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Maradona: mito popular, símbolo peronista, voz plebeya
IF 0.5 Pub Date : 2021-03-20 DOI: 10.1387/PCEIC.22540
Pablo Alabarces
In the context of a reflection on the relationship between sport and identities, the text addresses concepts such as culture, popular hero or subalternity by analyzing the scope of the figure of Argentine soccer player Diego Maradona. His death in November 2020, which provoked huge demonstrations of public grief, unleashed an intense coverage that abused terms such as myth, symbol, hero, idol and identity. The key question revolved around the extent to which Maradona, a peerless sportsman and simultaneously a conflictive public figure, due to his personal conduct (including sports convictions and criminal cases for drug use) and his political positions linked to left-wing populism, could be considered a symbol of a presumed national identity.
在反思体育与身份之间关系的背景下,本文通过分析阿根廷足球运动员迭戈·马拉多纳的形象范围,解决了文化、流行英雄或次等性等概念。他于2020年11月去世,引发了公众的巨大悲痛,引发了大量的报道,滥用了神话、象征、英雄、偶像和身份等术语。关键问题围绕着马拉多纳,一个无与伦比的运动员,同时也是一个矛盾的公众人物,由于他的个人行为(包括体育定罪和吸毒刑事案件)和他的政治立场与左翼民粹主义有关,可以被视为一个假定的国家身份的象征。
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引用次数: 2
La extracción de la piedra de la memoria. Una estética subalterna bajo el franquismo: el caso del cantero José Meijón 从记忆中提取石头。佛朗哥主义下的低级美学:石匠何塞·梅洪的案例
IF 0.5 Pub Date : 2021-03-20 DOI: 10.1387/PCEIC.21787
Germán Labrador Méndez
This article offers a case study after the works by mason Jose Meijon, an artist subjected to psychiatric discipline that, during fifty years, developed a fascinating project over the stones around the town of Marin (Pontevedra, Galicia). His invisible art represents today a telling testimony of the repression under Francisco Franco's dictatorship and of the problems related to the Spanish Civil War's memories. I will defend a possible reconstruction of Meijon's artistic corpus and a number of reading strategies to offer a comprehension of his work in relation to authoritarian developmentalist politics between 1931 and 1980. In order to do so, I will display Meijon's biography and oral legend in relation to his works and to the social and cultural space from which they originate. My goal is to offer a comprehensive reading taking into account history, biography, aesthetics and the space as a whole. In section two, I will present a short political history of Marin's territory and its transformations since the Spanish Civil War, to provide a general frame for Meijon's art. Section three, interrogates his art in relation to the local prehistoric engravers that he explicitly quotes, updating their codes in terms of avant-garde aesthetics. By means of this gesture, Meijon is organizing a memorial writing for the rich religious (protestant) and political (working-class and Republican) local democratic universe, destroyed during the war. Finally, I am interested in focusing political tensions that Meijon’s works arise today face to our so-called processes for the recovering of historical memory.
这篇文章提供了一个案例研究,以泥瓦匠Jose Meijon的作品为背景,他是一位接受精神学科训练的艺术家,在50年的时间里,他在马林镇(加利西亚的蓬特韦德拉)周围的石头上开发了一个引人入胜的项目。今天,他的隐形艺术生动地见证了弗朗西斯科·佛朗哥独裁统治下的镇压,以及与西班牙内战记忆有关的问题。我将为可能重建梅的艺术语料库和一些阅读策略辩护,以理解他在1931年至1980年间与威权发展主义政治有关的作品。为了做到这一点,我将展示梅坚的传记和口述传说,这些传记和传说与他的作品以及它们产生的社会和文化空间有关。我的目标是提供一个全面的阅读,考虑到历史、传记、美学和整个空间。在第二节中,我将介绍马林的领土及其自西班牙内战以来的转变的简短政治史,为梅简的艺术提供一个总体框架。第三节,将他的艺术与他明确引用的当地史前雕刻师联系起来,从先锋美学的角度更新他们的准则。通过这一姿态,Meijon正在为在战争中被摧毁的丰富的宗教(新教)和政治(工人阶级和共和党)地方民主世界组织一场纪念活动。最后,我有兴趣将梅的作品今天所面临的政治紧张关系集中到我们所谓的恢复历史记忆的过程中。
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引用次数: 0
Continuidades y discontinuidades de la violencia política en la transición a la democracia en Chile 智利向民主过渡过程中政治暴力的连续性和不连续性
IF 0.5 Pub Date : 2021-03-20 DOI: 10.1387/PCEIC.21912
Isabel Piper-Shafir, Margarita Maria Velez-Maya
This article reflects on political violence in the Chilean transition based on a dialogue with seven narratives that address the memories built by activists who exercised it during that period. Taking the knowledge produced by activists, produced through the method of “narrative productions”, as a starting point, two axes of analysis emerge: the reconfigurations of the practices, meanings, and possibilities of violence for struggle in post-dictatorial democracy and the continuations of state political violence. The text concludes that Chilean political transition is conformed as a device for the pacification of society. Such a device creates institutions, laws, and discourses that delegitimize, persecute and stigmatize the use of political violence as a form of struggle, while it legitimizes the State political violence, aimed primarily at those who pose a risk to the maintenance of the new order.
