Pub Date : 2019-10-01DOI: 10.1017/S0961137119000032
Elizabeth Eva Leach
Abstract The present article seeks to further recent discussion of the diversity of the motet in the long thirteenth century by considering a specific, rather unusual example of motet-related materials in a songbook. It examines a two-stanza pastourelle in the songbook that forms part of Oxford, Bodleian Library, MS Douce 308, and its connection to a network of related materials in various thirteenth-century motet sources. In so doing, it proposes the ostensibly unlikely scenario that this monophonic song derives from two separate motets that may already have been linked through their shared tenor and possibly also performed together in some way. This article brings the important conclusions of Fred Büttner in regard to these materials to Anglophone scholarship, while nuancing his reasoning in light of more recent scholarly work on thirteenth-century motets copied in songbooks.
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Pub Date : 2019-10-01DOI: 10.1017/s0961137119000056
T. Bailey
Abstract Vigils, an important and eventually troublesome component of the cult of the saints, are attested to in the fourth century by Sts Ambrose, Jerome and Augustine. In Gregorian regions nearly all these penitential observances were prohibited by a synod in Rouen in 1231, and have been virtually ignored in the scholarly literature. In the Ambrosian orbit, Vigils remained an extraordinarily important part of the public liturgy until the end of the Middle Ages; however, the treatment of these offices in the Milanese service books presents a confused picture that can only be pieced together with some difficulty. In clarifying the practices of Vigils, certain details are brought to light concerning the two other examples of the external episcopal liturgy of Milan (the three-day Litany in the week following Ascension, and the daily stations at both the ancient baptistries of the city), and even important details about the practices in the cathedrals themselves, practices concerning which the ordinal is silent, ambiguous or even misleading.
{"title":"Vigils of the saints and the stational liturgy of Milan","authors":"T. Bailey","doi":"10.1017/s0961137119000056","DOIUrl":"https://doi.org/10.1017/s0961137119000056","url":null,"abstract":"Abstract Vigils, an important and eventually troublesome component of the cult of the saints, are attested to in the fourth century by Sts Ambrose, Jerome and Augustine. In Gregorian regions nearly all these penitential observances were prohibited by a synod in Rouen in 1231, and have been virtually ignored in the scholarly literature. In the Ambrosian orbit, Vigils remained an extraordinarily important part of the public liturgy until the end of the Middle Ages; however, the treatment of these offices in the Milanese service books presents a confused picture that can only be pieced together with some difficulty. In clarifying the practices of Vigils, certain details are brought to light concerning the two other examples of the external episcopal liturgy of Milan (the three-day Litany in the week following Ascension, and the daily stations at both the ancient baptistries of the city), and even important details about the practices in the cathedrals themselves, practices concerning which the ordinal is silent, ambiguous or even misleading.","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"28 1","pages":"99 - 113"},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/s0961137119000056","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43504075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"English music from the Norman Conquest to the death of Dunstable","authors":"J. Caldwell","doi":"10.4324/9780429200854-8","DOIUrl":"https://doi.org/10.4324/9780429200854-8","url":null,"abstract":"","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"59 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90592206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The fifteenth century, especially in France and the Low Countries","authors":"J. Caldwell","doi":"10.4324/9780429200854-9","DOIUrl":"https://doi.org/10.4324/9780429200854-9","url":null,"abstract":"","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"83 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80769401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"French music in the fourteenth century","authors":"J. Caldwell","doi":"10.4324/9780429200854-6","DOIUrl":"https://doi.org/10.4324/9780429200854-6","url":null,"abstract":"","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"41 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72569889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Italian music in the fourteenth century","authors":"J. Caldwell","doi":"10.4324/9780429200854-7","DOIUrl":"https://doi.org/10.4324/9780429200854-7","url":null,"abstract":"","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"11 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82039163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The chant of the Latin liturgies to c. 950","authors":"J. Caldwell","doi":"10.4324/9780429200854-1","DOIUrl":"https://doi.org/10.4324/9780429200854-1","url":null,"abstract":"","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"337 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77418444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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