevant and topical. In terms of architectural and musical art, the sculptors sought to demonstrate various hypostases of violin art starting from the tragic and patriotic themes. The paper established that at present one needs to talk about the conceptual nature of violin visualization, its polyfunctionality, as well as the global synthesis of musical art with architecture and sculpture.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"92 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88962619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-69-176-188
Eleonora F. Shafranskaya, Shevket R. Keshfidinov
The paper explores the current direction of modern literary criticism — local texts, in particular — the Armenian text in Russian poetry. The purpose of the presented study is to determine the range of associative images that arise in the mind of a modern person around the lexical token “Armenia”. The authors conducted a survey of respondents in one of the social networks. One hundred and ten responses (mostly representatives of the academic, intellectual environment, with a reader's background) became the basis for statistical analysis. The most common answer came to be the word “Ararat”. In the verbal culture Ararat has become an image and pattern of the Armenian text. The authors analyzed semantic and functional levels of this image basing on the poems by Russian poets of the 20–21 centuries (in alphabetical order): M. Amelin, P. Antokolsky, V. Bryusov, Y. Veselovsky, A. Gaspari, A. Gitovich, E. Yevtushenko, V. Zvyagintseva, R. Ivnev, V. Inber, G. Kubatyan, I. Lisnyanskaya, O. Mandelstam, M. Matusovsky, B. Slutsky and B. Chichebabin. In the present paper the works on fixing the semantic universe of experimental by researchers V. Nalimov and Zh. Drogalina became the basis for constructing methodological analytics, as well as G. Garipova's research on meta-consciousness reflected in the literary text. Research methods included generalization and systematization of the obtained data, quantitative method, mythopoetic method, philological analysis of the text. As a result, the authors of the article talk about the semantic field of the Armenian text, in which the Ararat acts as the paramount pattern — in the individual and general cultural picture of the world. The material of the study may serve as an algorithm for working with other patterns of the Armenian text, information about which is present in the statistical calculations.
本文探讨了现代文学批评的当前方向-地方文本，特别是亚美尼亚文本在俄罗斯诗歌。提出的研究的目的是确定联想图像的范围，出现在一个现代人的脑海中围绕词汇符号“亚美尼亚”。作者对其中一个社交网络的受访者进行了调查。110个回复(大多是学术、知识环境的代表，有读者的背景)成为统计分析的基础。最常见的答案是“亚拉腊”。在言语文化中，亚拉腊已成为亚美尼亚语文本的一种形象和模式。作者根据20-21世纪俄罗斯诗人的诗歌(按字母顺序)分析了这一形象的语义和功能层次:M. Amelin, P. Antokolsky, V. Bryusov, Y. Veselovsky, A. Gaspari, A. Gitovich, E. Yevtushenko, V. Zvyagintseva, R. Ivnev, V. Inber, G. Kubatyan, I. Lisnyanskaya, O. Mandelstam, M. Matusovsky, B. Slutsky和B. Chichebabin。本文介绍了Nalimov和Zh在确定实验语义域方面所做的工作。德罗加林娜成为建构方法论分析的基础，也成为加里波娃在文学文本中反映的元意识研究的基础。研究方法包括对所得资料进行归纳整理、定量分析、神话学分析、文本文献学分析等。因此，这篇文章的作者谈到亚美尼亚文本的语义场域，其中亚拉腊在世界个人和一般文化图景中扮演着最重要的角色。研究报告的材料可以作为处理亚美尼亚文本其他形式的算法，统计计算中有关于这些形式的资料。
{"title":"Ararat as the Main Pattern of the Armenian Text in Russian Poetry","authors":"Eleonora F. Shafranskaya, Shevket R. Keshfidinov","doi":"10.37816/2073-9567-2023-69-176-188","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-69-176-188","url":null,"abstract":"The paper explores the current direction of modern literary criticism — local texts, in particular — the Armenian text in Russian poetry. The purpose of the presented study is to determine the range of associative images that arise in the mind of a modern person around the lexical token “Armenia”. The authors conducted a survey of respondents in one of the social networks. One hundred and ten responses (mostly representatives of the academic, intellectual environment, with a reader's background) became the basis for statistical analysis. The most common answer came to be the word “Ararat”. In the verbal culture Ararat has become an image and pattern of the Armenian text. The authors analyzed semantic and functional levels of this image basing on the poems by Russian poets of the 20–21 centuries (in alphabetical order): M. Amelin, P. Antokolsky, V. Bryusov, Y. Veselovsky, A. Gaspari, A. Gitovich, E. Yevtushenko, V. Zvyagintseva, R. Ivnev, V. Inber, G. Kubatyan, I. Lisnyanskaya, O. Mandelstam, M. Matusovsky, B. Slutsky and B. Chichebabin. In the present paper the works on fixing the semantic universe of experimental by researchers V. Nalimov and Zh. Drogalina became the basis for constructing methodological analytics, as well as G. Garipova's research on meta-consciousness reflected in the literary text. Research methods included generalization and systematization of the obtained data, quantitative method, mythopoetic method, philological analysis of the text. As a result, the authors of the article talk about the semantic field of the Armenian text, in which the Ararat acts as the paramount pattern — in the individual and general cultural picture of the world. The material of the study may serve as an algorithm for working with other patterns of the Armenian text, information about which is present in the statistical calculations.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-69-397-410
