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Antipodes-A Global Journal of Australian/New Zealand Literature最新文献

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1983 1983
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0021
Rachael Mead
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引用次数: 0
"The Sopranos Meets The Real Housewives of Orange County": The Publishing of Christos Tsiolkas's The Slap in the United States “黑道家族遇到奥兰治县的真正的家庭主妇”:克里斯托斯·齐奥尔卡斯的《耳光》在美国的出版
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0012
P. Henningsgaard
Abstract:Drawing on theories and methodologies associated with the field of textual criticism and scholarly editing, as well as those associated with the field of book history, this article examines the publishing of Christos Tsiolkas's novel The Slap in the United States. All aspects of the publication process are surveyed—including design, marketing, and screen adaptation—but this article devotes its greatest critical attention to the editorial process. Ultimately, it contends that reading a US edition of The Slap is a substantially different experience from reading an Australian edition. This groundbreaking argument is the result of several unique or rare critical decisions. This article is unique, firstly, in the scope of its examination of the publishing of an Australian book in the United States—considering editorial, design, marketing, and screen adaptation. Second, it is rare for its close analysis of a previously overlooked category of editorial variation between editions. Finally, this article is uncommon because its analysis of editorial variation is focused on a book that received editorial attention that is reflective of a contemporary industry standard, rather than an outlier case. What remains unknown, however, is how typical Tsiolkas's The Slap is of US editions of contemporary books originally published in Australia.
摘要:本文借鉴文本批评和学术编辑领域以及图书历史领域的理论和方法,考察了克里斯托斯·齐奥尔卡斯的小说《一巴掌》在美国的出版情况。我们调查了出版过程的所有方面——包括设计、营销和屏幕改编——但本文将最重要的注意力集中在编辑过程上。最后,它认为阅读美国版的《一巴掌》与阅读澳大利亚版的《一巴掌》有着本质上不同的体验。这个开创性的论点是几个独特或罕见的关键决定的结果。这篇文章的独特之处在于,首先,它考察了一本澳大利亚书在美国出版的情况,包括编辑、设计、营销和银幕改编。其次,它对以前被忽视的版本之间的编辑差异进行了细致的分析,这是罕见的。最后,这篇文章是不寻常的,因为它对编辑变化的分析集中在一本受到编辑关注的书上,这本书反映了当代行业标准,而不是一个例外情况。然而,尚不清楚的是,齐奥尔卡斯的《耳光》在澳大利亚出版的当代书籍的美国版本中有多典型。
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引用次数: 0
Pregnancy denied, pregnancy accepted 拒绝怀孕,接受怀孕
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0000
Farisa Khalid
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引用次数: 0
Needs 需要
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0019
S. Flynn
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引用次数: 0
The Miles Franklin Literary Award: Investigating the Value of a Local Prize on the Global Stage 迈尔斯·富兰克林文学奖:考察一个地方奖项在全球舞台上的价值
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0029
Airlie Lawson, C. Mills
Abstract:The Miles Franklin Literary Award has long been recognized as Australia's most prestigious literary prize: winners include include Patrick White, Thea Astley, Thomas Keneally, Peter Carey, David Malouf, Kim Scott, Shirley Hazzard, Anna Funder, and Michelle de Kretser. But it is given for works that "present Australian life in any of its phases." So how is this very local prize valued on the global stage? There is little empirical research into the connection between national literary prizes and the licensing of international rights. Yet these licenses are a recognized indicator of literary value. Building on the existing records in the AustLit database, Miles Franklin Rights Project researchers tracked down twenty-one years of international editions of shortlisted and Miles Franklin–winning titles to discover the where, when, and who of their publishing lives. The result is a fully searchable data set that researchers can draw on to explore the relationship between local and global literary value. This article demonstrates the benefit of combining digital bibliographical approaches with sociologically informed publishing studies to produce new data that can be used to discover new insights into Australia's status on the international literary field.