这篇文章以七种叙述的对话为基础,反思了智利过渡时期的政治暴力,这些叙述讲述了那段时期行使政治暴力的活动家所建立的记忆。以活动家通过“叙事生产”方法产生的知识为出发点,出现了两个分析轴:对后独裁民主中暴力斗争的实践、意义和可能性的重新配置,以及国家政治暴力的延续。本文的结论是,智利的政治过渡是一种安抚社会的手段。这种手段创造了机构、法律和言论,使使用政治暴力作为一种斗争形式失去合法性、迫害和污名化,同时使主要针对那些对维护新秩序构成风险的人的国家政治暴力合法化。
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引用次数: 2
Lastres de impunidad. Sombras de amnistía y espanto de victimarios en la España “democrática” 有罪不罚的负担。“民主”西班牙大赦和受害者恐惧的阴影
IF 0.5 Pub Date : 2021-03-20 DOI: 10.1387/PCEIC.21846
Jesús Izquierdo Martín
Spain has experienced a very particular transitional justice for which the visibility of those who were victimizers and those who suffered as victims was practically null. There was neither justice nor reparation for the memory of the murdered. A hegemonic memory was imposed by the power that hid the victims, but also their killers. This culture of memory has established rules up to this day according to which the perpetrators cannot be held criminally or morally responsible. Moral repentance does not exist either. The Amnesty Law of 1977 protects them and there is no truth commission that points out the dictatorship's murderers, even if they are not already criminally responsible. Many of these perpetrators are already spectres of the past, but there is a possibility that they will appear in our memory as the negatives "others" of our democratic tradition.
西班牙经历了一个非常特殊的过渡时期司法,受害者和受害者的知名度实际上是无效的。对于被谋杀者的记忆,既没有正义,也没有赔偿。霸权记忆是由隐藏受害者和凶手的力量强加的。这种记忆文化迄今为止已经确立了规则,根据这些规则,肇事者不能承担刑事或道德责任。道德忏悔也不存在。1977年的《大赦法》保护他们,没有真相委员会指出独裁政权的凶手,即使他们还没有刑事责任。这些肇事者中的许多人已经是过去的幽灵,但他们有可能作为我们民主传统的负面“其他人”出现在我们的记忆中。
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引用次数: 0
Agüero, Pablo (2020). Akelarre. Película 阿圭罗,巴勃罗(2020年)。阿凯拉尔。电影
IF 0.5 Pub Date : 2021-03-20 DOI: 10.1387/PCEIC.22459
Asier Amezaga Etxebarria
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引用次数: 0
La gestión anti-sociológica y tecno-experta de la pandemia del Covid-19 Covid-19大流行的反社会学和技术专家管理
IF 0.5 Pub Date : 2021-03-20 DOI: 10.1387/PCEIC.21916
Danilo Martuccelli
The article proposes a set of critical reflections on the techno-expert management of the covid-19 pandemic. Leaning on the two major prevention strategies put into practice, quarantines and distancing, the text is not interested in the differentials results at the national level, nor in the reasons that led to their implementation. What it is analyzed are the presuppositions and social imaginaries underlying the decisions made, the homogeneity of the measures that were generalized with very little attention to local contexts, and the ideals of sociability that were mobilized. Above all the article analyzes the tension between the face-to-face and the virtual relations, between a sociability founded on interaction and a sociability that tends to be conceived out from generalized connectivity, as well as the way in which this potentially redesigns a whole new social hierarchy of trades and activities. It is this disparate set of imaginaries, trends and measures that the article criticizes for its anti-sociological and decontextualized nature.