Elena V. Sitnikova, Aleksandr B. Khramtsov
The paper addresses an urgent issue, the preservation of the wooden architecture of historical cities, and dwells in particular, on an All-Russian phenomenon — wooden buildings in the classicist style. In the construction of historical cities of Russia and Siberia in the nineteenth century. mandatory construction on “exemplary” projects led to the widespread spread of classical wooden architecture. Although the construction of Tyumen in the second half of the nineteenth century was no exception, as the other cities of the country, it had unique features. A comprehensive scientific analysis of wooden buildings in the classicist style on the territory of the city of Tyumen obtained following results: objects in this style were identified with their systematization according to spatial planning and architectural and artistic characteristics; characteristic features determined. The scientific novelty of the study consists in the systematization of the types of classical wooden buildings in Siberian cities (through the example of Tyumen) on the basis of bibliographic, archival and field studies. The architectural analysis of the objects allowed for making conclusions about the value of wooden classical houses, the need for their fixation (making sketches, photo fixation, dimensional drawings), further study and preservation. The theoretical and practical significance of the paper lies in the collected, analyzed and systematized material on the wooden architecture of the historical Siberian city, which can be used in the preparation for the lectures on the history of architecture of Siberia, promotion of historical and architectural heritage, in the implementation of projects to preserve the wooden architecture of cities and in other areas.
{"title":"Traditions of Classicism in the Wooden Architecture of Historical Cities (by the Example of Tyumen)","authors":"Elena V. Sitnikova, Aleksandr B. Khramtsov","doi":"10.37816/2073-9567-2023-69-397-410","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-69-397-410","url":null,"abstract":"The paper addresses an urgent issue, the preservation of the wooden architecture of historical cities, and dwells in particular, on an All-Russian phenomenon — wooden buildings in the classicist style. In the construction of historical cities of Russia and Siberia in the nineteenth century. mandatory construction on “exemplary” projects led to the widespread spread of classical wooden architecture. Although the construction of Tyumen in the second half of the nineteenth century was no exception, as the other cities of the country, it had unique features. A comprehensive scientific analysis of wooden buildings in the classicist style on the territory of the city of Tyumen obtained following results: objects in this style were identified with their systematization according to spatial planning and architectural and artistic characteristics; characteristic features determined. The scientific novelty of the study consists in the systematization of the types of classical wooden buildings in Siberian cities (through the example of Tyumen) on the basis of bibliographic, archival and field studies. The architectural analysis of the objects allowed for making conclusions about the value of wooden classical houses, the need for their fixation (making sketches, photo fixation, dimensional drawings), further study and preservation. The theoretical and practical significance of the paper lies in the collected, analyzed and systematized material on the wooden architecture of the historical Siberian city, which can be used in the preparation for the lectures on the history of architecture of Siberia, promotion of historical and architectural heritage, in the implementation of projects to preserve the wooden architecture of cities and in other areas.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-68-8-17
M. S. Yastrebov-Pestritsky
It often happens that a community of regular respondents on certain forums is formed in social networks. Visitors, usually referred to as persons with deviant behavior in educational institutions, often settle in such anonymous communities. They are attracted in electronic communication by the opportunity to correspond with an opponent (often with everyone at once), without restraining their emotions, and to use rude words and expressions, up to the most extreme. It is especially difficult, almost impossible, to draw such an interlocutor out and to frankly talk about anything, be it sports, politics, education, or any other topic of everyday discussions. A person (let's call him a subject) only pretends to be interested in a particular topic, but his real purpose is to get involved in a conversation, briefly, quickly and roughly covering as many respondents as