Pub Date : 1996-01-01DOI: 10.1080/00233609608604404
Patrik Reuterswärd
{"title":"Zu den versöhnlicheren alternativen der vanitasmalerei","authors":"Patrik Reuterswärd","doi":"10.1080/00233609608604404","DOIUrl":"https://doi.org/10.1080/00233609608604404","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77436024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1996-01-01DOI: 10.1080/00233609608604409
S. Blum
{"title":"Earthly Saints: The concordance of Flemish and Florentine art in the fifteenth century","authors":"S. Blum","doi":"10.1080/00233609608604409","DOIUrl":"https://doi.org/10.1080/00233609608604409","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84150478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1996-01-01DOI: 10.1080/00233609608604397
Avigdor W. G. Poséq
{"title":"The Tempest again: Giorgione's “Ingegno”","authors":"Avigdor W. G. Poséq","doi":"10.1080/00233609608604397","DOIUrl":"https://doi.org/10.1080/00233609608604397","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88053404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1996-01-01DOI: 10.1080/00233609608604396
A. Danielsson
Summary Queen Margaret's Golden Gown—once again. The theory that the Uppsala gown can be dated to the 14th century is no longer tenable. This is clearly demonstrated by Docent Goran Possnert's Appendix to the latest work on the subject published by the Royal Academy of Letters, History and Antiquities: Geijer—Franzen—Nockert, Drottning Margaretas gyllene kjortel i Uppsala domkyrka revised by M. Nockert (Stockholm 1994, pp. 115–120, 137; subsequently referred to as G‐F‐N in this article).1 By subjecting silk and linen threads from this gown to the 14C test, the The Svedberg Laboratory at Uppsala has been able to date the material to the years 1403–1439. Nota bene that this applies only to the age of the threads, not to when the gown was made. As, however, there is no telling what future scientific discoveries may reveal, Possnert has urged me to publish the results of my research once more,2 even though they cannot be fitted into the period mentioned above but rather point to the 1460s, i.e., a few decades...
玛格丽特女王的金礼服——再一次。乌普萨拉长袍可以追溯到14世纪的理论已经站不住脚了。这一点在皇家文学、历史和古物学院出版的关于这一主题的最新著作的附录中得到了清楚的证明:Geijer-Franzen-Nockert, Drottning Margaretas gyllene kjortel i Uppsala domkyrka，由M. Nockert修订(斯德哥尔摩1994，第115 - 120,137页;(下文简称为G‐F‐N)通过对这件长袍上的丝绸和亚麻线进行14C测试，乌普萨拉的Svedberg实验室已经能够将这种材料的年代确定为1403-1439年。当然，这只适用于线的年代，而不适用于礼服的制作时间。然而，由于不知道未来的科学发现会揭示什么，posnert敦促我再一次发表我的研究结果，即使它们不能与上面提到的时期相匹配，而是指向14世纪60年代，即几十年……
{"title":"“Drottning Margaretas gyllene kjortel\"—än en gång","authors":"A. Danielsson","doi":"10.1080/00233609608604396","DOIUrl":"https://doi.org/10.1080/00233609608604396","url":null,"abstract":"Summary Queen Margaret's Golden Gown—once again. The theory that the Uppsala gown can be dated to the 14th century is no longer tenable. This is clearly demonstrated by Docent Goran Possnert's Appendix to the latest work on the subject published by the Royal Academy of Letters, History and Antiquities: Geijer—Franzen—Nockert, Drottning Margaretas gyllene kjortel i Uppsala domkyrka revised by M. Nockert (Stockholm 1994, pp. 115–120, 137; subsequently referred to as G‐F‐N in this article).1 By subjecting silk and linen threads from this gown to the 14C test, the The Svedberg Laboratory at Uppsala has been able to date the material to the years 1403–1439. Nota bene that this applies only to the age of the threads, not to when the gown was made. As, however, there is no telling what future scientific discoveries may reveal, Possnert has urged me to publish the results of my research once more,2 even though they cannot be fitted into the period mentioned above but rather point to the 1460s, i.e., a few decades...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84906676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1996-01-01DOI: 10.1080/00233609608604408
Torsten Weimarck
{"title":"Chance Meetings of Umbrellas with Sewing-Machines: some Reflections on the Object, the Table and the Tableau in 20th Century Art.\" Paper delivered at the Still Life Symposium, Nationalmuseum, 3.4 1995.","authors":"Torsten Weimarck","doi":"10.1080/00233609608604408","DOIUrl":"https://doi.org/10.1080/00233609608604408","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80319248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1996-01-01DOI: 10.1080/00233609608604416
C. Lengefeld
Summary in English Anders Zorn's two portraits of Max Liebermann. From the Parisian and Berlin art world of the 1890's. In the 1880's the German artist Max Liebermann (1847–1935) went to Paris regularly, both to keep in contact with the Parisian art world and to see his own pictures on view there. He made friends with Scandinavian artists, among others the Finns Albert Edelfelt and Ville Vallgren, the Norwegian Frits Thaulow and the Dane P.S. Kroyer. But above all he appreciated the Swedish artist Anders Zorn (1860–1920) whom Liebermann leatnt to know in 1888 or 1889 and whom he was to support in later Berlin years when he had become an influential personage as president of the Berlin Secession (from 1899). Liebermann and Zorn harmonized from the beginning in their opinion about art and artists. They both admired Rembrandt and Frans Hals, but particularly they took the same view of contemporary art. This means that they rejected the academic style and disliked avantgarde symbolism as well, whereas they mo...
{"title":"Anders Zorns zwei Porträts von Max Liebermann","authors":"C. Lengefeld","doi":"10.1080/00233609608604416","DOIUrl":"https://doi.org/10.1080/00233609608604416","url":null,"abstract":"Summary in English Anders Zorn's two portraits of Max Liebermann. From the Parisian and Berlin art world of the 1890's. In the 1880's the German artist Max Liebermann (1847–1935) went to Paris regularly, both to keep in contact with the Parisian art world and to see his own pictures on view there. He made friends with Scandinavian artists, among others the Finns Albert Edelfelt and Ville Vallgren, the Norwegian Frits Thaulow and the Dane P.S. Kroyer. But above all he appreciated the Swedish artist Anders Zorn (1860–1920) whom Liebermann leatnt to know in 1888 or 1889 and whom he was to support in later Berlin years when he had become an influential personage as president of the Berlin Secession (from 1899). Liebermann and Zorn harmonized from the beginning in their opinion about art and artists. They both admired Rembrandt and Frans Hals, but particularly they took the same view of contemporary art. This means that they rejected the academic style and disliked avantgarde symbolism as well, whereas they mo...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78124549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1996-01-01DOI: 10.1080/00233609608604407
Charlotte Christensen
{"title":"A Look at the Over‐Looked","authors":"Charlotte Christensen","doi":"10.1080/00233609608604407","DOIUrl":"https://doi.org/10.1080/00233609608604407","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84299937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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