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Risk-taking in Education - When Art-Activism Challenge both Students and Visual Arts Teacher Educators 教育中的风险承担——当艺术激进主义挑战学生和视觉艺术教师
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-18
Ewa Berg
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引用次数: 0
Teacher Students Meet Their Intended Target Group - Aesthetic Work on Tweenies as a Phenomenon 师生达到目标群体——作为一种现象的微博审美工作
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-9
Malena Wallin, C. Gavelin
The purpose of this study is to investigate how visual representationsof identity are created and perceived by future leisure-time centerteachers. In the leisure-time center there are still good opportunitiesto focus on interdisciplinary and joint work on value-based work,not least through aesthetic and creative processes. We have triedto develop tasks that challenge our teacher students to workexploratory with the concept Tweenies as a phenomenon throughwork with Storyline as a tool for a narrative, a way of working whereaesthetics and image didactics have been used as didactic tools.The assumption that we make from the work with the universitycourse is that the teacher students themselves need to experiencethe importance of working aesthetically with Storyline to understandthe basis of the concept. What has been a crucial perspective forus is that the students are given the opportunity to learn throughart and not just about art (Lindstrom, 2011) in the aesthetic learningprocesses. In our interviews we have been able to see that the taskis perceived as both fun and demanding. The work with storylinemade the students involved and they dared to experiment with otherinputs than the ones in traditional teaching, which helped themto approach and deal with problems like how to take up difficultsubjects in the teaching activities.
本研究的目的是调查未来休闲时间中心教师是如何创造和感知身份的视觉表征的。在休闲时间中心,仍然有很好的机会专注于跨学科和基于价值的联合工作,尤其是通过美学和创意过程。我们试图开发一些任务,挑战我们的师生通过将Storyline作为叙事工具来探索Tweenies作为一种现象的概念,这是一种美学和图像教学法被用作教学工具的工作方式。我们从与大学课程的合作中得出的假设是,师生自己需要体验到与Storyline进行美学合作的重要性,以理解这一概念的基础。对我们来说,一个至关重要的观点是,在审美学习过程中,学生有机会通过艺术学习,而不仅仅是学习艺术(Lindstrom,2011)。在我们的采访中,我们发现这项任务既有趣又要求高。故事情节的作品让学生们参与进来,他们敢于尝试传统教学之外的其他输入,这有助于他们在教学活动中处理和处理诸如如何学习困难科目之类的问题。
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引用次数: 0
Interventions of Time – Child Art Competitions in the 20th Century 20世纪儿童艺术竞赛的时间介入
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-7
Elin Låby
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引用次数: 0
Visual Fabulations and a Thousand Becomings in Media and Art Education 媒体与艺术教育中的视觉虚构与千变
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-8
Ulla Lind, Annika Hellman
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引用次数: 0
Experiential Learning through Art-based Environmental Education in a Storyline - a Foundation for Sustainable Thinking and Acting 通过故事线中的艺术环境教育进行体验式学习——可持续思维和行为的基础
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-2
Margaretha Häggström
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引用次数: 0
From Non-site to Sustainable Design Challenged by Material Transformations and Oral Receptions 从非场地到可持续设计:材料转换和口头接受的挑战
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-3
Helena Malm
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引用次数: 0
Dissolving Views - Re-Visualizing the Art Exhibition 融景——艺术展览的再视觉化
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-14
Anna Ramberg
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引用次数: 0
Performing Otherwise - The Classroom as a Nomadic, Material Space 以其他方式表演——教室作为一个游牧的物质空间
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-6
Paula Resch, Ulla Lind
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引用次数: 1
Sketching and Drawing as Part of the Learning Process - Showing Ideas and Presenting Projects 素描和绘画是学习过程的一部分-展示想法和展示项目
IF 0.4 Pub Date : 2020-06-30 DOI: 10.24981/2414-3332-7.2020-19
Anne Martin
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引用次数: 0
Secularizing the Sacred: Aspects of Israeli Visual Culture, written by Alec Mishory 《神圣的世俗化:以色列视觉文化的方方面面》,Alec Mishory著
IF 0.4 Pub Date : 2020-06-24 DOI: 10.1163/18718000-12340125
N. Sheffi
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引用次数: 1
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