possible with an answer. Thus, he constantly brightens up his loneliness. As a rule, the respondent of this type does not linger on any one interlocutor: his method is “self-affirmation by mass character”. However, we managed, with the help of patient explanatory work, to continue correspondence with “I.G.” until the moment of full understanding of the young man's inability to have a healthy discussion: the source of swear words has dried up, and the subject simply did not maintain other types of communication. Nevertheless, he undoubtedly is worldly-wise: he tries not to discuss those areas in which rude judgments can be fraught with prosecution, in general, he avoids reporting at least some data about himself, hiding behind rudeness and swearing the fear of giving them away accidentally. But people who have been visiting the same social media pages for years, against their desire, give indirect hints about their personality and their lifestyle. Actually, the study is about the fact that, despite the respondent's desire (unwillingness), his language (spontaneous speech presented in the form of an electronic text) can tell a lot.
{"title":"Troubled Minors and Social Networks: “Newspaper for a Narrow Circle” (Cultural Research in the Linguistic Aspect)","authors":"M. S. Yastrebov-Pestritsky","doi":"10.37816/2073-9567-2023-68-8-17","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-8-17","url":null,"abstract":"It often happens that a community of regular respondents on certain forums is formed in social networks. Visitors, usually referred to as persons with deviant behavior in educational institutions, often settle in such anonymous communities. They are attracted in electronic communication by the opportunity to correspond with an opponent (often with everyone at once), without restraining their emotions, and to use rude words and expressions, up to the most extreme. It is especially difficult, almost impossible, to draw such an interlocutor out and to frankly talk about anything, be it sports, politics, education, or any other topic of everyday discussions. A person (let's call him a subject) only pretends to be interested in a particular topic, but his real purpose is to get involved in a conversation, briefly, quickly and roughly covering as many respondents as possible with an answer. Thus, he constantly brightens up his loneliness. As a rule, the respondent of this type does not linger on any one interlocutor: his method is “self-affirmation by mass character”. However, we managed, with the help of patient explanatory work, to continue correspondence with “I.G.” until the moment of full understanding of the young man's inability to have a healthy discussion: the source of swear words has dried up, and the subject simply did not maintain other types of communication. Nevertheless, he undoubtedly is worldly-wise: he tries not to discuss those areas in which rude judgments can be fraught with prosecution, in general, he avoids reporting at least some data about himself, hiding behind rudeness and swearing the fear of giving them away accidentally. But people who have been visiting the same social media pages for years, against their desire, give indirect hints about their personality and their lifestyle. Actually, the study is about the fact that, despite the respondent's desire (unwillingness), his language (spontaneous speech presented in the form of an electronic text) can tell a lot.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"35 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90592208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-68-96-103
A. L. Kazin, E. Zhdanova
The present paper actualizes the issue of graphic interpretation of the artistic text of Russian classics by German graphic artists. The study analyzes the specifics of artistic and imaginative thinking in the German tradition of book illustration by the example of illustrations for publications of Russian classics in the first half of the twentieth century. In particular, the paper examines graphic cycles of German expressionist artists of the 1920s, dedicated to the works of N. V. Gogol and F. M. Dostoevsky, as well as illustrations of Russian classical literature created by German artists who emigrated from Germany in the 1930s. The authors note that the style of German book illustration remained influenced by expressionism even in the post-war period, regardless of the cultural context, as evidenced, for example, by the works of graphic artists in the German Democratic Republic. The article also examines the book graphics of the Leipzig school and representatives of the Halle school. German graphic artists' works dedicated to the works of Russian classical literature provide rich material for the analysis of the mediated intercultural dialogue of artists with Russian writers and Russian culture. The authors explore the national originality of imaginative thinking in the Russian and German traditions, noting which aspects of the works the artists sought to emphasize, and which were ignored.
