Pub Date : 2021-10-01DOI: 10.1017/S0961137121000139
Raquel Rojo Carrillo, Marie Winkelmüller-Urechia
After more than a year of challenges caused by the COVID-19 pandemic, we hope that you and your loved ones have managed to remain healthy, active and as happy as possible. The delay of several publications has resulted in a LCB slightly shorter than those produced in the years ante coronam. The list of publications included in this year’s LCB shows that our field is thriving despite the various challenges. We are committed to fill any possible gaps in upcoming LCBs, hoping that the numbers of COVID-19 cases decrease and allow restrictions to ease. As occurred with LCB 29, this year’s LCB was produced under the challenges linked with the pandemic. We were faced again with libraries either entirely closed or with restricted access. In times like this, we are even more grateful for the help and generosity of colleagues and librarians who very kindly provided us with lists of the most recent publications in the field, and even with pictures of the indexes of publications that we would have otherwise been unable to access. We thank them very much for their effort and collaboration. This year brought two editions of importance, the first being a Liber ordinarium from the diocese of Freising near Munich, continuing the long series of F.K. Prassl’s team. The other is a critical edition of the Jistebnice Kancionál by Hana Vlhová-Wörner. The Slovakian team published a series of publications on the Missale Notatum Bratislava, Ústredna knižnica Slovenskej akadémie vied Rkp. zv. 387. Fragmentary sources feature as an important topic this year, with twelve publications related to or building on the worldwide Fragmentarium Project, and with the development of a fragments’ database as well (30005, 30017k, 30018e, 30022d, 30028, 30032, 30045a, 30045b, 30051, 30082, 30086, 30096). These achievements have a great potential of prompting future investigations on fragments, and we hope to see new titles related to this topic in future LCBs. Also worth mentioning is the development of the Catalogue des manuscrits notés en neumes français de la Bibliothèque nationale de France (30095), a database that gathers, describes and aids the analyses of notated manuscripts from this important library. This database aims to help researchers in search of notational influences and concordances. Wewish you, dear reader, the most productive time despite the pandemic. Wewill hopefully meet again soon. For any question, suggestion, and/or bibliographic information, you can reach us through the email address: liturgchantbiblio@gmail.com.We thank you in advance for your help.
在经历了一年多的COVID-19大流行带来的挑战之后，我们希望您和您的亲人尽可能保持健康、活跃和快乐。由于几份出版物的延迟，最后一份出版物比冠状病毒爆发前几年出版的出版物略短。今年LCB收录的出版物清单显示，尽管面临各种挑战，我们的领域仍在蓬勃发展。我们致力于填补即将到来的lcb中可能存在的任何空白，希望COVID-19病例数量减少，并允许放松限制。与第29届LCB一样，今年的LCB是在与大流行有关的挑战下编制的。我们再次面临图书馆要么完全关闭，要么限制进入的局面。在这样的时刻，我们更加感谢同事和图书馆员的帮助和慷慨，他们非常友好地为我们提供了该领域最新出版物的列表，甚至提供了我们无法访问的出版物索引的图片。我们非常感谢他们的努力和合作。今年带来了两个重要的版本，第一个是慕尼黑附近弗莱辛教区的《自由圣典》，延续了f·k·普拉萨团队的长期系列。另一个是Hana Vlhová-Wörner的Jistebnice Kancionál批判版。斯洛伐克小组出版了一系列关于布拉迪斯拉发的Missale Notatum， Ústredna knižnica Slovenskej akadmie vied Rkp的出版物。zv。387. 碎片来源是今年的一个重要主题，有12篇出版物与世界范围内的碎片arium项目有关或正在建设中，并且还开发了一个碎片数据库(30005、30017k、30018e、30022d、30028、30032、30045a、30045b、30051、30082、30086、30096)。这些成果对未来对片段的研究有很大的推动作用，我们希望在未来的lcb中看到与该主题相关的新标题。另外值得一提的是编制了《法国国家图书馆的非档案手稿目录》(2003年)，这是一个数据库，收集、描述和协助分析这个重要图书馆的带注释的手稿。这个数据库的目的是帮助研究人员在搜索符号的影响和一致性。亲爱的读者，我们祝你度过疫情期间最富有成效的时光。希望不久我们能再见面。如有任何问题、建议和/或书目信息，您可以通过电子邮件地址liturgchantbiblio@gmail.com.We与我们联系。谢谢您的帮助。
{"title":"Liturgical chant bibliography 30","authors":"Raquel Rojo Carrillo, Marie Winkelmüller-Urechia","doi":"10.1017/S0961137121000139","DOIUrl":"https://doi.org/10.1017/S0961137121000139","url":null,"abstract":"After more than a year of challenges caused by the COVID-19 pandemic, we hope that you and your loved ones have managed to remain healthy, active and as happy as possible. The delay of several publications has resulted in a LCB slightly shorter than those produced in the years ante coronam. The list of publications included in this year’s LCB shows that our field is thriving despite the various challenges. We are committed to fill any possible gaps in upcoming LCBs, hoping that the numbers of COVID-19 cases decrease and allow restrictions to ease. As occurred with LCB 29, this year’s LCB was produced under the challenges linked with the pandemic. We were faced again with libraries either entirely closed or with restricted access. In times like this, we are even more grateful for the help and generosity of colleagues and librarians who very kindly provided us with lists of the most recent publications in the field, and even with pictures of the indexes of publications that we would have otherwise been unable to access. We thank them very much for their effort and collaboration. This year brought two