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Article 10 第十条
IF 0.2 Pub Date : 2023-12-01 DOI: 10.21608/ejars.2023.330911
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引用次数: 0
Article 1 第 1 条
IF 0.2 Pub Date : 2023-12-01 DOI: 10.21608/ejars.2023.330901
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引用次数: 0
Article 4 第四条
IF 0.2 Pub Date : 2023-12-01 DOI: 10.21608/ejars.2023.330905
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引用次数: 0
Article 14 第十四条
IF 0.2 Pub Date : 2023-12-01 DOI: 10.21608/ejars.2023.330915
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引用次数: 0
Article 13 第十三条
IF 0.2 Pub Date : 2023-12-01 DOI: 10.21608/ejars.2023.330914
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引用次数: 0
CONSERVATION OF THE MURAL PANTINGS AT THE THEBAN TOMB TT 340 AT DEIR EL- MEDINA NECROPOLIS, WESTERN THEBES, LUXOR, EGYPT 埃及卢克索蒂比斯西部迪尔麦地那墓地tt340蒂班墓的壁画保护
IF 0.2 Pub Date : 2023-06-01 DOI: 10.21608/ejars.2023.305185
Manci, A., Sedikk, M.
: This research aims to study the characteristics and technique of mural painting at the tomb of Amenemhat (No. 340), assessment of its current conservation state, moreover select and apply the most suitable materials and methods to conservation. The chara- cterization of the mural paintings in the studied tomb was carried out using different techniques including visual examination , portable USB-Digital microscope; polarizing light microscope; scanning electron microscopy (SEM) equipped with energy dispersive x-ray analysis system (SEM-EDS); x-ray powder diffraction (XRD), and Fourier transform infrared spectroscopy (FTIR). In order to select the optimal materials for consolidation and completion processes, an experimental study was carried out using various methods includ ing visual examination, scanning electron microscopy (SEM) and colorimetric measurements. The results indicated that the ancient Egyptian artist used the traditional technique (tempera) which is used inside the rock tombs for preparing the wall paintings at the tomb of Amenemhat (No. 340). The mural paintings in the tomb are suffering from the influence of many indigenous and exogenous deterioration factors. The results of experimental tests demonstrated that the product of Klucel G 1% has high efficiency in the consolidation of the weak painting layer. Also; the product of Bio Estel has high efficiency in the consolidation of fragile mud plaster layers. Moreover, the data clarified that the mortar (1) which consists of 0.5 rough yellow sand, 0.5 fine yellow sand, 3 light mud, 1 heba bowder, 0.5 burned clay , 1 straw, 3 gm Tobsin N and distilled water it’s a suitable for filling gaps and cracks in the mural paintings. Finally, treatment procedures were successfully performed using pre-consolidation, mechanical cleaning, re- adhesion of partly det-ached and flaking layers, consolidation, filling gaps and missing parts and cracks injections.
本研究旨在研究阿蒙奈姆哈特墓(340号)壁画的特点和技术,评估其目前的保护状况,并选择和应用最合适的材料和方法进行保护。使用不同的技术对研究墓中的壁画进行了表征,包括视觉检查、便携式USB数字显微镜;偏光显微镜;配备有能量色散x射线分析系统(SEM-EDS)的扫描电子显微镜(SEM);x射线粉末衍射(XRD)和傅立叶变换红外光谱(FTIR)。为了选择用于固结和完井工艺的最佳材料,采用多种方法进行了实验研究,包括目视检查、扫描电子显微镜(SEM)和比色测量。研究结果表明,这位古埃及艺术家在Amenemhat墓(编号340)的壁画制作中使用了岩石墓内部使用的传统技术(蛋彩画)。墓室壁画受到多种本土和外源性退化因素的影响。试验结果表明,Klucel G1%的产品对软弱涂层的固结效果较好。而且Bio-Estel的产品在脆性泥灰泥层的固结中具有高效性。此外,数据表明,砂浆(1)由0.5粗黄沙、0.5细黄沙、3轻泥、1 heba bowder、0.5烧粘土、1根稻草、3克Tobsin N和蒸馏水组成,适合填充壁画中的空隙和裂缝。最后,通过预固结、机械清洗、部分脱落和剥落层的重新粘合、固结、填充间隙和缺失部分以及注入裂缝,成功地完成了处理程序。
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引用次数: 1
ENHANCING THE MECHANICAL STRENGTH OF KLUCEL E/CNC COMPOSITES FOR THE CONSERVATION OF WOODEN ARTIFACTS 提高klucele/CNC复合材料的机械强度以保护木制文物
IF 0.2 Pub Date : 2023-06-01 DOI: 10.21608/ejars.2023.305184
Younis, O., El Hadidi, N., D. S., M. M.