摘要:迈尔斯·富兰克林文学奖一直被认为是澳大利亚最负盛名的文学奖,获奖者包括帕特里克·怀特、西娅·阿斯特利、托马斯·肯尼利、彼得·凯里、大卫·马卢夫、金·斯科特、雪莉·哈扎德、安娜·芬德和米歇尔·德·克雷泽。但它是颁给那些“呈现澳大利亚生活各个阶段”的作品。那么,这个非常本土化的奖项在全球舞台上的价值如何呢?关于国家文学奖和国际版权许可之间关系的实证研究很少。然而,这些许可证是公认的文学价值指标。基于澳大利亚文学数据库的现有记录,迈尔斯·富兰克林权利项目的研究人员追踪了21年来入围和迈尔斯·富兰克林获奖作品的国际版本,以发现他们出版的时间、地点和人物。结果是一个完全可搜索的数据集,研究人员可以利用它来探索本地和全球文学价值之间的关系。本文展示了将数字书目方法与社会学知识出版研究相结合的好处,以产生新的数据,这些数据可用于发现澳大利亚在国际文学领域地位的新见解。
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引用次数: 0
Australian Authors in the House of William Morrow: Writing Good Commercial Fiction for the US Market 澳大利亚作家在威廉莫罗的房子:为美国市场写好的商业小说
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0030
R. Osborne, D. Carter
Abstract:This article investigates the publication of Australian authors of "good commercial fiction" in the United States in the 1950s and 1960s. When the early careers of Morris West, Jon Cleary, and George Johnston are traced through their association with William Morrow and Company, the importance to these careers of publishers, editors, literary agents, and other stakeholders becomes apparent. Each author built a substantial career of largely successful fiction over successive titles with the ongoing support of Morrow as publisher, plus key links with editors and literary agents. For West and Cleary in particular, the United States became a primary place of publication and editorial advice across these decades. While the good commercial fiction of these authors is rarely acknowledged in Australian literary history, their position within the field of book history and print culture clearly shows how important these examples are to understanding the dynamics of transnational print culture and its significant effect on the ways in which Australian novels were commissioned, edited, published, and reviewed, particularly in the United States. Revealed in correspondence and other publishing records, the often complex negotiations required to transform an Australian novel into a US book exhibit the cultural and commercial contingencies experienced throughout an author's career, demonstrating that good commercial fiction provides a rich field of inquiry to expand and complicate our ideas of Australian authorship.
摘要:本文考察了20世纪五六十年代澳大利亚作家的“优秀商业小说”在美国的出版情况。当莫里斯·韦斯特、乔恩·克利里和乔治·约翰斯顿的早期职业生涯被追溯到他们与威廉·莫罗公司的联系时,出版商、编辑、文学经纪人和其他利益相关者对他们职业生涯的重要性就变得显而易见了。在莫罗作为出版商的持续支持下,每位作者都通过一系列成功的小说建立了坚实的事业,并与编辑和文学经纪人建立了关键联系。特别是对韦斯特和克利里来说,在过去的几十年里,美国成为了出版和编辑建议的主要地点。虽然这些作家的优秀商业小说在澳大利亚文学史上很少得到承认,但他们在图书历史和印刷文化领域的地位清楚地表明,这些例子对于理解跨国印刷文化的动态及其对澳大利亚小说委托、编辑、出版和评论方式的重大影响是多么重要,尤其是在美国。从通信和其他出版记录中可以看出,将澳大利亚小说改编成美国书往往需要复杂的谈判,这展示了作家职业生涯中经历的文化和商业偶然事件,表明优秀的商业小说提供了丰富的研究领域,可以扩展和复杂我们对澳大利亚作者的看法。
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引用次数: 0
The black b-double 黑色b-double
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0042
T. Coverdale
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引用次数: 0
A writer, her doppelgänger, a baby, and a chorus of ghosts all try to get their story straight 一个作家,她的doppelgänger,一个婴儿和一群鬼都试图把他们的故事弄清楚
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0001
B. Kiernan
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引用次数: 0
Lemon squeezers and lavatories at the loneliness carnival 孤独狂欢节上的柠檬榨汁机和厕所
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0051
Gabriel Dunsmith
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引用次数: 0
The Hero of My Bones 我骨子里的英雄
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-01-05 DOI: 10.1353/apo.2021.0007
Susan M. Hancock
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引用次数: 0
期刊
Antipodes-A Global Journal of Australian/New Zealand Literature
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