editions of importance, the first being a Liber ordinarium from the diocese of Freising near Munich, continuing the long series of F.K. Prassl’s team. The other is a critical edition of the Jistebnice Kancionál by Hana Vlhová-Wörner. The Slovakian team published a series of publications on the Missale Notatum Bratislava, Ústredna knižnica Slovenskej akadémie vied Rkp. zv. 387. Fragmentary sources feature as an important topic this year, with twelve publications related to or building on the worldwide Fragmentarium Project, and with the development of a fragments’ database as well (30005, 30017k, 30018e, 30022d, 30028, 30032, 30045a, 30045b, 30051, 30082, 30086, 30096). These achievements have a great potential of prompting future investigations on fragments, and we hope to see new titles related to this topic in future LCBs. Also worth mentioning is the development of the Catalogue des manuscrits notés en neumes français de la Bibliothèque nationale de France (30095), a database that gathers, describes and aids the analyses of notated manuscripts from this important library. This database aims to help researchers in search of notational influences and concordances. Wewish you, dear reader, the most productive time despite the pandemic. Wewill hopefully meet again soon. For any question, suggestion, and/or bibliographic information, you can reach us through the email address: liturgchantbiblio@gmail.com.We thank you in advance for your help.","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45610919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-01DOI: 10.1017/S0961137121000024
Thomas OP DE COUL
ABSTRACT The Carthusian Order is known for its conservative attitude towards liturgy and music. This article will explore how this attitude played out in practice when the Carthusians were confronted with the introduction of a major new feast. Since its origins in the late eleventh century, the Order incorporated several new feasts in its calendar. These additions were normally made with a significant delay, and almost always without any new chants created for these feasts. The feast of Corpus Christi provides an interesting case study. Contrary to their habit, the Carthusians were apparently quick to adopt it, and they included most of the chants that were compiled and edited for this feast. In doing this, they took the Cibavit eos Mass and the Sacerdos in aeternum Office, most famously found in a late thirteenth-century libellus (F-Pnm, lat. 1143) as a point of departure. The Mass Propers were largely taken over, but small variations in the melodies raise interesting questions about how they were transmitted. By contrast, the office chants were thoroughly reordered and melodically edited in various ways, giving us a tangible sense of how Carthusians dealt with change.
卡尔萨斯骑士团以其对礼拜仪式和音乐的保守态度而闻名。本文将探讨当迦太基人面对一个重要的新盛宴时，这种态度是如何在实践中发挥作用的。自11世纪后期成立以来，骑士团在其日历中加入了几个新的节日。这些添加的内容通常都是在相当长的时间内完成的，而且几乎总是没有为这些节日创造任何新的圣歌。圣体节提供了一个有趣的研究案例。与他们的习惯相反，迦太基人显然很快就接受了它，他们包括了为这个节日编写和编辑的大部分圣歌。在此过程中，他们拿走了Cibavit eos Mass和Sacerdos In aeternum Office，其中最著名的是在13世纪晚期的libellus (F-Pnm, lat)中发现的。1143)作为出发点。《弥撒圣歌》在很大程度上被接管了，但旋律中的小变化引发了关于它们是如何传播的有趣问题。相比之下，办公室的圣歌被彻底重新排序，并以各种方式编辑旋律，让我们切实感受到迦太基人是如何应对变化的。
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Pub Date : 2021-04-01DOI: 10.1017/S0961137121000061
James J. Blasina
ABSTRACT Orderic Vitalis writes that Ainard, a monk of Ste-Catherine-du-Mont monastery, composed a historia for St Katherine of Alexandria for use at his institution, which possessed the saint's oil-secreting finger bones. Through a series of historiographical errors, throughout the twentieth century it came to be believed either that Ainard composed not a liturgical office, but a prose vita of the saint, or that the office he had composed was lost. This article presents a survey of the oldest extant offices for St Katherine, showing that the office widely disseminated in German-speaking lands can be traced to Normandy, and through palaeographical and codicological analysis of its earliest source, Paris, Bibliothèque nationale de France, nouv. acq. lat. 1083, to Ste-Catherine-du-Mont in the late eleventh century. The office contained in this manuscript juxtaposes newly composed proper chants for St Katherine with existing chants from a variety of liturgical sources that honoured established saints, and emphasises the power of St Katherine's relics. The contents and themes of the office suggest an agenda of legitimisation and cultic publicity on the part of its creator, which would be consistent with the aims of a monk of Ste-Catherine. If this manuscript is indeed from Ste-Catherine-du-Mont, it likely records the office that Ainard composed. This attribution is reinforced by a textual-melodic style and modal organisation that grounds it in a later style of chant composition, which Ainard – a south German by birth – would likely have been familiar with.