{"title":"Russian Classical Literature in German Book Graphics of the 20th Century: Peculiarities of Artistic Thinking","authors":"A. L. Kazin, E. Zhdanova","doi":"10.37816/2073-9567-2023-68-96-103","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-68-96-103","url":null,"abstract":"The present paper actualizes the issue of graphic interpretation of the artistic text of Russian classics by German graphic artists. The study analyzes the specifics of artistic and imaginative thinking in the German tradition of book illustration by the example of illustrations for publications of Russian classics in the first half of the twentieth century. In particular, the paper examines graphic cycles of German expressionist artists of the 1920s, dedicated to the works of N. V. Gogol and F. M. Dostoevsky, as well as illustrations of Russian classical literature created by German artists who emigrated from Germany in the 1930s. The authors note that the style of German book illustration remained influenced by expressionism even in the post-war period, regardless of the cultural context, as evidenced, for example, by the works of graphic artists in the German Democratic Republic. The article also examines the book graphics of the Leipzig school and representatives of the Halle school. German graphic artists' works dedicated to the works of Russian classical literature provide rich material for the analysis of the mediated intercultural dialogue of artists with Russian writers and Russian culture. The authors explore the national originality of imaginative thinking in the Russian and German traditions, noting which aspects of the works the artists sought to emphasize, and which were ignored.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87327300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-67-132-141
Yulia U. Kaskina
The story “Candle” (1924) tells about a huge exemplary economy in the South of Russia, which name of Star-Novka is consonant with the Crimean Novy Svet, acquired in 1878 by Prince L.S. Golitsyn who created a winery in it. The fate of Star-Novka is described by Shmelev from the words of the Manager, who loved his business, but was forced to go abroad at the risk of his life after the establishment of Soviet power. However even in a foreign land he continues to believe in the undying humanity in people — the light in the soul, metaphorically manifested in the narrative by the image of a candle. The state of affairs of Prince Golitsyn, for 37 years skillfully and fruitfully managed the New World, gradually fell into decay, so that the estate in 1913 was donated to Nicholas II. L.S. Golitsyn died in 1915. His daughter and two granddaughters, underwent the troubles similar to those described in Shmelev's story. Thus, under the threat of execution in 1918, their jewelry was confiscated, in the 1920s their granddaughters were arrested, the husband of one of them managed to escape and settled in Paris. The real events he experienced, perhaps told and heard by Shmelev, could serve, in our opinion, a historical basis for the plot of the story “Candle”.
{"title":"I. S. Shmelev's Story ‘Candle’ and the Fate of Prince Golitsyn","authors":"Yulia U. Kaskina","doi":"10.37816/2073-9567-2023-67-132-141","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-67-132-141","url":null,"abstract":"The story “Candle” (1924) tells about a huge exemplary economy in the South of Russia, which name of Star-Novka is consonant with the Crimean Novy Svet, acquired in 1878 by Prince L.S. Golitsyn who created a winery in it. The fate of Star-Novka is described by Shmelev from the words of the Manager, who loved his business, but was forced to go abroad at the risk of his life after the establishment of Soviet power. However even in a foreign land he continues to believe in the undying humanity in people — the light in the soul, metaphorically manifested in the narrative by the image of a candle. The state of affairs of Prince Golitsyn, for 37 years skillfully and fruitfully managed the New World, gradually fell into decay, so that the estate in 1913 was donated to Nicholas II. L.S. Golitsyn died in 1915. His daughter and two granddaughters, underwent the troubles similar to those described in Shmelev's story. Thus, under the threat of execution in 1918, their jewelry was confiscated, in the 1920s their granddaughters were arrested, the husband of one of them managed to escape and settled in Paris. The real events he experienced, perhaps told and heard by Shmelev, could serve, in our opinion, a historical basis for the plot of the story “Candle”.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"102 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88554401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-67-164-173
V. Kuznetsova
Relatedness of Old Russian “Tale of a merchant who bought a dead body and became tsar” as of end of the 17 c. with a folklore tradition — a story about a grateful dead man — has long and rightly been noted by all its researchers. However, the presence in the text of the Tale of details about the monastery of St. Nicholas the Miracle-Worker, in which the burial of the dead body of a Christian bought by the hero was made and which is not mentioned anywhere else, remained unclear. The paper presents the results of a comparison of the book-handwritten version of the plot with the folklore stories about the grateful dead well known in the oral tradition of the Eastern Slavs (AaTh 507; SUS 507 = АА 507А, В, С). It was found that some of the folklore versions of similar legends are connected by folk hagiography with the name of St. Nicholas the Miracle-Worker. The study allows us to assert that not only the plot of the Tale, but also the detail about the monastery of St. Nicholas the Miracle-Worker in it is nor abstract nor literary, as was supposed, but a folklore source. Determining the source and grounds for the appearance of this detail in the Tale makes it possible to better understand the mechanisms of the process of folklorization of Russian literature of the 17th century noted by researchers, one of the manifestations of which was the design in the book-manuscript tradition of “The Tale of the merchant who bought a dead body”.
