Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53970
Maria Colombo Timelli
{"title":"Cécile Rochelois, Ponctuation et phrase dans l’édition Vérard du “Jardin de santé”","authors":"Maria Colombo Timelli","doi":"10.4000/studifrancesi.53970","DOIUrl":"https://doi.org/10.4000/studifrancesi.53970","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135054959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54524
Caterina Palmisano
{"title":"Proust et le temps. Un dictionnaire, dir. Isabelle Serça","authors":"Caterina Palmisano","doi":"10.4000/studifrancesi.54524","DOIUrl":"https://doi.org/10.4000/studifrancesi.54524","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135054967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53705
Maria Colombo Timelli
{"title":"Lumières du Nord. Les manuscrits enluminés français et flamands de la Bibliothèque nationale d’Espagne, dir. Samuel Gras, Anne-Marie Legaré","authors":"Maria Colombo Timelli","doi":"10.4000/studifrancesi.53705","DOIUrl":"https://doi.org/10.4000/studifrancesi.53705","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135054979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53520
Anna Scannapieco
This contribution offers an analysis of the first comedy that chose to represent Molière as an eponymous protagonist, thus inaugurating the long and successful series of pièces à auteurs dedicated to the French artist. This is Il Moliere by Carlo Goldoni, which, a couple of years later, inspired Il Moliere, jealous husband by his antagonist Pietro Chiari. Staged for the first time on 28 August 1751, and published in 1753, it draws on La Vie by Grimarest, cleverly combining autobiographical projections and a persuasive homage to the illustrious predecessor.
{"title":"Molière personaggio in commedia sulle scene veneziane del Settecento","authors":"Anna Scannapieco","doi":"10.4000/studifrancesi.53520","DOIUrl":"https://doi.org/10.4000/studifrancesi.53520","url":null,"abstract":"This contribution offers an analysis of the first comedy that chose to represent Molière as an eponymous protagonist, thus inaugurating the long and successful series of pièces à auteurs dedicated to the French artist. This is Il Moliere by Carlo Goldoni, which, a couple of years later, inspired Il Moliere, jealous husband by his antagonist Pietro Chiari. Staged for the first time on 28 August 1751, and published in 1753, it draws on La Vie by Grimarest, cleverly combining autobiographical projections and a persuasive homage to the illustrious predecessor.","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135054991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54290
Logan J. Connors
{"title":"Thibaut Julian, Un théâtre pour la nation. L’histoire en scène (1765-1806)","authors":"Logan J. Connors","doi":"10.4000/studifrancesi.54290","DOIUrl":"https://doi.org/10.4000/studifrancesi.54290","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53590
Gabriella Bosco
The paper analyses the relationship established by Eugène Ionesco, one of the foremost figures of twentieth-century theatrical neo-avant-garde, with Molière, through the act of remaking his Impromptu de Versailles into Impromptu de l’Alma. A remake that was not meant as a rewriting but as a way to find in Molière’s play a concept of theatre shared by Ionesco himself: an attack on the stereotype in the name of the archetype. Outside of an oppositional logic between tradition and innovation in which the critics had attempted to enclose Ionesco’s theatre, failing then to demonstrate their thesis.
{"title":"“L’impromptu” di Ionesco","authors":"Gabriella Bosco","doi":"10.4000/studifrancesi.53590","DOIUrl":"https://doi.org/10.4000/studifrancesi.53590","url":null,"abstract":"The paper analyses the relationship established by Eugène Ionesco, one of the foremost figures of twentieth-century theatrical neo-avant-garde, with Molière, through the act of remaking his Impromptu de Versailles into Impromptu de l’Alma. A remake that was not meant as a rewriting but as a way to find in Molière’s play a concept of theatre shared by Ionesco himself: an attack on the stereotype in the name of the archetype. Outside of an oppositional logic between tradition and innovation in which the critics had attempted to enclose Ionesco’s theatre, failing then to demonstrate their thesis.","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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