摘要Orderic Vitalis写道，圣凯瑟琳杜蒙修道院的僧侣Ainard为亚历山大的圣凯瑟琳创作了一本史册，供其机构使用，该史册拥有这位圣人分泌油脂的指骨。在整个二十世纪，由于一系列的历史错误，人们开始相信，要么艾纳德创作的不是一个礼拜仪式的办公室，而是一个圣人的散文简历，要么他创作的办公室已经丢失了。本文对圣凯瑟琳现存最古老的办公室进行了调查，表明在德语区广泛传播的办公室可以追溯到诺曼底，并通过对其最早来源巴黎的古地理和编纂学分析，法国国家图书馆，nouv。acq。公元1083年，十一世纪末，献给圣凯瑟琳·杜蒙。这份手稿中包含的办公室将新创作的圣凯瑟琳圣歌与来自各种礼拜仪式来源的现有圣歌并置，这些圣歌是为了纪念既定的圣徒，并强调圣凯瑟琳遗迹的力量。该办公室的内容和主题表明，其创建者有一个合法化和邪教宣传的议程，这将符合圣凯瑟琳僧侣的目标。如果这份手稿确实来自Ste Catherine du Mont，那么它很可能记录了Ainard创作的办公室。文本旋律风格和模态组织强化了这一归因，使其成为后来的圣歌创作风格，而出生于南德意志的Ainard可能对此很熟悉。
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Pub Date : 2021-04-01DOI: 10.1017/S0961137121000012
Alison Altstatt
ABSTRACT This article concerns a fragmentary Office for Saint Blaise found in D-PREk Reihe V G1, a late fourteenth-century antiphoner from the Benedictine convent of Kloster Preetz. Despite the late date of the source, compositional similarities between this office and the Saint Nicholas office support the possibility that the former may be a lost Office attributed to Bishop Reginold of Eichstätt (r. 966–91) by the chronicler Anonymus Haserensis. I argue that Reginold may have written both the Office for Saint Blaise and the recension of the passio on which it is based for Pia of Bergen (Biletrud, Duchess of Bavaria), whom the chronicler names as Reginold's patron. This theory is supported by a consideration of the historical position and practices of Ottonian aristocratic widows, the development of saints’ cults in tenth-century Eichstätt and the text of the passio itself. These findings give new insight into the office compositions of Reginold of Eichstätt, the Ottonian veneration of Byzantine saints and female patrons’ involvement in the liturgical arts and establishment of cults in the late tenth century. These findings also provide hints to the origin of the liturgy of Kloster Preetz, whose mother house has never been identified.
摘要本文涉及在十四世纪晚期克洛斯特·普雷茨本笃会修道院的反骗子D-PREk Reihe V G1中发现的一个零碎的圣布莱斯办公室。尽管来源日期较晚，但该办公室与圣尼古拉斯办公室在组成上的相似性支持了前者可能是编年史家Anonymus Haserensis将其归因于Eichstätt的Reginold主教（r.966–91）的一个失落的办公室的可能性。我认为，里贾诺德可能写了《圣布莱斯办公室》和《贝尔根伯爵（巴伐利亚公爵夫人比勒特鲁德）的传记》，编年史家称其为里贾诺德的赞助人。这一理论得到了对奥斯曼贵族寡妇的历史地位和实践、十世纪艾希施塔特圣徒崇拜的发展以及passio本身文本的考虑。这些发现为艾希特的雷吉诺尔德的办公室构成、奥斯曼对拜占庭圣人的崇拜以及10世纪末女性赞助人参与礼拜艺术和建立邪教提供了新的见解。这些发现也为Kloster Preetz的礼拜仪式的起源提供了线索，其母屋从未被确认。
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Pub Date : 2021-04-01DOI: 10.1017/S096113712100005X
Sanna Raninen
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Pub Date : 2021-01-12DOI: 10.1017/S0961137121000103
Emma C Hornby, David Andrés Fernández, C. J. Gutiérrez, Dianne Scullin
ABSTRACT Old Hispanic liturgy was practised across much of medieval Iberia until c.1080. In this article we analyse the extant Old Hispanic processional antiphons, focusing on: the presence or absence of verses; amount of text and relationship with the Bible; cadence placement; number of notes per chant (melodic density) and per syllable; and melodic repetition within and between chants. We demonstrate that the processional antiphons are neither a homogenous corpus nor clearly differentiated stylistically from other Old Hispanic antiphons. In a short case study of the Good Friday Veneration of the Cross, we situate the processional antiphons within their wider ritual context, including their likely staging in the ecclesiastical architecture. As we show, the interaction between melody and ritual directed the antiphon texts towards a particular devotional end.
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