{"title":"Motif of the Grateful Dead in the Legends of Folk Hagiography about St. Nicholas the Miracle-worker: Folklore and Handwritten Booklore","authors":"V. Kuznetsova","doi":"10.37816/2073-9567-2023-67-164-173","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-67-164-173","url":null,"abstract":"Relatedness of Old Russian “Tale of a merchant who bought a dead body and became tsar” as of end of the 17 c. with a folklore tradition — a story about a grateful dead man — has long and rightly been noted by all its researchers. However, the presence in the text of the Tale of details about the monastery of St. Nicholas the Miracle-Worker, in which the burial of the dead body of a Christian bought by the hero was made and which is not mentioned anywhere else, remained unclear. The paper presents the results of a comparison of the book-handwritten version of the plot with the folklore stories about the grateful dead well known in the oral tradition of the Eastern Slavs (AaTh 507; SUS 507 = АА 507А, В, С). It was found that some of the folklore versions of similar legends are connected by folk hagiography with the name of St. Nicholas the Miracle-Worker. The study allows us to assert that not only the plot of the Tale, but also the detail about the monastery of St. Nicholas the Miracle-Worker in it is nor abstract nor literary, as was supposed, but a folklore source. Determining the source and grounds for the appearance of this detail in the Tale makes it possible to better understand the mechanisms of the process of folklorization of Russian literature of the 17th century noted by researchers, one of the manifestations of which was the design in the book-manuscript tradition of “The Tale of the merchant who bought a dead body”.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"107 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81420520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-69-90-105
Mikhail N. Kozlov, Snezhana P. Shendrikova
The paper presents a historical reconstruction of the final stage of the life of one of the main prototypes of the epic hero Dobrynya Nikitich. The study included problem-chronological and historical-analytical methods of scientific research. The authors conducted a historiographic analysis of the issue and identified the main sources used in writing the paper. Based on the texts of several Russian epics, Old Russian chronicles and graffiti found during the restoration of the Transfiguration Cathedral in Pereslavl-Zalessky in 2015, they indicated an obvious connection between the epic hero Dobrynya Nikitich and the Rostov boyar Dobrynya Dolgy. Particular attention is paid to the analysis of Dobrynya's personal participation in the tragic events of 1174. Based on a forensic medical examination of the remains of Andrei Bogolyubsky, as well as a number of written sources, the authors of the research came to the conclusion that Dobrynya Nikitich served in the squad of Prince Andrei Bogolyubsky, was involved in a conspiracy against him, but did not directly participate in his murder. After the tragic events of 1174, he fled to Rostov, where he took part in the military council before the battle of Lipetsk and died during the battle that followed.