: In this research, cellulose nanocrystals (CNC) were prepared with a concentration of 2% through a hydrolysis procedure using conc-entrated sulfuric acid (H 2 SO 4 ). This was followed by the preparation of CNC/Klucel E nanocomposites films with various concentrations (10, 15, 20, 30, 50 %). The obtained films were investigated and evaluated using different techniques such as X-ray diffraction (XRD), Scanning Electron Microscopy (SEM), and tensile strength testing . Based on the results obtained, films with concentrations of 20 and 30 %, which gave the best results, were applied on aged wood specimens in order to study the influence of this nanocomposite on different properties of wood. The influence was studied in terms of mechanical properties, change in chemical composition, and change in physical appearance through tensile tests, Fourier Transform Infrared Spectroscopy (FT-IR) and color change measurements (CIE lab), respectively. The tensile strength of the films was improved after addition of CNC to Klucel E by almost 70% at 30% concentration, and compression strength for wooden samples significantly increased after using the same concentration of the nanocomposite, which reached
在本研究中,使用浓硫酸(H2 SO4)通过水解程序制备了浓度为2%的纤维素纳米晶体(CNC)。随后制备了不同浓度(10、15、20、30、50%)的CNC/Klucel E纳米复合材料膜。使用X射线衍射(XRD)、扫描电子显微镜(SEM)和拉伸强度测试等不同技术对所获得的薄膜进行了研究和评价。基于所获得的结果,将浓度为20%和30%的薄膜应用于老化木材样品上,以研究这种纳米复合材料对木材不同性能的影响。分别通过拉伸试验、傅立叶变换红外光谱(FT-IR)和颜色变化测量(CIE实验室),从机械性能、化学成分变化和物理外观变化方面研究了这种影响。在Klucel E中添加CNC后,薄膜的拉伸强度在30%的浓度下提高了近70%,使用相同浓度的纳米复合材料后,木材样品的压缩强度显著提高,达到
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引用次数: 0
AN ANALYTICAL STUDY OF MAGICAL WAX FIGURINES FOUND IN THE MUMMY OF TJANEFER FROM THE THIRD INTERMEDIATE ERA USING CT SCANNING AS A NON-DESTRUCTIVE TOOL. 使用CT扫描作为一种非破坏性工具,对第三个中期时期在TJANEFER木乃伊中发现的神奇蜡像进行分析研究。
IF 0.2 Pub Date : 2023-06-01 DOI: 10.21608/ejars.2023.305183
B. I.
: This paper aims to explore the discovery of magical wax figures in the mummy of Tjanefer from the third intermediate era, and the insights obtained through the use of advanced methods such as CT scanning and Gas Chromatographic analysis. Through these methods, researcher has been able to uncover the various techniques used by ancient Egyptian embalmers to mummify bodies, including the use of wax figurines to protect the internal organs of the deceased. Computed Axial Tomography (CT) scan was an essential tool in the non-destructive detection of archaeological findings inside Egyptian mummies, enabling scholars to determine the methods used by embalmers in mummification operations. In this research, Fourier transform infrared spectroscopy (FTIR), Gas chromatography GC/MAS, and Scanning electron microscopy (SEM) were used in addition to a CT scan to analyze the data related to the function of these figurines and to examine some samples of the materials used in making them. The results of these analyses provided valuable insights into the religious beliefs and funerary practices of ancient Egyptians, particularly with respect to the role of wax figurines in these practices. The examination of the CT scan of Tjanefer's mummy revealed that the mummification process adhered to the traditional Egyptian practice of removing internal organs, embalming them separately, and then returning them to the body cavity. The discovery of four wax statues representing the four sons of Horus within the body cavity suggests that these figurines were believed to have a protective role for the deceased in the afterlife. The analysis of the wax samples revealed that the production of these figurines likely did not require highly skilled craftsmanship. Furthermore, scanning electron microscopy analysis showed that the wax sample was impure with resins in a neutral mixture, suggesting that the production was of good quality..