本文就新冠肺炎大流行的技术专家管理提出了一系列批判性思考。本文着眼于实施的两种主要预防策略,即隔离和保持距离,对国家层面的差异结果不感兴趣,也不关心导致实施这些策略的原因。它分析的是做出决定的前提和社会想象,在很少关注当地环境的情况下概括的措施的同质性,以及被动员起来的社交性理想。最重要的是,本文分析了面对面和虚拟关系之间的紧张关系,建立在互动基础上的社交性和倾向于从广义连接中构想出来的社交性之间的紧张关系,以及这可能重新设计一个全新的交易和活动的社会等级的方式。正是这一套不同的想象,趋势和措施,这篇文章批评其反社会学和脱语境的性质。
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引用次数: 9
McRuer, Robert (2018). Crip Times: Disability, Globalization, and Resistence. Nueva york: New York University Press 罗伯特·麦克鲁尔(2018)。残废时代:残疾、全球化和抵抗。纽约:纽约大学出版社
IF 0.5 Pub Date : 2020-09-28 DOI: 10.1387/PCEIC.21825
Carlos García Grados
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引用次数: 0
Los Estudios de la Dis/capacidad: una propuesta no individualizante para interrogar críticamente la producción del cuerpo-sujeto discapacitado DIS/能力研究:一项非个性化的建议,以批判性地质疑身体的生产-残疾主体
IF 0.5 Pub Date : 2020-09-28 DOI: 10.1387/PCEIC.20974
Laura Sanmiquel-Molinero
This paper aims to promote the dialogue between Spanish and Anglo-Saxon perspectives that are critical of individual models of disability. Also, the paper seeks to bridge these approaches and qualitative research. Specifically, I claim that Dis/ability Studies (D/aS) are a well-suited approach to ground this field of inquiry. This emergent perspective explores the "dis/ability complex" from an intersectional stance. That is, the way in which attributes linked to ability and disability are mutually constitutive, and simultaneously reproduced by disablism and ableism as well as other systems of social differentiation. This work advances twelve research questions that derive from D/aS and two of their theoretical foundations (poststructuralism and postconventionalism). Drawing on poststructuralism, I conceptualise disability as a foucaultian apparatus the ableist regime of intelligibility of which is shaped by individual models of disability. On the other hand, postconventional theories such as posthumanism and theories of affect allow us to explore the material and affective assemblages that corporealise the disabled subject, reproducing and/or subverting the disability apparatus. I conclude by pointing out that ‘ableism’ and ‘disablism’ can further the debate between theoretical and activist fields beyond ‘disability’.
本文旨在促进西班牙和盎格鲁撒克逊观点之间的对话,这些观点对残疾的个人模式持批评态度。此外,本文试图将这些方法与定性研究联系起来。具体地说,我声称不合格性研究(D/aS)是一种非常适合为这一研究领域奠定基础的方法。这一新兴视角从交叉的角度探讨了“能力缺陷情结”。也就是说,与能力和残疾相关的属性是相互构成的,同时由残疾和能力主义以及其他社会分化系统复制。这项工作提出了十二个衍生自D/aS的研究问题及其两个理论基础(后结构主义和后惯例主义)。在后结构主义的基础上,我将残疾概念化为一种福考尔式的机器,其可理解性的能人制度是由残疾的个体模型塑造的。另一方面,后人文主义和情感理论等后传统理论使我们能够探索将残疾主体实体化、复制和/或颠覆残疾机器的物质和情感组合。最后,我指出,“能力主义”和“残疾主义”可以进一步推动“残疾”之外的理论和活动家领域之间的辩论。
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引用次数: 3
Capacidad corporal obligatoria y existencia discapacitada queer 强制身体能力和残疾人酷儿的存在
IF 0.5 Pub Date : 2020-09-28 DOI: 10.1387/PCEIC.21903
Robert N. Mcruer
This paper was originally published with the title “Compulsory Able-bodiedness and Queer/Disabled Existence” in the volume Disabling the Humanities edited by Sharon L. Snyder, Brenda Jo Brueggemann y Rosemarie Garland-Thomson in 2002. In the paper, Robert McRuer proposes a theory of compulsory able-bodiedness based both in the work of Adrienne Rich and in Judith Butler’s performativity theory. The paper questions that the trouble lies not in disability, but in normality. The author argues the necessity of an alliance among studies and movements of disability and queer .
这篇论文最初发表在Sharon L.Snyder、Brenda Jo Brueggemann和Rosemarie Garland Thomson于2002年编辑的《禁用人文》一书中,标题为“强制性的有能力的身体和酷儿/残疾的存在”。罗伯特·麦克鲁尔在阿德里安·里奇的作品和朱迪斯·巴特勒的表演性理论的基础上,提出了一种强制性的形体理论。该论文质疑,问题不在于残疾,而在于正常。作者认为,在残疾和酷儿的研究和运动之间建立联盟的必要性。
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引用次数: 1
Ensamblajes de género, cuerpo y sexualidad en las narrativas de dos rengos 性别、身体和性在dos rengos叙事中的集合
IF 0.5 Pub Date : 2020-09-28 DOI: 10.1387/PCEIC.20985
Luisina Castelli Rodríguez
The article seeks to make an anthropological contribution in relation to two related purposes. First, based on the body itineraries of a cisgender adult woman and a man, of similar age, who live in Buenos Aires and share a social position as rengos , we explore the assemblages of gender, (disabled) body and sexuality. Secondly, a critique of the subalternization and reification of the corporal difference within the capitalist mode of production is developed and links are identified between different matrices that generate discrimination. Placing the body as common ground of human experience, the text advocates the formation of alliances between collectives as a means to face common oppressions.
本文试图就两个相关目的作出人类学贡献。首先,基于一名年龄相仿的顺性成年女性和一名男性的身体行程,我们探索了性别、(残疾)身体和性的组合。其次,对资本主义生产方式中肉体差异的次代化和物化进行了批判,并确定了产生歧视的不同矩阵之间的联系。文本将身体作为人类经验的共同基础,主张在集体之间形成联盟,作为面对共同压迫的手段。
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引用次数: 0
期刊
Papeles del CEIC-International Journal on Collective Identity Research
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