{"title":"Dobrynya Nikitich`s Last Fight","authors":"Mikhail N. Kozlov, Snezhana P. Shendrikova","doi":"10.37816/2073-9567-2023-69-90-105","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-69-90-105","url":null,"abstract":"The paper presents a historical reconstruction of the final stage of the life of one of the main prototypes of the epic hero Dobrynya Nikitich. The study included problem-chronological and historical-analytical methods of scientific research. The authors conducted a historiographic analysis of the issue and identified the main sources used in writing the paper. Based on the texts of several Russian epics, Old Russian chronicles and graffiti found during the restoration of the Transfiguration Cathedral in Pereslavl-Zalessky in 2015, they indicated an obvious connection between the epic hero Dobrynya Nikitich and the Rostov boyar Dobrynya Dolgy. Particular attention is paid to the analysis of Dobrynya's personal participation in the tragic events of 1174. Based on a forensic medical examination of the remains of Andrei Bogolyubsky, as well as a number of written sources, the authors of the research came to the conclusion that Dobrynya Nikitich served in the squad of Prince Andrei Bogolyubsky, was involved in a conspiracy against him, but did not directly participate in his murder. After the tragic events of 1174, he fled to Rostov, where he took part in the military council before the battle of Lipetsk and died during the battle that followed.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.37816/2073-9567-2023-69-203-215
Valeria G. Andreeva
The purpose of the paper is to analyze the correspondence between Tolstoy and Aksakov, more precisely, three letters of Aksakov, their detailed scientific commentary and identification, explanation of the realities and facts that make it possible to deeply comprehend the ideological positions and views of Tolstoy and Aksakov. The research notes that in Aksakov’s letters to Tolstoy, his personal and civic position, ideas about the best ways for Russia's development are perfectly manifested. Aksakov’s letters are of great importance to the study of the issue of his thoughtful influence on Tolstoy in attempt to make the latter an adherent of Slavophilism. The work highlights similarities and echoes in the fates of Aksakov and Tolstoy and substantiates a great influence of the Crimean War on both writers. For all the seeming episodic nature, Aksakov’s three letters to Tolstoy allow us to trace the evolution of the writer’s and editor’s views, their dissimilarity in time — the passion for journalism and topical social problems was replaced by both Tolstoy and Aksakov with an awareness of the enduring value of fiction. An analytical study of Aksakov’s letters allowed us to conclude that he was attentive to the work, life and social activities of Tolstoy, and to note Aksakov’s high appreciation of Tolstoy’s studies. Keeping in line with the general ideological direction of the Slavophiles, when opening new newspapers — Den and Rus — Aksakov interpreted the Slavophile tradition in different ways, however invariably inviting Tolstoy to his new publications, considering him one of the best and most advanced writers.
{"title":"How ‘to Make Letters from the Tula Province more Interesting for us Russians than Letters from London or New York’. On the Correspondence and Creative Interaction of L. N. Tolstoy and I. S. Aksakov","authors":"Valeria G. Andreeva","doi":"10.37816/2073-9567-2023-69-203-215","DOIUrl":"https://doi.org/10.37816/2073-9567-2023-69-203-215","url":null,"abstract":"The purpose of the paper is to analyze the correspondence between Tolstoy and Aksakov, more precisely, three letters of Aksakov, their detailed scientific commentary and identification, explanation of the realities and facts that make it possible to deeply comprehend the ideological positions and views of Tolstoy and Aksakov. The research notes that in Aksakov’s letters to Tolstoy, his personal and civic position, ideas about the best ways for Russia's development are perfectly manifested. Aksakov’s letters are of great importance to the study of the issue of his thoughtful influence on Tolstoy in attempt to make the latter an adherent of Slavophilism. The work highlights similarities and echoes in the fates of Aksakov and Tolstoy and substantiates a great influence of the Crimean War on both writers. For all the seeming episodic nature, Aksakov’s three letters to Tolstoy allow us to trace the evolution of the writer’s and editor’s views, their dissimilarity in time — the passion for journalism and topical social problems was replaced by both Tolstoy and Aksakov with an awareness of the enduring value of fiction. An analytical study of Aksakov’s letters allowed us to conclude that he was attentive to the work, life and social activities of Tolstoy, and to note Aksakov’s high appreciation of Tolstoy’s studies. Keeping in line with the general ideological direction of the Slavophiles, when opening new newspapers — Den and Rus — Aksakov interpreted the Slavophile tradition in different ways, however invariably inviting Tolstoy to his new publications, considering him one of the best and most advanced writers.","PeriodicalId":41255,"journal":{"name":"Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures-Scientific and Informational Journal","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：