:本文旨在探索在第三个中期时期的Tjanefer木乃伊中发现的神奇蜡像,以及通过使用CT扫描和气相色谱分析等先进方法获得的见解。通过这些方法,研究人员已经能够揭示古埃及防腐人员制作尸体木乃伊的各种技术,包括使用蜡像保护死者的内脏。计算机轴向断层扫描(CT)是无损检测埃及木乃伊内部考古发现的重要工具,使学者能够确定防腐人员在木乃伊制作过程中使用的方法。在这项研究中,除了CT扫描外,还使用了傅里叶变换红外光谱(FTIR)、气相色谱GC/MAS和扫描电子显微镜(SEM)来分析与这些雕像功能相关的数据,并检查了制作这些雕像所用材料的一些样品。这些分析的结果为古埃及人的宗教信仰和丧葬习俗,特别是蜡像在这些习俗中的作用提供了宝贵的见解。对Tjanefer木乃伊的CT扫描检查显示,木乃伊制作过程遵循了埃及的传统做法,即去除内脏,分别进行防腐处理,然后将其送回体腔。在体腔内发现了四尊代表荷鲁斯四个儿子的蜡像,这表明这些雕像被认为对死者的死后有保护作用。对蜡像样本的分析表明,这些雕像的制作可能不需要高超的工艺。此外,扫描电子显微镜分析表明,蜡样品在中性混合物中含有树脂,这表明该产品质量良好。。
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引用次数: 0
GLʿD AND NGD: SOME NEW EPIGRAPHIC HERITAGE FROM THE BLACK DESERT IN NORTH-EASTERN JORDAN GLʿD和NGD:约旦东北部黑沙漠的一些新的碑文遗产
IF 0.2 Pub Date : 2023-06-01 DOI: 10.21608/ejars.2023.305195
Al-Manaser, A., Al-Rawabdeh, N.
: This study aims at presenting newly-found safaitic inscriptions discovered in the Black Desert, north-eastern Jordan by the Badia Epigraphic Survey (BES) during the second (2017) field season at Wādī ar-Ruʿaylah and in Wādī Suwayʿid. Through this paper, we aim to explain the toponyms Glʿd and Ngd in the Safaitic inscriptions, shed light on their interpretation in Safaitic and give translation and some commentary. This paper provides a comparison of inscriptions that mention these two toponyms in order to determine whether those names belong to a toponym or an adjective of a toponym. All photo credits are of „Badia Epigraphic Survey (BES) Project‟ .
本研究旨在介绍巴迪亚铭文调查(BES)在约旦东北部黑沙漠(Wādī ar-Ru al - aylah)和Wādī Suway al - id的第二个(2017年)野外季节发现的新发现的石刻铭文。本文旨在通过对萨法尔文铭文中地名Gl & d和Ngd的解释,阐明其在萨法尔文中的解释,并进行翻译和评注。本文对提及这两个地名的碑文进行了比较,以确定这些地名是属于地名还是属于地名的形容词。所有图片均来自“巴迪亚石碑调查(BES)项目”。
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引用次数: 0
THE FALCON GOD MONTU WITH KING THUTMOSE III (CGC 1237) 猎鹰神蒙图与国王图特摩斯三世(CGC 1237)
IF 0.2 Pub Date : 2023-06-01 DOI: 10.21608/ejars.2023.305189
Abdelhafez, A.
: This study is a new publication of a rectangular base of the statue of a distinctive group consisting of a falcon and King Thutmose III, kept in the Egyptian museum in Cairo - CGC 1237. The author wil l try using the pedestal to reconstruct a complete picture of the original with a discussion of the dating, and the original site of the statue. These issues will be discussed based on the available inscriptions and archaeological data. Although nothing remains of the statue except for the base bearing the traces of the falcon and the king walking in front of it, this object is a unique model of the falcon Montu. Regarding the function of the statue, the falcon Montu's role towards the king appears through religious books, especially the pyramid texts, which will be reviewed during the study. We will discuss his relationship with the king, as well as the reason for making this statue.
这项研究是一份新出版的长方形底座雕像,由一只猎鹰和图特摩斯三世国王组成,保存在开罗的埃及博物馆- CGC 1237。作者将通过对雕像的年代和原址的讨论,尝试用这个基座来重建一个完整的原貌。这些问题将根据现有的铭文和考古资料进行讨论。虽然除了底座上有猎鹰的痕迹和国王走在雕像前面的痕迹外,雕像没有留下任何东西,但这件物品是猎鹰蒙图的独特模型。关于雕像的功能,猎鹰蒙图对国王的角色出现在宗教书籍中,特别是金字塔文本,这将在研究期间进行审查。我们将讨论他与国王的关系,以及制作这座雕像的原因。
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Egyptian Journal of Archaeological and Restoration Studies
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